Repertoire:

HIGHLIGHTS

Amelfa (DER GOLDENE HAHN) - Caesonia (CALIGULA) - Carmen (CARMEN) - Dryade (ARIADNE AUF NAXOS) - Floßhilde (DAS RHEINGOLD) - Hänsel (HÄNSEL UND GRETEL) - Mary (DER FLIEGENDE HOLLÄNDER) - Tisbe (LA CENERENTOLA)

Engagements at:

Deutsche Oper Berlin | Staatsoper Hannover | Deutsches Nationaltheater Weimar | Staatstheater Braunschweig |

CALIGULA – DEUTSCHES NATIONALTHEATER WEIMAR

„Marlene Gaßner gibt mit leicht dunkel timbriertem Mezzo seiner Geliebte Caesonia eine faszinierende Klangfarbe" - MORE

Online Musik Magazin by Stefan Schmöe

Marlene Gaßner

Vita

Since the 2024/2025 season, Marlene Gaßner has been a member of the ensemble at Theater Erfurt. In the current 2025/2026 season, she can be heard in a wide range of productions: as the soloist in Gustav Mahler’s Kindertotenlieder in the 2nd Symphony Concert, as Aouda in Around the World in 80 Days, Marylou in Fairy Tales in the Grand Hotel, Lureen in Brokeback Mountain, and the Mayor in The Little Ghost. In her first season in Erfurt, she made her role debut as Hänsel (Hänsel und Gretel) and also reprised Eliza Doolittle (My Fair Lady), appeared as the Angel in Mendelssohn’s Elijah, and performed as soloist in the theater’s traditional New Year’s Concert.

 

From 2020 to 2024, she was a member of the ensemble at the Deutsches Nationaltheater Weimar, where she made her debut in the title role of Carmen and performed roles including Caesonia in Detlev Glanert’s Caligula, Amelfa in The Golden Cockerel, Mary in The Flying Dutchman, Tisbe in La Cenerentola, and Eliza Doolittle in My Fair Lady.

 

Guest engagements have taken her to the NDR Klassik Open Air as the Page in Rigoletto, to the Deutsche Oper Berlin as the Robber Girl/Flower/Princess in Samuel Penderbayne’s The Snow Queen, to the Deutsches Nationaltheater Weimar as Dryad in a new production of Ariadne auf Naxos, and to Theater Dortmund as Flosshilde in Peter Konwitschny’s Das Rheingold, in which she appeared both in the 2023/24 premiere production and in the 2024/25 revival.

 

Her discography includes the 2022 world premiere recording of Richard Flury’s opera Der schlimm-heilige Vitalis, in which she performs the role of Jucunda with the Nuremberg Symphony Orchestra under the baton of Paul Mann.

 

Marlene Gaßner studied voice at the Hochschule für Musik, Theater und Medien Hannover. She was a scholarship holder of Yehudi Menuhin Live Music Now and the Richard Wagner Society Hannover. She made her stage debut in 2016 as Rebecca Nurse in The Crucible at Staatstheater Braunschweig, followed by engagements with the Junge Oper Hannover and, until the summer of 2019, as a member of the ensemble at Staatsoper Hannover, where her roles included Soeur Mathilde (Dialogues des Carmélites), Flora and Annina (La traviata), the Sandman (Hänsel und Gretel), and Curra (La forza del destino).

 

2025-08-11

Media

Richard Wagner: “Träume”

Repertoire

Opera / Operetta

Bizet CARMEN Carmen
Britten A Midsummer Night’s Dream Hypolita
Copeland
ELECTRIC SAINT Mutter
Fünfeck BABBEL Babbel
Glanert LEYLA UND MEDJNUN Mutter
Hanke OH, WIE SCHÖN IST PANAMA Kuh/Igel/Maus /Erzähler
Humperdinck HÄNSEL UND GRETEL Hänsel, Sandmännchen
Kats-Chernin IPHIS Telethusa
Lofer DES KAISERS NEUE KLEIDER Lametta
Mayrhofer DIE DREI SPINNERINNEN Königin
McNeff EIN SANFTER RIESE Mister Stardust
Mozart DIE ZAUBERFLÖTE Dritte Dame
Nicolai DIE LUSTIGEN WEIBER VON WINDSOR Frau Reich
Penderbayne DIE SCHNEEKÖNIGIN Prinzessin, Räubertochter, Lappin
Poulenc LES DIALOGUES DES CARMELITES Soeur Mathilde
Puccini MADAMA BUTTERFLY Kate Pinkerton
Ravel L’ENFANT ET LES SORTILEGES La Libellule, Maman
Rokahr JIM KNOPF UND DIE WILDE 13 Jim
Rossini
LA CENERENTOLA Tisbe
Strauss ARIADNE AUF NAXOS Dryade
Suppè DAS PENSIONAT Melanie
Verdi LA FORZA DEL DESTINO Curra
  LA TRAVIATA Flora
  RIGOLETTO Contessa di Ceprano, Paggio della Duchessa
Wagner DAS RHEINGOLD Flosshilde
  DER FLIEGENDE HOLLÄNDER Mary
Ward THE CRUCIBLE Rebecca Nurse

News & Infos

Press

ERO S ONOGA SVIJETA (Reviews)

Concert performance on May 19, 2019 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.

MASKARADE – OPER FRANKFURT (REVIEWS)

Performances on January 10, 18, 26 and February 6, 9 and 14, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. Anaclase by IF Maskarade | Mascaradeopéra de Carl Nielsen …On avoue...

LES VÊPRES SICILIENNES – DEUTSCHE OPER BERLIN (REVIEWS)

Performances on 18, 24 and 31 May 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. Der Opernfreund by Ingrid Wanja Geglückte Wiederaufnahme …vorzüglich, das heißt so nachdrücklich wie elegant und sängerfreundlich,...
ALL REVIEWS

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