

Repertoire:
HIGHLIGHTS
Engagements at:


CALIGULA – DEUTSCHES NATIONALTHEATER WEIMAR
Online Musik Magazin by Stefan Schmöe
Vita
Mezzo-soprano Marlene Gaßner studied voice at the University of Music and Theatre Hanover. She was a scholarship recipient of Live Music Now and the Richard Wagner Association in Hanover. She made her stage debut in 2016 as Rebecca Nurse in THE CRUCIBLE at the Staatstheater Braunschweig. Following this, she joined the Junge Oper Hannover and later, until summer 2019, became an ensemble member at the Staatsoper Hannover. During her time there, she performed roles such as Soeur Mathilde in DIALOGUES DES CARMÉLITES, Flora and Annina in LA TRAVIATA, the Sandman in HÄNSEL UND GRETEL, and Curra in LA FORZA DEL DESTINO.
From 2020 to 2024, Marlene Gaßner was an ensemble member at the Deutsches Nationaltheater Weimar. She made her debut there in the title role of CARMEN and performed roles such as Caesonia in Detlev Glanert’s CALIGULA, Amelfa in THE GOLDEN COCKEREL, Mary in THE FLYING DUTCHMAN, Tisbe in LA CENERENTOLA, and Eliza Doolittle in MY FAIR LADY.
Since the 2024/2025 season, she has been part of the ensemble at the Theater Erfurt, where she will debut as Hänsel. Other roles include Eliza Doolittle again, the Angel in Mendelssohn’s ELIJAH, and performances as a soloist in the traditional New Year’s concert at the Theater Erfurt.
Guest engagements have taken Marlene Gaßner to roles such as the Page in RIGOLETTO at the NDR Klassik Open-Air, the Robber Girl/Flower/Princess in Samuel Penderbayne’s THE SNOW QUEEN at the Deutsche Oper Berlin, Dryad in a new production of ARIADNE AUF NAXOS at the Deutsches Nationaltheater Weimar, and Floßhilde in Peter Konwitschny’s DAS RHEINGOLD at the Theater Dortmund.
At the end of 2022, the world premiere recording of Richard Flury’s opera DER SCHLIMM-HEILIGE VITALIS was released, featuring Marlene Gaßner as Jucunda under the baton of Paul Mann with the Nuremberg Symphony Orchestra.
2024-08-15
Media
Richard Wagner: “Träume”
Repertoire
Bizet | CARMEN | Carmen |
Britten | A Midsummer Night’s Dream | Hypolita |
Copeland |
ELECTRIC SAINT | Mutter |
Fünfeck | BABBEL | Babbel |
Glanert | LEYLA UND MEDJNUN | Mutter |
Hanke | OH, WIE SCHÖN IST PANAMA | Kuh/Igel/Maus /Erzähler |
Humperdinck | HÄNSEL UND GRETEL | Hänsel, Sandmännchen |
Kats-Chernin | IPHIS | Telethusa |
Lofer | DES KAISERS NEUE KLEIDER | Lametta |
Mayrhofer | DIE DREI SPINNERINNEN | Königin |
McNeff | EIN SANFTER RIESE | Mister Stardust |
Mozart | DIE ZAUBERFLÖTE | Dritte Dame |
Nicolai | DIE LUSTIGEN WEIBER VON WINDSOR | Frau Reich |
Penderbayne | DIE SCHNEEKÖNIGIN | Prinzessin, Räubertochter, Lappin |
Poulenc | LES DIALOGUES DES CARMELITES | Soeur Mathilde |
Puccini | MADAMA BUTTERFLY | Kate Pinkerton |
Ravel | L’ENFANT ET LES SORTILEGES | La Libellule, Maman |
Rossini |
LA CENERENTOLA | Tisbe |
Strauss | ARIADNE AUF NAXOS | Dryade |
Suppè | DAS PENSIONAT | Melanie |
Verdi | LA FORZA DEL DESTINO | Curra |
LA TRAVIATA | Flora | |
RIGOLETTO | Contessa di Ceprano, Paggio della Duchessa | |
Wagner | DAS RHEINGOLD | Flosshilde |
DER FLIEGENDE HOLLÄNDER | Mary | |
Ward | THE CRUCIBLE | Rebecca Nurse |
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