Repertoire:

HIGHLIGHTS

Amelfa (DER GOLDENE HAHN) - Caesonia (CALIGULA) - Carmen (CARMEN) - Dryade (ARIADNE AUF NAXOS) - Floßhilde (DAS RHEINGOLD) - Hänsel (HÄNSEL UND GRETEL) - Mary (DER FLIEGENDE HOLLÄNDER) - Tisbe (LA CENERENTOLA)

Engagements at:

Deutsche Oper Berlin | Staatsoper Hannover | Deutsches Nationaltheater Weimar | Staatstheater Braunschweig |

CALIGULA – DEUTSCHES NATIONALTHEATER WEIMAR

„Marlene Gaßner gibt mit leicht dunkel timbriertem Mezzo seiner Geliebte Caesonia eine faszinierende Klangfarbe" - MORE

Online Musik Magazin by Stefan Schmöe

Marlene Gaßner

Vita

Mezzo-soprano Marlene Gaßner studied voice at the University of Music and Theatre Hanover. She was a scholarship recipient of Live Music Now and the Richard Wagner Association in Hanover. She made her stage debut in 2016 as Rebecca Nurse in THE CRUCIBLE at the Staatstheater Braunschweig. Following this, she joined the Junge Oper Hannover and later, until summer 2019, became an ensemble member at the Staatsoper Hannover. During her time there, she performed roles such as Soeur Mathilde in DIALOGUES DES CARMÉLITES, Flora and Annina in LA TRAVIATA, the Sandman in HÄNSEL UND GRETEL, and Curra in LA FORZA DEL DESTINO.

 

From 2020 to 2024, Marlene Gaßner was an ensemble member at the Deutsches Nationaltheater Weimar. She made her debut there in the title role of CARMEN and performed roles such as Caesonia in Detlev Glanert’s CALIGULA, Amelfa in THE GOLDEN COCKEREL, Mary in THE FLYING DUTCHMAN, Tisbe in LA CENERENTOLA, and Eliza Doolittle in MY FAIR LADY.

Since the 2024/2025 season, she has been part of the ensemble at the Theater Erfurt, where she will debut as Hänsel. Other roles include Eliza Doolittle again, the Angel in Mendelssohn’s ELIJAH, and performances as a soloist in the traditional New Year’s concert at the Theater Erfurt.

 

Guest engagements have taken Marlene Gaßner to roles such as the Page in RIGOLETTO at the NDR Klassik Open-Air, the Robber Girl/Flower/Princess in Samuel Penderbayne’s THE SNOW QUEEN at the Deutsche Oper Berlin, Dryad in a new production of ARIADNE AUF NAXOS at the Deutsches Nationaltheater Weimar, and Floßhilde in Peter Konwitschny’s DAS RHEINGOLD at the Theater Dortmund.

 

At the end of 2022, the world premiere recording of Richard Flury’s opera DER SCHLIMM-HEILIGE VITALIS was released, featuring Marlene Gaßner as Jucunda under the baton of Paul Mann with the Nuremberg Symphony Orchestra.

 

2024-08-15

Media

Richard Wagner: “Träume”

Repertoire

Opera / Operetta

Bizet CARMEN Carmen
Britten A Midsummer Night’s Dream Hypolita
Copeland
ELECTRIC SAINT Mutter
Fünfeck BABBEL Babbel
Glanert LEYLA UND MEDJNUN Mutter
Hanke OH, WIE SCHÖN IST PANAMA Kuh/Igel/Maus /Erzähler
Humperdinck HÄNSEL UND GRETEL Hänsel, Sandmännchen
Kats-Chernin IPHIS Telethusa
Lofer DES KAISERS NEUE KLEIDER Lametta
Mayrhofer DIE DREI SPINNERINNEN Königin
McNeff EIN SANFTER RIESE Mister Stardust
Mozart DIE ZAUBERFLÖTE Dritte Dame
Nicolai DIE LUSTIGEN WEIBER VON WINDSOR Frau Reich
Penderbayne DIE SCHNEEKÖNIGIN Prinzessin, Räubertochter, Lappin
Poulenc LES DIALOGUES DES CARMELITES Soeur Mathilde
Puccini MADAMA BUTTERFLY Kate Pinkerton
Ravel L’ENFANT ET LES SORTILEGES La Libellule, Maman
Rossini
LA CENERENTOLA Tisbe
Strauss ARIADNE AUF NAXOS Dryade
Suppè DAS PENSIONAT Melanie
Verdi LA FORZA DEL DESTINO Curra
  LA TRAVIATA Flora
  RIGOLETTO Contessa di Ceprano, Paggio della Duchessa
Wagner DAS RHEINGOLD Flosshilde
  DER FLIEGENDE HOLLÄNDER Mary
Ward THE CRUCIBLE Rebecca Nurse

News & Infos

Press

MASKERADE – OPER FRANKFURT (REVIEWS)

Performances on January 10, 18, 26 and February 6, 9 and 14, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. Anaclase by IF Maskarade | Mascaradeopéra de Carl Nielsen …On avoue...
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