
Repertoire:
HIGHLIGHTS
Engagements at:


PETER GRIMES (PREMIERE) – OPÉRA GRAND AVIGNON
Opera Online by Emmanuel Andrieu

KROL ROGER (PREMIERE) – STAATSTHEATER COTTBUS
Backtrack by Svenja Koch
Vita
Uwe Stickert began receiving piano and voice lessons at the age of seven, including at the Special School for Music “Schloss Belvedere” in Weimar. He completed his vocal studies at the “Franz Liszt” University of Music in Weimar under Prof. Mario Hoff with distinction.
His early career on the opera stage included performances at venues such as the Komische Oper Berlin, the Aalto-Theater Essen, the Nationaltheater Weimar, and the Nationaltheater Mannheim. He performed in roles such as Jupiter in Handel’s SEMELE, Arnold in GUILLAUME TELL, Dorvil in LA SCALA DI SETA, Rodrigo in OTELLO (Rossini), and in various Mozart roles including Titus, Tamino, Ferrando, Don Ottavio, and Belmonte.
In recent years, Uwe Stickert has gained international recognition, particularly in the French repertoire. He has performed as Gounod’s Faust in Bern and as Raoul in Meyerbeer’s LES HUGUENOTS in Nice and Nuremberg, for which he was nominated as “Best Singer” in the 2015 issue of the magazine “Opernwelt.” He sang David in Wagner’s DIE MEISTERSINGER VON NÜRNBERG at Müpa in Budapest, Tonio in LA FILLE DU RÉGIMENT in Shanghai, and Desportes in DIE SOLDATEN at Teatro Real Madrid. In 2020, Uwe Stickert made his debut as Lohengrin at Theater Erfurt and as Florestan at the Staatstheater Cottbus.
This was followed by the title role in Britten’s PETER GRIMES at the Opéra Grand Avignon, Pasterz in a new production of KRÓL ROGER at the Staatstheater Cottbus, Hoffmann in Offenbach’s LES CONTES D’HOFFMANN at the Mainfranken Theater Würzburg, Alwa in LULU at the Staatstheater Darmstadt, Lohengrin at the Estonian National Opera, and Prinz in a new production of Prokofiev’s DIE LIEBE ZU DEN DREI ORANGEN at Theater Bonn.
In the concert field, Uwe Stickert has earned an excellent reputation as an oratorio and lieder singer, performing with major Bach Passions in Israel, Italy, China, Switzerland, and France. He maintains a close collaboration with Ludwig Güttler and the Bach Academy.
Uwe Stickert has repeatedly worked with renowned conductors such as Helmut Rilling, Adam Fischer, Sir Neville Marriner, and Kevin Edusei. His recordings include “Böhmische Weihnacht” from the Dresden Frauenkirche (2016), “Das Schloss Dürande” by Othmar Schoeck (2019), the first recording of Otto Nicolai’s “Die Rückkehr des Verbannten” (2016), and “Erwin und Elmire” (2008) by Princess Anna Amalia of Saxe-Weimar-Eisenach, based on a libretto by Goethe.
2024-08-15
Media
Staatstheater Darmstadt | LULU
Bühnen Bern | FAUST
Wagner: „Mit Gewitter und Sturm aus fernem Meer“
Staatstheater Cottbus | KROL ROGER
Repertoire
Beethoven | FIDELIO | Florestan |
Berlioz | BÉATRICE ET BÉNÉDICTE | Bénédict |
Berlioz | LA DAMNATION DE FAUST | Faust |
Dessau | LANZELOT | Heinrich |
Donizetti | LA FILLE DU RÉGIMENT | Tonio |
Gounod | FAUST (MARGARETHE) | Faust |
Janácek | DAS SCHLAUE FÜCHSLEIN | Schulmeister |
Massenet | MANON | Des Grieux |
Meyerbeer | LES HUGUENOTS | Raoul von Nangis |
Mozart | DIE ENTFÜHRUNG AUS DEM SERAIL | Belmonte |
DIE ZAUBERFLÖTE | Tamino | |
IDOMENEO | Idomeneo | |
LA CLEMENZA DI TITO | Tito | |
Prokofjew | DIE LIEBE ZU DEN 3 ORANGEN | Prinz |
Rossini | WILHELM TELL | Arnold Melcthal |
Schubert | FIERRABRAS | Eginhard |
Strauss | CAPRICCIO | Flamand |
Strauß | DIE FLEDERMAUS | Alfred |
Szymanowski | KRÓL ROGER | Hirte |
Verdi | LES VÊPRES SICILIENNES | Henri |
Wagner | DIE MEISTERSINGER VON NÜRNBERG | David |
LOHENGRIN | Lohengrin | |
DER FLIEGENDE HOLLÄNDER | Erik, Steuermann | |
Weinberger | SCHWANDA DER DUDELSACKPFEIFER | Babinsky |
Zimmermann | DIE SOLDATEN | Desportes |
Johann Sebastian Bach | h-Moll-Messe (BWV 232), Tenor |
Lukas-Passion (BWV 246), Evangelist und Arien | |
Magnificat (BWV 243), Tenor | |
Markus-Passion (BWV 247), Evangelist und Arien | |
Matthäus-Passion (BWV 244), Evangelist und Arien | |
Weihnachtsoratorium (BWV 248), Evangelist und Arien | |
diverse Kantaten und Messen | |
Ludwig van Beethoven | Missa solemnis in D-Dur op. 123 |
Sinfonie Nr. 9 | |
Georg Friedrich Händel | Brockes-Passion (HWV 48) |
Dixit Dominus (HWV 232) | |
Israel in Egypt (HWV 54) | |
Joseph Haydn | Die Jahreszeiten, Hob. XXI:3 |
Die Schöpfung, Hob. XXI:2 | |
Missa in Angustijs „Nelsonmesse”, Hob. XXII: 11 | |
Franz Liszt | Missa Solemnis |
Ungarische Krönungsmesse | |
Via crucis | |
Felix Mendelssohn Bartholdy | Elias op. 70 |
Paulus op. 36 | |
Sinfonie Nr. 2 in B-Dur op. 52, „Lobgesang“ | |
Wolfgang Amadeus Mozart | Davide penitente KV 469 |
Grosse Messe C-Moll, KV 427 | |
Requiem in d-Moll. KV 626 | |
Carl Orff | Carmina Burana |
Gioachino Rossini | Petite Messe solennelle |
Camille Saint-Saëns | Oratorio de Noël, op. 12 |
Franz Schubert | diverse Messen |
Robert Schumann | Das Paradies und die Peri (Op. 50) |
Antonio Vivaldi | Gloria (RV 589) |