
Tenor
UWE STICKERT
ARTISTIC PROFILE
Opera · Concert | Baroque to Modern

SELECTED ENGAGEMENTS

Vita
German tenor Uwe Stickert appears on international opera and concert stages with a repertoire spanning Baroque and Classical works, Romantic opera and music of the modern era. In the 2026/27 season, he appears at the 65th Anniversary Gala of the Warsaw Chamber Opera at the Royal Castle in Warsaw and takes on the role of Gabriel von Eisenstein in a new production of Johann Strauss’ DIE FLEDERMAUS at Theater Erfurt.
Stickert has attracted particular attention in the French repertoire, notably as Gounod’s Faust in Bern and as Raoul in Meyerbeer’s LES HUGUENOTS in Nice and Nuremberg. For his interpretation of Raoul, he was nominated by Opernwelt magazine for “Singer of the Year” in 2015. His wide-ranging operatic repertoire also includes Tito (LA CLEMENZA DI TITO), Lohengrin, Florestan (FIDELIO), Peter Grimes, Hoffmann (LES CONTES D’HOFFMANN), Alwa (LULU), Desportes (DIE SOLDATEN), Tonio (LA FILLE DU RÉGIMENT), David (DIE MEISTERSINGER VON NÜRNBERG), as well as numerous Mozart roles including Tamino, Ferrando, Don Ottavio and Belmonte.
Guest engagements have taken him to companies including Komische Oper Berlin, Aalto-Theater Essen, Deutsches Nationaltheater Weimar, Nationaltheater Mannheim, Teatro Real Madrid, Theater Bonn, Mainfranken Theater Würzburg, Staatstheater Darmstadt, Estonian National Opera, Theater Erfurt, Staatstheater Cottbus, Opéra Grand Avignon and Tiroler Landestheater Innsbruck, as well as the Warsaw Chamber Opera. His more recent engagements include Tito in LA CLEMENZA DI TITO at Tiroler Landestheater Innsbruck and the tenor part in Mahler’s DAS LIED VON DER ERDE at Opéra Grand Avignon.
Uwe Stickert has also established an excellent reputation as an oratorio and recital singer. He has performed Bach’s major Passions in Israel, Italy, China, Switzerland and France. Further concert engagements include Beethoven’s Ninth Symphony with the Orchestre national de Metz Grand Est and Haydn’s DIE SCHÖPFUNG with the Hungarian National Philharmonic Orchestra. He has enjoyed a long-standing artistic collaboration with Ludwig Güttler and the Bachakademie and has worked repeatedly with conductors including Helmut Rilling, Adam Fischer, Sir Neville Marriner and Kevin Edusei.
His discography includes BÖHMISCHE WEIHNACHT recorded at Dresden’s Frauenkirche, Othmar Schoeck’s DAS SCHLOSS DÜRANDE, the first recording of Otto Nicolai’s DIE RÜCKKEHR DES VERBANNTEN and ERWIN UND ELMIRE by Anna Amalia of Saxe-Weimar-Eisenach, based on a libretto by Goethe.
Uwe Stickert began piano and voice lessons at an early age and attended the specialist music school Schloss Belvedere in Weimar. He subsequently studied voice with Prof. Mario Hoff at the Hochschule für Musik Franz Liszt Weimar, graduating with distinction.
2026-08-31
Media
Staatstheater Darmstadt | LULU
Bühnen Bern | FAUST
Wagner: „Mit Gewitter und Sturm aus fernem Meer“
Staatstheater Cottbus | KROL ROGER
Repertoire
| Berg | LULU | Alwa |
| Beethoven | FIDELIO | Florestan |
| Berlioz | BÉATRICE ET BÉNÉDICTE | Bénédict |
| Berlioz | LA DAMNATION DE FAUST | Faust |
| Dessau | LANZELOT | Heinrich |
| Donizetti | LA FILLE DU RÉGIMENT | Tonio |
| Gounod | FAUST (MARGARETHE) | Faust |
| Janácek | DAS SCHLAUE FÜCHSLEIN | Schulmeister |
| Massenet | MANON | Des Grieux |
| Meyerbeer | LES HUGUENOTS | Raoul von Nangis |
| Mozart | DIE ENTFÜHRUNG AUS DEM SERAIL | Belmonte |
| DIE ZAUBERFLÖTE | Tamino | |
| IDOMENEO | Idomeneo | |
| LA CLEMENZA DI TITO | Tito | |
| Prokofjew | DIE LIEBE ZU DEN 3 ORANGEN | Prinz |
| Rossini | WILHELM TELL | Arnold Melcthal |
| Schubert | FIERRABRAS | Eginhard |
| Strauss | CAPRICCIO | Flamand |
| Strauß | DIE FLEDERMAUS | Alfred |
| Szymanowski | KRÓL ROGER | Hirte |
| Verdi | LES VÊPRES SICILIENNES | Henri |
| Wagner | DIE MEISTERSINGER VON NÜRNBERG | David |
| LOHENGRIN | Lohengrin | |
| DER FLIEGENDE HOLLÄNDER | Erik, Steuermann | |
| Weinberger | SCHWANDA DER DUDELSACKPFEIFER | Babinsky |
| Zimmermann | DIE SOLDATEN | Desportes |
| Johann Sebastian Bach | h-Moll-Messe (BWV 232), Tenor |
| Lukas-Passion (BWV 246), Evangelist und Arien | |
| Magnificat (BWV 243), Tenor | |
| Markus-Passion (BWV 247), Evangelist und Arien | |
| Matthäus-Passion (BWV 244), Evangelist und Arien | |
| Weihnachtsoratorium (BWV 248), Evangelist und Arien | |
| diverse Kantaten und Messen | |
| Ludwig van Beethoven | Missa solemnis in D-Dur op. 123 |
| Sinfonie Nr. 9 | |
| Georg Friedrich Händel | Brockes-Passion (HWV 48) |
| Dixit Dominus (HWV 232) | |
| Israel in Egypt (HWV 54) | |
| Joseph Haydn | Die Jahreszeiten, Hob. XXI:3 |
| Die Schöpfung, Hob. XXI:2 | |
| Missa in Angustijs „Nelsonmesse”, Hob. XXII: 11 | |
| Franz Liszt | Missa Solemnis |
| Ungarische Krönungsmesse | |
| Via crucis | |
| Felix Mendelssohn Bartholdy | Elias op. 70 |
| Paulus op. 36 | |
| Sinfonie Nr. 2 in B-Dur op. 52, „Lobgesang“ | |
| Wolfgang Amadeus Mozart | Davide penitente KV 469 |
| Grosse Messe C-Moll, KV 427 | |
| Requiem in d-Moll. KV 626 | |
| Carl Orff | Carmina Burana |
| Gioachino Rossini | Petite Messe solennelle |
| Camille Saint-Saëns | Oratorio de Noël, op. 12 |
| Franz Schubert | diverse Messen |
| Robert Schumann | Das Paradies und die Peri (Op. 50) |
| Antonio Vivaldi | Gloria (RV 589) |





