
Repertoire:
HIGHLIGHTS
Engagements at:


PETER GRIMES (PREMIERE) – OPÉRA GRAND AVIGNON
Opera Online by Emmanuel Andrieu

KROL ROGER (PREMIERE) – STAATSTHEATER COTTBUS
Backtrack by Svenja Koch
Vita
The German tenor Uwe Stickert is active on international opera and concert stages with a wide-ranging repertoire spanning from Baroque and Classical through Romantic to contemporary works. He has attracted particular attention in the French repertoire as Gounod’s Faust (Bern) and as Raoul in Meyerbeer’s Les Huguenots (Nice, Nuremberg), for which he was nominated “Singer of the Year” by Opernwelt magazine.
He has appeared at the Komische Oper Berlin, Aalto Theatre Essen, Nationaltheater Weimar, Nationaltheater Mannheim, Teatro Real Madrid, Theater Bonn, Mainfranken Theater Würzburg, Staatstheater Darmstadt, Estonian National Opera, Theater Erfurt, Staatstheater Cottbus, Opéra Grand Avignon, Landestheater Innsbruck, Tiroler Landestheater, as well as at the Mozart Festival in Warsaw. Among his most important roles are Titus (La clemenza di Tito), Lohengrin, Florestan (Fidelio), Peter Grimes, Hoffmann (Les Contes d’Hoffmann), Alwa (Lulu), Desportes (Die Soldaten), Tonio (La fille du régiment), David (Die Meistersinger von Nürnberg), and numerous Mozart roles (Tamino, Ferrando, Don Ottavio, Belmonte).
On the concert stage, Uwe Stickert is a sought-after interpreter of oratorio and lieder. He has appeared with the major Bach Passions in Israel, Italy, China, Switzerland and France, and has performed works such as Beethoven’s Symphony No. 9 (Orchestre National de Metz Grand Est) and Haydn’s The Creation (Hungarian National Philharmonic Orchestra). He enjoys a close artistic collaboration with Ludwig Güttler and the Bach Academy, and has frequently appeared under distinguished conductors such as Helmut Rilling, Adam Fischer, Sir Neville Marriner, and Kevin Edusei.
His discography includes Bohemian Christmas from the Dresden Frauenkirche (2016), Othmar Schoeck’s Das Schloss Dürande (2019), the world premiere recording of Otto Nicolai’s Die Rückkehr des Verbannten (2016), and Erwin und Elmire (2008) by Duchess Anna Amalia of Saxe-Weimar-Eisenach.
Uwe Stickert began piano and voice lessons at an early age, studying at the Special School of Music “Schloss Belvedere” in Weimar. He went on to graduate with distinction from the Hochschule für Musik “Franz Liszt” Weimar, where he studied with Professor Mario Hoff.
2025-08-11
Media
Staatstheater Darmstadt | LULU
Bühnen Bern | FAUST
Wagner: „Mit Gewitter und Sturm aus fernem Meer“
Staatstheater Cottbus | KROL ROGER
Repertoire
Beethoven | FIDELIO | Florestan |
Berlioz | BÉATRICE ET BÉNÉDICTE | Bénédict |
Berlioz | LA DAMNATION DE FAUST | Faust |
Dessau | LANZELOT | Heinrich |
Donizetti | LA FILLE DU RÉGIMENT | Tonio |
Gounod | FAUST (MARGARETHE) | Faust |
Janácek | DAS SCHLAUE FÜCHSLEIN | Schulmeister |
Massenet | MANON | Des Grieux |
Meyerbeer | LES HUGUENOTS | Raoul von Nangis |
Mozart | DIE ENTFÜHRUNG AUS DEM SERAIL | Belmonte |
DIE ZAUBERFLÖTE | Tamino | |
IDOMENEO | Idomeneo | |
LA CLEMENZA DI TITO | Tito | |
Prokofjew | DIE LIEBE ZU DEN 3 ORANGEN | Prinz |
Rossini | WILHELM TELL | Arnold Melcthal |
Schubert | FIERRABRAS | Eginhard |
Strauss | CAPRICCIO | Flamand |
Strauß | DIE FLEDERMAUS | Alfred |
Szymanowski | KRÓL ROGER | Hirte |
Verdi | LES VÊPRES SICILIENNES | Henri |
Wagner | DIE MEISTERSINGER VON NÜRNBERG | David |
LOHENGRIN | Lohengrin | |
DER FLIEGENDE HOLLÄNDER | Erik, Steuermann | |
Weinberger | SCHWANDA DER DUDELSACKPFEIFER | Babinsky |
Zimmermann | DIE SOLDATEN | Desportes |
Johann Sebastian Bach | h-Moll-Messe (BWV 232), Tenor |
Lukas-Passion (BWV 246), Evangelist und Arien | |
Magnificat (BWV 243), Tenor | |
Markus-Passion (BWV 247), Evangelist und Arien | |
Matthäus-Passion (BWV 244), Evangelist und Arien | |
Weihnachtsoratorium (BWV 248), Evangelist und Arien | |
diverse Kantaten und Messen | |
Ludwig van Beethoven | Missa solemnis in D-Dur op. 123 |
Sinfonie Nr. 9 | |
Georg Friedrich Händel | Brockes-Passion (HWV 48) |
Dixit Dominus (HWV 232) | |
Israel in Egypt (HWV 54) | |
Joseph Haydn | Die Jahreszeiten, Hob. XXI:3 |
Die Schöpfung, Hob. XXI:2 | |
Missa in Angustijs „Nelsonmesse”, Hob. XXII: 11 | |
Franz Liszt | Missa Solemnis |
Ungarische Krönungsmesse | |
Via crucis | |
Felix Mendelssohn Bartholdy | Elias op. 70 |
Paulus op. 36 | |
Sinfonie Nr. 2 in B-Dur op. 52, „Lobgesang“ | |
Wolfgang Amadeus Mozart | Davide penitente KV 469 |
Grosse Messe C-Moll, KV 427 | |
Requiem in d-Moll. KV 626 | |
Carl Orff | Carmina Burana |
Gioachino Rossini | Petite Messe solennelle |
Camille Saint-Saëns | Oratorio de Noël, op. 12 |
Franz Schubert | diverse Messen |
Robert Schumann | Das Paradies und die Peri (Op. 50) |
Antonio Vivaldi | Gloria (RV 589) |