
Repertoire:
HIGHLIGHTS
Engagements at:

Vita
Beginning with the 2025/2026 season, New York-born tenor Jonathan Winell will join the ensemble of the Niedersächsische Staatsoper Hannover. His scheduled roles include the Singer (Der Rosenkavalier), Adam Smith (Homo Oeconomicus), Pang (Turandot), Cassio (Otello), Don Curzio (Le nozze di Figaro), among others.
He has previously been a member of the International Opera Studio at the Staatsoper Unter den Linden in Berlin, and a company member at Theater Regensburg and Theater Magdeburg.
Career highlights include Rodolfo (La Bohème), Pang (Turandot), Ernesto (Don Pasquale), Tamino (Die Zauberflöte), Cassio (Otello) and Narraboth (Salome) at Theater Magdeburg; Pang (Turandot) at the Deutsche Oper am Rhein in Düsseldorf; the Steersman (Der fliegende Holländer) at Landestheater Detmold; Brighella (Ariadne auf Naxos) and First Armed Man (Die Zauberflöte) at the Staatsoper Unter den Linden; Tamino (Die Zauberflöte) at Oper Wuppertal; Un Araldo and Il Re Gonzaga in Franco Faccio’s Amleto at the Bregenz Festival; Baroncelli (Rienzi) in his Lincoln Center debut in New York; and Rinuccio (Gianni Schicchi) in Regensburg. He has also appeared at the Savonlinna Opera Festival as Pedrillo (Die Entführung aus dem Serail) and at the St. Margarethen Quarry Opera once again as Pang (Turandot).
Jonathan Winell has collaborated with conductors including Daniel Barenboim, Zubin Mehta, Sebastian Weigle, Leo Hussain, Wayne Marshall, Christopher Moulds, Eve Queler, John Nelson and John Baril, and has participated in masterclasses with Jane Klaviter, Bob Morrison and Margaret Singer.
He is the recipient and finalist of numerous competitions, among them second prize at the Leyla Gencer Voice Competition in Istanbul, semi-finalist at the International Mirjam Helin Singing Competition in Helsinki, and finalist for the Eastern Region at the Metropolitan Opera National Council Auditions.
Jonathan Winell studied at the Hartt School and was an Artist-in-Residence at the Academy of Vocal Arts. He also pursued Italian studies at the Scuola Leonardo da Vinci in Florence and attended the Florence Voice Seminar and the Bel Canto Institute.
2025-08-11
Media
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Repertoire
| Bellini | I PURITANI | Arturo |
| LA SONNAMBULA | Elvino | |
| Bizet | LES PÊCHEURS DE PERLES | Nadir |
| Donizetti | ANNA BOLENA | Lord Percy |
| DON PASQUALE | Ernesto | |
| LA FILLE DU RÉGIMENT | Tonio | |
| L’ELISIR D’AMORE | Nemorino | |
| LUCIA DI LAMMERMOOR | Sir Edgardo | |
| Faccio | AMLETO (HAMLET) | Ein Herold | Der König Gonzaga |
| Gounod | ROMÉO ET JULIETTE | Romé |
| Kálmán | DIE CSÁRDÁSFÜRSTIN | Edwin |
| Lehár | THE MERRY WIDOW | Camille de Rosillon |
| Mozart | DIE ENTFÜHRUNG AUS DEM SERAIL | Pedrillo |
| THE MAGIC FLUTE | Tamino | |
| DON GIOVANNI | Don Ottavio | |
| Offenbach | LA BELLE HÉLÈNE | König Ajax I. |
| PARISER LEBEN | Bobinet | Frick | |
| Puccini | GIANNI SCHICCHI | Rinuccio |
| LA BOHÈME | Rodolfo | |
| MADAMA BUTTERFLY | Yamadori | |
| Rossini | IL BARBIERE DI SIVIGLIA | Graf Almaviva |
| Smetana | THE BARTERED BRIDE | Hans (Jeník) |
| Strauß | DIE FLEDERMAUS | Alfred |
| Strauss | ARIADNE AUF NAXOS | Brighella |
| DER ROSENKAVALIER | An Italian singer, An innkeeper, Major-Domo | |
| SALOME | Narraboth | |
| Verdi | LA TRAVIATA | Alfredo |
| OTELLO | Cassio | |
| RIGOLETTO | Herzog von Mantua | |
| Wagner | THE FLYING DUTCHMAN | Steuermann |
| DIE MEISTERSINGER VON NÜRNBERG | David |
News & Infos
NIEDERSÄCHSISCHES STAATSTHEATER HANNOVER – OTELLO
STAATSOPER HANNOVER – JONATHAN WINELL
DEUTSCHE OPER AM RHEIN – TURANDOT
Press

FALSTAFF (PREMIERE) – OPER LEIPZIG (REVIEWS)

RUMMELPLATZ (PREMIERE) – THEATER CHEMNITZ (REVIEWS)

DAS SCHLAUE FÜCHSLEIN (PREMIERE) – STAATSTHEATER COTTBUS (REVIEWS)




