Repertoire:

HIGHLIGHTS

2. Dame (DIE ZAUBERFLÖTE) - Angelina (LA CENERENTOLA) - Bianca (EINE FLORENTINISCHE TRAGÖDIE) - Carmen (CARMEN) - Cherubino (LE NOZZE DI FIGARO) - Donna Elvira (DON GIOVANNI) - Octavian (DER ROSENKAVALIER) - Waltraute (DIE WALKÜRE)

Engagements at:

Bayerische Staatsoper | Glyndebourne Festival | INSULA Orchestra | Kammerakademie Potsdam | Landestheater Salzburg | Mozarteum Salzburg | Münchner Rundfunkorchester | Staatsoper Unter den Linden | Státní opera Praha | Symphonieorchester Vorarlberg | Theater Aachen | Tiroler Festspiele Erl |

CARMEN – LANDESTHEATER SALZBURG

„Corinna Scheurle ist eine großgewachsene Carmen mit prachtvoller, raumfüllender Stimme, (…)“ - MORE

Opera Online by Dr. Helmut Christian Mayer

Corinna Scheurle

Vita

After her Bachelor’s degree from the University of the Arts in Berlin, she graduated Master at the August Everding Theatre Academy in Munich with Prof. Kammersängerin Christiane Iven. After engagments at the opera studio of the Staatsoper Unter den Linden in Berlin and at the National Theatre in Munich, where she played parts like the Sandman (HANSEL AND GRETEL), Ines (IL TROVATORE), 2nd Lady (THE MAGIC FLUTE), Marcellina (THE MARRIAGE OF FIGARO), Lucienne (DIE TOTE STADT), Tisbe (LA CENERENTOLA), Annina (LA TRAVIATA) or Second Attendant (MEDEA), she has been a permanent ensemble member at the Staatstheater Nürnberg since the 2021/2022 season.

 

At the Staatstheater Nuremberg she has already celebrated her debuts as Octavian in Strauss’ DER ROSENKAVALIER and Carmen in Bizet’s CARMEN. Furthermore projects include Antiope/TALESTRI, Hansel/HANSEL UND GRETEL, Cherubino/LE NOZZE DI FIGARO, Meg Page/FALSAFF, Angelina/LA CENERENTOLA, Satirino/CALISTO, Donna Elvira/DON GIOVANNI und Prinz Orlofsky/DIE FLEDERMAUS.

 

Recent engagements have included Cherubino in Mozart’s LE NOZZE DI FIGARO (conductor: Daniel Barenboim) and Dryade in Strauss’ ARIADNE AUF NAXOS at the Staatsoper Unter den Linden in Berlin, the title role in Bizet’s CARMEN in Egypt (Bibliotheca Alexandrina) and at the Theater Aachen, Bach’s CHRISTMAS ORATORIO with the INSULA Orchestra in Budapest and Aix-en-Provence, and at the Tiroler Festspiele Erl, Dorabella in Mozart’s COSI FAN TUTTE with the Kammerakademie Potsdam, Waltraute in Wagner’s DIE WALKÜRE at Tiroler Festspiele Erl, Marcellina (LE NOZZE DI FIGARO) at the Bregenz Festival or 2nd Lady (THE MAGIC FLUTE) at the Festspielhaus Baden-Baden.

 

Corinna Scheurle has worked with noted conductors such as Daniel Barenboim, Giampaolo Bisanti, Attilio Cremonesi, Thomas Guggeis, Alessandro de Marchi, Yannick Nézet-Séguin, Kirill Petrenko, Eva Pons, Alexander Prior, Ivan Repušić, Ulf Schirmer and Joachim Tschiedel and gained valuable insights from such directors as Andrea Breth, Achim Freyer, Frank Hilbrich, Florentine Klepper, Balàzs Kovalik, Hans Neuenfels, Isabel Ostermann and Bartlett Sher.

 

Her concert activities have taken her to the Staatskapelle Berlin, the Bavarian State Orchestra, the Orchestra of the Komische Oper Berlin, the Ljubljana Philharmonic, the Vorarlberg Symphony Orchestra, the Potsdam Chamber Academy, the Chamber Orchestra of Europe, the Munich Radio Orchestra and a chamber ensemble of the NDR Orchestra at the Elbphilharmonie in Hamburg.

 

Opera is complemented for the young singer by frequent Lieder recitals, which she has given at such venues as the Konzerthaus Berlin, the Lille Opera, Schattenburg Feldkirch, Salon Christophori Berlin, the Vorarlberg Museum in Bregenz, the Mendelssohn House in Leipzig and for the Chopin Society at the Literaturhaus in Darmstadt. She works closely with pianists Akemi Murakami and Klara Hornig.

 

Corinna Scheurle won first prize in her fach at the 2017 Kulturkreis Gasteig Musikpreis awards. She received the prize of the Association of Vocal Teachers in the course of the nationwide competition in Berlin in 2018 and was semi-finalist in the 2015 Neue Stimmen International Singing Competition. She was also a scholarship holder of the Vorarlberg Wagner Association and the Hans and Eugenia Jütting Foundation in Stendal.

 

2023-08-01

Media

Staatstheater Nürnberg | LA CENERENTOLA
Berio: Lo fiolaire
Schubert: Im Abendrot
Canteloube: Malurous qu’o uno fenno
Purcell: Let me weep

Repertoire

Bizet
CARMEN Carmen, Mercédès
Cavalli LA CALISTO Celesti, Satirino
Cherubini MEDEA zweite Begleiterin Dircés
Donizetti LUCIA DI LAMMERMOOR Alisa
Dove FLIGHT Older Woman
Dvořák RUSALKA Der Küchenjunge (Kuchtik)
Händel ALCINA Ruggiero
Humperdinck HÄNSEL UND GRETEL Hänsel, Sandmännchen
Jost DIE ARABISCHE NACHT Fatima Mansur
Monteverdi IL RITORNO D´ULISSE IN PATRIA Penelope
Mozart DIE ZAUBERFLÖTE Zweite Dame
  IL REPASTORE Tamiris
  LE NOZZE DI FIGARO Cherubino, Marcellina
Rossini LA CENERENTOLA Tisbe
Sarti FRA I DUE LITIGANTI IL TERZO GODE Dorina
Strauss II DIE FLEDERMAUS Prinz Orlofsky
Svoboda DER UNGLAUBLICHE SPOTZ Einstein
Verdi IL TROVATORE Ines
  LA TRAVIATA Annina
  LUISA MILLER Laura
  RIGOLETTO Giovanna
Wagner DIE WALKÜRE Waltraute
  PARSIFAL Blumenmädchen
Walpurgis TALESTRI – KÖNIGIN DER AMAZONEN Antiope
Widmann BABYLON Septette

Press

ERO S ONOGA SVIJETA (Reviews)

Concert performance on May 19, 2019 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.
ALL REVIEWS

Photos

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