Vita

In the 2025/26 season, German mezzo-soprano Corinna Scheurle makes her house debut at Oper Frankfurt as Krystina in Mieczysław Weinberg’s The Passenger. She also takes on the title role in Rossini’s La Cenerentola at the Vorarlberger Landestheater, appears in two concerts with the Barenboim-Said Akademie in Seville, and will be heard in Bach’s Christmas Oratorio at Munich’s Isarphilharmonie as well as in the solo parts of Michael Haydn’s Requiem in C minor and Antonio Salieri’s Requiem in C minor at Müpa Budapest.

Recent highlights in the 2024/25 season include Stéphano in Gounod’s Roméo et Juliette at Staatsoper Unter den Linden Berlin, Berio’s Folk Songs at the Teatro Filarmonico Verona, and new productions at Staatstheater Nürnberg as Tatyana (Eugene Onegin), Ruggiero (Alcina), and Jenny (The Threepenny Opera). She also performed Wagner’s Wesendonck Lieder with the Staatsphilharmonie Nürnberg. In the 2023/24 season she appeared as Bianca in Zemlinsky’s A Florentine Tragedy at the State Opera Prague, sang Beethoven’s Symphony No. 9 with the Kammerakademie Potsdam, and appeared as Second Lady (Die Zauberflöte) at the Glyndebourne Festival.

Since the 2021/22 season she has been a member of the ensemble at Staatstheater Nürnberg, performing roles such as Octavian (Der Rosenkavalier), Carmen (Carmen), Antiope (Talestri), Hänsel (Hänsel und Gretel), Cherubino (Le nozze di Figaro), Meg Page (Falstaff), Angelina (La Cenerentola), Satirino (Calisto), Donna Elvira (Don Giovanni), and Prince Orlofsky (Die Fledermaus).

Guest engagements have taken her to Staatsoper Unter den Linden in Berlin, the Festspielhaus Baden-Baden, the Glyndebourne Festival, the Bibliotheca Alexandrina in Egypt, Landestheater Salzburg, Theater Aachen, Budapest and Aix-en-Provence with the INSULA Orchestra, the Tiroler Festspiele Erl, the Kammerakademie Potsdam, and the Bregenz Festival.

She has worked with conductors including Daniel Barenboim, Giampaolo Bisanti, Attilio Cremonesi, Thomas Guggeis, Alessandro de Marchi, Yannick Nézet-Séguin, Kirill Petrenko, Eva Pons, Alexander Prior, Ivan Repušić, Ulf Schirmer, and Joachim Tschiedel, and with directors such as Andrea Breth, Achim Freyer, Frank Hilbrich, Florentine Klepper, Balàzs Kovalik, Hans Neuenfels, Isabel Ostermann, and Bartlett Sher.

Her concert work has included performances with the Staatskapelle Berlin, the Bavarian State Orchestra, the Orchestra of the Komische Oper Berlin, the Symphony Orchestra Vorarlberg, the Kammerakademie Potsdam, the Ljubljana Philharmonic, the Chamber Orchestra of Europe, the Munich Radio Orchestra, and chamber music at Hamburg’s Elbphilharmonie. She has given recitals at the Konzerthaus Berlin, the Opéra de Lille, the Schattenburg Feldkirch, the Pianosalon Christophori Berlin, the Vorarlberg Museum in Bregenz, the Mendelssohn House Leipzig, and at the Literaturhaus Darmstadt for the Chopin Society. She works closely with pianists Akemi Murakami and Klara Hornig.

Corinna Scheurle earned her Bachelor’s degree at the Universität der Künste Berlin and completed her Master’s degree at the Theaterakademie August Everding in Munich, studying with Prof. KS Christiane Iven. She was a member of the opera studios of Staatsoper Unter den Linden in Berlin and the Nationaltheater Munich.

She is a first-prize winner of the 2017 Gasteig Music Prize, received the Prize of the German Association of Singing Teachers at the 2018 Bundeswettbewerb Gesang Berlin, and was a semifinalist in the 2015 International Competition Neue Stimmen. She has also been a scholarship holder of the Wagner Association Vorarlberg and the Hans and Eugenia Jütting Foundation in Stendal.

2025-08-11

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