
Mezzo-Soprano
ANNIKA SCHLICHT
ARTISTIC PROFILE
SELECTED ENGAGEMENTS

Vita
In the 2026/27 season, German mezzo-soprano Annika Schlicht returns to the Royal Opera House, London, as Waltraute in Barry Kosky’s new production of GÖTTERDÄMMERUNG, conducted by Sir Antonio Pappano. At the Hamburg State Opera, she makes role debuts as Carmen (CARMEN), Ulrica (UN BALLO IN MASCHERA), Dämonia (DORNRÖSCHEN) and Hedwige (GUILLAUME TELL), and reprises Fricka (DIE WALKÜRE). Further engagements include Brangäne (TRISTAN UND ISOLDE) at Oper Leipzig and Mahler’s Symphony No. 3 with the Staatskapelle Weimar under Ivan Repušić. She also performs Fricka and Waltraute in concert performances of Wagner’s DER RING DES NIBELUNGEN in Vienna and Paris with the Dresdner Festspielorchester and Concerto Köln under Kent Nagano.
Annika Schlicht has been a member of the Hamburg State Opera ensemble since the 2025/26 season. Her first season with the company included role debuts as Judith (BLUEBEARD’S CASTLE), the Composer (ARIADNE AUF NAXOS) and Pauline (THE QUEEN OF SPADES), alongside further performances as Brangäne. She also sang the alto solo in the season-opening new production of DAS PARADIES UND DIE PERI under the musical direction of Omer Meir Wellber. Previously, she was a member of the Deutsche Oper Berlin ensemble for ten years and continues to return regularly as a guest, including as Fricka and Waltraute in DER RING DES NIBELUNGEN and as the Wood Dove in Schoenberg’s GURRE-LIEDER under Sir Donald Runnicles.
Her international engagements have taken her to leading opera houses including the Royal Opera House, London, Opéra national de Paris, Bayerische Staatsoper, Semperoper Dresden, Staatsoper Unter den Linden and Deutsche Oper am Rhein. She made her US debut in Mahler’s DAS LIED VON DER ERDE and in recital at the Santa Fe Chamber Music Festival, followed by appearances at San Francisco Opera as Brangäne and in Beethoven’s Symphony No. 9. At the Edinburgh International Festival, she performed Mahler’s DES KNABEN WUNDERHORN with the BBC Scottish Symphony Orchestra.
Equally at home on the concert and recital platform, Annika Schlicht commands a wide-ranging repertoire extending from Bach and Beethoven to Mahler and Wagner, as well as music of the 20th and 21st centuries. She has collaborated with numerous internationally renowned conductors, orchestras and ensembles.
Born in Stuttgart, Annika Schlicht studied at the Hochschule für Musik Hanns Eisler Berlin with Prof. Renate Faltin.
ARTISTIC PARTNERS
Selected Opera Houses & Festivals
Bayerische Staatsoper Munich | Bergen International Festival | Bergen National Opera | Deutsche Oper am Rhein | Deutsche Oper Berlin | Edinburgh International Festival | Hamburg State Opera | Opéra national de Paris | Royal Opera House London | Royal Opera House Muscat | San Francisco Opera | Santa Fe Chamber Music Festival | Semperoper Dresden | Staatsoper Unter den Linden Berlin
Selected Orchestras & Ensembles
Bremer Philharmoniker | Brussels Philharmonic | Deutsches Symphonie-Orchester Berlin | Dresdner Festspielorchester | Dresdner Philharmonie | Ensemble Modern | Münchner Rundfunkorchester | Orchestra of the Deutsche Oper Berlin | Philharmonisches Staatsorchester Hamburg | Rundfunk-Sinfonieorchester Berlin | Sächsische Staatskapelle Dresden | Staatskapelle Berlin | Staatskapelle Weimar | Vienna Symphony Orchestra
Selected Conductors
Daniel Barenboim | Bertrand de Billy | Karina Canellakis | Stéphane Denève | Asher Fisch | Edward Gardner | Axel Kober | Zubin Mehta | Ingo Metzmacher | Kent Nagano | Sir Antonio Pappano | Ivan Repušić | Sir Donald Runnicles | Sebastian Weigle
2026-08-31
Media
Annika Schlicht Sings Brangäne in Wagner’s Tristan and Isolde
Wagner: DIE WALKÜRE – II. Aufzug
DER RING DES NIBELUNGEN 2026
Repertoire
| Bartók | BLUEBEARD’S CASTLE | Judith |
| Berg | WOZZECK | Margret |
| Bernstein | CANDIDE | Paquette |
| Birtwistle | PUNCH AND JUDY | Judy |
| Bizet | CARMEN | Mercédès |
| Britten | A MIDSUMMER NIGHT’S DREAM | Hypolita |
| PETER GRIMES | Auntie | |
| Dalbavie | CHARLOTTE SALOMON | Kunststudentin aus Tirol |
| Donizetti | LUCIA DI LAMMERMOOR | Alisa |
| MARIA STUARDA | Anna Kennedy | |
| Giordano | ANDRÉ CHENIER | La Contessa di Coigny |
| Humperdinck | HÄNSEL UND GRETEL | Hänsel |
| Janácek | DAS SCHLAUE FÜCHSLEIN | Försterin, Specht |
| Martinu | LES LARMES DU COUTEAU | Matka (die Mutter) |
| Mozart | COSÌ FAN TUTTE | Dorabella |
| DIE ZAUBERFLÖTE | 2. Dame |
|
| LA CLEMENZA DI TITO | Sesto | |
| Mussorgsky | BORIS GODUNOW | Schenkwirtin |
| Offenbach | LE MARIAGE AUX LANTERNES | Catharine |
| LES CONTES D’HOFFMANN | Voix de la mère | |
| MESDAMES DE LA HALLE | Madame Beurrefondu, Croûte-au-pot |
|
| Ponchielli | LA GIOCONDA | Laura |
| Prokofjew | DIE LIEBE ZU DEN 3 ORANGEN | Prinzessin Clarisse |
| Puccini | GIANNI SCHICCHI | Zita |
| SUOR ANGELICA | La Principessa, Suor Zeletrice | |
| IL TABARRO | Frugola | |
| MANON LESCAUT | Der Musiker | |
| Purcell | DIDO UND AENEAS | Sorceresse |
| Ravel | L’ENFANT ET LES SORTILEGES | L’Enfant |
| Reimann | L’INVISIBLE | Marthe / Bellangère |
| Rossini | IL VIAGGIO A REIMS | Marquise Melibea |
| Schumann | DAS PARADIES UND DIE PERI | Alto Solo |
| Srnka | MAKE NO NOISE | Inge |
| Strauß, Johann |
DIE FLEDERMAUS | Prinz Orlofsky |
| Strauss, Richard |
ARIADNE AUF NAXOS | Komponist, Dryade |
| ELEKTRA | 1. Magd | |
| SALOME | Ein Page |
|
| Tschaikowski | EUGEN ONEGIN | Olga |
| PIQUE DAME | Polina | |
| Verdi | FALSTAFF | Mrs. Quickly |
| LA TRAVIATA | Annina | |
| NABUCCO | Fenena | |
| RIGOLETTO | Giovanna, Maddalena |
|
| Wagner | DAS RHEINGOLD | Fricka, Flosshilde |
| DIE WALKÜRE | Fricka, Siegrune | |
| GÖTTERDÄMMERUNG | Waltraute, 2. Norn, Flosshilde | |
| DER FLIEGENDE HOLLÄNDER | Mary | |
| DIE MEISTERSINGER VON NÜRNBERG | Magdalene | |
| PARSIFAL | 2. Knappe, Blumenmädchen, Stimme aus der Höhe | |
| RIENZI | Adriano | |
| TRISTAN UND ISOLDE | Brangäne | |
| Wolf-Ferrari | ASCHENPUTTEL | Stiefmutter |
| Johann Sebastian Bach | Matthäus-Passion (BWV 244) |
| Weihnachtsoratorium (BWV 248) | |
| diverse Kantaten | |
| Ludwig van Beethoven | Chorfantasie c-Moll op. 80 |
| Sinfonie Nr. 9 (d-Moll) op. 125 | |
| Lili Boulanger |
Psaume 130 Du fond de l’abîme für Alt und Tenor solo, Chor, Orgel und Orchester |
| Johannes Brahms | Alt Rhapsodie |
| Max Bruch | Gruß an die heilige Nacht op. 62 |
| Gaetano Donizetti | Messa da Requiem, Op. 73 |
| Antonín Dvořák | Stabat Mater, op. 58 (B 71) |
| Manuel de Falla | El Sombrero de Tres Picos |
| Igor Kuljerić | Kroatisches glagolitisches Requiem für Soli, Chor und Orchester |
| Gustav Mahler |
Das Lied von der Erde |
| Des Knaben Wunderhorn | |
| Kindertotenlieder | |
| Rückert-Lieder | |
| Symphony No 2 | |
| Symphony No 3 | |
| Felix Mendelssohn Bartholdy | Die erste Walpurgisnacht, op. 60 (MWV D 3) |
| Elias op. 70 (MWV A 25) | |
| Paulus op. 36 (MWV A 14) | |
| Gustav Mahler / Ella Milch-Sheriff |
Songs from Des Knaben Wunderhorn |
| Wolfgang Amadeus Mozart | Missa brevis in G „Pastoralmesse“, KV 140 |
| Requiem in d-Moll, KV 626 | |
| Dora Pejačević | Vier Lieder für Stimme und Orchester (Arr. Ivan Zivanovic) |
| Giovanni Battista Pergolesi | Stabat mater |
| Gioachino Rossini | Petite Messe solennelle |
| Camille Saint-Saëns | Oratorio de Noël, op. 12 |
| Arnold Schönberg | Gurre-Lieder, Waldtaube |
| Robert Schumann | Das Paradies und die Peri op. 50 |
| Der Rose Pilgerfahrt op.112 | |
| Salvatore Sciarrino |
Infinito Nero — Estasi di un atto für Mezzosopran und Instrumente |
| Karol Szymanowski |
Stała matka bolejąca (Stabat mater dolorosa), Op. 53 |
| Giuseppe Verdi |
Messa da Requiem |
| Antonio Vivaldi | Gloria, RV 589 |
| Claude Vivier | Wo bist du Licht! für Mezzosopran, Schlagzeug, Streicher und Tonband |
| Richard Wagner |
Wesendonck-Lieder |









