Soprano

SAMANTHA GAUL

ARTISTIC PROFILE

Mozart · Strauss · Puccini
Opera · Concert | Classical to Contemporary

SELECTED ENGAGEMENTS

Oper Leipzig · Komische Oper Berlin · Budapest Festival Orchestra · National Centre for the Performing Arts Beijing · Philharmonie Luxembourg · Oper Frankfurt · Opéra National de Montpellier · Theater Basel

Samantha Gaul

Vita

In the 2026/27 season, Samantha Gaul expands her repertoire at Oper Leipzig with Susanna in a new production of Mozart’s LE NOZZE DI FIGARO and several roles in Puccini’s IL TRITTICO. In the latter, she appears as Lauretta, Suor Genovieffa and Amante. She also returns to the Leipzig stage as Musetta in LA BOHÈME, Pamina in DIE ZAUBERFLÖTE, Frasquita in CARMEN, Despina in COSÌ FAN TUTTE and Zerlina in DON GIOVANNI.

 

She also continues to appear internationally this season. With the Budapest Festival Orchestra, she sings Pamina in DIE ZAUBERFLÖTE in Budapest, Vicenza and Baden-Baden. Concert engagements include Poulenc’s GLORIA at the Gewandhaus Leipzig and Mozart’s GREAT MASS IN C MINOR, K. 427 at the Bachfest Leipzig in the Thomaskirche.

 

Samantha Gaul has been a member of the ensemble at Oper Leipzig since the 2022/23 season. Her most recent roles there include Despina in a new production of COSÌ FAN TUTTE, Nannetta in a new production of FALSTAFF, Pamina, Musetta, Gretel in HÄNSEL UND GRETEL, Woglinde in GÖTTERDÄMMERUNG, Frasquita and L’Inconnue in the world premiere of COMING UP FOR AIR. Further roles in her Leipzig repertoire include Oriane in AMADIS DE GAULE, the Woodbird in SIEGFRIED, Ännchen in DER FREISCHÜTZ, Madama Cortese in IL VIAGGIO A REIMS and Sophie in DER ROSENKAVALIER.

 

Guest engagements have taken Samantha Gaul to Komische Oper Berlin, where she appeared as Gretel and Nannetta, to the National Centre for the Performing Arts in Beijing as Adele in DIE FLEDERMAUS, as well as to Theater Basel, Staatstheater Darmstadt, Bühnen Bern, Oper Frankfurt, Opéra National de Montpellier and Deutsches Nationaltheater Weimar. At Staatstheater Augsburg, her roles have included Sophie Scholl in DIE WEISSE ROSE, Serpetta in LA FINTA GIARDINIERA, Adina in L’ELISIR D’AMORE and the title role in SIMPLICIUS SIMPLICISSIMUS.

 

She has developed an ongoing artistic collaboration with the Budapest Festival Orchestra under Iván Fischer. She previously appeared with the orchestra as Najade in ARIADNE AUF NAXOS at the Béla Bartók National Concert Hall in Budapest and at the Teatro Olimpico in Vicenza. She made her debut at the Philharmonie Luxembourg in Mahler’s Fourth Symphony under Carlo Rizzari.

 

Samantha Gaul is also active in concert and recital repertoire. Her appearances have included the Schwetzingen SWR Festival, Rheingau Musik Festival, Weilburger Schlosskonzerte and Schubertiade Hohenems, where she gave the world premiere of Kit Armstrong’s Ulla-Hahn-Lieder with the composer at the piano. Further recent concert engagements include the New Year’s concert with the Orchestra Sinfonica Siciliana in Palermo and Massenet’s LA VIERGE with the Staatskapelle Halle.

 

From 2013 to 2022, Samantha Gaul was a member of the ensemble at Theater Freiburg, where her principal roles included Susanna in LE NOZZE DI FIGARO, Nannetta in FALSTAFF, Adele in DIE FLEDERMAUS, Zerlina in DON GIOVANNI, Musetta in LA BOHÈME and Olympia in LES CONTES D’HOFFMANN. Particular attention was drawn to her performances in the title roles of Mark-Anthony Turnage’s CORALINE in its German premiere and Janáček’s THE CUNNING LITTLE VIXEN, the latter of which she also recorded for NAXOS with the SWR.

 

In 2018, Samantha Gaul was nominated by Opernwelt magazine as “Young Artist of the Year”. She studied voice at the Hochschule für Musik und Theater München and the Hochschule für Musik und Darstellende Kunst Frankfurt.

 

2026-08-31

WEBSITE

Media

Schubert: Romanze aus dem Schauspiel Rosamunde

 

Repertoire

OPERA

Bach, Johann Christian AMADIS, DER RITTER Oriane
Franz Ignaz Beck L‘ISLE DE´SERTE Laurette
Georges Bizet CARMEN Frasquita
Benjamin Britten THE TURN OF THE SCREW Flora
Francesco Cavalli LA CALISTO Linfea
Peter Maxwell Davies KOMMILITONEN! Doctor
  MR EMMET TAKES A WALK Ka
Gaetano Donizetti L’ELISIR D’AMORE Adina
Franke COMING UP FOR AIR L’Inconnue
Karl Amadeus Hartmann SIMPLICIUS SIMPLICISSIMUS Simplicius Simplicissimus
Joseph Haydn L’ISOLA DISABITATA Silvia
Engelbert Humperdinck HÄNSEL UND GRETEL Gretel, Sandmännchen, Taumännchen
Leoš Janáček DAS SCHLAUE FÜCHSLEIN (Příhody lišky Bystroušky) Füchsin (Lišak)
  JENUFA (Jeji pastorkyna) Jano
Marius Felix Lange SCHNEEWITTCHEN Passantin 2, Tier 1, Zwerg Klecks
Genoël von Lilienstern SPEERE STEIN KLAVIER Tochter
Jules Massenet WERTHER Sophie
Wolfgang Amadeus Mozart DIE ZAUBERFLÖTE Pamina
  DON GIOVANNI Zerlina
  LA FINTA GIARDINIERA Serpetta
  LE NOZZE DI FIGARO Susanna
Jacques Offenbach LES CONTES D’HOFFMANN Olympia
Francis Poulenc LES DIALOGUES DES CARMELITES Soeur Constance
Giacomo Puccini LA BOHÈME Musetta
Maurice Ravel L’ENFANT ET LES SORTILEGES Le Feu
Johann Strauß DIE FLEDERMAUS Adele
Richard Strauss ARIADNE AUF NAXOS, Najade
  DER ROSENKAVALIER Sophie
Hans Thomalla KASPAR HAUSER Anna Daumer, Frau Binder, Henriette Meyer
Giuseppe Verdi FALSTAFF Nanetta
  LA TRAVIATA Annina
Carl Maria von Weber DER FREISCHÜTZ Ännchen
Kurt Weill LOVE LIFE Mary Sue, Miss Ideal Man
Michael Wertmüller DIODATI.UNENDLICH Augusta Leigh
Udo Zimmermann DIE WEIßE ROSE Sophie Scholl

CONCERT

Johann Sebastian Bach Kantate “Ich freue mich in dir” (BWV 133)
  Kantate “Jauchzet Gott in allen Landen” (BWV 51)
  Kantate “Wachet auf, ruft uns die Stimme” (BWV 140)
  Johannes-Passion (BWV 245)
  Magnificat (BWV 243a)
  Weihnachtsoratorium (BWV 248)
Ludwig van Beethoven Schottische, Irische und Walisische Lieder (Auswahl)
Johannes Brahms Ein deutsches Requiem
Jan Brandts-Buys 3 Lieder op. 20
Max Bruch Odysseus op. 41
Giulio Caccini Al fonte, al prato
  Amor ch‘attendi
John Cage Solo for Voice 2
André Caplet Viens! Une flûte invisible soupire
Cécile Chaminade Portrait „Valse chantée“
John Corigliano Three Irish Folksong Settings
Léo Delibes Le Rossignol
Gabriel Fauré Requiem op. 48
Girolamo Frescobaldi Così mi disprezzate, F 7.16
  Se l’aura spira tutta vezzosa, F 7.15
Georg Friedrich Händel Crudel tiranno amor, HWV 97
  Neun Deutschen Arien, HWV 202–210
Joseph Haydn Missa brevis Sancti Joannis de Deo in B-Dur, Hob. XXII:7
  Missa in Angustijs „Nelsonmesse”, Hob. XXII: 11
Paul Hindemith Die Serenaden, Op.35
Leonard Küßner Einsamkeit
Franz Paul Lachner Frauen-Liebe und Leben, Op.59
Gustav Mahler Sinfonie Nr. 4 in G-Dur
Jules Massenet Élégie
Wolfgang Amadeus Mozart Konzertarie “Nehmt meinen Dank, ihr holden Gönner“, KV 383
  Konzertarie „Vorrei spiegarvi, oh Dio“, KV 418
  Vesperae solennes de Confessore, KV 339
Carl Orff Carmina Burana
Maurice Ravel „La flûte enchantée“ aus Shéhérazade
Peter Ruzicka “DE…” / MUSAC Verbalkompositionen
Camille Saint-Saëns Une flûte invisible
Alessandro Scarlatti Arie „Più non m‘alletta e piace“ aus Giardino d’Amore
Franz Schubert Der Hirt auf dem Felsen, D.965
  Salve Regina in F, D.379
Johann Strauß Frühlingsstimmen op. 410
Georg Philipp Telemann Arie „Più del fiume dà diletto“ aus Aesopus bei Hofe

Presse

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