Lirico-spinto

SOLEN MAINGUENÉ

ARTISTIC PROFILE

Puccini · Verdi · Strauss
Oper · Konzert

SELECTED ENGAGEMENTS

Oper Leipzig · Staatsoper Unter den Linden · Teatro Real Madrid · Teatro de la Maestranza Sevilla · Prager Staatsoper · Malmö Opera · Hamburgische Staatsoper · Danish National Opera

Solen Mainguené

Vita

Since joining the ensemble of Oper Leipzig in the 2022/23 season, French soprano Solen Mainguené has steadily expanded her repertoire towards lirico-spinto and youthful dramatic roles. Parts such as Desdemona in OTELLO, Lisa in THE QUEEN OF SPADES, the Marschallin in DER ROSENKAVALIER, Gutrune in GÖTTERDÄMMERUNG and Alice Ford in FALSTAFF mark this artistic development, while roles including Mimì, Nedda and Micaëla remain central to her repertoire.

 

In the 2026/27 season, she returns to Oper Leipzig as Mimì in Peter Konwitschny’s production of LA BOHÈME and as Micaëla in CARMEN. She also makes a role debut as Giorgetta in Puccini’s IL TABARRO as part of a new production of IL TRITTICO conducted by Ivan Repušić, and revisits Nedda in Leoncavallo’s PAGLIACCI in the new production O FORTUNA.

 

Further roles in her repertoire include Tatiana in EUGENE ONEGIN, Violetta in LA TRAVIATA, Antonia in LES CONTES D’HOFFMANN, Liù in TURANDOT, Rosalinde in DIE FLEDERMAUS, the Governess in THE TURN OF THE SCREW, Manon and the title role in ARABELLA. Her repertoire thus brings together French and Italian opera with Mozart, Strauss, Wagner and works of the 20th century.

 

Guest engagements have taken Solen Mainguené to opera houses throughout Germany and across Europe. She has appeared at Hannover State Opera, Badisches Staatstheater Karlsruhe, Theater Freiburg, Musiktheater im Revier, Theater Aachen, Oper Halle and Theater Dessau, as well as internationally at Teatro Real Madrid, Teatro de la Maestranza in Seville, Malmö Opera, Prague State Opera and the Danish National Opera. She has worked with conductors including Simone Young, Axel Kober, Ivan Repušić, Michel Plasson, Lawrence Foster, Martin Rajna, Nick Carter and Alexander Soddy.

 

Alongside the core operatic repertoire, she has a particular interest in music theatre projects that cross the boundaries between opera, drama and performance. This strong theatrical sensibility informs her approach to complex female characters and plays an important role in her work on stage.

 

Solen Mainguené is a First Prize winner of the International Singing Competition in Clermont-Ferrand, where she also received the prize for Best Interpretation of the Italian Repertoire. She has been nominated several times by Opernwelt in the categories Singer of the Year and Young Artist of the Year. Further artistic inspiration came through masterclasses with Montserrat Caballé, Anna Tomowa-Sintow, Cheryl Studer, Marilyn Horne and Barbara Bonney.

 

Her training began at the Peabody Conservatory in Baltimore before she continued her studies in the opera programme at the Mozarteum University Salzburg, graduating with highest distinction. An important early stage of her professional development was the International Opera Studio at Hamburg State Opera, followed by an engagement with the company’s ensemble.

 

In addition to her work on stage, Solen Mainguené is committed to supporting the next generation of singers and is involved in mentoring young artists at the University of Music and Theatre “Felix Mendelssohn Bartholdy” Leipzig.

 

She speaks French, German, English and Italian.

 

2026-08-31

WEBSITE

Media

Work in progress

 

Repertoire

OPERA

Barber VANESSA Vanessa
Bizet CARMEN Micaëla
Britten PETER GRIMES Ellen Orford
  THE TURN OF THE SCREW The Governess
Charpentier LOUISE Louise
Donizetti ANNA BOLENA Anna
Dvorák RUSALKA Rusalka
Gounod FAUST (MARGARETHE) Margarethe
Herrmann WUTHERING HEIGHTS Catherine (Cathy) Earnshaw
Janácek JENUFA (Jeji pastorkyna) Jenufa
Lehár KATJA KABANOWA Katerina
  DER GRAF VON LUXEMBURG Angèle Didier
  DIE LUSTIGE WITWE Hanna Glawari
  GIUDITTA Giuditta
Leoncavallo PAGLIACCI Nedda
Mascagni L´AMICO FITZ Suzel
Massenet THAÏS Thaïs
Mozart COSÌ FAN TUTTE Fiordiligi
  DON GIOVANNI Donna Elvira
  LE NOZZE DI FIGARO Contessa
Offenbach LES CONTES D’HOFFMANN Antonia, Giulietta
Poulenc LA VOIX HUMAINE La Voix
  LES DIALOGUES DES CARMELITES Blanche, Madame Lidoine
Puccini GIANNI SCHICCHI Lauretta
  IL TABARRO Giorgetta
  LA BOHÈME Mimi, Musetta
  LA RONDINE Magda
  MADAMA BUTTERFLY Cho-Cho-San
  MANON LESCAUT Manon Lescaut
  SUOR ANGELICA Suor Angelica
  TURANDOT Liu
Strauß DIE FLEDERMAUS Rosalinde
Strauss ARABELLA Arabella
  DER ROSENKAVALIER Feldmarschallin
  ELEKTRA Chrysothemis
Tschaikowski EUGEN ONEGIN Tatjana
  JOLANTHE Jolanthe
  MAZEPPA Maria
  PIQUE DAME Lisa
Verdi FALSTAFF Alice Ford
  IL TROVATORE Leonora
  LA TRAVIATA Violetta Valéry
  LUISA MILLER Luisa Miller
  OTELLO Desdemona
  SIMON BOCCANEGRA Amelia
Wagner DAS RHEINGOLD Freia
  GÖTTERDÄMMERUNG Gutrune
  DIE MEISTERSINGER VON NÜRNBERG Eva
  LOHENGRIN Elsa
  PARSIFAL Blumenmädchen
  TANNHÄUSER Elisabeth

CONCERT

Johann Sebastian Bach Kantate “Ich freue mich in dir” (BWV 133)
  Kantate “Jauchzet Gott in allen Landen” (BWV 51)
  Kantate “Wachet auf, ruft uns die Stimme” (BWV 140)
  Johannes-Passion (BWV 245)
  Magnificat (BWV 243a)
  Weihnachtsoratorium (BWV 248)
Ludwig van Beethoven Schottische, Irische und Walisische Lieder (Auswahl)
Johannes Brahms Ein deutsches Requiem
Jan Brandts-Buys 3 Lieder op. 20
Giulio Caccini Al fonte, al prato
  Amor ch‘attendi
John Cage Solo for Voice 2
André Caplet Viens! Une flûte invisible soupire
Cécile Chaminade Portrait „Valse chantée“
John Corigliano Three Irish Folksong Settings
Léo Delibes Le Rossignol
Gabriel Fauré Requiem op. 48
Girolamo Frescobaldi Così mi disprezzate, F 7.16
  Se l’aura spira tutta vezzosa, F 7.15
Georg Friedrich Händel Crudel tiranno amor, HWV 97
  Neun Deutschen Arien, HWV 202–210
Joseph Haydn Missa brevis Sancti Joannis de Deo in B-Dur, Hob. XXII:7
  Missa in Angustijs „Nelsonmesse”, Hob. XXII: 11
Paul Hindemith Die Serenaden, Op.35
Leonard Küßner Einsamkeit
Franz Paul Lachner Frauen-Liebe und Leben, Op.59
Gustav Mahler Sinfonie Nr. 4 in G-Dur
Jules Massenet Élégie
Wolfgang Amadeus Mozart Konzertarie “Nehmt meinen Dank, ihr holden Gönner“, KV 383
  Konzertarie „Vorrei spiegarvi, oh Dio“, KV 418
  Vesperae solennes de Confessore, KV 339
Carl Orff Carmina Burana
Maurice Ravel „La flûte enchantée“ aus Shéhérazade
Peter Ruzicka “DE…” / MUSAC Verbalkompositionen
Camille Saint-Saëns Une flûte invisible
Alessandro Scarlatti Arie „Più non m‘alletta e piace“ aus Giardino d’Amore
Franz Schubert Der Hirt auf dem Felsen, D.965
  Salve Regina in F, D.379
Johann Strauß Frühlingsstimmen op. 410
Georg Philipp Telemann Arie „Più del fiume dà diletto“ aus Aesopus bei Hofe

Press

 

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