Repertoire:
HIGHLIGHTS
Arabella (ARABELLA) - Micaela (CARMEN) - Marschallin (DER ROSENKAVALIER) - Rosalinde (DIE FLEDERMAUS) - Tatjana (EUGENE ONEGIN) - Alice (FALSTAFF) - Gutrune (GÖTTERDÄMMERUNG) - Mimí (LA BOHÈME) - Violetta (LA TRAVIATA) - Elle (LA VOIX HUMAINE) - Antonia (LES CONTES D’HOFFMANN) - Manon (MANON) - Desdemona (OTELLO) - Nedda (PAGLIACCI) - Lisa (PIQUE DAME) - Governess (THE TURN OF THE SCREW) - Liú (TURANDOT)
Engagements at:
Bühnen Halle | Copenhagen Royal Theater | Győr Philharmonic | Malmö Opera | Anhaltisches Theater Dessau | Oper Halle | Oper Leipzig | Prague State Opera | Staatsoper Hamburg | Teatro Real Madrid | Theater Aachen | Theater Freiburg | Theater Gießen | Badisches Staatstheater Karlsruhe |
OPERA
| Barber | VANESSA | Vanessa |
| Bizet | CARMEN | Micaëla |
| Britten | PETER GRIMES | Ellen Orford |
| THE TURN OF THE SCREW | The Governess | |
| Charpentier | LOUISE | Louise |
| Donizetti | ANNA BOLENA | Anna |
| Dvorák | RUSALKA | Rusalka |
| Gounod | FAUST (MARGARETHE) | Margarethe |
| Herrmann | WUTHERING HEIGHTS | Catherine (Cathy) Earnshaw |
| Janácek | JENUFA (Jeji pastorkyna) | Jenufa |
| Lehár | KATJA KABANOWA | Katerina |
| DER GRAF VON LUXEMBURG | Angèle Didier | |
| DIE LUSTIGE WITWE | Hanna Glawari | |
| GIUDITTA | Giuditta | |
| Leoncavallo | PAGLIACCI | Nedda |
| Mascagni | L´AMICO FITZ | Suzel |
| Massenet | THAÏS | Thaïs |
| Mozart | COSÌ FAN TUTTE | Fiordiligi |
| DON GIOVANNI | Donna Elvira | |
| LE NOZZE DI FIGARO | Contessa | |
| Offenbach | LES CONTES D’HOFFMANN | Antonia, Giulietta |
| Poulenc | LA VOIX HUMAINE | La Voix |
| LES DIALOGUES DES CARMELITES | Blanche, Madame Lidoine | |
| Puccini | GIANNI SCHICCHI | Lauretta |
| IL TABARRO | Giorgetta | |
| LA BOHÈME | Mimi, Musetta | |
| LA RONDINE | Magda | |
| MADAMA BUTTERFLY | Cho-Cho-San | |
| MANON LESCAUT | Manon Lescaut | |
| SUOR ANGELICA | Suor Angelica | |
| TURANDOT | Liu | |
| Strauß | DIE FLEDERMAUS | Rosalinde |
| Strauss | ARABELLA | Arabella |
| DER ROSENKAVALIER | Feldmarschallin | |
| ELEKTRA | Chrysothemis | |
| Tschaikowski | EUGEN ONEGIN | Tatjana |
| JOLANTHE | Jolanthe | |
| MAZEPPA | Maria | |
| PIQUE DAME | Lisa | |
| Verdi | FALSTAFF | Alice Ford |
| IL TROVATORE | Leonora | |
| LA TRAVIATA | Violetta Valéry | |
| LUISA MILLER | Luisa Miller | |
| OTELLO | Desdemona | |
| SIMON BOCCANEGRA | Amelia | |
| Wagner | DAS RHEINGOLD | Freia |
| GÖTTERDÄMMERUNG | Gutrune | |
| DIE MEISTERSINGER VON NÜRNBERG | Eva | |
| LOHENGRIN | Elsa | |
| PARSIFAL | Blumenmädchen | |
| TANNHÄUSER | Elisabeth |
CONCERT
| Johann Sebastian Bach | Kantate “Ich freue mich in dir” (BWV 133) |
| Kantate “Jauchzet Gott in allen Landen” (BWV 51) | |
| Kantate “Wachet auf, ruft uns die Stimme” (BWV 140) | |
| Johannes-Passion (BWV 245) | |
| Magnificat (BWV 243a) | |
| Weihnachtsoratorium (BWV 248) | |
| Ludwig van Beethoven | Schottische, Irische und Walisische Lieder (Auswahl) |
| Johannes Brahms | Ein deutsches Requiem |
| Jan Brandts-Buys | 3 Lieder op. 20 |
| Giulio Caccini | Al fonte, al prato |
| Amor ch‘attendi | |
| John Cage | Solo for Voice 2 |
| André Caplet | Viens! Une flûte invisible soupire |
| Cécile Chaminade | Portrait „Valse chantée“ |
| John Corigliano | Three Irish Folksong Settings |
| Léo Delibes | Le Rossignol |
| Gabriel Fauré | Requiem op. 48 |
| Girolamo Frescobaldi | Così mi disprezzate, F 7.16 |
| Se l’aura spira tutta vezzosa, F 7.15 | |
| Georg Friedrich Händel | Crudel tiranno amor, HWV 97 |
| Neun Deutschen Arien, HWV 202–210 | |
| Joseph Haydn | Missa brevis Sancti Joannis de Deo in B-Dur, Hob. XXII:7 |
| Missa in Angustijs „Nelsonmesse”, Hob. XXII: 11 | |
| Paul Hindemith | Die Serenaden, Op.35 |
| Leonard Küßner | Einsamkeit |
| Franz Paul Lachner | Frauen-Liebe und Leben, Op.59 |
| Gustav Mahler | Sinfonie Nr. 4 in G-Dur |
| Jules Massenet | Élégie |
| Wolfgang Amadeus Mozart | Konzertarie “Nehmt meinen Dank, ihr holden Gönner“, KV 383 |
| Konzertarie „Vorrei spiegarvi, oh Dio“, KV 418 | |
| Vesperae solennes de Confessore, KV 339 | |
| Carl Orff | Carmina Burana |
| Maurice Ravel | „La flûte enchantée“ aus Shéhérazade |
| Peter Ruzicka | “DE…” / MUSAC Verbalkompositionen |
| Camille Saint-Saëns | Une flûte invisible |
| Alessandro Scarlatti | Arie „Più non m‘alletta e piace“ aus Giardino d’Amore |
| Franz Schubert | Der Hirt auf dem Felsen, D.965 |
| Salve Regina in F, D.379 | |
| Johann Strauß | Frühlingsstimmen op. 410 |
| Georg Philipp Telemann | Arie „Più del fiume dà diletto“ aus Aesopus bei Hofe |
Press
GOLDEN AGE
RADIANCE AND ROMANCE The CD Golden Age was awarded the OPER! AWARD in the category Best Solo Album at a gala in the Theater Regensburg on February 23, 2026. REVIEWS: BBC Radio 3 – featured on Record Review: “There’s so much to like here including...
FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)
World premiere Die Fritjof-Saga  Opera in three acts by Elfrida Andrée Libretto by Selma Lagerlöf based on the verse epic by Esaias Tegnér Der Opernfreund by Sebastian Jacobs Essen: „Die Fritjof-Saga“, Elfrida Andrée …Friedemann Röhlig als König Helge kleidet die Rolle mit viel Kraft und dennoch...
FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)
World premiere The Fritjof Saga Opera in three acts by Elfrida Andrée Libretto by Selma Lagerlöf based on the verse epic by Esaias Tegnér Der Opernfreund by Sebastian Jacobs Essen: „Die Fritjof-Saga“, Elfrida Andrée …Andreas Herrmann präsentiert einen klangschönen, strahlenden Tenor… Die deutsche Bühne by Andreas...
DORA PEJAČEVIĆ – COMPLETE SYMPHONIC WORKS
Complete Symphonic Works Dora Pejačević regarded her Symphony as her most important work. Yet at its premiere, one crucial detail was missing: her full name. In the programmes for the first performances in Vienna and Dresden, only “D. Pejacsevich” was listed. Why did the composer...
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