Mezzo-Soprano

EKATERINA ALEKSANDROVA

ARTISTIC PROFILE

Ensemble Member, Deutsches Nationaltheater Weimar
Mozart · Rossini · French & German Repertoire

SELECTED ENGAGEMENTS

Deutsches Nationaltheater Weimar · Deutsche Oper am Rhein · Staatstheater Augsburg · Volkstheater Rostock · Oper Graz · Oper Frankfurt

Ekaterina Aleksandrova

Vita

Since the 2025/26 season, Russian-born mezzo-soprano Ekaterina Aleksandrova has been a member of the ensemble at the Deutsches Nationaltheater Weimar (DNT Weimar). During her first season with the company, she made role debuts as Arcetro in Jacopo Peri’s L’EURIDICE, Charlotte in Massenet’s WERTHER, Rosina in Rossini’s IL BARBIERE DI SIVIGLIA, Lucienne in Korngold’s DIE TOTE STADT and Jakob in Leonard Evers’ operatic fairy tale GOLD!

 

Aleksandrova gained her first stage experience at companies including Oper Frankfurt, the Burgfestspiele Bad Vilbel and Theater Bielefeld. In 2019, she also appeared with Ensemble Modern in the world premiere of the opera series MÉNAGE-À-TROIS, presented by the Deutsche Bank Foundation’s “Musiktheater heute” Academy.

 

From 2020 to 2022, Aleksandrova was a member of the Opera Studio at Deutsche Oper am Rhein, where her roles included Mercédès (CARMEN), the Princess (DER GESTIEFELTE KATER), Glascha (KATJA KABANOWA), Annina (LA TRAVIATA), the Sandman (HÄNSEL UND GRETEL) and Alisa (LUCIA DI LAMMERMOOR). She also appeared in Bach’s CHRISTMAS ORATORIO.

 

In the 2021/22 season, she made a guest appearance as Annio in a new production of Mozart’s LA CLEMENZA DI TITO at Staatstheater Augsburg. She subsequently joined the company’s ensemble for the 2022/23 season, performing roles including Flora/Annina in Verdi’s LA TRAVIATA, Marchesa Melibea in Rossini’s IL VIAGGIO A REIMS, Orfeo in ORFEO ED EURIDICE and Helena in Purcell’s THE FAIRY QUEEN. From 2023 to 2025, she was a member of the ensemble at Volkstheater Rostock, where her roles included Hänsel and Orfeo. She also returned to Staatstheater Augsburg for the title role in a new production of Rossini’s LA CENERENTOLA and stepped in for several performances at Oper Graz.

 

Ekaterina Aleksandrova studied voice with Prof. Hedwig Fassbender, Prof. Kelly-Moog and Prof. Michelle Breedt at the University of Music and Performing Arts Frankfurt. She complemented her studies with masterclasses given by Margreet Honig, Helmut Deutsch, Linda Watson, Camilla Nylund and Barbara Frittoli. She was a scholarship holder of Yehudi Menuhin Live Music Now Frankfurt am Main and the Giovanni Omodeo Foundation.

 
2026-08-31
WEBSITE

Media

Nobles Seigneurs, salut – G. Meyerbeer. Les Huguenots
Ville Enckelmann, Piano
Die Loreley – C. Schumann
Ville Enckelmann, Piano

 

Voi che sapete – W.A. Mozart. Le nozze di Figaro
Lukas Rommelspracher, Piano

Repertoire

Opera / Operetta

Bizet CARMEN Mercédès
Donizetti LUCIA DI LAMMERMOOR Alisa
Gluck ORFEO ED EURIDICE Orfeo
Händel GIULIO CESARE IN EGITTO Sesto
Humperdinck HÄNSEL UND GRETEL Hänsel, Sandmännchen
Janácek KATJA KABANOWA Gláša
Korngold DIE TOTE STADT Lucienne
Massenet WERTHER Charlotte
Montsalvatge DER GESTIEFELTE KATER Prinzessin
Mozart COSÌ FAN TUTTE Dorabella
  DIE ZAUBERFLÖTE Zweite Dame
  LA CLEMENZA DI TITO Annio
  LE NOZZE DI FIGARO Cherubino
Peri L’EURIDICE Arcetro
Purcell THE FAIRY QUEEN Helena
Rossini IL BARBIERE DI SIVIGLIA Rosina
  IL VIAGGIO A REIMS Marquise Melibea
  LA CENERENTOLA Angelina
Verdi LA TRAVIATA Annina, Flora 

Press

 

FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)

World premiere Die Fritjof-Saga   Opera in three acts by Elfrida Andrée Libretto by Selma Lagerlöf based on the verse epic by Esaias Tegnér Der Opernfreund by Sebastian Jacobs Essen: „Die Fritjof-Saga“, Elfrida Andrée …Friedemann Röhlig als König Helge kleidet die Rolle mit viel Kraft und dennoch...

Photos

 

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