
DOMINIC LIMBURG
SELECTED ENGAGEMENTS
Conductor

Vita
In the 2026/27 season, Dominic Limburg’s engagements span opera, ballet and the concert platform at leading companies and with orchestras in Germany and Scandinavia. He conducts HÄNSEL UND GRETEL at Staatsoper Stuttgart and MY FAIR LADY at Deutsche Oper am Rhein, and leads a new production of Tchaikovsky’s THE NUTCRACKER with Staatsballett Berlin. Further engagements include a symphonic concert with the Robert Schumann Philharmonic in Chemnitz and a guest engagement at Norrlandsoperan in Umeå.
Opera and music theatre are at the heart of Limburg’s artistic work. Recent engagements include AIDA at the Teatro de la Maestranza in Seville, EUGENE ONEGIN for Northern Ireland Opera, DER FLIEGENDE HOLLÄNDER at the Deutsches Nationaltheater Weimar and DER FREISCHÜTZ at the Oldenburgisches Staatstheater. He also returns regularly to Deutsche Oper Berlin, where he served as Kapellmeister from 2021 to 2024 and has conducted works including LA TRAVIATA, I VESPRI SICILIANI, DER FLIEGENDE HOLLÄNDER, AIDA and Detlev Glanert’s DIE DREI RÄTSEL. Further engagements have included LA BOHÈME at Theater Chemnitz and IL VIAGGIO A REIMS with the International Opera Studio at Opernhaus Zürich.
Ballet and symphonic repertoire form another important strand of Limburg’s work. With Staatsballett Berlin and Staatskapelle Berlin, he conducted the world premiere of WINTERREISE after Schubert/Zender and has returned for further productions including NUREJEW and WINTERREISE. His concert engagements have taken him to the Munich Radio Orchestra, Beethoven Orchester Bonn, Robert Schumann Philharmonic in Chemnitz, Sinfonieorchester Biel Solothurn, Neubrandenburger Philharmonie, Kurpfälzisches Kammerorchester Mannheim and Kammerphilharmonie Graubünden. Since 2019, he has served as Chief Conductor of the Zurich Chamber Philharmonic. He has also toured with the Swiss Youth Symphony Orchestra in Shostakovich’s Symphony No. 10, with performances including the Tonhalle Zurich and Victoria Hall Geneva as well as concerts in Basel and Bern.
Limburg laid the foundations for his wide-ranging opera, ballet and concert repertoire at the Badisches Staatstheater Karlsruhe, where he was engaged from 2016 to 2021, initially as Second Kapellmeister and later as First Kapellmeister. There he conducted repertoire spanning the Baroque to contemporary music, including LES CONTES D’HOFFMANN, ANNA BOLENA, THE CUNNING LITTLE VIXEN, LA CLEMENZA DI TITO and SWAN LAKE, as well as the world premiere of Avner Dorman’s commissioned work WAHNFRIED.
His collaboration with Sir Donald Runnicles at Deutsche Oper Berlin was particularly formative in his exploration of the German repertoire and Wagner in particular. As Runnicles’ assistant, Limburg worked on new productions of GÖTTERDÄMMERUNG directed by Stefan Herheim, DIE MEISTERSINGER VON NÜRNBERG by Jossi Wieler and FIDELIO by David Hermann, as well as revivals of LOHENGRIN, TRISTAN UND ISOLDE and DER FLIEGENDE HOLLÄNDER.
Born in Zurich and of Spanish heritage, Dominic Limburg began his musical training as a member of the Zurich Boys’ Choir. He subsequently studied piano and voice at the Zurich University of the Arts before completing his master’s degree with distinction in the conducting class of Prof. Johannes Schlaefli. Further artistic influences include masterclasses with Bernard Haitink, Esa-Pekka Salonen and David Zinman, as well as his long-standing collaboration with Justin Brown at the Badisches Staatstheater Karlsruhe. From 2015 to 2021, Limburg was a scholarship holder of the German Music Council’s Forum Dirigieren and was selected for its “Maestros von Morgen” programme.
2026-08-31
Media
Sergey Tanin – BRAHMS – Piano Concerto No. 1 in D minor, Op. 15 – 2nd Movement
Sergey Tanin – Brahms – Piano Concerto No. 1 in D minor, Op. 15 – 3rd Movement
NUREYEV | Yuri Possokhov & Kirill Serebrennikov | Trailer | Berlin State Ballet
Repertoire
| Samuel Barber | A HAND OF BRIDGE op. 35 |
| Ludwig van Beethoven | FIDELIO |
| Alban Berg | WOZZECK |
| Georges Bizet | CARMEN |
| Ilya Demutsky | NUREJEV (Ballet) |
| Gaetano Donizetti | ANNA BOLENA |
| L’ELISIR D’AMORE | |
| ROBERTO DEVEREUX | |
| Avner Dorman | WAHNFRIED |
| Nico Dostal | NOFRETETE |
| Georg Friedrich Händel |
ALCINA |
| Engelbert Humperdinck | HÄNSEL UND GRETEL |
| Leos Janácek | DAS SCHLAUE FÜCHSLEIN |
| Franz Lehár | DIE LUSTIGE WITWE |
| Ruggero Leoncavallo | PAGLIACCI |
| Wolfgang Amadeus Mozart | DIE ENTFÜHRUNG AUS DEM SERAIL |
| DIE ZAUBERFLÖTE | |
| DON GIOVANNI | |
| IL REPASTORE | |
| LA CLEMENZA DI TITO | |
| LUCIO SILLA | |
| Jacques Offenbach |
LES CONTES D’HOFFMANN |
| Carl Orff | CARMINA BURANA |
| Giovanni Battista Pergolesi | LA SERVA PADRONA |
| Amilcare Ponchielli | LA GIOCONDA |
| Giacomo Puccini | LA BOHÈME |
| TOSCA | |
| Gioachino Rossini | IL BARBIERE DI SIVIGLIA |
| IL VIAGGIO A REIMS | |
| Bedrich Smetana | DIE VERKAUFTE BRAUT |
| Stephen Storace | GLI EQUIVOCI |
| Oscar Straus | DIE LUSTIGEN NIBELUNGEN |
| Johann Strauß | DIE FLEDERMAUS |
| Richard Strauss |
INTERMEZZO |
| Pjotr Iljitsch Tschaikowski | EUGEN ONEGIN |
| Giuseppe Verdi | AIDA |
| DON CARLO | |
| LA TRAVIATA | |
| LES VÊPRES SICILIENNES | |
| REQUIEM (szenisch) | |
| RIGOLETTO | |
| Richard Wagner | DER FLIEGENDE HOLLÄNDER |
| DIE MEISTERSINGER VON NÜRNBERG | |
| SIEGFRIED | |
| GÖTTERDÄMMERUNG | |
| LOHENGRIN | |
| Hans Zender | WINTERREISE (Ballet) |
| Grażyna Bacewicz | Overture for Orchestra (1943) |
| Johann Sebastian Bach | Orchestersuite Nr. 3 D-Dur BWV 1068 |
| Béla Bartók | Divertimento für Streichorchester, Sz 113 |
| Ungarische Skizzen – Fünf Bilder aus Ungarn Sz 97 | |
| Ludwig van Beethoven | Coriolan-Ouvertüre |
| Die Geschöpfe des Prometheus op. 43 | |
| Egmont-Ouvertüre | |
| Konzert für Klavier, Violine, Violoncello und Orchester C-Dur op.56 “Tripelkonzert” | |
| Sinfonie Nr. 1, 2, 3, 4, 5, 6, 8 | |
| Violinromanze Nr. 1 G-Dur, op. 40 | |
| Violinromanze Nr. 2 F-Dur, op. 50 | |
| Alban Berg | Kammerkonzert für Klavier und Geige mit 13 Bläsern |
| Hector Berlioz | Symphonie fantastique op. 14 |
| Giovanni Bottesini | Konzert h-Moll für Kontrabass und Orchester |
| Johannes Brahms | Sinfonie Nr. 1, 2, 3 |
| Violinkonzert in D-Dur op. 77 | |
| Benjamin Britten | Four Sea Interludes from Peter Grimes op. 33a |
| Sinfonietta, op. 1 | |
| Anton Bruckner | Sinfonie Nr. 4, 7, 8 |
| Ernest Chausson | Poème de l’amour et de la mer |
| Frédéric Chopin | Klavierkonzert Nr. 2 f-Moll op. 21 |
| George Crumb | Star-Child |
| Ferdinand David |
Concertino Es-Dur op.4 für Posaune und Orchester |
| Claude Debussy | Danse Sacrée et Danse Profane |
| La Mer | |
| L’après-midi d’un faune | |
| Henri Dutilleux | The Shadows of Time |
| Tout un monde lointain | |
| Antonín Dvořák | Concerto for Violoncello and Orchestra in B minor op. 104 |
| Othello, op.93 | |
| Symphony No. 7 in D minor, Op. 70, B. 141 | |
| Symphony No. 8 in G major, Op. 88, B. 163 | |
| Symphony No. 9 in E minor, “From the New World”, Op. 95, B. 178 | |
| Slavonic Dances | |
| Edward Elgar | Cellokonzert e-Moll op. 85 |
| Richard Fuchs | Vom jüdischen Schicksal (Kantate für Soli, Chor und Orchester) |
| Péter Eötvös | Conversation with Mozart |
| Edvard Grieg | Holberg Suite, op. 40 |
| Klavierkonzert a-Moll op. 16 | |
| Joseph Haydn | Cellokonzert Nr. 2 in D-Dur Hob. VIIb:2 |
| Sinfonie Nr. 102 B-Dur Hob.I:102 | |
| Sinfonie Nr. 104 D-Dur Hob.I:104 | |
| Leoš Janáček | Suite für Streichorchester |
| Lars-Erik Larsson | Concertino op.45 für Kontrabass und Streichorchester |
| Ludwig August Lebrun | Oboenkonzert d-Moll |
| Franz Liszt | Klavierkonzert Nr. 1 in Es-Dur |
| Gustav Mahler | Sinfonie Nr. 1 D-Dur |
| Felix Mendelssohn Bartholdy | Doppelkonzert d-Moll MWV 04 |
| Ein Sommernachtstraum | |
| Meeresstille und Glückliche Fahrt op. 27 | |
| Ruy Blas Ouvertüre | |
| Sinfonie Nr. 5 in D-Dur/d-Moll op. 107, „Reformations-Sinfonie“ | |
| Violinkonzert d-Moll | |
| Violinkonzert e-Moll op. 64 | |
| Olivier Messiaen | Éclairs sur l’Au-delà |
| Les Offrandes oubliées | |
| Wolfgang Amadeus Mozart | Flötenkonzert G-Dur KV 313 (285c) |
| Hornkonzert Nr. 3 KV 447 | |
| Klavierkonzert Nr. 20 d-Moll KV 466 | |
| Klavierkonzert Nr. 25 C-Dur KV 503 | |
| Serenade Nr. 13 für Streicher in G-Dur KV 525 (“Eine kleine Nachtmusik”) | |
| Sinfonie Nr. 35 in D-Dur KV 385 („Haffner-Sinfonie“) | |
| Sinfonie Nr. 36 C-Dur KV 425 (“Linzer-Sinfonie”) | |
| Sinfonie Nr. 38 in D-Dur KV 504 (“Prager-Sinfonie”) | |
| Sinfonie Nr. 39 in Es-Dur KV 534 | |
| Sinfonie Nr. 40 in g-Moll KV 550 | |
| Sinfonie Nr. 41 C-Dur KV 551 (“Jupiter-Sinfonie”) | |
| Violinkonzert Nr. 5 A-Dur KV 219 | |
| Violinkonzert Nr. 6 e-Moll KV 268 | |
| Ignacy Jan Paderewski | Piano Concerto in A Minor, Op.17 |
| Francis Poulenc | Konzert g-Moll für Orgel, Streicher und Pauken |
| Sinfonietta | |
| Sergei Prokofjew | Ouvertüre über hebräische Themen op.34 |
| Sergei Rachmaninow | Klavierkonzert Nr. 2, op. 18, c-Moll |
| Sinfonie Nr. 2 e-Moll op. 27 | |
| Maurice Ravel |
Ma mère l’Oye |
| Eugen Adolf Reiche | Posaunenkonzert |
| Ottorino Respighi | Antiche Danze ed Arie |
| Gioachino Rossini | Concerto per fagotto ed orchestra |
| Camille Saint-Saëns | Havanaise op. 83 |
| Introduction et Rondo Capriccioso für Violine und Orchester, op. 28 | |
| Sinfonie Nr. 3 in c-Moll, op. 78 | |
| Antonio Salieri | Konzert für Flöte, Oboe und Orchester C-Dur |
| Pablo de Sarasate | Introduktion und Tarantella op. 43 |
| Arnold Schönberg | Kammersymphonie Nr. 1 E-Dur op. 9 |
| Dmitri Schostakowitsch | Das goldene Zeitalter |
| Klavierkonzert Nr. 2 F-Dur, op. 102 | |
| Sinfonie Nr. 1 in f-Moll, op. 10 | |
| Sinfonie Nr. 10 in e-Moll, op. 93 | |
| Franz Schubert |
Sinfonie Nr. 5 B-Dur D 485 |
| Sinfonie Nr. 7 h-Moll, D.759 “Die Unvollendete” | |
| Sinfonie Nr. 8 C-Dur D 944 “Große Sinfonie C-Dur” | |
| Robert Schumann |
Klavierkonzert a-Moll op. 54 |
| Klavierkonzert a-Moll op. 54 | |
| Sinfonie Nr. 1 B-Dur op. 38 | |
| Sinfonie Nr. 2 C-Dur op. 61 | |
| Sinfonie Nr. 4 in d-Moll op. 120 | |
| Violinkonzert d-Moll | |
| Emmanuel Séjourné | Konzert für Marimba & Orchester |
| Jean Sibelius | Der Schwan von Tuonela |
| Karelia-Suite op. 11 | |
| Sinfonie Nr. 1 e-Moll, op. 39 | |
| Valse triste op. 44 | |
| Violinkonzert d-Moll op. 47 | |
| Johann Strauß | Walzer und Polkas |
| Richard Strauss |
Konzert für Horn und Orchester Nr. 2 Es-Dur, o. Op., AV 132 |
| Romanze für Cello und Orchester | |
| Igor Strawinsky | Der Feuervogel (Suite 1919) |
| Dumbarton Oaks | |
| Klavierkonzert Nr. 2 F-Dur, op. 102 | |
| Le sacre du printemps | |
| Pjotr Tschaikowski |
Sinfonie Nr. 5 e-Moll op. 64 |
| Sinfonie Nr. 6 h-Moll op. 74 „Pathétique” | |
| Violinkonzert, D-Dur, op. 35 | |
| Antonio Vivaldi | Konzert für zwei Trompeten C-Dur op. 46 RV 537 |
| Richard Wagner | Siegfried Idyll |
| Carl Maria von Weber | Klarinettenkonzert Nr. 1 f-Moll op. 73 |
News & Infos
ROBERT-SCHUMANN-PHILHARMONIE – 2. SINFONIEKONZERT
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