{"id":90223,"date":"2020-11-10T11:28:52","date_gmt":"2020-11-10T10:28:52","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=90223"},"modified":"2021-09-29T09:36:39","modified_gmt":"2021-09-29T07:36:39","slug":"mazeppa-premiere-staatstheater-cottbus-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/mazeppa-premiere-staatstheater-cottbus-reviews\/","title":{"rendered":"MAZEPPA (PREMIERE) &#8211; STAATSTHEATER COTTBUS (REVIEWS)"},"content":{"rendered":"\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-premiere-on-october-25-2020\">Premiere on October 25, 2020<\/h4>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><span style=\"color: #c00000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-concerti-by-roberto-becker\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.concerti.de\/\" target=\"_blank\">Concerti <\/a>by Roberto Becker<\/h4>\n\n\n\n<h5>Br\u00fcche und Widerspr\u00fcche<\/h5>\n<p><em>&#8230;Kim-Lilian Strebel bringt als Maria zwischen jugendlicher Naivit\u00e4t und Schicksals\u00fcberforderung die Leuchtkraft ihrer Stimme ein&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.concerti.de\/oper\/opern-kritiken\/staatstheater-cottbus-mazeppa-25-10-2020\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-nmz-by-joachim-lange\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.nmz.de\/\" target=\"_blank\">nmz <\/a>by Joachim Lange<\/h4>\n\n\n\n<h5>Die Wunden der Vergangenheit<\/h5>\n<p><em>&#8230;Dass sie ein echter Zugewinn f\u00fcr das Ensemble ist, stellte Kim-Lillian Strebel als Maria unter Beweis. Bei ihr verbindet sich ein kraftvoll leuchtendes Pathos der Stimme mit ihrem B\u00fchnen-Charisma&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.nmz.de\/online\/beeindruckend-andrea-moses-inszeniert-in-cottbus-pjotr-i-tschaikowskis-oper-mazeppa\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-online-merker-by-friedeon-ros-n\"><a rel=\"noreferrer noopener\" href=\"https:\/\/onlinemerker.com\/\" target=\"_blank\">Online Merker<\/a> by Friedeon Ros\u00e9n<\/h4>\n\n\n\n<h5>Cottbus: MAZEPPA , 25.10.2020, Premiere<\/h5>\n<p><em>Die Maria der Kim-Lilian&nbsp;Strebel kann mit einem bemerkenswert durchdringenden jugendlich dramatischen&nbsp;Sopran aufwarten und kommt mit ihrer hochgewachsenen schlanken&nbsp;Gestalt in verschiedenen Dressen bis zur finalen geistigen Umnachtung, in der sie sich beim Eiapopeia ins lyrische Piano zur\u00fccknimmt, \u00e4u\u00dferst selbstbewu\u00dft her\u00fcber.<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/onlinemerker.com\/cottbus-staatstheater-mazeppa-von-p-i-tschaikowsky-premiere\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-rbb-24-by-sylvia-belka-lorenz\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.rbb24.de\/\" target=\"_blank\">rbb 24<\/a> by Sylvia Belka-Lorenz<\/h4>\n\n\n\n<h5><span class=\"titletext\">Tschaikowski-Oper &#8220;Mazeppa&#8221; in Cottbus setzt neue Ma\u00dfst\u00e4be<\/span><\/h5>\n<p><em>&#8230;gibt es so viele Lichtpunkte in den gut zwei Stunden: Die Maria von Kim-Lillian Strebel. Alexey Sayapin als ihr Jugendfreund Andrej, den sie am Schluss mit einem Wiegenlied (Bajuschki baju) in den Tod singt&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.rbb24.de\/kultur\/beitrag\/2020\/10\/brandenburg-cottbus-mazeppa-tschaikowski-oper-premiere.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-cast\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 483px;\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Musikalische Leitung<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>GMD Alexander Merzyn<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Regie<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Andrea Moses<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">B\u00fchne<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Christian Wiehle<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Kost\u00fcme<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Meentje Nielsen<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Kost\u00fcm-Mitarbeit<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Clementine Pohl<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Video<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Ren\u00e9 Liebert<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Lichtdesign<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Reinhard Traub<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Choreinstudierung<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Christian M\u00f6bius<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Dramaturgie<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Michael H\u00f6ppner, Katharina Duda <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\" colspan=\"2\"> <\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Mazeppa<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Andreas J\u00e4pel<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Maria<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Kim-Lillian Strebel<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Kotschubej<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Ulrich Schneider<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Andrej<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Alexey Sayapin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Ljubov<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Gesine Forberger<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Orlik<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Jongsoo Yang<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Iskra<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Hardy Brachmann<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">Betrunkener Kosak<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Dirk Kleinke<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\">T\u00e4nzer, Paar<\/td>\n<td style=\"width: 50%; height: 23px;\"><strong>Alexander Teutscher, Cristina Voce<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\" colspan=\"2\"><strong>Opernchor<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px;\" colspan=\"2\"><strong>Philharmonisches Orchester des Staatstheaters Cottbus\u200b<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Premiere on October 25, 2020 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":83978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,7753],"tags":[],"class_list":["post-90223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-kim-lillian-strebel"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/90223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=90223"}],"version-history":[{"count":5,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/90223\/revisions"}],"predecessor-version":[{"id":95405,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/90223\/revisions\/95405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/83978"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=90223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=90223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=90223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}