{"id":88781,"date":"2020-06-25T06:30:00","date_gmt":"2020-06-25T04:30:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/das-rheingold-auf-dem-parkdeck-premiere-deutsche-oper-berlin-rezensionen\/"},"modified":"2021-06-19T12:51:57","modified_gmt":"2021-06-19T10:51:57","slug":"das-rheingold-auf-dem-parkdeck-premiere-deutsche-oper-berlin-rezensionen","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/das-rheingold-auf-dem-parkdeck-premiere-deutsche-oper-berlin-rezensionen\/","title":{"rendered":"DAS RHEINGOLD ON THE PARKING DECK (PREMIERE) &#8211; DEUTSCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4>Performances on the 12th (premiere), 16th, 18th, 19th, 20th and 21st June 2020<\/h4>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><span style=\"color: #e00000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-bachtrack-by-hugo-shirley\"><a aria-label=\"undefined (opens in a new tab)\" href=\"https:\/\/bachtrack.com\/de_DE\" target=\"_blank\" rel=\"noreferrer noopener\">Bachtrack <\/a>by Hugo Shirley<\/h4>\n\n\n\n<h5>Back in business: a defiant Deutsche Oper&#8217;s reduced open-air <i>Rheingold<\/i><\/h5>\n<p><em>&#8230;while Annika Schlicht is impressive as an unusually moving Fricka&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/bachtrack.com\/de_DE\/review-rheingold-dove-moss-runnicles-welton-deutsche-oper-parkdeck-berlin-june-2020\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-berliner-zeitung-by-peter-uehling\"><a aria-label=\"undefined (opens in a new tab)\" href=\"https:\/\/www.berliner-zeitung.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Berliner Zeitung<\/a> by Peter Uehling<\/h4>\n\n\n\n<h5><span class=\"a-storyhead\">Endlich wieder Oper: \u201eDas Rheingold auf dem Parkdeck\u201c\u00a0<\/span><\/h5>\n<p><em>&#8230;\u00fcberzeugt aber durch eine reiche dynamische Spannweite und gro\u00dfen Klang, wie auch Annika Schlicht als Fricka \u2013 beide bilden ein musikalisch gl\u00e4nzend dargestelltes Ehepaar im Streit&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.berliner-zeitung.de\/kultur-vergnuegen\/endlich-wieder-oper-das-rheingold-auf-dem-parkdeck-li.87332\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-concerti-by-eckhard-weber\"><a aria-label=\"undefined (opens in a new tab)\" href=\"https:\/\/www.concerti.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">concerti <\/a>by Eckhard Weber<\/h4>\n\n\n\n<h5>Gef\u00fchlte Wagner-Festspiele in Charlottenburg<\/h5>\n<p><em>&#8230;Annika Schlicht verleiht ihrer Fricka klare Linie und kristalline H\u00f6hen&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.concerti.de\/oper\/opern-kritiken\/deutsche-oper-berlin-rheingold-auf-dem-parkdeck-12-6-2020\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-die-welt-by-manuel-brug\"><a aria-label=\"undefined (opens in a new tab)\" href=\"https:\/\/www.welt.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Die Welt<\/a> by Manuel Brug<\/h4>\n\n\n\n<h5>Liebling, die haben das \u201eRheingold\u201c geschrumpft<\/h5>\n<p><em>&#8230;so wie auch der fraulich str\u00f6menden Fricka von Anika Schlicht jegliches Gattinnen-Gemecker fehlt, eine Frau, die ehrlich um ihren Mann ringt&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.welt.de\/kultur\/article209494883\/Deutsche-Oper-Berlin-Rheingold-auf-dem-Parkdeck.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-faz-by-gerald-felber\"><a aria-label=\"undefined (opens in a new tab)\" href=\"https:\/\/www.faz.net\/aktuell\/\" target=\"_blank\" rel=\"noreferrer noopener\">FAZ<\/a> by Gerald Felber<\/h4>\n\n\n\n<h5><span class=\"atc-HeadlineEmphasis \"><span class=\"atc-HeadlineEmphasisText\">Open-Air-\u201eRheingold\u201c in Berlin<\/span> <span class=\"o-VisuallyHidden\">: <\/span> <\/span> <span class=\"atc-HeadlineText\">Ouvert\u00fcre auf dem Parkhausdeck<\/span><\/h5>\n<p><em>&#8230;Einer dieser kleinen, augenzwinkernden Momente war Frickas (mit gehalten-fraulicher W\u00fcrde: Annika Schlicht)&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.faz.net\/aktuell\/feuilleton\/buehne-und-konzert\/wie-die-deutsche-oper-rheingold-trotz-corona-auffuehrt-16814697.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-klassik-info-by-georg-rudiger\"><a aria-label=\"undefined (opens in a new tab)\" href=\"https:\/\/www.klassikinfo.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Klassik Info<\/a> by Georg Rudiger<\/h4>\n\n\n\n<h5>Es gibt wieder Oper \u2013 live und in Farbe \u2013 Rheingold in Berlin<\/h5>\n<p><em>&#8230;Annika Schlicht ist eine selbstbewusste Fricka&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.klassikinfo.de\/es-gibt-wieder-oper-live-und-in-farbe-rheingold-in-berlin\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-kronen-zeitung-by-ioan-holender\"><a href=\"https:\/\/www.krone.at\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kronen Zeitung<\/a>&nbsp;by Ioan Holender<\/h4>\n\n\n\n<h5>DEUTSCHE OPER SPIELT TROTZ COVID<\/h5>\n<h5>AUF DEM PARKDECK!<\/h5>\n<p><em>\u2026Die Fricka von Annika Schlicht und Thomas Blondelle als Loge stechen neben einem soliden, impulsiv-spielfreudigen und musikalisch sehr sicheren Ensemble besonders hervor\u2026<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.pressreader.com\/austria\/kronen-zeitung-9gf1\/20200628\/282187948288699\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-operalounge-de-by-ingrid-wanja\"><a href=\"http:\/\/operalounge.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Operalounge.de<\/a> by Ingrid Wanja<\/h4>\n\n\n\n<h5>In Sommerschw\u00fcle auf dem Parkdeck<\/h5>\n<p><em>&#8230;Eine wunderbar in allen Registern ausgeglichene, farbige, dem Ohr schmeichelnde Stimme hat Annika Schlicht f\u00fcr eine majest\u00e4tische Fricka, die nur in der Gier nach weiterem Geschmeide kurz die Contenance verliert&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/operalounge.de\/features\/musikszene-festivals\/in-sommerschwuele-auf-dem-parkdeck\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-rbb-kulturradio-by-maria-ossowski\"><a aria-label=\"undefined (opens in a new tab)\" href=\"https:\/\/www.rbb24.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">rbb Kulturradio<\/a> by Maria Ossowski<\/h4>\n\n\n\n<h5 class=\"label\"><span class=\"titletext\">Das Rheingold auf dem Parkdeck<\/span><\/h5>\n<p><em>&#8230;mit Solisten wie Thomas Blondelle als Feuergott Loge und vor allem Annika Schlicht als G\u00f6ttergattin Fricka einen zauberhaften Glanz&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.rbb24.de\/kultur\/beitrag\/2020\/06\/rheingold-deutsche-oper-berlin-parkdeck.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-cast\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 409px;\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Conductor<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Donald Runnicles<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 50%; height: 18px; text-align: left; vertical-align: top;\">Concept, Staging, Costumes<\/td>\n<td style=\"width: 50%; height: 18px; text-align: left; vertical-align: top;\"><strong>Neil Barry Moss<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Set design<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Lili Avar<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Dramaturgy<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Dorothea Hartmann, Patricia Knebel<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">\u00a0<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">\u00a0<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Wotan<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Derek Welton<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Donner<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Padraic Rowan<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Loge<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Thomas Blondelle<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Alberich<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Philipp Jekal<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Fasolt<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Andrew Harris<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Fafner<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Tobias Kehrer<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Fricka<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Annika Schlicht<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Freia<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Flurina Stucki<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Erda<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Judit Kutasi<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Woglinde<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Elena Tsallagova<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Wellgunde<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Irene Roberts<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">Flosshilde<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Karis Tucker<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\" colspan=\"2\"><strong>Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Performances on the 12th (premiere), 16th, 18th, 19th, 20th and 21st June 2020 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":82781,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-88781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/88781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=88781"}],"version-history":[{"count":7,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/88781\/revisions"}],"predecessor-version":[{"id":93784,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/88781\/revisions\/93784"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82781"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=88781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=88781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=88781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}