{"id":88750,"date":"2020-02-24T17:00:48","date_gmt":"2020-02-24T16:00:48","guid":{"rendered":"https:\/\/agentur-seifert.de\/violanta-premiere-teatro-regio-di-torino-rezensionen\/"},"modified":"2022-07-16T16:28:05","modified_gmt":"2022-07-16T14:28:05","slug":"violanta-premiere-teatro-regio-di-torino-rezensionen","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/violanta-premiere-teatro-regio-di-torino-rezensionen\/","title":{"rendered":"VIOLANTA (PREMIERE) \u2013 TEATRO REGIO DI TORINO (REVIEWS)"},"content":{"rendered":"\n<h4>Performances on January 21, (Premiere), January 23, 25, 26 and 28, 2020.<\/h4>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><span style=\"color: #e00000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-concertonet-by-ossama-el-naggar\"><a rel=\"noreferrer noopener\" href=\"http:\/\/www.concertonet.com\/index.php\" target=\"_blank\">ConcertoNet <\/a>by Ossama el Naggar<\/h4>\n\n\n\n<h5>The Transformation of Hate into Love<\/h5>\n<p><em>&#8230;She was also a convincingly devoted nurse, a mother figure, that expressed warmth and love to a noblewoman living a dreary life and afflicted with the tragic loss of her sister&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/www.concertonet.com\/scripts\/review.php?ID_review=14392\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-connessi-all-opera-by-alessandro-mormile\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.connessiallopera.it\/\" target=\"_blank\">Connessi all&#8217;Opera <\/a>by Alessandro Mormile<\/h4>\n\n\n\n<h5>Torino, Teatro Regio \u2013 Violanta<\/h5>\n<p><em>&#8230;Il soprano <strong>Annemarie Kremer<\/strong> \u00e8 una Violanta di bel rilievo scenico, con voce piena nei centri oltre che luminosa; svetta in acuto anche se il suono sembra talvolta raccogliersi pi\u00f9 del dovuto, eppure il carisma interpretativo e il fascino con cui tratteggia il passaggio dal desiderio delittuoso di vendetta a quello della scoperta della passione sono condotti con piena consapevolezza espressiva nel cogliere la metamorfosi interiore della protagonista.<\/em>..<\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.connessiallopera.it\/recensioni\/2020\/torino-teatro-regio-violanta\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-gbopera-by-giordano-cavagnino\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.gbopera.it\" target=\"_blank\">GBOPERA <\/a>by Giordano Cavagnino<\/h4>\n\n\n\n<h5>Torino, Teatro Regio \u2013 Violanta<\/h5>\n<p><em>&#8230;Nei panni della protagonista <strong>Annemarie Kremer <\/strong>\u00e8 una Violanta scenicamente seducente e di buon materiale vocale. La voce \u00e8 forse di natura pi\u00f9 lirica che drammatica ma \u00e8 decisamente piacevole come timbro e colore e di buona consistenza su tutta la gamma con centri ricchi di suono e acuti luminosi e sicuri. Fraseggio e accento sono curati cos\u00ec come la recitazione; ne risulta un\u2019ottima caratterizzazione del personaggio nonostante un peso vocale forse un po\u2019 limitato per la parte&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.gbopera.it\/2020\/01\/torino-teatro-regio-violanta\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-opera-journal-by-keris-nine\"><a rel=\"noreferrer noopener\" href=\"http:\/\/operajournal.blogspot.com\/\" target=\"_blank\">Opera Journal <\/a>by Keris Nine<\/h4>\n\n\n\n<h5>Korngold &#8211; Violanta (Turin, 2020)<\/h5>\n<p><em>&#8230;With fine singing performances, a strong central performance from Annemarie Kremer, and with Pinchas Steinberg bringing out the youthful musical splendour of Korngold, the Teatro Regio Torino production give a fine account of this wonderful rarity&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/operajournal.blogspot.com\/2020\/04\/korngold-violanta-turin-2020.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-opera-online-by-emmanuel-andrieu\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.opera-online.com\/fr\" target=\"_blank\">Opera Online<\/a> by Emmanuel Andrieu<\/h4>\n\n\n\n<h5>Le Teatro Regio de Turin ressuscite Violanta de Korngold<\/h5>\n<p><em>&#8230;D\u00e9j\u00e0 pl\u00e9biscit\u00e9e dans le r\u00f4le d\u2019Elizabeth (<strong>Tannh\u00e4user<\/strong>) \u00e0 l\u2019Op\u00e9ra de Monte-Carlo <a href=\"https:\/\/www.opera-online.com\/fr\/columns\/manu34000\/tannhauser-en-version-francaise-a-lopera-de-monte-carlo\" data-cke-saved-href=\"https:\/\/www.opera-online.com\/fr\/columns\/manu34000\/tannhauser-en-version-francaise-a-lopera-de-monte-carlo\">en 2016<\/a>, la soprano n\u00e9erlandaise <strong>Annemarie Kremer<\/strong> s\u2019av\u00e8re \u00e0 nouveau sensationnelle d\u2019engagement dramatique et de facilit\u00e9 vocale, jusque dans les extr\u00eames vocaux requis par la partition. Entre la beaut\u00e9 de son puissant registre aigu et la qualit\u00e9 sup\u00e9rieure de son style, notre c\u0153ur balance&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.opera-online.com\/fr\/columns\/manu34000\/le-teatro-regio-de-turin-ressuscite-violanta-de-korngold\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-opera-world-by-renzo-bellardone\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.operaworld.es\/\" target=\"_blank\">Opera World<\/a> by Renzo Bellardone<\/h4>\n\n\n\n<h5>La prima italiana di Violanta al Regio di Torino<\/h5>\n<p><i class=\"td-icon-views\"><i class=\"td-icon-share\"><i class=\"td-icon-facebook\"><i class=\"td-icon-twitter\"><i class=\"td-icon-googleplus\"><i class=\"td-icon-pinterest\"><i class=\"td-icon-mail\"><i class=\"td-icon-telegram\"><strong>&#8230;Annemarie Kremer<\/strong> \u00e8 superbamente Violanta cui dedica il suo carisma naturale ed imprime\u00a0 forte carica passionale che si evolve con la vicenda; con un bel fraseggio rende comprensibile il linguaggio tedesco e non si risparmia vocalmente.<\/i><\/i><\/i><\/i><\/i><\/i><\/i><\/i>..<\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.operaworld.es\/la-prima-italiana-di-violanta-al-regio-di-torino\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-operaclick-by-lodovico-buscatti\">Operaclick by Lodovico Buscatti<\/h4>\n\n\n\n<h5>Torino &#8211; Teatro Regio: Violanta<\/h5>\n<p><em>&#8230;La protagonista <strong>Annemarie Kremer<\/strong> ha dato convincente pienezza scenica a Violanta grazie ad una voce fascinosa nello smalto e robusta nel volume, soprattutto nel registro centrale. Un po\u2019 meno scorrevole ci \u00e8 invece parsa la sua emissione nelle zone acute. Nonostante ci\u00f2 la Kremer, particolarmente apprezzata dagli ascoltatori, ha ben interpretato l\u2019eroina nel suo percorso sentimentale che da gelida vendicatrice la porter\u00e0 a divenire, alla termine dell\u2019intenso incontro con Alfonso, vittima sacrificale dei propri sentimenti&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.operaworld.es\/la-prima-italiana-di-violanta-al-regio-di-torino\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-cast\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 391px;\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Conductor<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Pinchas Steinberg<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Director, Set Design, Costumes<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Pier Luigi Pizzi<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Chorus Master<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Andrea Secchi<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Light<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Andrea Anfossi<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">&nbsp;<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">&nbsp;<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Violanta<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Annemarie Kremer<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Simone Trovai<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Michael Kupfer-Radecky<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Alfonso<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Norman Reinhardt<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Giovanni Bracca<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Peter Sonn<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Bice<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Soula Parassidis<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Barbara<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Anna Maria Chiuri<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Matteo<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Joan Folqu\u00e9<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Primo soldato<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Cristiano Olivieri<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Secondo soldato<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Gabriel Alexander Wernick<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Prima ancella<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Eugenia Braynova<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Seconda ancella<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Claudia De Pian<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\" colspan=\"2\"><strong>Orchestra e Coro del Teatro Regio di Torino<br><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Performances on January 21, (Premiere), January 23, 25, 26 and 28, 2020. Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":83155,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,7523],"tags":[641],"class_list":["post-88750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annemarie-kremer","tag-reviews"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/88750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=88750"}],"version-history":[{"count":6,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/88750\/revisions"}],"predecessor-version":[{"id":100818,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/88750\/revisions\/100818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/83155"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=88750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=88750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=88750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}