{"id":87906,"date":"2018-11-26T14:00:26","date_gmt":"2018-11-26T13:00:26","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=87906"},"modified":"2021-06-20T15:44:32","modified_gmt":"2021-06-20T13:44:32","slug":"messa-da-requiem-deutsche-oper-berlin-reviews-2","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/messa-da-requiem-deutsche-oper-berlin-reviews-2\/","title":{"rendered":"Messa da Requiem \u2013 Deutsche Oper Berlin (Reviews)"},"content":{"rendered":"\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"h-performances-on-october-18-24-30-and-november-9-2018\">Performances on October 18, 24, 30 and November 9, 2018<\/h5>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><span style=\"color: #e00000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-klaus-billand-com-by-klaus-billand\"><a rel=\"noreferrer noopener\" aria-label=\"Klaus-billand.com (opens in a new tab)\" href=\"https:\/\/www.klaus-billand.com\/\" target=\"_blank\">Klaus-billand.com<\/a> by Klaus Billand<\/h4>\n\n\n\n<h5>Grandiose optische Assoziationen, 9. November 2018<\/h5>\n<p><em>&#8230;Benjamin Reiners wusste mit dem Orchester der Deutschen Oper Berlin die dramaturgische Optik eindrucksvoll zu verst\u00e4rken und H\u00f6hepunkte zu setzen, wo sie musikalisch und von der Inszenierung her angebracht waren. Nat\u00fcrlich war das Dies Irae in diesem Sinne einer der H\u00f6hepunkte. Die Solisten trug Reiners auf H\u00e4nden, die somit auch bestens verst\u00e4ndlich waren, was gerade bei einem Requiem so wichtig ist. Die <span class=\"caps\">DOB<\/span> kann stolz auf diese einzigartige Produktion sein. Riesenbeifall!<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.klaus-billand.com\/deutsch\/rezensionen\/spaetromantik-und-impressionismus-ca-1860-ca-1920\/berlin-deutsche-oper-g-verdi-messa-da-requiem-9-november-2018.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-oper-aktuell-by-kaspar-sannemann\"><a rel=\"noreferrer noopener\" aria-label=\"oper-aktuell (opens in a new tab)\" href=\"https:\/\/www.oper-aktuell.info\/\" target=\"_blank\">oper-aktuell<\/a> by Kaspar Sannemann<\/h4>\n\n\n\n<h5>Berlin, Deutsche Oper: MESSA DA REQUIEM, 24.10.2018<\/h5>\n<p><em>&#8230;Die musikalische Leitung lag in den H\u00e4nden von <strong>Benjamin Reiners<\/strong>, dem designierten GMD des Theaters Kiel. Er traf genau die dem Werk immanenten, vorw\u00e4rtsdr\u00e4ngenden Tempi, baute die dramatischen H\u00f6hepunkte effektvoll auf (z.B. das Hosanna), gab der ergreifenden Schlichtheit des Agnus dei den geb\u00fchrenden Raum&#8230; <\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.oper-aktuell.info\/kritiken\/artikel\/berlin-deutsche-oper-messa-da-requiem-24-10-2018.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-cast\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 316px;\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\">Conductor<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\"><strong>Benjamin Reiners<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: bottom;\">Director, Stage design, Costume design, Light Design<\/td>\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: bottom;\"><strong>Achim Freyer<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\">Light design<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\"><strong>Ulrich Niepel<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\">Chorus Master<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\"><strong>Jeremy Bines<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\">Sopran (Der Wei\u00dfe Engel)<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: bottom;\"><strong>Michelle Bradley<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 44px;\">Mezzosopran (Der Tod-ist-die-Frau)<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 44px;\"><strong>Annika Schlicht<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 23px;\">Tenor (Einsam)<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 23px;\"><strong>Robert Watson<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 23px;\">Bass (Der Beladene)<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 23px;\"><strong>Derek Welton<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 44px;\">T\u00e4nzerinnen und T\u00e4nzer<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 44px;\"><strong>Opernballett der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"text-align: left; vertical-align: bottom; height: 23px;\" colspan=\"2\"><strong>Chor der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: bottom; height: 23px;\" colspan=\"2\"><strong>Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Performances on October 18, 24, 30 and November 9, 2018 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":84691,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,625],"tags":[],"class_list":["post-87906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-benjamin-reiners"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=87906"}],"version-history":[{"count":4,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87906\/revisions"}],"predecessor-version":[{"id":93846,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87906\/revisions\/93846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/84691"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=87906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=87906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=87906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}