{"id":87899,"date":"2017-11-05T16:00:29","date_gmt":"2017-11-05T15:00:29","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=87899"},"modified":"2021-06-24T19:35:40","modified_gmt":"2021-06-24T17:35:40","slug":"linvisible-premiere-deutsche-oper-berlin-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/linvisible-premiere-deutsche-oper-berlin-reviews\/","title":{"rendered":"L&#8217;Invisible (premiere) &#8211; Deutsche Oper Berlin (reviews)"},"content":{"rendered":"\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h5>Performances on October 8 (premiere), 18, 22, 25, 31, 2017<\/h5>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><span style=\"color: #e00000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-berliner-kulturnotizen-by-horst-r-diger\"><a rel=\"noreferrer noopener\" aria-label=\"Berliner Kulturnotizen (opens in a new tab)\" href=\"https:\/\/roedigeronline.de\/39994.html\" target=\"_blank\">Berliner Kulturnotizen<\/a> by Horst R\u00f6diger<\/h4>\n\n\n\n<p><em>&#8230;Annika Schlichts kraftvoller Mezzo interpretiert mit lebhafter Intensit\u00e4t die Rollen von Marthe und Bellang\u00e8re&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/roedigeronline.de\/41638.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-berliner-morgenpost-by-matthias-n-ther\"><a rel=\"noreferrer noopener\" aria-label=\"Berliner Morgenpost (opens in a new tab)\" href=\"https:\/\/www.morgenpost.de\/\" target=\"_blank\">Berliner Morgenpost<\/a> by Matthias N\u00f6ther<\/h4>\n\n\n\n<p><em>&#8230;Ihr gegen\u00fcbergestellt ist die treffend ausgesuchte Stimme von Annika Schlicht, welche die hochdramatischen Parts \u00fcbernimmt&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.morgenpost.de\/kultur\/article212179121\/L-invisible-ist-ein-Triumph-fuer-die-Deutsche-Oper.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-der-opernfreund-by-ingrid-wanja\"> <a rel=\"noreferrer noopener\" aria-label=\"Der Opernfreund (opens in a new tab)\" href=\"https:\/\/www.deropernfreund.de\/index.html\" target=\"_blank\">Der Opernfreund<\/a> by Ingrid Wanja<\/h4>\n\n\n\n<p><em>&#8230;Aus dem Ensemble steht ihr Annika Schlicht jeweils als Schwester Marthe oder Bellang\u00e8re zur Seite und setzt mit einem eindringlichen, interessant timbrierten Mezzosopran in Erstaunen&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.deropernfreund.de\/berlin-deutsche-oper-6.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-nmz-neue-musikzeitung-by-corina-kolbe\"><a rel=\"noreferrer noopener\" aria-label=\"nmz - neue musikzeitung (opens in a new tab)\" href=\"https:\/\/www.nmz.de\/\" target=\"_blank\">nmz &#8211; neue musikzeitung<\/a> by Corina Kolbe<\/h4>\n\n\n\n<h5>Im schmerzlichen Bewusstsein der eigenen Endlichkeit<\/h5>\n<p><em>&#8230;Annika Schlicht als Marthe zeigt mit ihrem starken, vollt\u00f6nenden Mezzosopran ebenfalls eine beachtliche Pr\u00e4senz&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.nmz.de\/artikel\/im-schmerzlichen-bewusstsein-der-eigenen-endlichkeit\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-opern-konzertkritik-berlin-by-anton-schlatz\"><a rel=\"noreferrer noopener\" aria-label=\"Opern &amp; Konzertkritik Berlin (opens in a new tab)\" href=\"https:\/\/konzertkritikopernkritikberlin.wordpress.com\/\" target=\"_blank\">Opern &amp; Konzertkritik Berlin<\/a> by Anton Schlatz<\/h4>\n\n\n\n<h5>Kritik L\u2019Invisible Aribert Reimann:&nbsp;Urauff\u00fchrung<\/h5>\n<p><em>&#8230;Neben der auratisch-strengen Rachel Harnisch agiert Annika Schlicht als Marthe und Bellang\u00e8re (der zweiten Schwester Tintagiles) wie immer mit kernigem Mezzosopran&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/konzertkritikopernkritikberlin.wordpress.com\/2017\/10\/09\/kritik-linvisible-aribert-reimann-urauffuehrung-deutsche-oper\/#more-51693\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-opernfan-de-by-alexander-hildebrand\"><a rel=\"noreferrer noopener\" aria-label=\"Opernfan.de (opens in a new tab)\" href=\"https:\/\/www.opernfan.de\/\" target=\"_blank\">Opernfan.de<\/a> by Alexander Hildebrand <\/h4>\n\n\n\n<h5>Von der Realit\u00e4t zum Traum zum Alptraum: Neue Oper von Aribert Reimann uraufgef\u00fchrt<\/h5>\n<p><i class=\"ampz ampz-icon ampz-icon-facebook\"><i class=\"ampz ampz-icon ampz-icon-twitter\"><i class=\"ampz ampz-icon ampz-icon-email\">&#8230;Die Mezzosopranistin Annika Schlicht als Marthe und Bellang\u00e8re ist ein warmklingender Gegensatz zu vielen Dissonanzen.<\/i><\/i><\/i>..<\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.opernfan.de\/opernhaeuser\/deutsche-oper-berlin\/173-invisible-deutsche-oper-berlin-aribert-reimann-urauffuehrung.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-cast\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 389px;\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">conductor<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Donald Runnicles<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">director<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Vasily Barkhatov<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">set designs<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Zinovy Margolin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">costumes<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Olga Shaishmelashvili<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">video<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Robert Pflanz<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">lighting<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\"><strong>Ulrich Niepel<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\" colspan=\"2\">\u00a0<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Ursula \/ Marie \/ Ygraine<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Rachel Harnisch<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Marthe \/ Bellang\u00e8re<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Annika Schlicht<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Dienerin<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Ronnita Miller<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Der Vater<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Seth Carico<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Gro\u00dfvater \/ Der Alte \/ Aglovale<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Stephen Bronk<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Der Onkel \/ Der Fremde<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Thomas Blondelle<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Das Kind \/ Tintagiles<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Gelimer Reuter \/ Salvador Macedo<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: top;\">Drei Dienerinnen der K\u00f6nigin<\/td>\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: top;\"><strong>Tim Severloh, Matthew Shaw, Martin W\u00f6lfel<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 100%; height: 23px; text-align: left; vertical-align: top;\" colspan=\"2\"><strong>Das Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Performances on October 8 (premiere), 18, 22, 25, 31, 2017 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":82775,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-87899","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=87899"}],"version-history":[{"count":6,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87899\/revisions"}],"predecessor-version":[{"id":93947,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87899\/revisions\/93947"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82775"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=87899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=87899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=87899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}