{"id":87889,"date":"2018-11-26T07:20:14","date_gmt":"2018-11-26T06:20:14","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=87889"},"modified":"2021-06-20T15:48:31","modified_gmt":"2021-06-20T13:48:31","slug":"messa-da-requiem-deutsche-oper-berlin-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/messa-da-requiem-deutsche-oper-berlin-reviews\/","title":{"rendered":"Messa da Requiem \u2013 Deutsche Oper Berlin (Reviews)"},"content":{"rendered":"\n
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Performances on October 18, 24, 30 and November 9, 2018<\/h5>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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Klassik-begeistert<\/a> by Regine Neudert<\/h4>\n\n\n\n
Der Tod auf der B\u00fchne \u2013 Ein Abend f\u00fcr Annika Schlicht, 18. Oktober 2018<\/h5>\n

…\u201eDies gelingt am Ende auch nur Mezzosopranistin Annika Schlicht und das mit Bravour. Als \u201eDer Tod-ist-die-Frau\u201c personifiziert, tr\u00e4gt sie den Abend mit einer majest\u00e4tischen Durchschlagskraft in der Stimme, die in keinem Moment angestrengt oder forciert klingt. Mit ihrem imposanten Stimmvolumen begeistert sie restlos und stellt dabei die anderen Ensemblemitglieder in den Schatten. Zweifelsohne lohnt sich dieser Abend bereits allein ihretwegen.\u201c…<\/em><\/p>\n\n\n

\n\t\t\t\n\t\t\n\t\t\t<\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n
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Klaus-billand.com<\/a> by Klaus Billand<\/h4>\n\n\n\n
Grandiose optische Assoziationen, 9. November 2018<\/h5>\n

…\u201eF\u00fcr besondere solistische H\u00f6hepunkte sorgen aber Annika Schlicht als \u201eDer Tod-ist-die-Frau\u201c und Alexandros Stavrakakis als \u201eDer Beladene\u201c. Schlicht singt mit ihrem klangvoll timbrierten und vollen Mezzosopran ein inniges und ber\u00fchrendes Lacrimosa und ist auch bei ihren anderen Auftritten stimmlich \u00fcberaus pr\u00e4sent.\u201c…<\/em><\/p>\n\n\n

\n\t\t\t\n\t\t\n\t\t\t<\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n
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oper-aktuell<\/a> by Kaspar Sannemann<\/h4>\n\n\n\n
Berlin, Deutsche Oper: MESSA DA REQUIEM, 24.10.2018<\/h5>\n

…\u201eBei den SolistInnen ragte die fabelhaft ausdrucksstarke, wunderbar \u201ebrustige\u201c Stimme der Mezzosopranistin Annika Schlicht aus dem Quartett hervor.\u201c…<\/em><\/p>\n\n\n

\n\t\t\t\n\t\t\n\t\t\t<\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n
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Cast:<\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Conductor<\/td>\nBenjamin Reiners<\/strong><\/td>\n<\/tr>\n
Director, Stage design, Costume design, Light Design<\/td>\nAchim Freyer<\/strong><\/td>\n<\/tr>\n
Light design<\/td>\nUlrich Niepel<\/strong><\/td>\n<\/tr>\n
Chorus Master<\/td>\nJeremy Bines<\/strong><\/td>\n<\/tr>\n
Soprano (Der Wei\u00dfe Engel)<\/td>\nMichelle Bradley<\/strong><\/td>\n<\/tr>\n
Mezzo-sopranoo (Der Tod-ist-die-Frau)<\/td>\nAnnika Schlicht<\/strong><\/td>\n<\/tr>\n
Tenor (Einsam)<\/td>\nRobert Watson<\/strong><\/td>\n<\/tr>\n
Bass (Der Beladene)<\/td>\nDerek Welton<\/strong><\/td>\n<\/tr>\n
Dancers<\/td>\nOpernballett der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n
Chor der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n
Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Performances on October 18, 24, 30 and November 9, 2018 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":82785,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-87889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=87889"}],"version-history":[{"count":3,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87889\/revisions"}],"predecessor-version":[{"id":93850,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87889\/revisions\/93850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82785"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=87889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=87889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=87889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}