{"id":87708,"date":"2019-05-20T14:00:00","date_gmt":"2019-05-20T12:00:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=87708"},"modified":"2021-06-19T14:21:29","modified_gmt":"2021-06-19T12:21:29","slug":"rienzi-deutsche-oper-berlin-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/rienzi-deutsche-oper-berlin-reviews\/","title":{"rendered":"Rienzi &#8211; Deutsche Oper Berlin (Reviews)"},"content":{"rendered":"\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4>Performances on the 5th, 18th and 10th of May 2019<\/h4>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><span style=\"color: #e00000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-bachtrack-by-ako-imamura\"><a rel=\"noreferrer noopener\" aria-label=\"Bachtrack  (opens in a new tab)\" href=\"https:\/\/bachtrack.com\/de_DE\" target=\"_blank\">Bachtrack <\/a>by Ako Imamura<\/h4>\n\n\n\n<h5>Deutsche Oper Berlin revives Philipp St\u00f6lzl&#8217;s production of <i>Rienzi<\/i>, set in Berlin<\/h5>\n<p><em>&#8230;But it was Annika Schlicht as Adriano who was the vocal standout of the evening. Her substantial and warm voice opened up with power and resonance as she played the role of a young man who falls in love with the sister of her father\u2019s enemy. Her duet with Teige was full of passion and trepidation, and she remained the driving force throughout the performance&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/bachtrack.com\/de_DE\/review-rienzi-stolzl-rogister-kerl-teige-deutsche-oper-berlin-april-2019?fbclid=IwAR3pS0euFGhV15q4vH7yQOtt9l6wEyGblIzFgLLu-C0Ac4TEMmBR8bD_x0s\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-boulezian-by-mark-berry\"><a rel=\"noreferrer noopener\" aria-label=\"Boulezian  (opens in a new tab)\" href=\"http:\/\/boulezian.blogspot.com\/\" target=\"_blank\">Boulezian <\/a>by Mark Berry<\/h4>\n\n\n\n<h5>Rienzi, Deutsche Oper, 18 April 2019<\/h5>\n<p><em>&#8230;Annika Schlicht, however, in the <a href=\"https:\/\/boulezian.blogspot.com\/2016\/09\/wagner-regietheater-and-importance-of.html\" data-cke-saved-href=\"https:\/\/boulezian.blogspot.com\/2016\/09\/wagner-regietheater-and-importance-of.html\">Wilhelmine Schr\u00f6der-Devrient<\/a> role of Adriano, proved the star of the show: clear as a bell, bright and subtle as a speaking clarinet, and very much a breeches mezzo on stage. (Schr\u00f6der-Devrient seems to have struggled to learn the part: there were clearly no such difficulties here.) I hope to hear \u2013 and see \u2013 more from her&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/boulezian.blogspot.com\/2019\/04\/rienzi-deutsche-oper-18-april-2019.html\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-gothicnetwork-org-by-livia-bidoli\"><a rel=\"noreferrer noopener\" aria-label=\"gothicnetwork.org (opens in a new tab)\" href=\"http:\/\/www.gothicnetwork.org\/\" target=\"_blank\">gothicnetwork.org<\/a> by Livia Bidoli<\/h4>\n\n\n\n<h5>Deutsche Oper Berlin. Rienzi nel Nido delle Aquile<\/h5>\n<p><span class=\"print-link\">.<em>..Adriano che, attraverso il timbro ben scandito, il ritmo sempre in accordo con i toni, la variabilit\u00e0 nella modulazione della voce, <strong>ha incantato tutto il pubblico al massimo livello: Annika Schlicht \u00e8 una rivelazione&#8230;<\/strong><\/em><\/span><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/www.gothicnetwork.org\/articoli\/deutsche-oper-berlin-rienzi-nel-nido-delle-aquile\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-online-merker-by-dr-ingobert-waltenberger\"><a rel=\"noreferrer noopener\" aria-label=\"Online Merker (opens in a new tab)\" href=\"https:\/\/onlinemerker.com\/\" target=\"_blank\">Online Merker<\/a> by Dr. Ingobert Waltenberger<\/h4>\n\n\n\n<h5>BERLIN \/ Deutsche Oper: RIENZI, Wagner -Woche, 10.5.2019<br \/>18. Auff\u00fchrung seit der Premiere am 24.1.2010 in der Regie von Philipp St\u00f6lzl<\/h5>\n<p><em><span class=\"gmail-s1\">&#8230;Musikalisch<\/span><span class=\"gmail-apple-converted-space\">\u00a0 <\/span><\/em><span class=\"gmail-s1\"><em>ist der Abend gepr\u00e4gt durch eine triumphalen Sangesleistung des Ensemble-Mitglieds <b>Annika Schlicht <\/b>als Adriano. Die junge schw\u00e4bische Mezzosopranistin mit beeindruckendem Altfundament und dramatischer Attacke macht als Sohn des adeligen Verschw\u00f6rers Steffano Colonnas und Geliebte der Schwester Rienzis den seelischen Zwiespalt, die Zerrissenheit in den Loyalit\u00e4ten beeindruckend h\u00f6rbar. Mit gl\u00fchend dunklen T\u00f6nen und luftig aufschwingenden H\u00f6hen ist sie das vokale und emotionale Epizentrum der Auff\u00fchrung&#8230;<\/em> <\/span><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/onlinemerker.com\/berlin-deutsche-oper-rienzi-in-der-wagner-woche-18-auffuehrung-der-inszenierung-von-philipp-stoelzl\/?fbclid=IwAR2n13Jfkka6QZUXSt41E-H86W9FUSnLuJVj7YRCx2lKol24qKCA2ynl1YI\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-opern-konzertkritik-by-anton-schlatz\"><a rel=\"noreferrer noopener\" aria-label=\"Opern- &amp; Konzertkritik (opens in a new tab)\" href=\"https:\/\/konzertkritikopernkritikberlin.wordpress.com\/\" target=\"_blank\">Opern- &amp; Konzertkritik<\/a> by Anton Schlatz<\/h4>\n\n\n\n<h5>Deutsche Oper: Rienzi<\/h5>\n<p><em>&#8230;Die Hosenrolle des Nobili Adriano macht\u00a0<strong>Annika Schlicht<\/strong> dank vibrierender Mezzo-Leidenschaft und flammenden Affekt zu einem Zentrum der Auff\u00fchrung&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/konzertkritikopernkritikberlin.wordpress.com\/2019\/04\/06\/deutsche-oper-rienzi\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-cast\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 479px;\">\n<tbody>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">conductor<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Evan Rogister<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">director<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Philipp St\u00f6lzl<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">assistant director<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Mara Kurotschka<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">set designs<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Ulrike Siegrist, Philipp St\u00f6lzl<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">costumes<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Kathi Maurer, Ursula Kudrna<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: top;\">video<\/td>\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: top;\"><strong>FettFilm (Momme Hinrichs und Torge M\u00f8ller)<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">chorus director<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Jeremy Bines<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\" colspan=\"2\">\u00a0<\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Rienzi<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Torsten Kerl<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: top;\">Irene<\/td>\n<td style=\"width: 50%; height: 44px; text-align: left; vertical-align: top;\"><strong>Martina Welschenbach (5.4.), <span class=\"print-link\">Elisabeth Teige<\/span><\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Steffano Colonna<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Andrew Harris<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Adriano<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Annika Schlicht<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Paolo Orsini<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Dong-Hwan Lee<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Kardinal Orvieto<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Derek Welton<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Baroncelli<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Clemens Bieber<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\">Cecco del Vecchio<\/td>\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\"><strong>Stephen Bronk<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\" colspan=\"2\"><strong>Chor der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\" colspan=\"2\"><strong>Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; height: 23px; text-align: left; vertical-align: top;\" colspan=\"2\"><strong>Opernballett der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Performances on the 5th, 18th and 10th of May 2019 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":82779,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-87708","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=87708"}],"version-history":[{"count":5,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87708\/revisions"}],"predecessor-version":[{"id":93812,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/87708\/revisions\/93812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82779"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=87708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=87708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=87708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}