{"id":86788,"date":"2018-03-18T05:13:25","date_gmt":"2018-03-18T04:13:25","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=86788"},"modified":"2021-06-22T16:12:42","modified_gmt":"2021-06-22T14:12:42","slug":"giuseppe-verdi-luisa-miller-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/giuseppe-verdi-luisa-miller-reviews\/","title":{"rendered":"GIUSEPPE VERDI: LUISA MILLER (REVIEWS)"},"content":{"rendered":"\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/agentur-seifert.de\/wp-content\/uploads\/2021\/06\/Luisa-Miller-Rebeka-BR-Klassik-Verdi-300x300-1.jpg\" alt=\"\" width=\"330\" height=\"330\">Luisa Miller \u2013&nbsp;<strong>Marina Rebeka<\/strong>&nbsp;(soprano)<br>Laura \u2013&nbsp;<strong>Corinna Scheurle<\/strong>&nbsp;(mezzo-soprano)<br>Federica \u2013&nbsp;<strong>Judit Kutasi<\/strong>&nbsp;(mezzo-soprano)<br>Rodolfo \u2013&nbsp;<strong>Ivan Magr\u00ec<\/strong>&nbsp;(tenor)<br>Miller \u2013&nbsp;<strong>George Petean<\/strong>&nbsp;(baritone)<br>Count Walter \u2013&nbsp;<strong>Marko Mimica<\/strong>&nbsp;(bass-baritone)<br>Wurm \u2013&nbsp;<strong>Ante Jerkunica<\/strong>&nbsp;(bass)<br>A peasant \u2013&nbsp;<strong>Bernhard Schneider<\/strong>&nbsp;(tenor)<br><strong>Chor des Bayerischen Rundfunks<\/strong><br><strong>M\u00fcnchner Rundfunkorchester\/Ivan Repu\u0161i\u0107<\/strong><br>Rec. live, 22 and 24 September 2017, Prinzregententheater, Munich<br><strong>BR KLASSIK 900323<\/strong>&nbsp;[56:19 + 77:23]<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><span style=\"color: #e00000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-culturale-gb-opera-by-giordano-cavagnino-may-14-2018\"><a href=\"http:\/\/www.gbopera.it\/\" target=\"_blank\" rel=\"noreferrer noopener\">Culturale GB Opera<\/a>&nbsp;by Giordano Cavagnino (May 14, 2018)<\/h4>\n\n\n\n<h5 class=\"entry-title\">GIUSEPPE VERDI (1813 \u2013 1901): \u201cLUISA MILLER\u201d (1849)<\/h5>\n<p><em>\u2026La parte strumentale \u00e8 affrontata da&nbsp;<strong>Ivan Repu\u0161i\u0107&nbsp;<\/strong>con sensibilit\u00e0 e intelligenza. Il giovane direttore croato si conferma personaggio da seguire fra le figure emergenti della scena europea. La sua lettura evita giustamente di proiettare l\u2019opera oltre il suo tempo e piuttosto guarda all\u2019indietro verso quella tradizione belcantista che dell\u2019opera verdiana \u2013 specie per i titoli precedenti la \u201ctrilogia popolare\u201d \u2013 \u00e8 l\u2019humus di coltura naturale. Ecco quindi una direzione dai colori chiari e luminosi, dai ritmi brillanti di un sapore quasi donizettiano \u2013 si sentano al riguardo i fiati dell\u2019ouverture quasi rossiniani nella conduzione \u2013 che contribuisce ad evidenziare l\u2019unit\u00e0 stilistica di un\u2019opera apparente incoerente nella sua natura transizionale tra attaccamenti al passato nei momenti pi\u00f9 virtuosistici e improvvise aperture verso il futuro. Repu\u0161i\u0107 riesce in qualche modo a far quadrare il cerchio fondendo in una visione unitaria le varie componenti le cui differenze risultano pi\u00f9 apparenti che sostanziali\u2026.<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-83a9ae619fc0\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.gbopera.it\/2018\/05\/giuseppe-verdi-1813-1901-luisa-miller-1849\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-musicweb-international-com-by-g-ran-forsling\"><a href=\"http:\/\/www.musicweb-international.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">musicweb-international.com<\/a>&nbsp;by G\u00f6ran Forsling<\/h4>\n\n\n\n<p><em>\u2026This latest addition to the catalogue was recorded live at two performances in the Prinzregententheater in Munich in late September 2017, but there is nothing that indicates the presence of an audience or stage movements or other sonic disturbances. It is a well-balanced sound picture which registers the many felicities of orchestration, for instance the airy woodwind writing at the opening of Act III. Ivan Repu\u0161i\u0107, whose recording of Puccini\u2019s La rondine with the same Munich forces I&nbsp;<a href=\"http:\/\/www.musicweb-international.com\/classrev\/2018\/Mar\/Puccini_Rondine_5550752.htm\">review<\/a>ed recently, seems equally at home in Verdi as in late Puccini\u2026<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-83a9ae619fc0\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/www.musicweb-international.com\/classrev\/2018\/May\/Verdi_Luisa_900323.htm\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-online-merker-by-dr-ingobert-waltenberger-march-18-2018\"><a href=\"https:\/\/onlinemerker.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">ONLINE MERKER<\/a>&nbsp;by Dr. Ingobert Waltenberger (March 18, 2018)<\/h4>\n\n\n\n<h5>VERDI: LUISA MILLER \u2013 Ivan Repusic, Marina Rebeka, Ivan Magri, George Petean, Ante Jerkunica<\/h5>\n<h5 class=\"untertitel\">M\u00fcnchner Rundfunkorchester unter Ivan Repu\u0161i\u0107, BR Klassik<\/h5>\n<div><em>\u2026mit der herausragenden Orchesterleistung und dem engagiert suggestiven Dirigat des hochmusikalischen und passionierten neuen Chefdirigenten des M\u00fcnchner Rundfunkorchesters Ivan Repu\u0161i\u0107 neue Ma\u00dfst\u00e4be setzen. Ein echtes Theaterblut dieser Repu\u0161i\u0107. Er ist seit einem Jahr auch Generalmusikdirektor der Staatsoper Hannover\u2026<\/em><\/div>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-83a9ae619fc0\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/onlinemerker.com\/verdi-luisa-miller-ivan-repusic-marina-rebeka-ivan-magri-george-petean-ante-jerkunica\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-operalounge-de-by-ingrid-wanja\"><a href=\"http:\/\/operalounge.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Operalounge.de<\/a>&nbsp;by Ingrid Wanja<\/h4>\n\n\n\n<h5>\u201cLuisa Miller\u201d aus M\u00fcnchen bei BR Klassik<\/h5>\n<h5>Toll dirigiert<\/h5>\n<p><em>\u2026Ivan Repusic hat das Werk mit dem M\u00fcnchner Rundfunkorchester und dem Chor des Bayerischen Rundfunks f\u00fcr die Reihe BR Klassik aufgenommen und wei\u00df bereits mit der Sinfonia davon zu \u00fcberzeugen, dass er sich auf das Brio der fr\u00fchen Verdi-Opern versteht und es seinem Orchester zu entlocken wei\u00df. Die Kontraste zwischen der l\u00e4ndlichen Idylle und dem dramatischen Geschehen werden fein herausgearbeitet, nicht nur im Vorspiel, sondern zum Beispiel auch im ersten Finale, wo erst der Schluss nach eher getragen klingender Auseinandersetzung zwischen Vater und Sohn umso rasanter ausf\u00e4llt\u2026<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-83a9ae619fc0\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/operalounge.de\/cd\/oper-cd\/toll-dirigiert\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Luisa Miller \u2013&nbsp;Marina Rebeka&nbsp;(soprano)Laura \u2013&nbsp;Corinna Scheurle&nbsp;(mezzo-soprano)Federica \u2013&nbsp;Judit Kutasi&nbsp;(mezzo-soprano)Rodolfo \u2013&nbsp;Ivan Magr\u00ec&nbsp;(tenor)Miller \u2013&nbsp;George Petean&nbsp;(baritone)Count Walter \u2013&nbsp;Marko Mimica&nbsp;(bass-baritone)Wurm \u2013&nbsp;Ante Jerkunica&nbsp;(bass)A peasant \u2013&nbsp;Bernhard Schneider&nbsp;(tenor)Chor des Bayerischen RundfunksM\u00fcnchner Rundfunkorchester\/Ivan Repu\u0161i\u0107Rec. live, 22 and 24 September 2017, Prinzregententheater, MunichBR KLASSIK 900323&nbsp;[56:19 + 77:23] Here are the most relevant quotes from reviews&#8230;<\/p>\n","protected":false},"author":3,"featured_media":90294,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,602],"tags":[],"class_list":["post-86788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-ivan-repusic"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=86788"}],"version-history":[{"count":6,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86788\/revisions"}],"predecessor-version":[{"id":93913,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86788\/revisions\/93913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/90294"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=86788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=86788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=86788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}