{"id":86772,"date":"2018-04-03T15:31:23","date_gmt":"2018-04-03T13:31:23","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=86772"},"modified":"2022-07-13T10:59:55","modified_gmt":"2022-07-13T08:59:55","slug":"giacomo-puccini-la-rondine-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/giacomo-puccini-la-rondine-reviews\/","title":{"rendered":"GIACOMO PUCCINI: LA RONDINE (REVIEWS)"},"content":{"rendered":"\n

Magda<\/strong> | Elena Mosuc (soprano)
Lisette<\/strong> | Evelin Novak (soprano)
Yvette\/Georgette<\/strong> | Siobhan Stagg (soprano)
Bianca\/Gabriella\/A singer<\/strong> | Elbenita Kajtazi (soprano)
Suzy\/Lolette<\/strong> | Stephanie Lauricella (mezzo-soprano)
Ruggero <\/strong>| Yosep Kang (tenor)
Prunier <\/strong>| \u00c1lvaro Zambrano (tenor)
Rambaldo<\/strong> | Jan-Hendrik Rootering (bass-baritone)
Bavarian Radio Chorus
Munich Radio Orchestra | Ivan Repu\u0161i\u0107, Conductor<\/p>\n

rec. live, Prinzregententheater, M\u00fcnchen, 2015
CPO 555 075-2 [66:59 + 33:20]<\/p>\n\n\n\n

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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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Culturale GB Opera<\/a> by Giordano Cavagnino (9. Juni 2018)<\/h4>\n\n\n\n
Giacomo Puccini (1858 \u2013 1924): \u201cLa rondine\u201d (1916)<\/h5>\n

\u2026In questo clima di nuovo interesse per \u201cLa rondine\u201d rientra anche l\u2019esecuzione monacense del 2015 registrata dall\u2019etichetta CPO con un suono di qualit\u00e0 spettacolare per una registrazione dal vivo. Alla guida dei sempre validi complessi della Radio di Monaco \u00e8 stato chiamato il giovane direttore croato Ivan Repu\u0161i\u0107, autore di una prestazione di notevole interesse. Repu\u0161i\u0107 guarda al lavoro pucciniano con una sensibilit\u00e0 mittel-europea quasi a recuperare l\u2019originaria destinazione viennese. Una visione che sa sfruttare i ritmi danzanti che dominano i primi due atti \u2013 e in primis sua maest\u00e0 il walzer \u2013 non come semplice elemento di ambiente sonoro ma come preciso strumento narrativo secondo un\u2019ottica prettamente viennese ma non impropria a questa scrittura. Repu\u0161i\u0107, inoltre, non teme di lasciarsi andare quando il momento lo richiede e non teme nemmeno di far irrompere un\u2019energia popolaresca a dare maggior corpo a un\u2019eleganza che a lungo potrebbe snervarsi. Si senta con quale vigore viene accompagnato il coro dei venditori che apri il II atto o la sincerit\u00e0 delle atmosfere del caff\u00e8 chantant e, se il preludio marino del III atto \u00e8 meno impressionista di quanto la tradizione vorrebbe, ha per\u00f2 una presenza sonora di sicuro effetto\u2026<\/em><\/p>\n\n\n

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forumopera.com<\/a> by Christophe Rizoud<\/h4>\n\n\n\n
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Hirondelle ou mouette ?<\/h5>\n
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\u2026En octobre 2015, le Munich Radio Orchestra plac\u00e9 sous la direction d\u2019Ivan Repu\u0161i\u0107 choisissait d\u2019inaugurer sa saison au Prinzregententheater avec cette \u0153uvre mal-aim\u00e9e. L\u2019\u00e9v\u00e9nement aurait pu passer inaper\u00e7u si le label CPO n\u2019avait d\u00e9cid\u00e9 d\u2019en publier le t\u00e9moignage en un coffret de deux CD, dans des conditions sonores irr\u00e9prochables pour un live. Etait-il cependant n\u00e9cessaire d\u2019ajouter une nouvelle ligne \u00e0 une discographie irr\u00e9vocable ? A cette question, la tentation serait forte d\u2019apporter une r\u00e9ponse n\u00e9gative si la version propos\u00e9e ne constituait une heureuse alternative.<\/em><\/p>\n

D\u2019abord op\u00e9rette command\u00e9e au Carltheater \u00e0 Vienne, haut-lieu du genre, La rondine transmu\u00e9e en com\u00e9die lyrique finit apr\u00e8s quelques changements d\u2019orientation par se poser sur le rocher de Monte-Carlo. La direction d\u2019Ivan Repu\u0161i\u0107 rend plus qu\u2019une autre sensible les origines viennoises de la partition. La valse envahit chaque mesure du discours orchestral, non par ce mouvement souple avec lequel elle s\u2019emploie \u00e0 tourner sur trois temps depuis sa conqu\u00eate du monde, mais dans un geste plus accentu\u00e9, parfois brusque, qui rappelle ses balbutiements au casino Dommayer \u00e0 Hietzing, dans les faubourgs de Vienne. Moins alangui, l\u2019orchestre ne s\u2019\u00e9panche que lorsque les sentiments l\u2019autorisent. Le vin coule \u00e0 flot au Bal Bullier mais pas une note ne d\u00e9borde. L\u2019agitation polyphonique reste sous contr\u00f4le. La brise maritime du 3e acte d\u00e9laisse les embruns debussystes pour d\u2019autres moins impressionnistes. Pourquoi la v\u00e9rit\u00e9 dramatique ne pourrait-elle prendre le pas sur l\u2019\u00e9l\u00e9gance dans un ouvrage auquel on a trop souvent reproch\u00e9 sa d\u00e9sinvolture ?\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

\n\t\t\t\n\t\t\n\t\t\t<\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n
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musicweb-international.com<\/a> by G\u00f6ran Forsling<\/h4>\n\n\n\n

\u2026The aural picture is excellent with good balance between soloists, chorus and orchestra and conductor Ivan Repu\u0161i\u0107 draws splendid playing and singing from his forces. Not least the opening chorus of act II is stunningly performed, lively and rhythmically alert, and he has the idiomatic sweeping lilt for the Viennese waltz in the same act\u2026<\/em><\/p>\n\n\n

\n\t\t\t\n\t\t\n\t\t\t<\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n
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Magda | Elena Mosuc (soprano)Lisette | Evelin Novak (soprano)Yvette\/Georgette | Siobhan Stagg (soprano)Bianca\/Gabriella\/A singer | Elbenita Kajtazi (soprano)Suzy\/Lolette | Stephanie Lauricella (mezzo-soprano)Ruggero | Yosep Kang (tenor)Prunier | \u00c1lvaro Zambrano (tenor)Rambaldo | Jan-Hendrik Rootering (bass-baritone)Bavarian Radio ChorusMunich Radio Orchestra | Ivan Repu\u0161i\u0107, Conductor rec. live, Prinzregententheater, M\u00fcnchen, 2015CPO 555 075-2 [66:59 + 33:20] Here…<\/p>\n","protected":false},"author":3,"featured_media":84685,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,602],"tags":[],"class_list":["post-86772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-ivan-repusic"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=86772"}],"version-history":[{"count":17,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86772\/revisions"}],"predecessor-version":[{"id":100604,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86772\/revisions\/100604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/84685"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=86772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=86772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=86772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}