{"id":86247,"date":"2019-02-19T14:48:14","date_gmt":"2019-02-19T13:48:14","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=86247"},"modified":"2021-06-19T15:26:01","modified_gmt":"2021-06-19T13:26:01","slug":"rusalka-opera-national-de-paris-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/rusalka-opera-national-de-paris-reviews\/","title":{"rendered":"RUSALKA \u2013 OP\u00c9RA NATIONAL DE PARIS (REVIEWS)"},"content":{"rendered":"\n
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Performances on January 29 and on February 1, 4, 7, 10 & 13, 2019.<\/h5>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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atlantico<\/a> by Dominique Poncet<\/h4>\n\n\n\n
\u201eRusalka\u201c d\u2019Antonin Dvorak : l\u2019univers de Dvorak, ce n\u2019est pas que le \u201eNouveau Monde\u201c et les \u201eDanses Slaves\u201c!<\/h5>\n
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\u2026Quant au baryton Thomas Johannes Mayer, qui\u00a0 interpr\u00e8te le p\u00e8re de\u00a0Rusalka, on lui doit le moment le plus poignant de la soir\u00e9e, celui o\u00f9 il chante \u00ab Pauvre, pauvre\u00a0Rusalka \u00bb\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Avant-Sc\u00e8ne Op\u00e9ra<\/a> by Floriane Goubault<\/h4>\n\n\n\n
Rusalka<\/h5>\n
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\u2026Thomas Johannes Mayer est s\u00fbrement celui dont l\u2019interpr\u00e9tation est la plus aboutie : il est parfait dans son r\u00f4le d\u2019Esprit du lac, p\u00e8re protecteur inquiet pour sa fille qu\u2019il voit courir \u00e0 sa perte. Vocalement, le baryton s\u2019impose par sa voix puissante et chaude\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Avant-Sc\u00e8ne Op\u00e9ra<\/a> by Floriane Goubault<\/h4>\n\n\n\n
Rusalka<\/h5>\n
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\u2026Thomas Johannes Mayer est s\u00fbrement celui dont l\u2019interpr\u00e9tation est la plus aboutie : il est parfait dans son r\u00f4le d\u2019Esprit du lac, p\u00e8re protecteur inquiet pour sa fille qu\u2019il voit courir \u00e0 sa perte. Vocalement, le baryton s\u2019impose par sa voix puissante et chaude\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Opera Gazet (Dutch)<\/a> by Olivier Keegel<\/h4>\n\n\n\n
Rusalka in Parijs \u2013 fraai en beklemmend<\/h5>\n
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\u2026terwijl de wendbare bariton van Thomas Johannes Mayer vooral in de fraaie a-capella passages bewees dat hij toch tot de fine fleur der mondiale Watergeesten behoort\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Opera Online<\/a> by Laurent Vilarem<\/h4>\n\n\n\n
Rusalka \u00e0 l\u2019Op\u00e9ra Bastille : le sacre de Susanna M\u00e4lkki<\/h5>\n
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\u2026Jezibaba et Esprit du Lac de luxe, Michelle DeYoung et Thomas Johannes Mayer peaufinent avec beaucoup d\u2019\u00e9l\u00e9gance et de m\u00e9tier leur personnage\u2026<\/em><\/p>\n<\/div>\n\n\n

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Opera World (Spanish)<\/a> by Rebeca Blanco Prim<\/h4>\n\n\n\n
La Rusalka de Carsen vuelve a la escena parisina<\/h5>\n
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\u2026El bar\u00edtono Thomas Johannes Mayer representa a Ondine, el padre de Rusalka, que ya apareciera en el primer acto, pero que en \u00e9ste escucha y pena las desgracias de su hija transmiti\u00e9ndonos un profundo pesar con sus graves redondos y su intensa y sobrecogedora interpretaci\u00f3n mientras repite sin cesar \u201c\u00a1Pobre, Pobre Rusalka!\u201d\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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ResMusica<\/a> by Jean-Luc Clairet<\/h4>\n\n\n\n
\u00c0 Bastille, intelligence et esth\u00e9tisme de Rusalka par Robert Carsen<\/h5>\n
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\u2026L\u2019Ondin clair de Thomas Johannes Mayer inscrit sa silhouette wagn\u00e9rienne styl\u00e9e dans cet environnement vocal o\u00f9 s\u2019\u00e9battent Andreea Soare, Emanuela Pascu et Elodie M\u00e9chain, parfaites Filles du Rhin de Dvo\u0159\u00e1k, o\u00f9 l\u2019on distingue l\u2019aplomb de Jeanne Ireland en Gar\u00e7on de cuisine, du Garde forestier de Tomasz Kumi\u0119ga ainsi que du Chasseur off de Danylo Matviienko, toutes interventions essentielles\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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toutelaculture.com<\/a> by Paul Fourier<\/h4>\n\n\n\n
La pure Rusalka nous enchante de nouveau \u00e0 l\u2019Op\u00e9ra de Paris<\/h5>\n
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\u2026Le reste de la distribution est \u00e0 la hauteur de l\u2019excellence, qu\u2019il s\u2019agisse de l\u2019Esprit du lac de Thomas Johannes Mayer, des trois nymphes de Andreea Soare, Emanuela Pascu et \u00c9lodie M\u00e9chain ou du garde et du gar\u00e7on de cuisine de Tomasz Kumiega et de Jeanne Ireland\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

\n\t\t\t\n\t\t\n\t\t\t<\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n
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Cast:<\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Conductor<\/td>\nSusanna M\u00e4lkki<\/strong><\/td>\n<\/tr>\n
Director and Lighting<\/td>\nRobert Carsen<\/strong><\/td>\n<\/tr>\n
Designs<\/td>\nMichael Levine<\/strong><\/td>\n<\/tr>\n
Lighting<\/td>\nPeter van Praet<\/strong><\/td>\n<\/tr>\n
Choreography<\/td>\nPhilippe Giraudeau<\/strong><\/td>\n<\/tr>\n
Prince<\/td>\nKlaus Florian Vogt<\/strong><\/td>\n<\/tr>\n
Foreign Princess<\/td>\nKarita Mattila<\/strong><\/td>\n<\/tr>\n
Rusalka<\/td>\nCamilla Nylund<\/strong><\/td>\n<\/tr>\n
Vodn\u00edk<\/td>\nThomas Johannes Mayer<\/strong><\/td>\n<\/tr>\n
Je\u017eibaba<\/td>\nMichelle DeYoung<\/strong><\/td>\n<\/tr>\n
Huntsman\u2019s Voice<\/td>\nDanylo Matviienko<\/strong><\/td>\n<\/tr>\n
Kitchen Boy<\/td>\nJeanne Ireland<\/strong><\/td>\n<\/tr>\n
Nymphs<\/td>\nAndreea Soare, Emanuela Pascu, \u00c9lodie M\u00e9chain<\/strong><\/td>\n<\/tr>\n
Gamekeeper<\/td>\nTomasz Kumiega<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Performances on January 29 and on February 1, 4, 7, 10 & 13, 2019. Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":84355,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,636],"tags":[],"class_list":["post-86247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-thomas-j-mayer"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=86247"}],"version-history":[{"count":4,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86247\/revisions"}],"predecessor-version":[{"id":93820,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86247\/revisions\/93820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/84355"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=86247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=86247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=86247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}