{"id":86242,"date":"2019-04-04T11:22:50","date_gmt":"2019-04-04T09:22:50","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=86242"},"modified":"2021-06-19T15:21:52","modified_gmt":"2021-06-19T13:21:52","slug":"babylon-premiere-staatsoper-unter-den-linden-rezensionen-2","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/babylon-premiere-staatsoper-unter-den-linden-rezensionen-2\/","title":{"rendered":"BABYLON (PREMIERE) \u2013 STAATSOPER UNTER DEN LINDEN (REVIEWS)"},"content":{"rendered":"\n
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Performances on March 9 (premiere) 11, 20, 22 & 24, 2019.<\/h5>\n<\/div>\n<\/div>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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Berliner Morgenpost<\/a> by Martina Helmig<\/h4>\n\n\n\n
Diesem \u201eBabylon\u201c fehlt die Vielfalt<\/h5>\n
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\u2026Susanne Elmark verk\u00f6rpert sie nicht nur im feuerroten Kleid, sondern auch mit flammendem und verf\u00fchrerischen Gesang\u2026<\/em><\/p>\n<\/div>\n\n\n

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BR-online<\/a> by Uwe Friedrich<\/h4>\n\n\n\n
Z\u00e4her Mythen-Mischmasch<\/h5>\n
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\u2026Mojca Erdmanns Seele und Susanne Elmarks Inanna leuchten m\u00fchelos \u00fcber den Orchesterwogen\u2026<\/em><\/p>\n<\/div>\n\n\n

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Der Tagesspiegel<\/a> by Udo Badelt<\/h4>\n\n\n\n
Die Stadt braucht ein Update<\/h5>\n

\u2026Susanne Elmark in l\u00fcsternem roten Kleid und Stiefeln eine kernige Innana\u2026<\/em><\/p>\n\n\n

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EL Pais<\/a> by Luis Gago<\/h4>\n\n\n\n
Una \u00f3pera siete veces genial<\/h5>\n

\u2026Susanne Elmark, la Marie que pudimos admirar en el estreno de Die Soldaten en Madrid<\/a>, compuso una Inanna sensual, vitalista, emotiva y cre\u00edble en su doble faceta de tentadora y salvadora de Tammu (en una clara inversi\u00f3n del mito de Orfeo y Eur\u00eddice)\u2026<\/em><\/p>\n\n\n

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Frankfurter Allgemeine Zeitung<\/a> by Gerald Felber<\/h4>\n\n\n\n
Dr\u00f6hnender Bedeutungssound<\/span><\/h5>\n

\u2026dank Susanne Elmarks leidenschaftlich-abgr\u00fcndiger Gestaltung auch stimmlich erfolgreicher bleibt\u2026<\/em><\/p>\n\n\n

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Los Angeles Times<\/a> by Mark Swed<\/h4>\n\n\n\n
Operas in Berlin and Hamburg go Babylonian, with Trump and an immigration crisis<\/h5>\n

\u2026An inspired cast \u2014 highlighted by Susanne Elmark (Inanna),\u2026<\/em><\/p>\n\n\n

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Neue Musikzeitung<\/a> by Peter P. Pachl<\/h4>\n\n\n\n
Alle sieben Jahre: \u201eBabylon\u201c-Urauff\u00fchrung von J\u00f6rg Widmann: Neufassung an der Staatsoper Unter den Linden<\/h5>\n
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\u2026Susanne Elkmark als vielf\u00e4ltige sinnlich ber\u00fcckende Inanna\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Neue Z\u00fcrcher Zeitung<\/a> by Eleonore B\u00fcning<\/h4>\n\n\n\n
V\u00f6lkerverst\u00e4ndigung kann so einfach sein! J\u00f6rg Widmanns und Peter Sloterdijk haben ihr \u00abBabylon\u00bb neu gefasst<\/h5>\n
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\u2026Susanne Elmark \u00fcberzeugt als schw\u00e4rmerisch-lustvolle \u00abInanna\u00bb\u2026<\/em><\/p>\n<\/div>\n\n\n

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Online Musik Magazin<\/a> by Christoph Wurzel<\/h4>\n\n\n\n
Babylon<\/h5>\n

\u2026von Susanne Elmark in gro\u00dfer Ausdrucksbreite gesungen, zwischen sirenenhaft lockend, lyrisch innig und gegen\u00fcber dem Tod entschlossen und unwiderstehlich\u2026<\/em><\/p>\n\n\n

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Operagazet<\/a> by Daniela Debus<\/h4>\n\n\n\n
Babylon \u2013 eine Idee von V\u00f6lkerverst\u00e4ndigung<\/h5>\n
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\u2026Die d\u00e4nische Koloratursopranistin Susanne Elmark meistert ihre schwierige Partie der Inanna \u00fcber den ganzen Abend leuchtend und m\u00fchelos\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Operapoint<\/a> by Zenner<\/h4>\n\n\n\n
Babylon \u2013 Berlin, Staatsoper<\/h5>\n
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\u2026S\u00e4mtliche weibliche Hauptpartien \u2013 Susanne Elmark<\/strong> (Inanna), Mojca Erdmann<\/strong> (die Seele) und Marina Prudenskaya \u2013 leisten Au\u00dferordentliches\u2026<\/em><\/p>\n<\/div>\n\n\n

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Platea Magazine<\/a> by Alejandro Mart\u00ednez<\/h4>\n\n\n\n
Jorg Widmann estrena una nueva versi\u00f3n de su \u201eBabylon\u201c en la Staatsoper de Berl\u00edn<\/h5>\n
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\u2026Lo mejor de la funci\u00f3n estuvo en los artistas que la protagonizaron. Seductora e intensa la Inanna de Susane Elmark<\/strong>, a quien hab\u00edamos escuchado una v\u00edvida Marie en los Soldaten de Madrid\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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Seen and Heard<\/a> by Jos\u00e9 M. Irurzun<\/h4>\n\n\n\n
Widmann\u2019s Babylon Arrives in Berlin but Without Barenboim<\/h5>\n

\u2026In the vocal cast, the best showing came from the two most important women in the opera: Inanna, the love of Tammu, and the singer who represents the Soul. Soprano Susanne Elmark was remarkable as Inanna, which is not an easy part to sing due to the complicated tessitura\u2026<\/em><\/p>\n\n\n

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S\u00fcddeutsche Zeitung<\/a> by Wolfgang Schreiber<\/h4>\n\n\n\n
V\u00f6lker, lebt gef\u00e4hrlich!<\/h5>\n
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\u2026Sie ist die lustvoll herrschende Frauenfigur des St\u00fccks und erf\u00e4hrt durch Susanne Elmarks m\u00e4chtigen Sopran schillernde, durchdringende Pr\u00e4senz\u2026<\/em><\/p>\n<\/div>\n\n\n

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taz<\/a> by Niklaus Habl\u00fctzel<\/h4>\n\n\n\n
M\u00e4nner, die sich wichtig nehmen<\/h5>\n
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\u2026Auch Susanne Elmark singt sehr gut, variabel angepasst an das Leben einer religi\u00f6sen Sexarbeiterin, das sicher auch nicht leicht ist\u2026<\/em><\/div>\n<\/div>\n\n\n
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Cast:<\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
musical director<\/td>\nChristopher Ward<\/strong><\/td>\n<\/tr>\n
Director<\/td>\nAndreas Kriegenburg<\/strong><\/td>\n<\/tr>\n
Set Design<\/td>\nHarald Thor<\/strong><\/td>\n<\/tr>\n
Costumes<\/td>\nTanja Hofmann<\/strong><\/td>\n<\/tr>\n
Choreography<\/td>\nZenta Haerter<\/strong><\/td>\n<\/tr>\n
Video<\/td>\nRobert Pflanz<\/strong><\/td>\n<\/tr>\n
Light<\/td>\nOlaf Freese<\/strong><\/td>\n<\/tr>\n
electronics<\/td>\nGilbert Nouno<\/strong><\/td>\n<\/tr>\n
Chorus Master<\/td>\nMartin Wright, Anna Milukowa<\/strong><\/td>\n<\/tr>\n
Dramaturgy<\/td>\nRoman Raeger<\/strong><\/td>\n<\/tr>\n
Singer<\/strong><\/td>\n<\/tr>\n
Inanna<\/td>\nSusanne Elmark<\/strong><\/td>\n<\/tr>\n
Die Seele<\/td>\nMojca Erdmann<\/strong><\/td>\n<\/tr>\n
Tammu<\/td>\nCharles Workman<\/strong><\/td>\n<\/tr>\n
Der Priesterk\u00f6nig<\/td>\nJohn Tomlinson<\/strong><\/td>\n<\/tr>\n
Der Tod<\/td>\nOtto Katzameier<\/strong><\/td>\n<\/tr>\n
Der Euphrat<\/td>\nMarina Prudenskaya<\/strong><\/td>\n<\/tr>\n
Der Skorpionmensch<\/td>\nAndrew Watts<\/strong><\/td>\n<\/tr>\n
Der Priester<\/td>\nFlorian Hoffmann<\/strong><\/td>\n<\/tr>\n
Ezechiel<\/td>\nFelix von Manteuffel<\/strong><\/td>\n<\/tr>\n
Ein Schreiber<\/td>\nDavid O\u0161trek<\/strong><\/td>\n<\/tr>\n
Erster Pf\u00f6rtner zur Unterwelt<\/td>\nDavid O\u0161trek<\/strong><\/td>\n<\/tr>\n
Zweiter Pf\u00f6rtner zur Unterwelt<\/td>\nGiorgi Mtchedlishvili<\/strong><\/td>\n<\/tr>\n
Septette<\/td>\nSarah Aristidou, Samantha Britt, Corinna Scheurle, Linard Vrielink, Matthew Pe\u00f1a, Jaka Mihela\u010d, Jakob Ahles, Anna Malesza, Katharina Kammerloher, Rowan Hellier, Alexandra Ionis, Noriyuki Sawabu, Giorgi Mtchedlishvili, David O\u0161trek<\/strong><\/td>\n<\/tr>\n
Der Bote, ein Kind<\/td>\nArne Niermann<\/strong><\/td>\n<\/tr>\n
Zwei Kinder<\/td>\nJakob Ruess, Noah Schurz<\/strong><\/td>\n<\/tr>\n
Staatsopernchor<\/strong><\/td>\n<\/tr>\n
Staatskapelle Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Performances on March 9 (premiere) 11, 20, 22 & 24, 2019. Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":84308,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,643],"tags":[],"class_list":["post-86242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-susanne-elmark"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=86242"}],"version-history":[{"count":3,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86242\/revisions"}],"predecessor-version":[{"id":93818,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/86242\/revisions\/93818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/84308"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=86242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=86242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=86242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}