{"id":85375,"date":"2019-08-19T15:21:11","date_gmt":"2019-08-19T13:21:11","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=85375"},"modified":"2021-06-19T14:15:08","modified_gmt":"2021-06-19T12:15:08","slug":"tannhauser-premiere-bayreuther-festspiele-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/tannhauser-premiere-bayreuther-festspiele-reviews\/","title":{"rendered":"TANNH\u00c4USER (PREMIERE) \u2013 BAYREUTHER FESTSPIELE (REVIEWS)"},"content":{"rendered":"\n

Performances on the 25th (premiere), 28th July, 13th, 17th, 21st and 25th August 2019.<\/h4>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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Anaclase <\/a>par bertrand bolognesi<\/h4>\n\n\n\n
Tannh\u00e4user
op\u00e9ra de Richard Wagner<\/h5>\n\n\n\n
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…Outre la pr\u00e9sence attachante et assez inou\u00efe de Manni Laudenbach et du G\u00e2teau Chocolat, celle du mezzo-soprano Elena Zhidkova, d\u00e9j\u00e0 applaudi en V\u00e9nus \u00e0 Budapest, magnifie le r\u00f4le, tant vocalement que th\u00e9\u00e2tralement [lire notre chronique<\/a> du 3 juin 2012]. Elle est LA voix de la soir\u00e9e,..<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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Bachtrack<\/a> von Zolt\u00e1n Szab\u00f3<\/h4>\n\n\n\n
Tobias Kratzer\u2019s provocative Tannh\u00e4user<\/em> opens at Bayreuth<\/h5>\n\n\n\n

\u2026Elena Zhidkova not only looked the part of the ever-alluring Venus but with her strong voice and clear articulation also made her credible\u2026<\/em><\/p>\n\n\n

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Beckmesser <\/a>por redactorja<\/h4>\n\n\n\n
Thielemann desenmascara a Gu\u00e9rguiev<\/h5>\n\n\n\n
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…La Venus deslumbrante de Elena Zhidkova fue un alarde no solo dram\u00e1tico, sino tambi\u00e9n de ductilidad para ajustarse a las necesidades particulares de la escena en su unicidad con el pentagrama…<\/em><\/p>\n<\/div>\n\n\n

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Berliner Morgenpost<\/a> von Monika Willer<\/h4>\n\n\n\n
Tannh\u00e4user wird in Bayreuth zum Horrorclown<\/h5>\n\n\n\n
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\u2026Elena Zhidkova bringt als Venus im Glitzer-Catsuit Frauenpower in den Laden, ihr Mezzosopran verf\u00fchrt mit einer irisierenden Farb-Palette\u2026<\/em><\/p>\n<\/div>\n\n\n

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BR-online<\/a> von Bernhard Neuhoff<\/h4>\n\n\n\n
Unter der Regenbogenflagge<\/h5>\n\n\n\n

\u2026Als Einspringerin f\u00fcr eine verletzte Kollegin beeindruckt Elena Zhidkova als Venus\u2026<\/em><\/p>\n\n\n

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ConcertoNet <\/a>par Claudio Poloni<\/h4>\n\n\n\n
Marginal ou bourgeois ? R\u00e9volutionnaire ou musicien ?<\/h5>\n\n\n\n

…Elena Zhidkova s\u00e9duit tout autant par son engagement sc\u00e9nique \u00e9nergique et son allure d\u00e9jant\u00e9e que par sa voix lumineuse et son timbre percutant…<\/em><\/p>\n\n\n

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Deutsche Welle<\/a> (English) by Rick Fulker<\/h4>\n\n\n\n
\u201aTannh\u00e4user\u2018 at the Bayreuth Festival Theater: A play within a play, inside and outside<\/h5>\n\n\n\n
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\u2026Zhidkova, as Venus, earned the strongest applause for her powerful and sultry performance, and it seemed utterly incomprehensible how the finely-polished role, both in the singing and in the acting, could have been mastered on short notice after the soprano who\u2019d been originally cast was incapacitated after a stage accident\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Deutschland Radio<\/a> von Christoph Schmitz<\/h4>\n\n\n\n
Tannh\u00e4user im Kleinbus<\/h5>\n\n\n\n

\u2026Und hier kommt der erste Star des Abends ins Spiel: die Venus der Elena Zhidkova. Pr\u00e4chtig ist ihre Stimme, strahlend und dunkel zugleich, sicher gef\u00fchrt, biegsam und fest zugleich\u2026<\/em><\/p>\n\n\n

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Diapason <\/a>par Emmanuel Dupuy<\/h4>\n\n\n\n
Au Festival de Bayreuth, le road trip de Tannh\u00e4user<\/h5>\n\n\n\n
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,<\/span>,,On a connu des Venus au mezzo plus opulent que celui d’Elena Zhidkova, rarement au temp\u00e9rament si d\u00e9lur\u00e9e, \u00e0 la projection si nerveuse.,,<\/em><\/p>\n<\/div>\n\n\n

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Forumopera.com<\/a> par Jean Michel Pennetier<\/h4>\n\n\n\n
La Colline accouche d’une souris
Tannh\u00e4user – Bayreuth <\/h5>\n\n\n\n

…Elena Zhidkova est une V\u00e9nus hors norme, format poids-plume, timbre clair, avec une belle projection \u00e9galement, une v\u00e9ritable boule d’\u00e9nergie…<\/em><\/p>\n\n\n

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HNA Online<\/a> von Werner Fritsch<\/h4>\n\n\n\n
Bayreuther Festspiele: Tobias Kratzers \u201eTannh\u00e4user\u201c ist eine Befreiung<\/h5>\n\n\n\n
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\u2026Mit agilem Spiel und stimmlich stark \u00fcberzeugt Elene Zhidkova als ihre Gegenspielerin Venus\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Il Giornale della Musica<\/a> di Stefano Nardelli<\/h4>\n\n\n\n
A Bayreuth un Tannh\u00e4user incerto fra circo e opera di Tobias Kratzer <\/h5>\n\n\n\n

\u2026poco duttile e soprattutto completamente estraneo all\u2019estremismo di Kratzer, che sembra invece non creare alcun problema alla spiritosissima e trascinante Venere di Elena Zhidkova, nonostante la sostituzione all\u2019ultimo dell\u2019incidentata Ekaterina Gubanova\u2026<\/em><\/p>\n\n\n

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klassik.com<\/a> von Barbara R\u00f6der<\/h4>\n\n\n\n
Verlorene Tr\u00e4ume <\/h5>\n\n\n\n

\u2026Die st\u00e4hlerne Venus gibt die kurzfristig eingesprungene Elena Zhidkova mit s\u00e4ngerisch heldisch ausladender Inbrunst und exquisitem Kampfgeist. Sie ist ein gro\u00dfer Gewinn f\u00fcr diese Ausnahmeproduktion\u2026<\/em><\/p>\n\n\n

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Limelight<\/a> by Paul Selar on July 31, 2019<\/h4>\n\n\n\n
Tannh\u00e4user (Bayreuth Festival)<\/h5>\n\n\n\n

\u2026Mezzo-soprano Elena Zhidkova, stepping in for Ekaterina Gubanova who injured herself during rehearsal, earned thunderous applause for her uber-lithe and feisty Venus, the voice pliant and assured, her top notes clear and penetrating\u2026<\/em><\/p>\n\n\n

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Mundo Cl\u00e1sico<\/a> por Agust\u00edn Blanco Baz\u00e1n<\/h4>\n\n\n\n
Venus al asalto de Bayreuth<\/h5>\n\n\n\n

…Elena Zhidkova interpret\u00f3 una Venus de voz tan \u00e1gil, angulosa y penetrante como su irresistible actuaci\u00f3n de diosa viril dispuesta a todo…<\/em><\/p>\n\n\n

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Neue Musikzeitung<\/a>\u00a0von Peter P. Pachl<\/h4>\n\n\n\n
Divergierende Erz\u00e4hlebenen: Tobias Kratzer inszeniert \u201eTannh\u00e4user\u201c bei den Bayreuther Festspielen<\/h5>\n\n\n\n

\u2026als Venus ist Elena Zhidkova relativ kurzfristig eingesprungen und hat sich faszinierend in diese Aufgabe geworfen, stimmlich und darstellerisch virtuos und auch noch beim Applaus mit gereckter Revolutionsfaust\u2026<\/em><\/p>\n\n\n

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Olyrix<\/a> par David Verdier<\/h4>\n\n\n\n
Tannh\u00e4user ouvre le Festival de Bayreuth sur la route de la libert\u00e9<\/h5>\n\n\n\n

\u2026Annonc\u00e9e souffrante \u00e0 peine deux semaines avant le d\u00e9but du festival, elle est remplac\u00e9e par l\u2019\u00e9nergique Elena Zhidkova. La voix s\u2019accorde \u00e0 merveille au personnage de trublion et de p\u00e9troleuse voulu par Kratzer. Elle vitup\u00e8re dans l\u2019aigu avec une agilit\u00e9 redoutable, passant de la d\u00e9clamation amoureuse \u00e0 la menace et s\u2019imposant sc\u00e9niquement et vocalement comme le personnage qui fait basculer l\u2019intrigue tout enti\u00e8re\u2026<\/em><\/p>\n\n\n

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Online Merker<\/a> von Sigi Brockmann<\/h4>\n\n\n\n
BAYREUTH\/ Festspielhaus (M\u00fcnster \u2013 Historisches Kino Schlo\u00dftheater: TANNH\u00c4USER ODER DER S\u00c4NGERKRIEG AUF WARTBURG. Premiere\/Festspieler\u00f6ffnung<\/h5>\n\n\n\n
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\u2026Elena Zhidkova verf\u00fcgte nicht nur passend  \u00fcber verf\u00fchrerische Figur und  intensives Spiel, sie sang auch bis zu den  Spitzent\u00f6nen im ersten Aufzug ebenso verf\u00fchrerisch\u2026<\/em><\/p>\n<\/div>\n\n\n

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\u00d3pera Actual<\/a> por \u00d3A<\/h4>\n\n\n\n
Bayreuth: Tannh\u00e4user, del Burger King a Bayreuth<\/h5>\n\n\n\n
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…Elena Zhidkova<\/strong> una Venus de gran intensidad vocal y esc\u00e9nica,…<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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Opera Gazet<\/a> door Guillaume Maijeu<\/h4>\n\n\n\n
Tannh\u00e4user-parodie in Bayreuth<\/h5>\n\n\n\n
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…Positief is de Venus van Elena Zhidkova. Zij steelt moeiteloos de show, is bijna de ganse voorstelling op de b\u00fchne en is ook vocaal bijzonder genietbaar…<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Opera Journal <\/a>by Keris Nine<\/h4>\n\n\n\n
Wagner – Tannh\u00e4user (Bayreuth, 2019)<\/h5>\n\n\n\n
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…Elena Zhidkova, apparently standing in at short notice as Venus, gives a spirited performance that is a sheer joy,…<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Opera Today<\/a> by Michael Milenski<\/h4>\n\n\n\n
Tannh\u00e4user<\/em> at Bayreuth<\/h5>\n\n\n\n
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…Russian mezzo Elena Zhidkova was the scene stealing Venus, finding beautiful tone and style when called upon to sing and not to simply drive the love bus and disrupt the stage…<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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Opera World<\/a> por Luc-Henri Roger<\/h4>\n\n\n\n
Festival de Bayreuth. Le Tannh\u00e4user de Tobias Kratzer ou la V\u00e9nus \u00e0 la Citro\u00ebn.<\/h5>\n\n\n\n
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\u2026Zhidkova a remport\u00e9 la partie par un engagement total dans le r\u00f4le, auquel elle apporte sa sveltesse sportive qui convient bien \u00e0 la version kratz\u00e9rienne d\u2019une V\u00e9nus speed\u00e9e et rebelle qu\u2019il fait monter \u00e0 l\u2019\u00e9chelle ou escalader des \u00e9chafaudages, tout le contraire des amas graisseux de la V\u00e9nus pr\u00e9historique du dernier Tannh\u00e4usermunichois. Elena Zhidkova remporte un triomphe tant pour son superbe jeu de sc\u00e8ne que pour sa voix claire et imp\u00e9rieuse, d\u2019une exceptionnelle projection. On comprendra qu\u2019elle domine davantage Tannh\u00e4user qu\u2019elle ne le s\u00e9duit \u00e9rotiquement, elle se pose davantage en cheffe de gang qu\u2019en aguichante enj\u00f4leuse. Aux salutations, elle brandit le poing en l\u2019air dans le geste fameux que des athl\u00e8tes noirs avaient impos\u00e9 aux jeux olympiques de 1968\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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Operalounge.de<\/a> von Rolf Fath<\/h4>\n\n\n\n
Von Clowns und Schwanenrittern<\/h5>\n\n\n\n
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\u2026Sehr gut, ausgesprochen textdeutlich, was in dieser Partie nicht an der Tagesordnung ist, ist die mehr sportive denn sinnliche Venus der Elena Zhidkova, die ihren Freiheitsdrang auch am Ende noch mit mezzokr\u00e4ftigen Explosionen auslebt. Man muss das Klischee bem\u00fchen: Zhidkova ist Venus, zumindest in dieser Inszenierung: Kaum vorstellbar, dass sie zuhause anders ruml\u00e4uft als in diesem Outfit, so glaubw\u00fcrdig spielt Zhidkova diese raubtierwendige, rotzfreche und skrupellose Aktivistin mit den verschlingen Kulleraugen, die ihre Pussy Riot \u2013Mission forttragen wird\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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ResMusica<\/a> par Mich\u00e8le Tosi<\/h4>\n\n\n\n
\u00c0 Bayreuth, le Tannh\u00e4user de Tobias Kratzer dans la distance et l\u2019innovation<\/h5>\n\n\n\n

On reste \u00e9tonn\u00e9 par l\u2019envergure et la tonicit\u00e9 vocales d\u2019Elena Zhidkova\/Venus, au vu de la sveltesse de la mezzo-soprano russe parfaitement \u00e0 l\u2019aise dans son r\u00f4le d\u2019agitateur public.<\/p>\n\n\n

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Seen and Heard <\/a>by Jim Pritchard<\/h4>\n\n\n\n
Tobias Kratzer\u2019s Novel and Compelling New Bayreuth Tannh\u00e4user<\/em><\/h5>\n\n\n\n

…Elena Zhidkova threw herself with great abandon \u2013 body, soul, and voice \u2013 into the role of Venus and she deserved her own personal success, if only for her great comic timing…<\/em><\/p>\n\n\n

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The Opera Critic<\/a> by Tony Cooper <\/h4>\n\n\n\n
Anarchy rules OK in this driving and forceful production of Tannh\u00e4user<\/h5>\n\n\n\n

…while Venus was energetically and youthfully sung by Elena Zhidkova taking over the role from Ekaterina Gubanova at short notice due to injury. She proved her worth every inch of the way…<\/em><\/p>\n\n\n

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Wanderer<\/a> par Guy Cherqui<\/h4>\n\n\n\n
Le Venusberg comme road-movie<\/h5>\n\n\n\n
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\u2026Elena Zhidkova, dont le sens de la sc\u00e8ne et l\u2019engagement donnent \u00e0 cette Venus l\u2019allure exacte demand\u00e9e. Elle est tr\u00e8s pr\u00e9sente, tr\u00e8s vive, \u00e0 l\u2019allure \u00e0 la fois d\u00e9cid\u00e9e et sans vraie vulgarit\u00e9. Elle n\u2019est pas une Venus vaporeuse de Venusberg romantique. La mise en sc\u00e8ne l\u2019installe plus comme une meneuse d\u2019hommes que comme une s\u00e9ductrice. Elle s\u00e9duit par son \u00e9nergie, par son esprit de d\u00e9cision, par sa mani\u00e8re de commander : elle ob\u00e9it mot pour mot au Motto qu\u2019elle arbore et affirme une libert\u00e9 saine et au total plut\u00f4t sympathique. La voix est affirm\u00e9e, claire, expressive, puissante, m\u00eame si certains aigus sont un tantinet m\u00e9talliques : elle est convaincante et elle triomphe, c\u2019est m\u00e9rit\u00e9\u2026<\/em><\/p>\n<\/div>\n\n\n

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Wiener Zeitung<\/a> von Joachim Lange<\/h4>\n\n\n\n
\u201eTannh\u00e4user\u201c im Citroen in Bayreuth<\/h5>\n\n\n\n
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\u2026Die kurzfristig eingesprungene Elena Zidkova war der (um Tannh\u00e4user) k\u00e4mpfenden Dauerpr\u00e4senz dieser Venus voll gewachsen\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n

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Cast: <\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musikalische Leitung<\/td>\nValery Gergiev<\/strong><\/td>\n<\/tr>\n
Inszenierung<\/td>\nTobias Kratzer<\/strong><\/td>\n<\/tr>\n
B\u00fchne und Kost\u00fcme<\/td>\nRainer Sellmaier<\/strong><\/td>\n<\/tr>\n
Video<\/td>\nManuel Braun<\/strong><\/td>\n<\/tr>\n
Licht<\/td>\nReinhard Traub<\/strong><\/td>\n<\/tr>\n
Choreinstudierung<\/td>\nEberhard Friedrich<\/strong><\/td>\n<\/tr>\n
Dramaturgie<\/td>\nKonrad Kuhn<\/strong><\/td>\n<\/tr>\n
Landgraf Herrmann<\/td>\nStephen Milling<\/strong><\/td>\n<\/tr>\n
Tannh\u00e4user<\/td>\nStephen Gould<\/strong><\/td>\n<\/tr>\n
Wolfram von Eschenbach<\/td>\nMarkus Eiche<\/strong><\/td>\n<\/tr>\n
Walther von der Vogelweide<\/td>\nDaniel Behle<\/strong><\/td>\n<\/tr>\n
Biterolf<\/td>\nKay Stiefermann<\/strong><\/td>\n<\/tr>\n
Heinrich der Schreiber<\/td>\nJorge Rodriguez-Norton<\/strong><\/td>\n<\/tr>\n
Reinmar von Zweter<\/td>\nWilhelm Schwinghammer<\/strong><\/td>\n<\/tr>\n
Elisabeth<\/td>\nLise Davidsen<\/strong><\/td>\n<\/tr>\n
Venus<\/td>\nElena Zhidkova<\/strong><\/td>\n<\/tr>\n
Ein junger Hirt<\/td>\nKatharina Konradi<\/strong><\/td>\n<\/tr>\n
Vier Edelknaben<\/td>\nCornelia Ragg, Lucila Graham, Annette Gutjahr, Elena Zhidkova<\/strong><\/td>\n<\/tr>\n
Le Gateau Chocolat<\/td>\nLe Gateau Chocolat<\/strong><\/td>\n<\/tr>\n
Oskar<\/td>\nManni Laudenbach<\/strong><\/td>\n<\/tr>\n
Statisterie, Chor und Orchester der Bayreuther Festspiele<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Performances on the 25th (premiere), 28th July, 13th, 17th, 21st and 25th August 2019. Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":83038,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610],"tags":[],"class_list":["post-85375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/85375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=85375"}],"version-history":[{"count":8,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/85375\/revisions"}],"predecessor-version":[{"id":93808,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/85375\/revisions\/93808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/83038"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=85375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=85375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=85375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}