{"id":85043,"date":"2019-08-26T16:08:01","date_gmt":"2019-08-26T14:08:01","guid":{"rendered":"https:\/\/agentur-seifert.de\/giuseppe-verdi-i-due-foscari-rezensionen\/"},"modified":"2021-06-19T13:32:17","modified_gmt":"2021-06-19T11:32:17","slug":"giuseppe-verdi-i-due-foscari-rezensionen","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/giuseppe-verdi-i-due-foscari-rezensionen\/","title":{"rendered":"GIUSEPPE VERDI: \u201eI DUE FOSCARI\u201c (REVIEWS)"},"content":{"rendered":"\n<div class=\"bggrau\">\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/agentur-seifert.de\/wp-content\/uploads\/2019\/07\/I-due-Foscari.jpg\" alt=\"\" width=\"200\" height=\"200\"><\/strong><\/p>\n<p><strong>Guanqun Yu<\/strong>, soprano | <em>Lucrezia<\/em><br>\n<strong>Bernadett Fodor<\/strong>, mezzo-soprano | <em>Pisana<\/em><br>\n<strong>Ivan Magr\u00ec<\/strong>, tenor | <em>Jacopo Foscari<\/em><br>\n<strong>Istv\u00e1n Horv\u00e1th<\/strong>, tenor | <em>Barbarigo<\/em><br>\n<strong>Leo Nucci<\/strong>, baritone | <em>Francesco Foscari<\/em><br>\n<strong>Mikl\u00f3s Sebesty\u00e9n<\/strong>, bass-baritone | <em>Loredano<\/em><br>\n<strong>Moon Yung Oh<\/strong>, tenor | <em>Servant<\/em><br>\n<strong>Matthias Ettmayr<\/strong>, bass | <em>Servant<br>\n<\/em><strong>Bavarian Radio Chorus | <\/strong><strong>Howard Arman<\/strong>, Director<br>\n<strong>Munich Radio Orchestra | <\/strong><strong>Ivan Repu\u0161i\u0107<\/strong>, Conductor<\/p>\n<p><strong>July 2019<br>\n2 CDs, BR-KLASSIK 900328<\/strong><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><span style=\"color: #ff0000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>\nThis selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-capriccio-by-erik-graune\"><a href=\"https:\/\/www.capriccio.se\/\">CAPRICCIO <\/a>by Erik Graune<\/h4>\n\n\n\n<h5>\u00d6vertygande inspelning av tidig Verdiopera<\/h5>\n<p><em>&#8230;En av de fr\u00e4msta anledningarna till att lyssna till den h\u00e4r upptagning fr\u00e5n konsertframf\u00f6randen i M\u00fcnchen och Budapest \u00e4r M\u00fcnchner Rundfunkorchester och Bayerska radions k\u00f6r under dirigenten Ivan Repu\u0161ic energiska och vitala ledning. Ett minus \u00e4r dock att inget texth\u00e4fte medf\u00f6ljer&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.capriccio.se\/overtygande-inspelning-av-tidig-verdiopera\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-concerti-by-christian-lahneck\"><a href=\"https:\/\/www.concerti.de\/\">concerti<\/a> by Christian Lahneck<\/h4>\n\n\n\n<h5>Seltener Verdi<\/h5>\n<div>\n<div>\n<p><em>\u2026treffend umgesetzt vom M\u00fcnchner Rundfunkorchester unter Chefdirigent Ivan Repu\u0161i\u0107. Das z\u00fcndet und besitzt andererseits die n\u00f6tige Wehmut, das klingt arios und theatralisch, je nach den Forderungen der Partitur\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.concerti.de\/rezensionen\/ivan-repusic-verdi-i-due-foscari\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-crescendo-by-corina-kolbe\"><a href=\"https:\/\/crescendo.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">CRESCENDO <\/a>by Corina Kolbe<\/h4>\n\n\n\n<h5><strong>Zerrissen zwischen Pflicht und Liebe<\/strong><\/h5>\n<div>\n<div>\n<p><em>&#8230;Das M\u00fcnchner Rundfunkorchester unter seinem Chefdirigenten Ivan Repu\u0161i\u0107 hat die Oper vorz\u00fcglich f\u00fcr das Eigenlabel des Bayerischen Rundfunks eingespielt&#8230;<\/em><\/p>\n<\/div>\n<\/div>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/crescendo.de\/zerrissen-zwischen-pflicht-und-liebe-1000035836\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-forumopera-com-par-c-dric-manuel\"><a href=\"https:\/\/www.forumopera.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">FORUMOPERA.COM<\/a> par C\u00e9dric Manuel<\/h4>\n\n\n\n<h5 id=\"page-title\">Leo le s\u00e9r\u00e9nissime<\/h5>\n<div>\n<div id=\"block-system-main\">\n<div>\n<div id=\"node-15338\">\n<div id=\"texte\">\n<div>\n<div>\n<div>\n<div>\n<p><em><strong>\u2026L\u2019orchestre de la radio de Munich<\/strong>\u00a0n\u2019est certes pas le plus prestigieux des deux orchestres de la radio bavaroise. Il n\u2019en poss\u00e8de pas moins d\u2019excellents instrumentistes et c\u2019est bien sur eux que s\u2019appuie un tr\u00e8s bon<strong>\u00a0Ivan Repu\u0161i\u0107<\/strong>, jeune chef croate qui a pris les r\u00eanes de cet orchestre \u00e0 la suite d\u2019Ulf Shirmer en 2017. Dans cette partition aux beaux moments d\u2019orchestre, Verdi a privil\u00e9gi\u00e9 l\u2019intimisme, avec, notamment, des pages remarquables pour les pupitres de violoncelle ou les bois. On admire les couleurs instrumentales dans ces moments contemplatifs, comme dans les ensembles, o\u00f9 il sait \u00eatre tr\u00e8s pr\u00e9sent et tr\u00e8s expressif sans jamais couvrir les interpr\u00e8tes. Le chef donne \u00e0 l\u2019ensemble une certaine solennit\u00e9, qui dispara\u00eet \u00e0 peine lors de la joyeuse barcarolle qui ouvre l\u2019acte III dans un allegro brillante, qui l\u2019est en effet. Mais la sc\u00e8ne finale est dramatique \u00e0 souhait\u2026<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.forumopera.com\/cd\/i-due-foscari-leo-le-serenissime\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-musicweb-international-by-michael-cookson\"><a href=\"http:\/\/www.musicweb-international.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Musicweb International<\/a> by Michael Cookson<\/h4>\n\n\n\n<p><em>&#8230;A significant strength is Ivan Repu\u0161ic\u2019s conducting of the M\u00fcnchner Rundfunkorchester with well-judged tempi, generating plenty of dramatic tension. Recorded in live concert performance at Prinzregententheater Munich and M\u00fcpa Budapest I am very satisfied with the sound quality and the audience applause has been removed even at the conclusion&#8230;<\/em><\/p>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/www.musicweb-international.com\/classrev\/2020\/Jan\/Verdi_Foscari_900328.htm\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-online-merker-by-dr-ingobert-waltenberger\"><a href=\"https:\/\/onlinemerker.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Online Merker<\/a> by Dr. Ingobert Waltenberger<\/h4>\n\n\n\n<h5>CD GIUSEPPE VERDI: I DUE FOSCARI \u2013 Live Aufnahme aus dem Prinzregententheater M\u00fcnchen vom Oktober 2018, BR Classics<\/h5>\n<div>\n<p><em>\u2026Nicht allzu oft geb\u00fchrt dem Dirigenten in der Oper das erste Wort. Bei dem fabul\u00f6sen Ivan Repu\u0161i\u0107 geht es jedoch nicht anders. Der kroatische Jungpultmeister setzt eine sch\u00f6ne Verdi-Tradition fort: Dieses genuine unverwechselbare rauschhafte Gef\u00fchl aus furiosen Ensemble-Effekten, das Aufeinander von Cantabile und Cabalettas, Preghieras, gedehnten Dreierrhythmen und barcarole-typischen 6\/8 Takten, die unwiderstehliche Sogwirkung aller von Verdi unnachahmlich aufgepeitschten Extremsituationen der Protagonisten, erleben nun bei Ivan Repu\u0161i\u0107 ein Revival\u2026<\/em><\/p>\n<\/div>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/onlinemerker.com\/214282-2\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-operalounge-de-by-rolf-fath\"><a href=\"http:\/\/operalounge.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Operalounge.de<\/a> by Rolf Fath<\/h4>\n\n\n\n<h5>Noch einmal: Leo Nucci in Verdis \u201eDue Foscari\u201c beim BR<\/h5>\n<h5>Il vecchio cor<\/h5>\n<div>\n<div class=\"entry-content\">\n<p><em>\u2026Der kroatische Chefdirigent des M\u00fcnchner Rundfunkorchesters Ivan Repu\u0161i\u0107, der bereits im Jahr zuvor eine Luisa Miller mit Marina Rebeka auff\u00fchrte und aufnahm, hat offenbar ein fabelhaftes Gesp\u00fcr f\u00fcr den fr\u00fchen Verdi, dessen Cabaletten er mit z\u00fcndender Kraft voranpeitscht. Die Szenen sind mit dr\u00e4ngendem Elan verblendet, die Atmosph\u00e4re, was Verdi mit \u201etinta\u201c umschrieb, in den d\u00fcsteren Gem\u00e4chern des Palastes in den dunklen Bratschen- und Cellokl\u00e4ngen zwingend eingefangen und der Chor des Bayerischen Rundfunks grandios inszeniert\u2026<\/em><\/p>\n<\/div>\n<\/div>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"http:\/\/operalounge.de\/cd\/oper-cd\/il-vecchio-cor\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"h-the-gramophone-by-hugo-shirley\"><a href=\"https:\/\/www.gramophone.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"THE GRAMOPHONE (opens in a new tab)\">THE GRAMOPHONE<\/a> by Hugo Shirley<\/h4>\n\n\n\n<h5 id=\"page-title\" class=\"title\">VERDI I due Foscari (Repu\u0161i\u0107)<\/h5>\n<div>\n<p><em>&#8230;But I due Foscari bursts with all the energy and invention characteristic of early Verdi, and Ivan Repu\u2248ic\u00b4\u2019s conducting on this live recording made in Munich last autumn (following up on the same team\u2019s recordings of Luisa Miller and La rondine) is full of vim and vitality. There\u2019s excellent playing from his rich, refined-sounding orchestra (especially good in the various soulful motifs that weave their way through the score) and superb contributions from the Munich Radio Choir&#8230;<\/em><\/p>\n<\/div>\n\n\n<div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-wire-eb2084a9d103\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-left\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.gramophone.co.uk\/review\/verdi-i-due-foscari-repu%C5%A1i%C4%87\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-right ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-fontawesome sow-fas\" data-sow-icon=\"&#xf101;\"\n\t\tstyle=\"\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tRead more\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Guanqun Yu, soprano | Lucrezia Bernadett Fodor, mezzo-soprano | Pisana Ivan Magr\u00ec, tenor | Jacopo Foscari Istv\u00e1n Horv\u00e1th, tenor | Barbarigo Leo Nucci, baritone | Francesco Foscari Mikl\u00f3s Sebesty\u00e9n, bass-baritone | Loredano Moon Yung Oh, tenor | Servant Matthias Ettmayr, bass | Servant Bavarian Radio&#8230;<\/p>\n","protected":false},"author":3,"featured_media":90292,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,602],"tags":[],"class_list":["post-85043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-ivan-repusic"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/85043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=85043"}],"version-history":[{"count":28,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/85043\/revisions"}],"predecessor-version":[{"id":93804,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/85043\/revisions\/93804"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/90292"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=85043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=85043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=85043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}