{"id":110065,"date":"2026-06-14T11:34:00","date_gmt":"2026-06-14T09:34:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/der-ring-des-nibelungen-deutsche-oper-berlin-rezensionen-2\/"},"modified":"2026-06-14T18:52:40","modified_gmt":"2026-06-14T16:52:40","slug":"der-ring-des-nibelungen-deutsche-oper-berlin-rezensionen-2","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/der-ring-des-nibelungen-deutsche-oper-berlin-rezensionen-2\/","title":{"rendered":"DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"

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Performances on:<\/strong><\/p>\n

Das Rheingold<\/strong> \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre<\/strong> \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung<\/strong> \u2013 May 25, 2026 & May 31, 2026<\/p>\n

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Here are the most relevant quotes from reviews in the German and international press.
\nThis selection does not claim to be complete.<\/em><\/span><\/p>\n

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Reviews – Complete Cycle:<\/h4>\n

[\/vc_column_text][vc_empty_space][vc_custom_heading text=”Das Opernmagazin by Lynn Sophie Guldin” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fopernmagazin.de%2F|title:Mehr%20lesen|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026Unvergesslich bleibt Annika Schlicht<\/strong> als Fricka, denn selten h\u00f6rt man so eine packende, energiegeladene Mezzostimme. Ein Klang wie ein Schraubstockgriff in H\u00f6he und Tiefe, in den sie zun\u00e4chst eine falsche Ruhe einflicht im Streit mit ihrem Gatten, bevor sie diesen minutenlang gesanglich \u00fcber dem offenen Feuer am Spie\u00df grillt. Das macht Freude \u2013 allen au\u00dfer Wotan…<\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_btn title=”Read more” style=”outline” color=”danger” align=”center” css=”” link=”url:https%3A%2F%2Fopernmagazin.de%2Fdie-letzte-kosmische-atemuebung-sir-donald-runnicles-verabschiedet-sich-von-der-deutschen-oper-berlin-mit-wagners-ring%2F|title:Mehr%20lesen|target:_blank”][vc_separator type=”small” position=”center” separator_color2=”#000000″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_custom_heading text=”Planet Hugill by Tony Cooper” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fwww.planethugill.com%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026Overall, a strong and formidable cast was assembled for this cycle that enjoys pace, bounce and consistency. But if there\u2019s anything in opera equivalent to the \u2018Man of the Match\u2019 then the person who would get my vote is the German mezzo-soprano, Annika Schlicht, radiant in the role of Fricka while also taking on the role of Waltraute in G\u00f6tterd\u00e4mmerung. Harbouring a rich, clear, articulate voice, she delivered a stunning and commanding performance. In fact, one of the best interpretations I\u2019ve ever encountered on this role. Brava!…<\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_btn title=”Read more” style=”outline” color=”danger” align=”center” css=”” link=”url:https%3A%2F%2Fwww.planethugill.com%2F2026%2F06%2Fin-his-passion-for-music-of-richard.html|title:Mehr%20lesen|target:_blank”][vc_separator type=”small” position=”center” separator_color2=”#000000″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_custom_heading text=”Thomas Rauchenwald” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fwww.rauchenwald-classic.com%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026Annika Schlicht<\/em><\/strong> eine grandiose, dominant starke Fricka wie warm sorgende Waltraute,\u2026<\/em><\/p>\n

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Reviews – Das Rheingold:<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space][vc_custom_heading text=”Der Opernfreund by Michael Demel” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fderopernfreund.de%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026Auch in seiner Ehe dominiert die Gattin, was Annika Schlicht<\/strong> als Fricka mit klangsatt-selbstbewu\u00dftem Mezzo beglaubigt\u2026<\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_btn title=”Read more” style=”outline” color=”danger” align=”center” css=”” link=”url:https%3A%2F%2Fderopernfreund.de%2Fdeutsche-oper-berlin%2Fberlin-das-rheingold-richard-wagner-2%2F|title:Mehr%20lesen|target:_blank”][vc_separator type=”small” position=”center” separator_color2=”#000000″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_custom_heading text=”GBOPERA by Lutz Nalepa” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fwww.gbopera.it%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026Annika Schlicht<\/strong> plays far more than just an anxious Fricka; with her powerful voice and beautiful timbre, she keeps her husband firmly in check\u2026<\/em><\/p>\n

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\u2026Annika Schlicht<\/strong> \u00e8 un\u2019ottima Fricka, amorevole e autoritaria al tempo stesso, e ci sono tutte le premesse per un grande duetto Wotan-Fricka nella Walk\u00fcre\u2026<\/em><\/p>\n

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Reviews <\/strong>– Die Walk\u00fcre:<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space][vc_custom_heading text=”GBOPERA by Lutz Nalepa” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fwww.gbopera.it%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026The vocal performances are impressive, led by\u00a0Annika Schlicht\u2019s<\/strong>\u00a0brilliant Fricka, who easily wins the marital dispute; she confidently guides her beautiful mezzo-soprano through the confrontation with the father of the Gods, Wotan\u2026<\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_btn title=”Read more” style=”outline” color=”danger” align=”center” css=”” link=”url:https%3A%2F%2Fwww.gbopera.it%2F2026%2F05%2Fdeuttsche-oper-berlin-die-walkure%2F|title:Mehr%20lesen|target:_blank”][vc_separator type=”small” position=”center” separator_color2=”#000000″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_custom_heading text=”Klassik begeistert by Arthur Bertelsmann” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fklassik-begeistert.de%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026die Degradierung vom G\u00f6ttervater zum gebrochenen Individuum ist allerdings angesichts seiner durch Annika Schlicht wirklich fabelhaft manipulativen-sadistischen gespielten Fricka auch mehr als angemessen\u2026<\/em><\/p>\n

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\u2026Accanto a lui\u00a0Annika Schlicht<\/strong>\u00a0si conferma una Fricka di grande spessore\u2026<\/em><\/p>\n<\/div>\n<\/div>\n

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Reviews <\/strong>– <\/strong>G\u00f6tterd\u00e4mmerung<\/strong>:<\/strong><\/h4>\n

[\/vc_column_text][vc_empty_space][vc_custom_heading text=”Der Opernfreund by Michael Demel” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fderopernfreund.de%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026Annika Schlicht<\/strong>, die in den ersten beiden Ring-Teilen eine beeindruckende Fricka war, trat nun als Waltraute auf, gefiel erneut mit einer klangvollen Mittellage und ungef\u00e4hrdeten H\u00f6hen und zeigte einen interessanten Registerwechsel bei tiefen Brustt\u00f6nen\u2026<\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_btn title=”Read more” style=”outline” color=”danger” align=”center” css=”” link=”url:https%3A%2F%2Fderopernfreund.de%2Fdeutsche-oper-berlin%2Fberlin-goetterdaemmerung-richard-wagner-2%2F|title:Mehr%20lesen|target:_blank”][vc_separator type=”small” position=”center” separator_color2=”#000000″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_custom_heading text=”Klassik begeistert by Arthur Bertelsmann” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fklassik-begeistert.de%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026In ihrem gro\u00dfen Monolog zeigt Schlicht alle Schattierungen der Rolle, sie fleht, br\u00fcllt die Schwester an, schleimt sich ein und resigniert angesichts der von Rache getriebenen Dickk\u00f6pfigkeits Br\u00fcnnhildes\u2026<\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_btn title=”Read more” style=”outline” color=”danger” align=”center” css=”” link=”url:https%3A%2F%2Fklassik-begeistert.de%2Frichard-wagner-goetterdaemmerung-deutsche-oper-berlin-25-mai-2026%2F|title:Mehr%20lesen|target:_blank”][vc_separator type=”small” position=”center” separator_color2=”#000000″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_custom_heading text=”Operaclick by Edoardo Saccenti” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=”” link=”url:https%3A%2F%2Fwww.operaclick.com%2F|target:_blank”][vc_column_text css=””]<\/p>\n

\u2026La transizione che porta all\u2019incontro di Br\u00fcnnhilde e Waltraute \u00e8 ben svolta. Anche Waltraute (ottima la\u00a0Annika Schlicht<\/strong>, che ha smesso i panni di Fricka per indossare quelli della valchiria) si alza dalla prima fila di platea per raggiungere la sorella\u2026<\/em><\/p>\n

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Conductor<\/td>\nSir Donald Runnicles<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Production, Set design<\/td>\nStefan Herheim<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Set design<\/td>\nSilke Bauer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Costume design<\/td>\nUta Heiseke<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Video<\/td>\nTorge M\u00f8ller<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Light design<\/td>\nUlrich Niepel<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Dramaturgy<\/td>\n\n
\n
Alexander Meier-D\u00f6rzenbach,\u00a0<\/strong>J\u00f6rg K\u00f6nigsdorf<\/strong><\/div>\n<\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Chorus Director<\/td>\nJeremy Bines<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Wotan<\/td>\nIain Paterson<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Donner<\/td>\nThomas Lehman<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Froh<\/td>\nKieran Carrel\u00a0<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Loge<\/td>\nThomas Blondelle<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Alberich<\/td>\nMichael Sumuel<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Mime<\/td>\nYa-Chung Huang<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Fasolt<\/td>\n\n
Albert Pesendorfer<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Fafner<\/td>\nTobias Kehrer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Fricka<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Freia<\/td>\nMartina Welschenbach<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Erda<\/td>\nLauren Decker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Woglinde<\/td>\nLea-ann Dunbar<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Wellgunde<\/td>\nArianna Manganello<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Flosshilde<\/td>\nKaris Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Siegmund<\/td>\nMatthew Newlin<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Hunding<\/td>\nTobias Kehrer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Wotan<\/td>\nJordan Shanahan<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Sieglinde<\/td>\nElisabeth Teige<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Fricka<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Br\u00fcnnhilde<\/td>\nTrine M\u00f8ller<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Helmwige<\/div>\n<\/td>\n
Martina Welschenbach<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gerhilde<\/td>\nFelicia Moore<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Ortlinde<\/td>\nMaria Motolygina<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Waltraute<\/td>\nAleksandra Meteleva<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Siegrune<\/td>\nArianna Manganello<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Ro\u00dfwei\u00dfe<\/td>\nKaris Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Grimgerde<\/td>\n\n
Nicole Piccolomini<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Schwertleite<\/td>\n\n
Lauren Decker<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Hundingling<\/td>\nEric Naumann<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=”” css=”.vc_custom_1781456761192{margin-bottom: 100px !important;}”][vc_column][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_custom_heading text=”G\u00d6TTERD\u00c4MMERUNG” font_container=”tag:h4|text_align:center” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal” css=””][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Siegfried<\/td>\nClay Hilley<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gunther<\/td>\nThomas Lehman<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Alberich<\/td>\nMichael Sumuel<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Hagen<\/td>\nAlbert Pesendorfer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Br\u00fcnnhilde<\/td>\nCatherine Foster<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gutrune<\/td>\nFelicia Moore<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Waltraute<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Erste Norn<\/div>\n<\/td>\n
Lauren Decker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Zweite Norn<\/div>\n<\/td>\n
Karis Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Dritte Norn<\/td>\n\n
Felicia Moore<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
\n
Woglinde<\/div>\n<\/td>\n
Nina Solodovnikova\u00a0<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Wellgunde<\/td>\nKaris Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Flo\u00dfhilde<\/td>\nStephanie Wake-Edwards<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Chor der Deutschen Oper Berlin<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Orchester der Deutschen Oper Berlin<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on: Das Rheingold \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung \u2013 May 25, 2026 & May 31, 2026 [\/vc_column_text][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_column_text css=””]…<\/p>\n","protected":false},"author":3,"featured_media":82779,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-110065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/110065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=110065"}],"version-history":[{"count":20,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/110065\/revisions"}],"predecessor-version":[{"id":110092,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/110065\/revisions\/110092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82779"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=110065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=110065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=110065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}