{"id":109888,"date":"2026-04-19T18:35:51","date_gmt":"2026-04-19T16:35:51","guid":{"rendered":"https:\/\/agentur-seifert.de\/herzog-blaubarts-burg-premiere-hamburgische-staatsoper-rezensionen-2\/"},"modified":"2026-04-19T18:56:25","modified_gmt":"2026-04-19T16:56:25","slug":"herzog-blaubarts-burg-premiere-hamburgische-staatsoper-rezensionen-2","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/herzog-blaubarts-burg-premiere-hamburgische-staatsoper-rezensionen-2\/","title":{"rendered":"HERZOG BLAUBARTS BURG (PREMIERE) &#8211; HAMBURGISCHE STAATSOPER (REVIEWS)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\">Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April &amp; 15th \/ 20th and 22nd May 2026<\/p>\n<p>[\/vc_column_text][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<blockquote>\n<p style=\"text-align: center;\"><span style=\"color: #ff0000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br \/>\nThis selection does not claim to be complete.<\/em><\/span><\/p>\n<\/blockquote>\n<p>[\/vc_column_text][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h5 style=\"text-align: center;\"><a href=\"https:\/\/bachtrack.com\/de_DE\/\" target=\"_blank\" rel=\"noopener\">Bachtrack<\/a> by Mengguang Huang<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Tobias Kratzer creates a <em>pasticcio<\/em> of domestic shadows in Hamburg<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><em>\u201cAgainst this captivating landscape, Annika Schlicht\u2019s Judith was a tour de force of relentless curiosity \u2013 an unyielding drive to uncover her husband\u2019s hidden truths [\u2026] Their voices, characterised by a sharp, metallic brilliance, sliced through the dense orchestral fabric.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_btn title=&#8221;Read more&#8221; style=&#8221;outline&#8221; color=&#8221;danger&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fbachtrack.com%2Fde_DE%2Freview-frauenliebe-bluebeards-castle-florentine-tragedy-kratzer-kanellakis-staatsoper-hamburg-april-2026|target:_blank&#8221;][vc_empty_space height=&#8221;16px&#8221;][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h5 style=\"text-align: center;\"><a href=\"https:\/\/deropernfreund.de\/\" target=\"_blank\" rel=\"noopener\">Der Opernfreund<\/a> by Axel Wuttke<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><strong>Hamburg: \u201eFrauenliebe und -leben\u201c, Robert Schumann \/ \u201eHerzog Blaubarts Burg\u201c, B\u00e9la Bart\u00f3k \/ \u201eEine florentinische Trag\u00f6die\u201c, Alexander von\u00a0Zemlinsky<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><em><strong>\u201cAnnika Schlicht<\/strong>\u00a0singt eine wunderbar profunde Judith. Ihr Mezzosopran ist in allen Registern klangvoll und ruhig in der Tongebung. Ihr stehen sowohl die Mittel f\u00fcr zarte Lyrismen als auch f\u00fcr die gro\u00dfe stimmliche Attacke zur Verf\u00fcgung. Das alles unterst\u00fctzt durch ihre ungemein ausdrucksstarke Stimme und die gestochen scharfe Diktion. Eine ph\u00e4nomenale Leistung der seit dieser Saison an der Staatsoper fest engagierten S\u00e4ngerin.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_btn title=&#8221;Read more&#8221; style=&#8221;outline&#8221; color=&#8221;danger&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fderopernfreund.de%2Fstaatsoper-hamburg%2Fhamburg-frauenliebe-und-leben-robert-schumann-herzog-blaubarts-burg-bela-bartok-eine-florentinische-tragoedie-alexander-von-zemlinsky%2F|target:_blank&#8221;][vc_empty_space height=&#8221;16px&#8221;][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h5 style=\"text-align: center;\"><a href=\"https:\/\/klassik-begeistert.de\/\" target=\"_blank\" rel=\"noopener\">Klassik begeistert<\/a> by Patrik Klein<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><strong>Tobias Kratzer verkopft Herzog Blaubarts Burg ohne R\u00fccksicht auf Verluste<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><strong><em>\u201cAnnika Schlicht<\/em><\/strong><em>s Interpretation ihrer Rolle als\u00a0<strong>Judith<\/strong>\u00a0gelang eine Entwicklung von anf\u00e4nglicher Liebe und Neugier \u00fcber wachsende Besessenheit bis hin zur finalen Erkenntnis. Sie trieb die Handlung durch ihr Dr\u00e4ngen voran. Trotz der zum Teil aggressiven \u00a0Klangballungen des Orchesters sang das neue Ensemblemitglied der Staatsoper textverst\u00e4ndlich und ausdrucksstark.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_btn title=&#8221;Read more&#8221; style=&#8221;outline&#8221; color=&#8221;danger&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fklassik-begeistert.de%2Fklein-beleuchtet-kurz-71-das-wesen-der-geschlechter-hat-noch-immer-viele-kratzer-hamburgische-staatsoper-12-april-2026-premiere%2F|target:_blank&#8221;][vc_empty_space height=&#8221;16px&#8221;][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/www.ndr.de\/\">NDR<\/a> by Peter Helling<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><strong>\u201cFrauenliebe und -sterben\u201d zeigt Patriarchat in seiner Erb\u00e4rmlichkeit<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><em>\u201cUnd Annika Schlicht als Judith mit weichem, atmendem Mezzosopran macht aus diesem St\u00fcck ein Drama von heute.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_btn title=&#8221;Read more&#8221; style=&#8221;outline&#8221; color=&#8221;danger&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.ndr.de%2Fkultur%2Fbuehne%2Ffrauenliebe-und-sterben-zeigt&#8211;das-patriarchat-in-seiner-erbaermlichkeit%2Cfrauensterben-100.html|target:_blank&#8221;][vc_empty_space height=&#8221;16px&#8221;][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/www.opera-now.com\/\">Opera Now<\/a> by Mark Pullinger<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Frauenlieben und -sterben at Staatsoper Hamburg | Live Review<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><em>\u201cUnd Annika Schlicht als Judith mit weichem, atmendem Mezzosopran macht aus diesem St\u00fcck ein Drama von heute.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_btn title=&#8221;Read more&#8221; style=&#8221;outline&#8221; color=&#8221;danger&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.opera-now.com%2Fcontent%2Freviews%2Ffrauenlieben-und-sterben-at-staatsoper-hamburg-live-review|target:_blank&#8221;][vc_empty_space height=&#8221;16px&#8221;][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/www.opera-online.com\/\">Opera online<\/a> by Achim Dombrowski<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><strong>Hamburg: Wie wir lieben wollen \u2013 nicht nur in der Oper<\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><em>\u201cAnnika Schlicht in der Partie der Judith ist das Ereignis des Abends. Kraftvoll, differenziert, mit makelloser Stimmf\u00fchrung und h\u00f6chster Textverst\u00e4ndlichkeit durchlebt sie Stationen des mannigfaltigen Erlebens und des Schreckens bis zu ihrer entsetzten Flucht. Keine Judith der schwebenden, \u00e4therischen Andeutungen oder psychologisch-feingeistigen Ver\u00e4stelungen, sondern eine junge, heutige Frau aus Fleisch und Blut mit all ihrer lebendigen und mitrei\u00dfenden Empfindungsf\u00e4higkeit. Tatkr\u00e4ftig genug, Blaubart \u2013 abweichend von der Handlung \u2013 rechtzeitig zu entkommen.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_btn title=&#8221;Read more&#8221; style=&#8221;outline&#8221; color=&#8221;danger&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.opera-online.com%2Fde%2Fcolumns%2Fdombrowski%2Fhamburg-wie-wir-lieben-wollen-nicht-nur-in-der-oper|target:_blank&#8221;][vc_empty_space height=&#8221;16px&#8221;][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/textor.online\/de\/texte-detailseite\/wenn-anspruch-und-wirklichkeit-auseinanderklaffen-frauenliebe-und-sterben-in-hamburg\/index.php\">TEXTOR<\/a> by Andrea Richter<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Wenn Anspruch und Wirklichkeit auseinanderklaffen<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: center;\"><em>\u201cAnders als Judith (Mezzosopran Annika Schlicht) deren Stimmst\u00e4rke jeder Situation gerecht wurde.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;16px&#8221;][vc_btn title=&#8221;Read more&#8221; style=&#8221;outline&#8221; color=&#8221;danger&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Ftextor.online%2Fde%2Ftexte-detailseite%2Fwenn-anspruch-und-wirklichkeit-auseinanderklaffen-frauenliebe-und-sterben-in-hamburg%2F|target:_blank&#8221;][vc_empty_space height=&#8221;16px&#8221;][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<div>\n<table style=\"border-collapse: collapse; width: 100%; height: 256px;\">\n<tbody>\n<tr style=\"height: 64px;\">\n<td style=\"width: 50%; height: 64px;\" colspan=\"2\">\n<h5 style=\"text-align: center;\">Cast:<\/h5>\n<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 24px; text-align: right; vertical-align: top;\">\n<div class=\"label\">Musical direction<\/div>\n<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Karina Canella\u00adkis<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 24px; text-align: right; vertical-align: top;\">staging<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Tobias Kratzer<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 24px; text-align: right; vertical-align: top;\">\n<div class=\"label\">Stage direction of the new production<\/div>\n<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Ludivine Petit<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 24px; text-align: right; vertical-align: top;\">\n<div class=\"label\">Stage design<\/div>\n<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Rainer Sellmaier<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; height: 24px; vertical-align: top;\">Costumes<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Rainer Sellmaier<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; height: 24px; vertical-align: top;\">Video<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Manuel Braun<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; height: 24px; vertical-align: top;\">Light<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Michael Bauer<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; height: 24px; vertical-align: top;\">dramaturgy<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Henriette von Schnaken\u00adburg<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<table style=\"border-collapse: collapse; width: 100%; height: 256px;\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 100%; height: 24px;\" colspan=\"2\">\n<h5 style=\"text-align: center;\">Frauenliebe und -leben<\/h5>\n<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 24px; text-align: right; vertical-align: top;\">singer<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>Kate Lindsey<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 24px; text-align: right; vertical-align: top;\">pianist<\/td>\n<td style=\"width: 50%; height: 24px; text-align: left; vertical-align: top;\"><strong>\u00c9ric le Sage<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" colspan=\"2\">\n<h5>Herzog Blaubarts Burg<\/h5>\n<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 24px;\">Bluebeard<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 24px;\"><strong>Johan Reuter<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 10px; text-align: right; vertical-align: top;\">Judith<\/td>\n<td style=\"width: 50%; height: 10px; text-align: left; vertical-align: top;\"><strong>Annika Schlicht<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; height: 10px;\" colspan=\"2\">\n<h5 style=\"text-align: center;\">Eine florentinische Trag\u00f6die<\/h5>\n<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 24px;\">Simone<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 24px;\"><strong>Johan Reuter<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 24px;\">Bianca<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 24px;\"><strong>Ambur Braid<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 24px;\">Guido<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 24px;\"><strong>Thomas Blondelle<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 100%; vertical-align: top; height: 24px; text-align: center;\" colspan=\"2\"><strong>The Hamburg State Philharmonic Orchestra<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; in_content_menu=&#8221;&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April &amp; 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=&#8221;small&#8221; position=&#8221;center&#8221;][vc_column_text css=&#8221;&#8221;] Here are the most relevant quotes from reviews in&#8230;<\/p>\n","protected":false},"author":3,"featured_media":82783,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-109888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/109888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=109888"}],"version-history":[{"count":3,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/109888\/revisions"}],"predecessor-version":[{"id":109891,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/109888\/revisions\/109891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82783"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=109888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=109888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=109888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}