{"id":109030,"date":"2025-12-03T16:10:06","date_gmt":"2025-12-03T15:10:06","guid":{"rendered":"https:\/\/agentur-seifert.de\/salome-premiere-komische-oper-berlin-rezensionen\/"},"modified":"2025-12-03T18:51:28","modified_gmt":"2025-12-03T17:51:28","slug":"salome-premiere-komische-oper-berlin-rezensionen","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/salome-premiere-komische-oper-berlin-rezensionen\/","title":{"rendered":"SALOME (PREMIERE) – KOMISCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"\n
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Premiere on October 22, 2025<\/h4>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n

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bachtrack <\/a>by Zenaida des Aubris<\/h4>\n\n\n\n

Masks and obsessions: Evgeny Titov\u2019s incisive Salome<\/em> at Komische Oper Berlin<\/strong><\/strong><\/p>\n\n\n\n

\u2026Matthias Wohlbrecht\u2019s Herodes was a wonderfully slithery presence, vocally nimble, dramatically sharp, his voice drooling desire, endlessly self-gratifying.<\/em>..<\/p>\n\n\n\n

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Das Opernmagazin<\/a> by Lynn Sophie Guldin<\/h4>\n\n\n\n

Kinder, T\u00f6chter, Tiere, Monster, Einerlei \u2013 \u201eSalome\u201c-Premiere an der Komischen Oper Berlin<\/strong><\/strong><\/p>\n\n\n\n

\u2026Matthias Wohlbrecht<\/strong> singt den unsympathischen Monarchen mit kr\u00e4ftigem Tenor und Bef\u00e4higung zu gutem Legato, l\u00fcstern und absto\u00dfend, ohne exzessiv zu karikieren oder sich lautst\u00e4rkem\u00e4\u00dfig \u00fcberanstrengen zu m\u00fcssen\u2026<\/em><\/em><\/p>\n\n\n\n

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Der Opernfreund<\/a> by Dieter David Scholz<\/h4>\n\n\n\n

Regielich faszinierend, wenn auch irritierend \u2013 musikalisch eine Sternstunde<\/strong><\/strong><\/strong><\/p>\n\n\n\n

...Herodes, wird von dem vielgefragten Charaktertenor Matthias Wohlbrecht<\/strong> in gr\u00fcnem, papageienhaftem Anzug intelligent gestaltet\u2026<\/em><\/p>\n\n\n\n\n\n

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Der Opernfreund <\/a>by Ingrid Wanja<\/h4>\n\n\n\n

The winner is: Komische Oper Berlin<\/strong><\/strong><\/strong><\/p>\n\n\n\n

\u2026Unz\u00e4hlige Schattierungen der geifernden sexuellen Gier, der Altherrenl\u00fcsternheit und hilflosen Herrscherattit\u00fcde kann Matthias Wohlbrecht<\/strong> der Rolle des Herodes abgewinnen.<\/em>.<\/p>\n\n\n\n

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DIAPASON <\/a>by Mehdi Mahdavi<\/h4>\n\n\n\n

\u00c0 Berlin, une \u201cSalome\u201d de Strauss sans visage<\/strong><\/strong><\/strong><\/p>\n\n\n\n

\u2026Matthias Wohlbrecht<\/strong> a dans l\u2019\u00e9mission tout l\u2019\u00e9clat pervers et la tenue, jusqu\u2019au glapissement assum\u00e9 et non subi, qui pr\u00e9servent Herodes de la caricature \u00e0 laquelle le condamne trop d\u2019interpr\u00e8tes \u00e0 bout de souffle et de timbre\u2026<\/em><\/em><\/em><\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Frankfurter Allgemeine<\/a> by Gerald Felber<\/h4>\n\n\n\n

Diesmal liegt nicht nur ein Kopf in der Sch\u00fcssel<\/strong><\/strong><\/strong><\/p>\n\n\n\n

\u2026Vokal ist dessen Darsteller Matthias Wohlbrecht indessen,<\/em> [ \u2026 ] ein Musterbild genau greifender und damit auch charaktervoller Artikulation. Wenn er, seine Partnerin und ihr mit penetranter Sturheit auf dem Kopf des Gottesnarren bestehendes T\u00f6chterlein zur grotesken Dreier-Familienaufstellung finden, sind das jene Minuten in Titovs Inszenierung, die zeigen, wo es mit (noch) mehr intelligenter Konsequenz und weniger effekthascherischen M\u00e4tzchen h\u00e4tte hingehen k\u00f6nnen.<\/em>..<\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Klassik begeistert<\/a> by Peter Sommeregger<\/h4>\n\n\n\n

Diese Salome zeigt kein Gesicht, daf\u00fcr gro\u00dfes Format<\/strong><\/strong><\/strong><\/p>\n\n\n\n

\u2026eine positive \u00dcberraschung der spielfreudige Charaktertenor Matthias Wohlbrecht als schillernder, ausgezeichnet singender Herodes\u2026<\/em><\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Online Merker<\/a> by Dr. Ingobert Waltenberger<\/h4>\n\n\n\n

Neuinszenierung von Evgeny Titov: Fetischparty und Splattertragikom\u00f6die<\/strong><\/strong><\/strong><\/p>\n\n\n\n

\u2026Matthias Wohlbrecht<\/strong> gibt mit giftgr\u00fcnen Glanzanzug den feigen, sabbernd geifernden Herodias. Er ist f\u00fcr mich der darstellerisch intensivste, dekadenteste, neurotisch unglaublich b\u00fchnenpr\u00e4sent das Elend der Macht am eindringlichsten verk\u00f6rpernde Herodes seit Hans Beirer. Stimmsitz, Diktion, Ausdruck, alles verbindet sich bei diesem K\u00fcnstler zu einem atemberaubenden Rollenportr\u00e4t. Epochal!<\/em>\u2026<\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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OPERA DIARY <\/a>by Vinicius<\/h4>\n\n\n\n

SALOME | Komische Oper Berlin<\/strong><\/strong><\/p>\n\n\n\n

\u2026Wild, craven, incorrigible, \u2026 the epithets are many for Matthias Wohlbrecht\u2019s Herodes<\/strong>, a portrayal of striking force that matched the quality of Nicole Chevalier\u2019s Salome\u2026<\/em><\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Cast:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Conductor<\/td>\nJames Gaffigan<\/strong><\/td>\n<\/tr>\n
Director<\/td>\nEvgeny Titov<\/strong><\/td>\n<\/tr>\n
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Stage design<\/div>\n<\/td>\n
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Rufus Didwiszus<\/strong><\/div>\n<\/div>\n<\/td>\n<\/tr>\n
Costumes<\/td>\nEsther Bialas<\/strong><\/td>\n<\/tr>\n
Choreography<\/td>\n\n
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Martina Borroni<\/strong><\/div>\n<\/div>\n<\/td>\n<\/tr>\n
Dramaturgy<\/td>\nWolfgand Behrens<\/strong><\/td>\n<\/tr>\n
Light<\/td>\nSebastian Alphons<\/strong><\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/strong><\/td>\n<\/tr>\n
Salome<\/td>\nNicole Chevalier<\/strong><\/td>\n<\/tr>\n
Herodes<\/td>\nMatthias Wohlbrecht<\/strong><\/td>\n<\/tr>\n
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Herodias<\/div>\n<\/td>\n
Karolina Gumos<\/strong><\/td>\n<\/tr>\n
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Jochanaan<\/div>\n<\/td>\n
G\u00fcnter Papendell<\/strong><\/td>\n<\/tr>\n
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Narraboth<\/div>\n<\/td>\n
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Agust\u00edn G\u00f3mez<\/strong><\/div>\n<\/td>\n<\/tr>\n
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Ein Page der Herodias<\/div>\n<\/td>\n
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Susan Zarrabi<\/strong><\/div>\n<\/td>\n<\/tr>\n
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Erster Jude<\/div>\n<\/td>\n
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Ivan Tur\u0161i\u0107<\/strong><\/div>\n<\/div>\n<\/td>\n<\/tr>\n
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Zweiter Jude<\/div>\n<\/td>\n
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Johannes Dunz<\/strong><\/div>\n<\/td>\n<\/tr>\n
Dritter Jude<\/td>\n\n
Thoma Jaron-Wutz<\/strong><\/div>\n<\/td>\n<\/tr>\n
Vierter Jude<\/td>\n\n
Ferdinand Keller<\/strong><\/div>\n<\/td>\n<\/tr>\n
F\u00fcnfter Jude<\/td>\n\n
Andrew Nolen<\/strong><\/div>\n<\/td>\n<\/tr>\n
Erster Nazarener<\/td>\n\n
Junoh Lee <\/strong><\/div>\n<\/td>\n<\/tr>\n
Zweiter Nazarener<\/td>\n\n
Christoph Sp\u00e4th<\/strong><\/div>\n<\/td>\n<\/tr>\n
Erster Soldat<\/td>\n\n
Meiherh\u00f6fer<\/strong><\/div>\n<\/td>\n<\/tr>\n
Zweiter Soldat<\/td>\n\n
Andrew Harris<\/strong><\/div>\n<\/td>\n<\/tr>\n
Ein Kappadokier<\/td>\n\n
Stephanos Tsirakoglou<\/strong><\/div>\n<\/td>\n<\/tr>\n
Ein Sklave<\/td>\n\n
Grace Heldridge<\/strong><\/div>\n<\/td>\n<\/tr>\n
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Orchester der Komischen Oper Berlin<\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Premiere on October 22, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":103851,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,8010],"tags":[],"class_list":["post-109030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-matthias-wohlbrecht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/109030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=109030"}],"version-history":[{"count":4,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/109030\/revisions"}],"predecessor-version":[{"id":109042,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/109030\/revisions\/109042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/103851"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=109030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=109030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=109030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}