{"id":108403,"date":"2025-06-12T13:15:00","date_gmt":"2025-06-12T11:15:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=108403"},"modified":"2025-06-12T14:09:58","modified_gmt":"2025-06-12T12:09:58","slug":"lelisir-damore-premiere-staatstheater-am-gartnerplatz-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/lelisir-damore-premiere-staatstheater-am-gartnerplatz-reviews\/","title":{"rendered":"L\u2019ELISIR D\u2019AMORE (PREMIERE) &#8211; STAATSTHEATER AM G\u00c4RTNERPLATZ (REVIEWS)"},"content":{"rendered":"\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Premiere on May 23, 2025<\/h4>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<p style=\"text-align: center;\"><span style=\"color: #ff0000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n\n\n<div class=\"wp-block-group alignwide has-tertiary-background-color has-background\" style=\"border-radius:1.5rem;padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-af10a197 wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.br-klassik.de\/index.html\" target=\"_blank\" rel=\"noreferrer noopener\">BR Klassik<\/a> by Peter Jungblut<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>Fulminanter Belcanto-Partykracher<\/em><\/strong><\/p>\n\n\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\"><em>&#8230;Sauer macht lustig, und wie! Regisseur Dirk Schmeding und seine B\u00fchnenbildnerin Martina Segna lassen am M\u00fcnchner G\u00e4rtnerplatztheater \u00fcber Donizettis &#8220;Liebestrank&#8221; eine Zitronen-Scheibe statt der Sonne aufgehen. Vermutlich schl\u00fcrft die verw\u00f6hnte Adina, die sich auf ihrer Strandliege r\u00e4kelt, also gerade einen Limoncello Spritz. So prickelnd und erfrischend bleibt es dann tats\u00e4chlich \u00fcber drei Stunden hinweg. Und wann kommt es schon mal vor, dass ein Opernpublikum nicht nur stehenden, sondern geradezu ausgelassenen Beifall spendet? Verdient haben es Dirk Schmeding und sein Team auf jeden Fall&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_dad3db-33\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.br-klassik.de\/aktuell\/news-kritik\/kritik-oper-liebestrank-donizetti-gaertnerplatztheater-100.html\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide has-tertiary-background-color has-background\" style=\"border-radius:1.5rem;padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-af10a197 wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.apemusicale.it\/joomla\/it\/\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019Ape musicale<\/a> by Susanne Krekel<\/h4>\n\n\n\n<p class=\"has-text-align-center\">Un sole al limone<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\">&#8230;<em>La regia di Dirk Schmeding \u00e8 musicale e molto coreografica, ma sempre rispettosa degli interpreti: durante le scene e le arie importanti, essi possono concentrarsi solo sul canto.<\/em>..<\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_bd232d-2c\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.apemusicale.it\/joomla\/it\/recensioni\/84-opera\/opera-2025\/16458-monaco-di-baviera-l-elisir-d-amore-25-05-2025#google_vignette\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.musical-reviews.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Musical Reviews<\/a> by Silvia E. Loske<\/h4>\n\n\n\n<p class=\"has-text-align-center\">DER LIEBESTRANK \u2013 L\u2018 elisir d\u2019amore<\/p>\n\n\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\"><em>&#8230;Diese Inszenierung weist so viele unz\u00e4hlige witzige Details auf, wie das Hantieren Nemorinos mit seinem Walkman, dem Aufdr\u00f6seln mittels Bleistift des Kassetten-Bandsalats \u2013 habe ich selbst noch miterlebt und genau so praktiziert. Der an der W\u00e4scheleine vom Schn\u00fcrboden herabschwebende Belcore, der als alternder Rockstar agierende Dulcamara und so Vieles mehr&#8230;<\/em><br><em>&#8230;<strong>Fazit:<\/strong>&nbsp;Was f\u00fcr eine vor Lebenslust \u00fcbersprudelnde, h\u00f6chst charmante Inszenierung! Sollte man sich auf keinen Fall entgehen lassen, so macht Oper Spa\u00df!&#8230;<\/em><\/p>\n\n\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_e2d64e-66\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.musical-reviews.de\/2025\/06\/02\/der-liebestrank-l-elisir-damore\/\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.oper-magazin.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">OPER <\/a>by Klaus Kalchschmid<\/h4>\n\n\n\n<p class=\"has-text-align-center\">Herrlicher Slapstick<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\"><em>&#8230;Regisseur Dirk Schmeding l\u00e4sst keine Gelegenheit aus, die dem Werk innewohnende Komik grell auszustellten&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_da61d2-d3\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.oper-magazin.de\/kritiken\/auffuehrungen-international\/elisir-damore-gaertnerplatztheater-2025\/\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.sueddeutsche.de\/muenchen\/muenchen-gaertnerplatztheater-donizetti-der-liebestrank-kritik-li.3246969\" target=\"_blank\" rel=\"noreferrer noopener\">S\u00fcddeutsche Zeitung<\/a> by Paul Sch\u00e4ufele<\/h4>\n\n\n\n<p class=\"has-text-align-center\">Ein Opernabend der knallt, wie eine Konfetti-Kanone<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\"><em>&#8230;Mitgerissen wird es schon vom Setting. Regisseur Dirk Schmeding bel\u00e4sst die Handlung zwar in einem comichaft bunten Fantasie-Italien (B\u00fchne: Martina Segna), in dem statt der Sonne ein Zitrone strahlt, aber die Figuren orientieren sich in Kleidung und Bewegungslust an der Disco-\u00c4ra der Siebziger&#8230;Schmedings Inszenierung zielt auf den gut getimten Lacher, auf sch\u00f6ne, bunte Bilder und \u00fcberraschende Details&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_6d52c7-86\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.sueddeutsche.de\/muenchen\/muenchen-gaertnerplatztheater-donizetti-der-liebestrank-kritik-li.3246969\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n<\/div><\/div>\n\n\n\n<h5 style=\"text-align: center;\">Cast:<\/h5>\n<table style=\"border-collapse: collapse; width: 100%; height: 341px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\"><span class=\"function d-block d-xl-inline\">Conductor<\/span>&nbsp;<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Michael Balke<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Director<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Dirk Schmeding<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">\n<div class=\"role\" style=\"text-align: right;\">Stage<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\">\n<div class=\"names\">\n<div class=\"person_wrapper\"><strong>Martina Segna<\/strong><\/div>\n<\/div>\n<\/td>\n<\/tr>\n<tr style=\"height: 10px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 10px;\">Costume<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 10px;\"><strong>Frank Lichtenberg<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 23px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 23px;\">Choreography<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 23px;\">\n<div class=\"names\">\n<div class=\"person_wrapper\"><strong>Kerstin Ried<\/strong><\/div>\n<\/div>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Lighting<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Michael Heidinger<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\"><span class=\"HwtZe\" lang=\"en\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Choir director<\/span><\/span><\/span><\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Pietro Numico<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Dramaturgy<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Michael Alexander Rinz<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 22px;\">&nbsp;<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 22px;\"><strong>&nbsp;<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Adina<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Jennifer O\u2019Loughlin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Nemorino<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Matteo Ivan Ra\u0161i\u0107<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Belcore<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Matija Mei\u0107<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\"><span class=\"function d-block d-xl-inline\">Dulcamara<\/span><\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Levente P\u00e1ll<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Giannetta<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Julia Sturzlbaum<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"height: 22px; text-align: center; width: 100%;\" colspan=\"2\"><strong>Choir and extras of the Staatstheater am G\u00e4rtnerplatz<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 100%; height: 22px; text-align: center;\" colspan=\"2\">\n<div class=\"col col-12 col-xl-6 offset-xl-1 pe-xl-10\">\n<div id=\"besetzungBox\" class=\"my-10 my-xl-5 no-hyphens\">\n<div class=\"col col-12 col-xl-6 offset-xl-1 pe-xl-10\">\n<div id=\"besetzungBox\" class=\"my-10 my-xl-5 no-hyphens\">\n<p><strong>Orchestra of the Staatstheater am G\u00e4rtnerplatz<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Premiere on May 23, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. BR Klassik by Peter Jungblut Fulminanter Belcanto-Partykracher &#8230;Sauer macht lustig, und wie! Regisseur Dirk Schmeding und seine B\u00fchnenbildnerin Martina&#8230;<\/p>\n","protected":false},"author":3,"featured_media":100665,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,7798],"tags":[],"class_list":["post-108403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-dirk-schmeding"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=108403"}],"version-history":[{"count":6,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108403\/revisions"}],"predecessor-version":[{"id":108410,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108403\/revisions\/108410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/100665"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=108403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=108403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=108403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}