{"id":108380,"date":"2025-06-10T16:01:54","date_gmt":"2025-06-10T14:01:54","guid":{"rendered":"https:\/\/agentur-seifert.de\/les-vepres-siciliennes-deutsche-oper-berlin-rezensionen\/"},"modified":"2025-06-10T16:22:29","modified_gmt":"2025-06-10T14:22:29","slug":"les-vepres-siciliennes-deutsche-oper-berlin-rezensionen","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/les-vepres-siciliennes-deutsche-oper-berlin-rezensionen\/","title":{"rendered":"LES V\u00caPRES SICILIENNES – DEUTSCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"\n
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Performances on 18, 24 and 31 May 2025<\/h4>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

<\/span><\/div><\/div>\n\n\n\n\n\n
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Der Opernfreund<\/a> by Ingrid Wanja<\/h4>\n\n\n\n

Gegl\u00fcckte Wiederaufnahme<\/strong><\/strong><\/p>\n\n\n\n\n\n

\u2026vorz\u00fcglich, das hei\u00dft so nachdr\u00fccklich wie elegant und s\u00e4ngerfreundlich, das Orchester unter\u00a0Dominic Limburg<\/strong>, der auch den lautesten Zwischenbeifall nach der Pause bekam.<\/em>..<\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n<\/div><\/div>\n\n\n\n
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klassik.com<\/a> by Matthias Nikolaidis<\/h4>\n\n\n\n

Verdis Grand Op\u00e9ra zum Leben erweckt<\/p>\n\n\n\n

\u2026Auch die Balletteinlage im III. Akt geh\u00f6rt zu diesen Momenten, in denen der Charakter einer Gattung wieder auftauchte. Dazu trug auch Musik ganz wesentlich bei. Dominic Limburg leitete das Orchester der Deutschen Oper vom ersten Moment an besonnen und mit feinem Nerv durch Verdis Pariser Partitur\u2026<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Opera Diary<\/a> by Geoffrey<\/h4>\n\n\n\n

LES V\u00caPRES SICILIENNES |\u00a0Deutsche Oper Berlin<\/p>\n\n\n\n\n\n

\u2026And speaking of Maestro Limburg<\/strong>: what a triumph. Conducting Les V\u00eapres Siciliennes\u2014with its sprawling scope, mood shifts, and complex orchestration\u2014is no small feat. Yet Limburg led the orchestra with a sense of sweep and precision that elevated the entire production. His attention to detail and pacing were exquisite. In fact, I left the theatre convinced I must now hear his Otello<\/strong>.<\/em>..<\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n<\/div><\/div>\n\n\n\n
Cast:<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Conductor<\/td>\nDominic Limburg<\/strong><\/td>\n<\/tr>\n
\n
Stage Director<\/div>\n<\/td>\n
Olivier Py<\/strong><\/td>\n<\/tr>\n
\n
\n
Set Design; Costume Design<\/div>\n<\/div>\n<\/td>\n
\n
\n
Pierre-Andr\u00e9 Weitz<\/span><\/strong><\/div>\n<\/div>\n<\/td>\n<\/tr>\n
\n
Light Design<\/div>\n<\/td>\n
Bertrand Killy<\/strong><\/td>\n<\/tr>\n
\n
Chorus Director<\/div>\n<\/td>\n
Jeremy Bines<\/strong><\/td>\n<\/tr>\n
Dramaturge<\/td>\nJ\u00f6rg K\u00f6nigsdorf<\/strong><\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
H\u00e9l\u00e8ne<\/td>\nHulkar Sabirova<\/strong><\/td>\n<\/tr>\n
Ninetta<\/td>\nArianna Manganello<\/strong><\/td>\n<\/tr>\n
Henri<\/td>\nValentyn Dytiuk<\/strong><\/td>\n<\/tr>\n
\n
Guy de Montfort<\/div>\n<\/td>\n
Dong-Hwan Lee<\/strong><\/td>\n<\/tr>\n
Jean de Procida<\/td>\nRoberto Tagliavini<\/strong><\/td>\n<\/tr>\n
Thibault<\/td>\nChance Jonas-O’Toole<\/strong><\/td>\n<\/tr>\n
Danieli<\/td>\nGideon Poppe<\/strong><\/td>\n<\/tr>\n
Mainfroid<\/td>\nJ\u00f6rg Sch\u00f6rner<\/strong><\/td>\n<\/tr>\n
Robert<\/td>\nJoel Allison<\/strong><\/td>\n<\/tr>\n
\n
Le Sire de B\u00e9thune<\/div>\n<\/td>\n
Gerard Farreras<\/strong><\/td>\n<\/tr>\n
\n
Le Comte de Vaudemont<\/div>\n<\/td>\n
Jared Werlein<\/strong><\/td>\n<\/tr>\n
Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n
Chor der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n
Opernballett der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

Performances on 18, 24 and 31 May 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. Der Opernfreund by Ingrid Wanja Gegl\u00fcckte Wiederaufnahme \u2026vorz\u00fcglich, das hei\u00dft so nachdr\u00fccklich wie elegant und s\u00e4ngerfreundlich,…<\/p>\n","protected":false},"author":3,"featured_media":102596,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,8029],"tags":[],"class_list":["post-108380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-dominic-limburg-en"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=108380"}],"version-history":[{"count":7,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108380\/revisions"}],"predecessor-version":[{"id":108387,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108380\/revisions\/108387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/102596"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=108380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=108380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=108380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}