{"id":108362,"date":"2025-06-06T15:30:00","date_gmt":"2025-06-06T13:30:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=108362"},"modified":"2025-06-06T15:38:49","modified_gmt":"2025-06-06T13:38:49","slug":"arabella-deutsche-oper-berlin-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/arabella-deutsche-oper-berlin-reviews\/","title":{"rendered":"ARABELLA &#8211; DEUTSCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Performances on 7, 15 and 20 March 2025<\/h4>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<p style=\"text-align: center;\"><span style=\"color: #ff0000;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br \/>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n\n\n<div class=\"wp-block-group alignwide has-tertiary-background-color has-background\" style=\"border-radius:1.5rem;padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-af10a197 wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.concertonet.com\/index.php\" target=\"_blank\" rel=\"noreferrer noopener\">ConcertoNet <\/a>by Ossama el Naggar<\/h4>\n\n\n\n<p class=\"has-text-align-center\">The apotheosis of Zdenko<\/p>\n\n\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\"><em>&#8230;German bass-baritone Thomas Johannes Mayer was splendidly convincing as Mandryka. His dark timbre and imposing physique conveyed his boorish and unpolished provincial origins. Thanks to his nuanced acting, he portrayed Mandryka at turns noble, naive, impetuous and amiable, and he succeeded magnificently, his virile bass perfectly blending with Davis\u2019s lyric soprano&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_335022-6b\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.concertonet.com\/scripts\/review.php?ID_review=16841\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide has-tertiary-background-color has-background\" style=\"border-radius:1.5rem;padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-af10a197 wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/opera-diary.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Opera Diary<\/a> by Vinicius<\/h4>\n\n\n\n<p class=\"has-text-align-center\">ARABELLA | Deutsche Oper Berlin<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\">&#8230;<em>Even <strong>Thomas Johannes Mayer\u2019s Mandryka<\/strong> suffers the effects of this inescapable transformation, albeit in a more subdued way: the moderately savage (rather a natural authority than a primitive force), somewhat unearthly, slightly monochromatic vigour that he exudes remains present, but wrapped up in an allure as refined as the meticulous care that the baritone brings to each of his interventions; we can easily do without the subtitles, intelligibility assured even at the end of Act 2 when he begins his feverish recitative with <em>Halt! Du irgendeiner oder wer du bist!<\/em> without faltering at any moment.<\/em>..<\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_080497-9c\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/opera-diary.com\/2025\/03\/09\/arabella-deutsche-oper-berlin\/\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.planethugill.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Planet Hugill<\/a> by Tony Cooper<\/h4>\n\n\n\n<p class=\"has-text-align-center\">Richard Strauss in Berlin: Arabella at the Deutsche Oper Berlin with Jennifer Davis &amp; Heidi Stober<\/p>\n\n\n\n\n\n<p class=\"has-text-align-center has-small-font-size\" style=\"margin-top:8px\"><em>&#8230;while the role of Mandryka was handsomely sung and acted by Thomas Johannes Mayer whose notable and urgent recitative \u2018Halt! Du irgendeiner oder wer du bist!\u2019 (\u2018Stop! You, anyone, or whoever you are\u2019) suitably ended the second act.&nbsp;..<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-center kt-btns-wrap kt-btns_99d3b8-e9\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.planethugill.com\/2025\/03\/richard-strauss-in-berlin-arabella-at.html\" target=\"_blank\" rel=\"noreferrer noopener\" style=\"font-size:16px;border-radius:5px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:51px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n<\/div><\/div>\n\n\n\n<h5 style=\"text-align: center;\">Cast<\/h5>\n<table style=\"border-collapse: collapse; width: 100%; height: 572px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Conductor<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Sir Donald Runnicles <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Director<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Tobias Kratzer <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">\n<div class=\"role\" style=\"text-align: right;\">\n<div class=\"role\">Set-design, Costume-design<\/div>\n<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Rainer Sellmaier <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\">Costume assistant<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Clara Luisa Hertel <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Choreographer<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Jeroen Verbruggen <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">\n<div class=\"role\">Light-design<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Stefan Woinke<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Video<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Manuel Braun, Jonas Dahl<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\">Chorus Director<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Jeremy Bines <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Dramaturgy<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Bettina Bartz, J\u00f6rg K\u00f6nigsdorf <\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%; text-align: right; vertical-align: top;\">\u00a0<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top;\"><strong>\u00a0<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Graf Waldner<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Albert Pesendorfer <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Adelaide<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Doris Soffel <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Arabella<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Jennifer Davis<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Zdenka<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Heidi Stober <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Mandryka<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Thomas Johannes Mayer <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Matteo<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Daniel O&#8217;Hearn <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Graf Elemer:<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Thomas Cilluffo <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Graf Dominik<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Kyle Miller <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Graf Lamoral<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Gerard Farreras <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">Die Fiakermilli<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Hye-Young Moon <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\">Eine Kartenaufschl\u00e4gerin<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Martina Baroni <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\">Welko<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>J\u00f6rg Sch\u00f6rner <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\">Djura<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Michael Jamak <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\">Jankel<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Robert Hebenstreit <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; height: 22px; vertical-align: top;\">\n<div class=\"role\">Ein Zimmerkellner<\/div>\n<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Heiner Bo\u00dfmeyer <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 22px;\">\n<div class=\"role\">\n<div class=\"role\">Live-Kamera<\/div>\n<\/div>\n<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 22px;\"><strong>Silke Briel, Lea Hopp, Janic Bebi <\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 100%; height: 22px; text-align: center;\" colspan=\"2\"><strong>Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Performances on 7, 15 and 20 March 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. ConcertoNet by Ossama el Naggar The apotheosis of Zdenko &#8230;German bass-baritone Thomas Johannes Mayer was splendidly&#8230;<\/p>\n","protected":false},"author":3,"featured_media":102785,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,636],"tags":[],"class_list":["post-108362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-thomas-j-mayer"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=108362"}],"version-history":[{"count":5,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108362\/revisions"}],"predecessor-version":[{"id":108367,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/108362\/revisions\/108367"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/102785"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=108362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=108362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=108362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}