{"id":106936,"date":"2024-06-04T14:30:00","date_gmt":"2024-06-04T12:30:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=106936"},"modified":"2024-06-04T15:05:08","modified_gmt":"2024-06-04T13:05:08","slug":"der-ring-des-nibelungen-deutsche-oper-berlin-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/der-ring-des-nibelungen-deutsche-oper-berlin-reviews\/","title":{"rendered":"DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"

[English]<\/p>\n\n\n

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3 ring cycles from May 12 to June 2, 2024<\/h5>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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Das Rheingold<\/span><\/h4>\n\n\n\n

Forum Op\u00e9ra<\/a> by Christophe Rizoud<\/h4>\n\n\n\n
<\/div>\n\n\n\n
Chi va piano, va sano ?<\/h5>\n\n\n\n
<\/div>\n\n\n\n

…la Fricka,de <\/em>Annika Schlicht<\/em><\/strong>, mezzo-soprano \u00e9gal et d\u00e9pourvu de duret\u00e9s, redoutable car inhabituellement s\u00e9duisante. <\/em>S\u2019agissant de r\u00f4les appel\u00e9s \u00e0 revenir dans les prochains \u00e9pisodes, voil\u00e0 qui augure bien de la suite…<\/em><\/p>\n

 <\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Klassik begeistert <\/a>by Johannes Karl Fischer<\/h4>\n\n\n\n
<\/div>\n\n\n\n
Frisch weht der Wind dem Rheingold zu<\/h5>\n\n\n\n
<\/div>\n\n\n\n

…<\/em><\/strong>Fast noch herrschender als Wotan selbst sang Annika Schlicht dessen Ehefrau, Fricka. Diese Mezzosopranistin spielte weit mehr als eine bangende Frau, rollentreu hielt sie mit volumin\u00f6ser und mahnender Stimme ihren Ehegemahl m\u00e4chtig im Schach…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Seen and Heard<\/a> by Mark Berry<\/h4>\n\n\n\n
<\/div>\n\n\n\n
Unusually thoughtful production of Das Rheingold<\/em>, superbly performed at the Deutsche Oper Berlin<\/h5>\n\n\n\n
<\/div>\n\n\n\n

…Rarely, if ever, have I heard so clearly the roots in Gluckian accompagnato of Fricka\u2019s contributions to her first exchange with Wotan, also of course tribute to the astute, rich-toned artistry of Annika Schlicht…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

D<\/span>i<\/span>e<\/span> <\/span>W<\/span>a<\/span>l<\/span>k\u00fc<\/span>r<\/span>e<\/span><\/h4>\n\n\n\n

Forum Op\u00e9ra<\/a> by Christophe Rizoud<\/h4>\n\n\n\n
Le piano se d\u00e9saccorde<\/h5>\n\n\n\n

…<\/em>Annika Schlicht<\/em><\/strong> confirma qu\u2019elle est une Fricka de grande classe \u2013 et sera acclam\u00e9e au tomber de rideau en cons\u00e9quence…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Klassik begeistert <\/a>by Johannes Karl Fischer<\/h4>\n\n\n\n
Mit der Walk\u00fcre nimmt der Herheim-Ring an Fahrt auf\u2026<\/h5>\n\n\n\n

…In dieser Rolle setzte Annika Schlicht ihren im Rheingold begonnenen Siegeszug fort und bot mit packendem, kr\u00e4ftigem Mezzo auch Derek Welton \u2013 am Vorabend sang diese Rolle noch Iain Paterson \u2013 ordentlich die Stirn…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Seen and Heard<\/a> by Mark Berry<\/h4>\n\n\n\n
The second instalment of Stefan Herheim\u2019s thought-provoking Ring<\/em> cycle at the Deutsche Oper Berlin<\/h5>\n\n\n\n

…Annika Schlicht\u2019s Fricka was again not only beautifully sung, but verbally scrupulous, as here she must be all the more…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

G\u00d6TTERD\u00c4MMERUNG<\/strong><\/span><\/h4>\n\n\n\n

Forum Op\u00e9ra<\/a> by Christophe Rizoud<\/h4>\n\n\n\n
Il ne faut jurer de rien<\/h5>\n\n\n\n

…Annika Schlicht<\/em><\/strong>, Waltraute superbe et alti\u00e8re dans ses implorations…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Klassik begeistert <\/a>by Johannes Karl Fischer<\/h4>\n\n\n\n
Auch mit der G\u00f6tterd\u00e4mmerung legt der Herheim-Ring noch einen drauf… einschlie\u00dflich der durchwegs sensationellen Stimmen<\/h5>\n\n\n\n

…<\/em><\/strong>souver\u00e4n brillierte ihre Stimme in allen H\u00f6hen und Tiefen, leider sind ihre Warnungen am Ende vergebens und der Ring bleibe bei Br\u00fcnnhilde…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Seen and Heard<\/a> by Mark Berry<\/h4>\n\n\n\n
With G\u00f6tterd\u00e4mmerung<\/em>, the Deutsche Oper Berlin\u2019s distinguished Ring<\/em> reaches its conclusion<\/h5>\n\n\n\n

…Annika Schlicht\u2019s chalumeau-like Waltraute was as much of a vocal and dramatic joy as her Fricka…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Ring complete<\/span><\/h4>\n\n\n\n

Limelight <\/a>by Paul Selar<\/h4>\n\n\n\n
Der Ring des Nibelungen<\/h5>\n\n\n\n

…German mezzo-soprano Annika Schlicht displays all the best qualities in upholding Fricka\u2019s astute and determined nature, giving her a sassy appearance and a punchy, dark and velvety voiced tone and reaching her thrillingly ferocious peak in the stand-off with her husband Wotan (Derek Welton) in Die Walk\u00fcre. Schlicht\u2019s later return as Waltraute in urging Br\u00fcnnhilde to return the ring to the Rhinemaidens is a show-stopping highlight…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Opera Wire <\/a>by Tony Cooper<\/h4>\n\n\n\n
Der Ring des Nibelungen<\/h5>\n\n\n\n

…But if there\u2019s anything in opera equivalent to the \u201cMan of the Match\u201d then the person who would get my vote is the German mezzo-soprano <\/span><\/em>Annika Schlicht<\/a><\/em>, reprising the role of Fricka while also taking on the role of Waltraute in \u201cG\u00f6tterd\u00e4mmerung.\u201d Harbouring a rich, clear, articulated voice, she delivered a stunning and commanding performance. In fact, one of the best interpretations I\u2019ve ever encountered. <\/span><\/em>Brava!…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Cast:<\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Conductor<\/td>\nNicholas Carter<\/strong> (1. Zyklus) \/ Sir Donald Runnicles<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Production, Set design<\/div>\n<\/td>\n
Stefan Herheim<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
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Set design<\/div>\n<\/td>\n
Silke Bauer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Costume design<\/div>\n<\/td>\n
Uta Heiseke<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Video<\/td>\nTorge M\u00f8ller
<\/strong><\/td>\n		\u00a0<\/td>\n<\/tr>\n
Light design<\/td>\nUlrich Niepel<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Dramaturgy<\/td>\n\n
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Alexander Meier-D\u00f6rzenbach<\/strong><\/div>\n
J\u00f6rg K\u00f6nigsdorf<\/strong><\/div>\n<\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
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Chorus Director<\/div>\n<\/td>\n
Jeremy Bines<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
DAS RHEINGOLD
<\/strong><\/td>\n		\u00a0<\/td>\n<\/tr>\n
Wotan<\/td>\nIain Paterson<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Donner<\/td>\nThomas Lehman<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Froh<\/td>\nAttilio Glaser<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Loge<\/td>\nThomas Blondelle<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Alberich<\/td>\nJordan Shanahan<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Mime<\/td>\nYa-Chung Huang<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Fasolt<\/td>\n\n
Albert Pesendorfer<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Fafner<\/td>\nTobias Kehrer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Fricka<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Freia<\/td>\nFlurina Stucki<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Erda<\/td>\nLindsay Ammann<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Woglinde<\/td>\nLea-ann Dunbar<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Wellgunde<\/td>\nArianna Manganello<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Flosshilde<\/td>\nKaris Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
DIE WALK\u00dcRE
<\/strong><\/td>\n		\u00a0<\/td>\n<\/tr>\n
Siegmund<\/td>\nDaniel Frank<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Hunding<\/td>\nTobias Kehrer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Wotan<\/td>\nDerek Welton<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Sieglinde<\/td>\nDaniela K\u00f6hler<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Fricka<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Br\u00fcnnhilde<\/td>\nRicarda Merbeth<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Helmwige<\/div>\n<\/td>\n
Flurina Stucki<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gerhilde<\/td>\nFelicia Moore<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Ortlinde<\/td>\nMaria Motolygina<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Waltraute<\/td>\nElissa Pfaender<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Siegrune<\/td>\nArianna Manganello<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Ro\u00dfwei\u00dfe<\/td>\nKaris Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Grimgerde<\/td>\n\n
Nicole Piccolomini<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Schwertleite<\/td>\n\n
Lauren Decker<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Hundingling<\/td>\nEric Naumann<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
G\u00d6TTERD\u00c4MMERUNG<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Siegfried<\/td>\nClay Hilley<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gunther<\/td>\nThomas Lehman<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Alberich<\/td>\nJordan Shanahan<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Hagen<\/td>\nAlbert Pesendorfer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Br\u00fcnnhilde<\/td>\nRicarda Merbeth<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gutrune<\/td>\nFelicia Moore<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Waltraute<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Erste Norn<\/div>\n<\/td>\n
Lindsay Ammann<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n
Zweite Norn<\/div>\n<\/td>\n
Karis Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Ciesca<\/td>\n\n
Dritte Norn<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
\n
Woglinde<\/div>\n<\/td>\n
Lea-ann Dunbar<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Wellgunde<\/td>\nKaris Tucker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Flo\u00dfhilde<\/td>\nLindsay Ammann<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Orchester der Deutschen Oper Berlin<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Chor der Deutschen Oper Berlin<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

[English] 3 ring cycles from May 12 to June 2, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":82781,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-106936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=106936"}],"version-history":[{"count":6,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106936\/revisions"}],"predecessor-version":[{"id":106959,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106936\/revisions\/106959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82781"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=106936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=106936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=106936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}