{"id":106854,"date":"2024-01-05T18:00:01","date_gmt":"2024-01-05T17:00:01","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=106854"},"modified":"2024-05-22T18:46:46","modified_gmt":"2024-05-22T16:46:46","slug":"die-schweigsame-frau-premiere-badisches-staatstheater-karlsruhe-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/die-schweigsame-frau-premiere-badisches-staatstheater-karlsruhe-reviews\/","title":{"rendered":"DIE SCHWEIGSAME FRAU (PREMIERE) – BADISCHES STAATSTHEATER KARLSRUHE (REVIEWS)"},"content":{"rendered":"\n
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Premiere on December 9th, 2023<\/h5>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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cult.news<\/a> by Helene Adam<\/h4>\n\n\n\n
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Karlsruhe : le rare \u00ab die Schweigsame Frau \u00bb de Strauss et Zweig, brillamment mis en sc\u00e8ne par Mariame Cl\u00e9ment.<\/h6>\n\n\n\n

\u2026La basse allemande, professeur de la Haute Ecole de Musique de Karlsruhe, Friedemann R\u00f6hlig, incarne un Sir Morosus absolument parfait\u00a0: vieillard acari\u00e2tre qui ne supporte aucun d\u00e9sagr\u00e9ment et martyrise sa gouvernante,<\/em>\u2026<\/p>\n\n\n\n

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Der Opernfreund<\/a> by Ludwig Steinbach<\/h4>\n\n\n\n
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Karlsruhe: \u201eDie schweigsame Frau\u201c, Richard\u00a0Strauss<\/h6>\n\n\n\n
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\u2026Mit in jeder Lage warmem, sonorem und gut gest\u00fctztem hellem Bass sowie intensiver Darstellung sang und spielte sich\u00a0Friedemann R\u00f6hlig<\/strong>\u00a0in die Herzen des Publikums, das ihm am Ende begeisterten Beifall spendete\u2026<\/em><\/em><\/p>\n\n\n\n

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Frankfurter Rundschau<\/a> by Judith von Sternburg<\/h4>\n\n\n\n
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\u201eDie schweigsame Frau\u201c in Karlsruhe \u2013 Dieser L\u00e4rm, der Oper hei\u00dft<\/h6>\n\n\n\n
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\u2026Friedemann R\u00f6hlig, kein direkt schwarzer, aber ein pr\u00e4chtiger Bass, ist ein \u00fcberzeugender, agiler Morosus.<\/em>..<\/p>\n\n\n\n

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Online Merker<\/a> by Udo Klebes<\/h4>\n\n\n\n
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Badisches Staatstheater: \u201eDIE SCHWEIGSAME FRAU\u201c \u2013 Maskerade im Breitwand-Blick<\/h6>\n\n\n\n

\u2026Friedemann R\u00f6hlig\u00a0<\/strong>vermag sie nicht nur hier mit pr\u00e4senter Pers\u00f6nlichkeit, schauspielerischer Sensibilit\u00e4t und vor allem einem raumgreifenden Bass mit anst\u00e4ndiger Tiefe, substanzvoller Mittellage und nicht \u00fcberstrapaziert wirkender H\u00f6he durchg\u00e4ngig zu f\u00fcllen und den Charakter des Gepeinigten, der zuletzt \u00fcber sich selbst lachen kann, mit teils ber\u00fchrender Menschlichkeit zu erfassen\u2026<\/em><\/em><\/p>\n\n\n\n

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Cast:<\/h4>\n<\/div><\/div>\n\n\n\n
Musikalische Leitung<\/td>Georg Fritzsch<\/strong><\/td><\/tr>
Staging<\/td>Mariame Cl\u00e9ment<\/strong><\/strong><\/td><\/tr>
Equipment<\/td>Julia Hansen<\/strong><\/td><\/tr>
Lighting design<\/td>Stefan Woinke<\/strong><\/td><\/tr>
Dramaturgy<\/td>Florian K\u00f6fler<\/strong><\/strong><\/td><\/tr>
Chorus Master<\/td>Ulrich Wagner<\/strong><\/td><\/tr>
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Sir Morosus<\/td>Friedemann R\u00f6hlig<\/strong><\/strong><\/td><\/tr>
Haush\u00e4lterin<\/td>Christina Niessen<\/strong><\/td><\/tr>
Der Barbier<\/td>Tomohiro Takada<\/strong><\/td><\/tr>
Henry Morosus<\/td>Eleazar Rodriguez<\/strong><\/td><\/tr>
Aminta<\/td>Danae Kontora<\/strong><\/td><\/tr>
lsotta<\/td>Henriette Schein<\/strong><\/td><\/tr>
Carlotta<\/td>Florence Losseau<\/strong><\/td><\/tr>
Morbio<\/td>Konstantin Ingenpass<\/strong><\/td><\/tr>
Vanuzzi<\/td>Renatus M\u00e9sz\u00e1r<\/strong><\/strong><\/td><\/tr>
Farfallo<\/td>Gabriel Fortunas<\/strong><\/td><\/tr>
Operntruppe<\/td>Arno Deparade<\/strong><\/td><\/tr>
<\/td>Harrie van der Plas<\/strong><\/td><\/tr>
<\/td>Andr\u00e9<\/strong> Post<\/strong><\/td><\/tr>
<\/td>Dimitrijus Polesciukas<\/strong><\/td><\/tr>
<\/td>Manuel Oswald<\/strong><\/td><\/tr>
<\/td>Edgars Skarbulis<\/strong><\/td><\/tr>
<\/td>Sean Webster<\/strong><\/td><\/tr>
<\/td>Lukasz Ziolkiewicz<\/strong><\/td><\/tr>
<\/td>STAATSOPERNCHOR<\/strong><\/td><\/tr>
<\/td>STAATSKAPELLE<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Premiere on December 9th, 2023 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":101743,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,8021],"tags":[],"class_list":["post-106854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-friedemann-roehlig"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=106854"}],"version-history":[{"count":2,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106854\/revisions"}],"predecessor-version":[{"id":106856,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106854\/revisions\/106856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/101743"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=106854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=106854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=106854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}