{"id":106805,"date":"2024-05-07T00:00:00","date_gmt":"2024-05-06T22:00:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=106805"},"modified":"2024-05-21T14:05:57","modified_gmt":"2024-05-21T12:05:57","slug":"das-rosenkavalier-premiere-oper-leipzig-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/das-rosenkavalier-premiere-oper-leipzig-reviews\/","title":{"rendered":"DAS ROSENKAVALIER (PREMIERE) &#8211; OPER LEIPZIG (REVIEWS)"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Premiere on March 30, 2024<\/h5>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p style=\"text-align: center;\"><span style=\"color: #dd1616;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br \/>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<!--more-->\n\n\n\n<div class=\"wp-block-group alignfull has-background-background-color has-background\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--60);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--30)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-392eb801 wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.concerti.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">concerti <\/a>by Roberto Becker<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-center\">Die Zeit und der Traum von der ewigen Jugend<\/h6>\n\n\n\n<p class=\"has-text-align-center\" style=\"margin-top:16px\"><em><em><em>\u2026Bei Michael Schulz (Regie), Dirk Becker (B\u00fchne) und Ren\u00e9e Listerdal (Kost\u00fcme) bedeutet das, die Zeit nicht etwa in Form der rieselnden Sanduhr oder der um Mitternacht angehaltenen Uhren auf die B\u00fchne zu holen, sondern das junge Liebespaar (Octavian und Sophie) im St\u00fcck selbst durch die Zeit reisen zu lassen\u2026Leipzig ist ein Rosenkavalier gelungen, dem man eine lange \u00dcberlebenszeit im Repertoire w\u00fcnschen und voraussagen m\u00f6chte!<\/em><\/em><\/em>&#8230;<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a0be7b9c wp-block-buttons-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--40)\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background wp-element-button\" href=\"https:\/\/www.concerti.de\/oper\/opern-kritiken\/oper-leipzig-der-rosenkavalier-30-3-2024\/\" target=\"_blank\" rel=\"noreferrer noopener\">READ MORE<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-animated is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Der Opernfreund by Kaspar Sannemann<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-center\"><em>Leipzig: \u201eRosenkavalier\u201c, Richard Strauss<\/em><\/h6>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\" style=\"margin-top:16px\"><em>\u2026Diesen anachronistischen Ansatz verfolgt das Inszenierungsteam um Regisseur <strong>Michael Schulz<\/strong> in dieser Neuproduktion an der Oper Leipzig mit bestechender Klugheit. Michael Schulz, der B\u00fchnenbildner <strong>Dirk Becker<\/strong> und die Kost\u00fcmdesignerin <strong>Ren\u00e9e Listerdal <\/strong>bringen das Werk als spannende, unterhaltsame und zugleich tiefsinnige Zeitreise auf die B\u00fchne, stellen jeden der drei Akte in eine Zeit des Umbruchs&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a0be7b9c wp-block-buttons-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--40)\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background wp-element-button\" href=\"https:\/\/deropernfreund.de\/oper-leipzig\/leipzig-rosenkavalier-richard-strauss-zweite-besprechung\/\" target=\"_blank\" rel=\"noreferrer noopener\">READ MORE<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-animated is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/www.mdr.de\/klassik\/index.html\" target=\"_blank\" rel=\"noreferrer noopener\">MDR klassik <\/a>by Bernhard Doppler<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-center\">Aus der Zeit gefallen oder aktuell?<\/h6>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em><em>\u2026Zwar aus der Zeit gefallen ist \u201cDer Rosenkavalier\u201d vielleicht dennoch gerade deshalb aktuell, weil er Zeit selbst, das Vergehen von Zeit &nbsp;und das Sp\u00fcren von Zeit in einer bisweilen als Endzeit empfundenen Epoche zum Thema macht. \u201cDie Zeit ist ein sonderbar Ding\u201d, meint die Marschallin in ihrem Monolog im ersten Akt, bisweilen \u201crein gar nichts\u201d und dann ist Zeit pl\u00f6tzlich alles: Hugo von Hofmannstahls Libretto und Richard Strau\u00df\u00b4 Musik geben dem \u201cRosenkavalier\u201d dabei einen Hintergrund, der der Philosophie, der Sprachskepsis und der Psychoanalyse der \u201csogenannten Moderne\u201d vor dem Ersten Weltkrieg entspricht\u2026.Eine sehr lange, nie langatmige Kom\u00f6die mit Musik, die man erheitert, nachdenklich milde und \u2013 ja \u2013 &nbsp;ein wenig hochgestimmt verl\u00e4sst\u2026.<\/em><\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a0be7b9c wp-block-buttons-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--40)\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-vivid-red-background-color has-background wp-element-button\" href=\"https:\/\/www.mdr.de\/mdr-klassik-radio\/klassikthemen\/der-rosenkavalier-oper-leipzig-rezension-100.html\" target=\"_blank\" rel=\"noreferrer noopener\">READ MORE<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-animated is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Cast:<\/h4>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-table aligncenter is-style-stripes\"><table><tbody><tr><td class=\"has-text-align-right\" data-align=\"right\">Conductor<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Christoph Gedschold<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Director<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Michael Schulz<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Set design<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Dirk Becker<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Costume design<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><strong>Ren\u00e9e<\/strong><\/strong> <strong>Listerdal<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Lichtdesign<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Susanne Reinhardt<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Dramaturgy<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Kara McKechnie<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Chorus Master<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Thomas Eitler-de Lint<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\"><\/td><td class=\"has-text-align-left\" data-align=\"left\"><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Die Feldmarschallin F\u00fcrstin Werdenberg<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><strong>Solen Mainguen\u00e9<\/strong><\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Der Baron Ochs auf Lerchenau<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Tobias Schabel<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Octavian, genannt Quinquin<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Stepanka Pucalkova<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Herr von Faninal<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Mathias Hausmann<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Sophie<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><strong>Olga Jel\u00ednkov\u00e1<\/strong><\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Jungfer Marianne Leitmetzerin<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Caroline Stein<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Valzacchi<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><strong>\u00c1lvaro Zambrano<\/strong><\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Annina<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Ulrike Schneider<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Ein S\u00e4nger<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Piotr Buszewski<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Ein Polizeikommissar<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><strong>Peter Dolin\u0161ek<\/strong><\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Der Haushofmeister bei Faninal<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><strong>Sven Hj\u00f6rleifsson<\/strong><\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Ein Notar<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Roland Schubert<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\">Ein Wirt<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><strong>Karlstr\u00f6m<\/strong><\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\"><\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Chor der Oper Leipzig<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\"><\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Kinderchor der Oper Leipzig<\/strong><\/td><\/tr><tr><td class=\"has-text-align-right\" data-align=\"right\"><\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong>Gewandhausorchester<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Premiere on March 30, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":102103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,8013],"tags":[],"class_list":["post-106805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-michael-schulz"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=106805"}],"version-history":[{"count":2,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106805\/revisions"}],"predecessor-version":[{"id":106809,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/106805\/revisions\/106809"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/102103"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=106805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=106805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=106805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}