{"id":105803,"date":"2023-10-18T12:15:00","date_gmt":"2023-10-18T10:15:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=105803"},"modified":"2023-10-19T13:52:01","modified_gmt":"2023-10-19T11:52:01","slug":"il-trittico-premiere-deutsche-oper-berlin-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/il-trittico-premiere-deutsche-oper-berlin-reviews\/","title":{"rendered":"IL\u00a0TRITTICO (PREMIERE) \u2013 DEUTSCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"\n
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Premiere on September 30, 2023<\/h5>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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Berliner Morgenpost<\/a> by Volker Blech<\/h4>\n\n\n\n
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Pinar Karabulut inszenierte Puccinis \u201eIl Trittico\u201c an der Deutschen Oper. Selten erlebt man ein derart lachendes Publikum.<\/h5>\n\n\n\n
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…Mit einer rundum gro\u00dfartigen S\u00e4ngerbesetzung \u2013 wie Mezzosopranistin Annika Schlicht in gleich drei Rollen \u2013 kann die Deutsche Oper aufwarten…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Der Opernfreund<\/a> by Ingrid Wanja<\/h4>\n\n\n\n
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Berlin: \u201eIl Trittico\u201c, Giacomo Puccini<\/h5>\n\n\n\n
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Annika Schlicht<\/strong> war in allen drei Einaktern eingesetzt, lie\u00df durchgehend eine urgesunde, sch\u00f6n timbrierte Mezzo-Stimme h\u00f6ren und wusste dabei auch vokal zu differenzieren zwischen einer zwielichtigen Frugola, einer strengen Suora Zelatrice und einer deftigen Zita.<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Die Welt<\/a> by Manuel Brug<\/h4>\n\n\n\n
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Warum tun Frauen Frauen so etwas an?<\/h5>\n\n\n\n
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…Immerhin: Es ist ein Triumph des Ensembles \u2013 Anika Schlicht als linkische Frugola mit Katzentragetasche, Suor Zelatrice und altersgreinende Zita…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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KULTURA-EXTRA<\/a> by Andre Sokolowski<\/h4>\n\n\n\n
Schr\u00e4g, schr\u00e4ger, am schr\u00e4gsten<\/h5>\n\n\n\n

…Und eigentlich m\u00fcssten alle weiteren Neben- oder Kleindarsteller namentlich genannt sein – ich beschr\u00e4nke mich auf meine pers\u00f6nliche Lieblingsprotagonistin Annika Schlicht<\/strong>; sie agierte – als einzige in allen drei St\u00fccken – geradezu rampensauhaft. Wenn ein Haus mit so einer S\u00e4ngerdarstellerin gesegnet ist, hat es die halbe Miete bereits rein. Geniale Frau!…<\/em>\u00a0<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Mundoclasico.com\u00a0<\/a>von Jesse Simon<\/h4>\n\n\n\n
Several Sins<\/h5>\n\n\n\n

\u2026Annika Schlicht, who appeared in all three operas (as La Frugola, La Suora Zelatrice and Zita) was on excellent form throughout; her Frugola especially brought a jolt of earthy personality to the reticent mood of Il Tabarro\u2026<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Online Merker<\/a> by Dr. Ingobert Waltenberger<\/h4>\n\n\n\n
Pinar Karabulut mit einer freakigen Comic-Monster-Science-Fiction Welttheaterfantasie<\/h5>\n\n\n\n

…Annika Schlicht,<\/strong> wuchtet als penetrante Zita eine Charakterstudie der Sonderklasse auf die B\u00fchne…<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Cast:<\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Conductor<\/td>\nJohn Fiore<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Director<\/td>\nP\u0131nar Karabulut<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Set design<\/td>\nMichela Fl\u00fcck<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Costume design<\/td>\nTeresa Vergho<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Light design<\/td>\nCarsten R\u00fcger<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Dramaturge<\/td>\nDorothea Hartmann<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Chorus Master<\/td>\nJeremy Bines<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Children’s chorus<\/td>\n Christian Lindhorst<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
IL TABARRO<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Michele<\/td>\nMisha Kiria<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Luigi<\/td>\nJonathan Tetelman<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Il Talpa<\/td>\nAndrew Harris<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Giorgetta<\/td>\nCarmen Giannattasio<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Frugola<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Un Venditore di Canzonette<\/td>\nAndrei Danilov<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Due Amanti<\/td>\n\n
Lilit Davtyan, Andrei Danilov<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
Buoso Donati<\/td>\nDerrick Amanatidis<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
SUOR ANGELICA<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Suor Angelica<\/td>\nMan\u00e9 Galoyan<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Zia Principessa<\/td>\nVioleta Urmana<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Badessa<\/td>\nLauren Decker<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Suora Zelatrice<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Maestra delle Novizie<\/td>\nDavia Bouley<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Suor Genovieffa<\/td>\nLilit Davtyan<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
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Suor Osmina<\/div>\n<\/td>\n
Stephanie Lloyd<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Suor Dolcina<\/td>\nGyumi Park<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Suora Infermiera<\/td>\nArianna Manganello<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
1. Cercatrice<\/td>\nRachel Pinevska<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
2. Cercatrice<\/td>\nKristina Griep<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Novizia<\/td>\nMaria Motolygina<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Le Converse<\/td>\n\n
Julie Wyma, Margarita Greiner<\/strong><\/div>\n<\/td>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
GIANNI SCHICCHI<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gianni Schicchi<\/td>\nMisha Kiria<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Lauretta<\/td>\nMan\u00e9 Galoyan<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Zita<\/td>\nAnnika Schlicht<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Rinuccio<\/td>\nAndrei Danilov<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Gherardo<\/td>\nBurkhard Ulrich<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Nella<\/td>\nKarola Pavone<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Betto di Signa<\/td>\nMichael Bachtadze<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Simone<\/td>\nAndrew Harris<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Marco<\/td>\nDean Murphy<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
La Ciesca<\/td>\nArianna Manganello<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
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Maestro Spinelloccio<\/div>\n<\/td>\n
J\u00f6rg Sch\u00f6rner<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Amantio di Nicolao<\/td>\nMarkus Br\u00fcck<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Pinellino<\/td>\nChristian Simmons<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Guccio<\/td>\nGerard Farreras<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Buoso Donati<\/td>\nDerrick Amanatidis<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Orchester der Deutschen Oper Berlin<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Chor der Deutschen Oper Berlin<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Kinderchor der Deutschen Oper Berlin
<\/strong><\/td>\n		\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Premiere on September 30, 2023 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":82783,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,6983],"tags":[],"class_list":["post-105803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-annika-schlicht"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/105803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=105803"}],"version-history":[{"count":6,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/105803\/revisions"}],"predecessor-version":[{"id":105817,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/105803\/revisions\/105817"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82783"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=105803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=105803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=105803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}