{"id":103833,"date":"2023-06-25T12:00:00","date_gmt":"2023-06-25T10:00:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=103833"},"modified":"2023-06-25T11:43:21","modified_gmt":"2023-06-25T09:43:21","slug":"die-stumme-serenade-premiere-musiktheater-an-der-wien-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/die-stumme-serenade-premiere-musiktheater-an-der-wien-reviews\/","title":{"rendered":"DIE STUMME SERENADE (PREMIERE) &#8211; MUSIKTHEATER AN DER WIEN (REVIEWS)"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading\">Premiered on June 5th, 2023<\/h5>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><span style=\"color: #dd1616;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br \/>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.br-klassik.de\/index.html\" target=\"_blank\" rel=\"noreferrer noopener\">BR Klassik<\/a> by J\u00f6rn Florian Fuchs<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><em>\u00dcberw\u00e4ltigend unterhaltend!<\/em><\/h5>\n\n\n\n<p><em>&#8230;Und die Regie? Dirk Schmeding hat sich von Pascal Seibicke eine ideale B\u00fchne bauen lassen, wandelbar, voller zaubrischer Effekte, dazu gibt es Kost\u00fcme (ebenfalls von Seibicke), die ebenjene Schrillheit besitzen, die das St\u00fcck braucht. Alle Figuren sind wie am Schn\u00fcrchen gef\u00fchrt und doch hat man bisweilen den Eindruck eines fein improvisierten Spiels. Was will man also mehr? Eine Wiederaufnahme kommende Saison!<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_56d3b4-53\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.br-klassik.de\/aktuell\/news-kritik\/kritik-korngold-die-stumme-serenade-wien-100.html\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/deropernfreund.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">DER OPERNFREUND <\/a>by Renate Wagner<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">Wien: \u201eDie stumme Serenade\u201c, Erich Wolfgang\u00a0Korngold<\/h5>\n\n\n\n<p><em>&#8230;Was da so naiv-d\u00fcmmlich gestrig war, versucht Regisseur <strong>Dirk Schmeding<\/strong>, den in \u00d6sterreich vor allem die Grazer kennen werden, mit einer Mischung aus permanenter Slapstick-Ironie und einer Ausstattung, die aus der Regenbogenparade geliehen scheint (B\u00fchne und Kost\u00fcm: <strong>Pascal Seibicke<\/strong>), einen flott-schr\u00e4g-zeitgen\u00f6ssischen Anstricht zu geben. Das gelingt auch, wozu die Choreografie von <strong>Kerstin Ried<\/strong> beitr\u00e4gt. Drei junge Damen, im Schneidersalon besch\u00e4ftigt, d\u00fcrfen tanzend, albernd und gelegentlich noch umbauend da einen kultigen Rahmen abgeben&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_7d9441-0c\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/deropernfreund.de\/theater-an-der-wien\/wien-die-stumme-serenade-erich-wolfgang-korngold\/\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.krone.at\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kronen Zeitung <\/a>by Florian Krenstetter<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">Ausgrabung von Korngolds \u201eDie stumme Serenade\u201c<\/h5>\n\n\n\n<p><em>&#8230;F\u00fcr die \u00fcberaus am\u00fcsante, turbulente, farbenfrohe Inszenierung mit gekonnter Personenf\u00fchrung zeichnet Dirk Schmeding verantwortlich, die den Zuschauer von Beginn an in seinen Bann zog und sich mitrei\u00dfen lie\u00df von den temporeichen Aktionen, so grotesk diese auch sein mochten&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_d1bdcf-b7\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.krone.at\/3025946\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/k.at\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kurier <\/a>by Peter Jarolin<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">Ein herrlicher Stilmix mit Witz, Charme und Verve<\/h5>\n\n\n\n<p><em>&#8230;Denn egal, wie absurd die Handlung auch sein mag, Regisseur Dirk Schmeding hat alles richtig gemacht. Denn er versucht erst gar nicht, all die einzelnen Bausteine zu einem Gro\u00dfen und Ganzen zu verweben oder einem Regie-Korsett zu unterwerfen, sondern spielt lustvoll und federleicht mit allen Genres. Revue und Stepptanz inklusive&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_365fdb-65\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.pressreader.com\/austria\/kurier-3402\/20230607\/282136410806599\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 418px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Conductor<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong><strong>Ingo Martin Stadtm\u00fcller<br \/><\/strong><\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Director<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Dirk Schmeding<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Stage &amp; Costume<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Pascal Seibicke<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Light<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Franz Tscheck<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Choreography<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Kerstin Ried<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Dramaturgy<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Christian Schr\u00f6der<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">\u00a0<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\">\u00a0<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Silvia Lombardi<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Jasmina Sakr<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Andrea Cocl\u00e9<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Peter Bording<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Louise<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Jenifer Lary<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Sam Borzalino<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Paul Schweinester<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Benedetto Lugarini \/ Carlo Marcelini<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Stefano Bernardin<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Caretto<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Reinwald Kranner<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Bettina \/ Laura \/ Pater Orsenigo<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Alexander Strobele<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Mannequin 1<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Diana B\u00e4rhold*<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Mannequin 2 &amp; Dance Captain<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Lilia H\u00f6fling*<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 22px;\">Mannequin 3<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 22px;\"><strong>Lucia Miorin*<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: center; vertical-align: top;\" colspan=\"2\"><strong>Wiener KammerOrchester<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: center; vertical-align: top;\" colspan=\"2\">\n<p><em>*Students of the MUK &amp; Performing Center Austria<\/em><br \/><em>CAMPUS cooperation with the Musik und Kunst Privatuniversit\u00e4t der Stadt Wien<\/em><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Premiered on June 5th, 2023 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":100669,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,7798],"tags":[],"class_list":["post-103833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-dirk-schmeding"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/103833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=103833"}],"version-history":[{"count":3,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/103833\/revisions"}],"predecessor-version":[{"id":103836,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/103833\/revisions\/103836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/100669"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=103833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=103833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=103833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}