{"id":103797,"date":"2023-06-07T16:00:00","date_gmt":"2023-06-07T14:00:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=103797"},"modified":"2023-06-07T16:35:59","modified_gmt":"2023-06-07T14:35:59","slug":"francesca-da-rimini-premiere-deutsche-oper-berlin-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/francesca-da-rimini-premiere-deutsche-oper-berlin-reviews\/","title":{"rendered":"FRANCESCA DA RIMINI (PREMIERE) – DEUTSCHE OPER BERLIN (REVIEWS)"},"content":{"rendered":"\n
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Performances on May 19, 26, 29. & 01., 03.06.2023<\/h5>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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Berliner Morgenpost<\/a> by Volker Blech<\/h4>\n\n\n\n
Christof Loys Inszenierung von \u201eFrancesca da Rimini\u201c wurde an der Deutschen Oper erstmals vor Publikum gezeigt.<\/h5>\n\n\n\n

\u2026Dem Orchester der Deutschen Oper ist unter Leitung von Ivan Repu\u0161i\u0107 ein wunderbarer Abend gelungen. In Zandonais Stilmischung gewinnen bei aller Drastik immer wieder zarte Gef\u00fchlsstimmungen Oberhand. Die Musik ist vor allem eines: berauschend. Die Opernproduktion ist das, was man einen Geheimtipp nennt\u2026<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

BZ<\/a> by Sebastian Bauer<\/h4>\n\n\n\n
Fantastische B\u00e4ndigung einer Wahnsinns-Oper<\/h5>\n\n\n\n

…Das Orchester unter Leitung von Ivan Repusic b\u00e4ndigt die Stilwechsel zwischen Romantik-Harmonien, Marschmusik und Wagner-Oper bravour\u00f6s.<\/em>..<\/p>\n

\u00a0<\/p>\n

Ein Wahnsinnsritt, der begeistert!<\/strong><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
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Der Tagesspiegel<\/a> by Frederik Hanssen<\/h4>\n\n\n\n
Seelenbeben an der Adria<\/h5>\n\n\n\n

\u2026Fordernd dagegen ist die Musik, so souver\u00e4n das Orchester der Deutschen Oper unter der Leitung von Ivan Repusic auch musiziert. Denn Riccardo Zandonais Partitur wirkt wie Puccini mit \u00fcberreizten Nerven. Ein endloser Strom der T\u00f6ne ergie\u00dft sich aufs Ohr, ununterbrochen ab- und anschwellend, es sch\u00e4umt und brodelt, zittert, seufzt, glitzert, stampft. Zuckers\u00fc\u00dfe Italianit\u00e0 mischt sich mit Einfl\u00fcssen des franz\u00f6sischen Impressionismus, dunkel grundierter \u201eTristan\u201c-Atmosph\u00e4re und schimmerndem Klang-Damast \u00e0 la Richard Strauss\u2026<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Neue Musikzeitung<\/a> by Dieter David Scholz<\/h4>\n\n\n\n
Geschmackvolle Reduzierung: \u201eFrancesca da Rimini\u201c von Riccardo Zandonai an der Deutschen Oper Berlin<\/h5>\n\n\n\n

\u2026Auch wenn Zandonai im Pianissimo einen flimmernden Klangteppich ausbreitet, setzt er doch auf andauernde Hochdramatik, ja Brutalit\u00e4t, freilich mit raffiniertesten Klangfarben und ungew\u00f6hnlichen Harmonien, irgendwo zwischen \u201eTristan\u201c und italienischem \u201eVerismo\u201c. Der kroatische Dirigent Ivan Repu\u0161i\u0107 bringt das mitrei\u00dfend, ja rauschhaft zur Wirkung\u2026<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Opera Today<\/a> by Robert Hugill<\/h4>\n\n\n\n
Zandonai\u2019s Francesca da Rimini<\/em> at Deutsche Oper<\/h5>\n\n\n\n

\u2026Under Ivan Repusic the orchestra was in fine form and really brought out the colours, imagination and, yes, sophistication of Zandonai\u2019s orchestral writing. \u00a0This wasn\u2019t an everyday evening at the opera, but the production showed that with intelligent direction and fine collaborators, Zandonai\u2019s Francesca da Rimini could be far more than a diva vehicle\u2026<\/em><\/p>\n\n\n\n

Read more<\/span><\/a><\/div><\/div>\n\n\n\n
<\/span><\/div><\/div>\n\n\n\n

Cast:<\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Conductor<\/td>\nIvan Repu\u0161i\u0107<\/strong><\/td>\n<\/tr>\n
Stage Director<\/td>\nChristoph Loy<\/strong><\/td>\n<\/tr>\n
Set design<\/td>\nJohannes Leiacker<\/strong><\/td>\n<\/tr>\n
Costume design<\/td>\nKlaus Bruns<\/strong><\/td>\n<\/tr>\n
\n
Light design<\/div>\n<\/td>\n
Olaf Winter<\/strong><\/td>\n<\/tr>\n
Chorus Director<\/td>\nJeremy Bines<\/strong><\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
Francesca<\/td>\nSara Jakubiak<\/strong><\/td>\n<\/tr>\n
Samaritana<\/td>\nLexi Hutton<\/strong><\/td>\n<\/tr>\n
Ostasio<\/td>\nKyle Miller<\/strong><\/td>\n<\/tr>\n
Giovanni lo Sciancato<\/td>\nIvan Inverardi<\/strong><\/td>\n<\/tr>\n
Paolo il Bello<\/td>\nJonathan Tetelman<\/strong><\/td>\n<\/tr>\n
Malatestino dall\u00e2\u20ac\u2122Occhio<\/td>\nCharles Workman<\/strong><\/td>\n<\/tr>\n
Biancofiore<\/td>\nMeechot Marrero<\/strong><\/td>\n<\/tr>\n
Garsenda<\/td>\nElisa Verzier<\/strong><\/td>\n<\/tr>\n
Altichiara<\/td>\nArianna Manganello<\/strong><\/td>\n<\/tr>\n
Adonella<\/td>\nKaris Tucker<\/strong><\/td>\n<\/tr>\n
Smaragdi<\/td>\nIrene Roberts<\/strong><\/td>\n<\/tr>\n
Ser Toldo Berardengo<\/td>\nThomas Cilluffo<\/strong><\/td>\n<\/tr>\n
l Giullare<\/td>\nDean Murphy<\/strong><\/td>\n<\/tr>\n
Il Balestriere<\/td>\nPatrick Cook<\/strong><\/td>\n<\/tr>\n
Il Torrigiano<\/td>\nArtur Garbas<\/strong><\/td>\n<\/tr>\n
Orchester der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n
Chor der Deutschen Oper Berlin<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Performances on May 19, 26, 29. & 01., 03.06.2023 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":90300,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,602],"tags":[],"class_list":["post-103797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-ivan-repusic"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/103797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=103797"}],"version-history":[{"count":3,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/103797\/revisions"}],"predecessor-version":[{"id":103800,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/103797\/revisions\/103800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/90300"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=103797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=103797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=103797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}