{"id":102401,"date":"2022-11-27T18:15:39","date_gmt":"2022-11-27T17:15:39","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=102401"},"modified":"2022-11-27T18:09:04","modified_gmt":"2022-11-27T17:09:04","slug":"der-fliegende-hollaender-hamburgische-staatsoper-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/der-fliegende-hollaender-hamburgische-staatsoper-reviews\/","title":{"rendered":"DER FLIEGENDE HOLL\u00c4NDER \u2013 HAMBURGISCHE STAATSOPER  (REVIEWS)"},"content":{"rendered":"\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading\">Performances on October 26th and 29th, 2022 as well as on November 1st, 8th and 13th, 2022<\/h5>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><span style=\"color: #dd1616;\"><em>Here are the most relevant quotes from reviews in the German and international press.<br \/>This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<!--more-->\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.br-klassik.de\/index.html\" target=\"_blank\" rel=\"noreferrer noopener\">BR Klassik<\/a> von Daniel Kaiser<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Zombiemannschaft ohne Schiff<\/h5>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>&#8230;<strong>Thomas Johannes Mayer<\/strong>, der die Titelrolle zuletzt auch in Bayreuth gesungen hat, singt und spielt ihn wunderbar d\u00fcster. &#8220;Diese unheimliche Stimmung hat sich gut transportiert, obwohl es auf so eine abstrakte Ebene gebracht war&#8221;, erkl\u00e4rt ein Herr aus dem Publikum&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_fe2e57-65\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.br-klassik.de\/aktuell\/news-kritik\/fliegender-hollaender-hamburg-opernchor-kyiv-kent-nagano-100.html\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.die-deutsche-buehne.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Die Deutsche B\u00fchne<\/a> von Detlef Brandenburg<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Die Frau vom Meer<\/h5>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>&#8230;Thomas Johannes Mayer ist ein stimmdarstellerisch starker Holl\u00e4nder in tiefschwarzem Timbre und von charakteristischer Spr\u00f6dheit&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_c31c99-3f\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.die-deutsche-buehne.de\/kritiken\/die-frau-vom-meer\/\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/ioco.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">IOCO <\/a>von Wolfgang Schmitt<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">\u2013 abstrakt: B\u00fchne schwarz, leer \u2013 kein Schiff, kein Spinnrad, kein Portrait \u2013<\/h5>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>&#8230;allen voran <strong>Thomas Johannes Mayer<\/strong>, als <strong>Holl\u00e4nder<\/strong>, mit profundem, dunklen Heldenbariton, perfekter Diktion, d\u00e4monischer Ausstrahlung und starker B\u00fchnenpr\u00e4senz mit grauem Bart, graublonder Haarm\u00e4hne und in Leder gekleidet vollbrachte er in diesem Rahmen eine gro\u00dfartige Leistung&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_25f678-6c\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/ioco.de\/2022\/10\/27\/hamburg-staatsoper-hamburg-der-fliegende-hollander-richard-wagner-ioco-kritik-27-10-2022\/\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.nmz.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Neue Musikzeitung<\/a> von Ute Schalz-Laurenze<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Die Verzweiflung jenseits der Gesellschaft<\/h5>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>&#8230;Mayer verstand es, eine fabelhafte, dramaturgisch sinnvolle Mischung zwischen Sprache und Singen herzustellen&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_9fff42-c4\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/ioco.de\/2022\/10\/27\/hamburg-staatsoper-hamburg-der-fliegende-hollander-richard-wagner-ioco-kritik-27-10-2022\/\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.opera-online.com\/fr\" target=\"_blank\" rel=\"noreferrer noopener\">Opera Online<\/a> von Thibault Vicq<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">poubelle la vie<\/h5>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>&#8230;La ligne de <strong>Thomas Johannes Mayer<\/strong> vient des profondeurs, s\u2019organise en flots de verbe et de sublime musicalit\u00e9 \u00e0 partir d\u2019une colonne vert\u00e9brale loyale et scrupuleuse. Cette ligne, il s\u2019y tient et la cajole m\u00eame quand l\u2019orchestre l\u2019anime encore davantage, la m\u00e2tine de la souffrance du Hollandais volant comme d\u2019une ancre th\u00e9matique. Il hypnotise par l\u2019\u00e9galit\u00e9 de ses registres, et rend profond\u00e9ment tragique et internalis\u00e9e la notion d\u2019\u00e9ternit\u00e9 que ce marin subit&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_0c6361-05\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.opera-online.com\/fr\/columns\/thibaultv\/le-vaisseau-fantome-a-la-staatsoper-hamburg-poubelle-la-vie\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.opera-online.com\/de\" target=\"_blank\" rel=\"noreferrer noopener\">Opera Online<\/a> von Achim Dombrowski<\/h4>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Der Fliegende Holl\u00e4nder in Hamburg bricht mit s\u00e4mtlichen H\u00f6rgewohnheiten &#8211; mit gro\u00dfem Gewinn<\/h5>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>&#8230;Thomas Johannes Mayer singt und agiert als Schwarzer Holl\u00e4nder mit der dunkel-grundierten Brillanz seines Bass-Baritons. Die Stimme wird stets beweglich gef\u00fchrt. Darstellerisch gelingt es Mayer, einem gewisserma\u00dfen in den Seilen sehr eng-gef\u00fchrten Charakter bewegenden Ausdruck zu geben&#8230;<\/em><\/p>\n\n\n\n<div class=\"wp-block-kioken-advancedbtn kt-btn-align-left kt-btns-wrap kt-btns_215007-90\"><div class=\"kt-btn-wrap kt-btn-wrap-0 \"><a class=\"kt-button kt-btn-0-action   kt-btn-svg-show-always kt-btn-has-text-true kt-btn-has-svg-false\" href=\"https:\/\/www.opera-online.com\/de\/columns\/dombrowski\/der-fliegende-hollander-in-hamburg-bricht-mit-samtlichen-horgewohnheiten-mit-grossem-gewinn\" style=\"font-size:16px;border-width:0px\"><span class=\"kt-btn-inner-text\">Read more<\/span><\/a><\/div><\/div>\n\n\n\n<div class=\"wp-block-kioken-spacer is-style-custom\" style=\"color:#999999;height:50px\"><div class=\"spacer-inner-wrap kt_d_flex kt_flex_aligncenter kt_flex_justifycenter\"><span class=\"spacer-line\" style=\"color:#999999;border-bottom-style:solid;border-bottom-width:2px\"><\/span><\/div><hr\/><\/div>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\">Cast:<\/h4>\n\n\n\n<table style=\"border-collapse: collapse; width: 100%; height: 418px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Musical direction<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Kent Nagano<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Production<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Michael Thalheimer<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Stage<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Olaf Altmann<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; text-align: right; vertical-align: top; height: 22px;\">Costumes<\/td>\n<td style=\"width: 50%; text-align: left; vertical-align: top; height: 22px;\"><strong>Michaela Barth<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Lighting<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Stefan Bolliger<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Choir<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Eberhard Friedrich<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">\u00a0<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>\u00a0<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Daland<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Kwangchul Youn<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Senta<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Jennifer Holloway<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Erik<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Benjamin Bruns<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Mary<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Katja Pieweck<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Der Steuermann Dalands<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Peter Hoare<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 50%; height: 22px; text-align: right; vertical-align: top;\">Der Holl\u00e4nder<\/td>\n<td style=\"width: 50%; height: 22px; text-align: left; vertical-align: top;\"><strong>Thomas J. Mayer<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 100%; height: 22px; text-align: center;\" colspan=\"2\"><strong>Philharmonisches Staatsorchester Hamburg<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 100%; height: 22px; text-align: center;\" colspan=\"2\"><strong>Chor der Hamburgischen Staatsoper<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Performances on October 26th and 29th, 2022 as well as on November 1st, 8th and 13th, 2022 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/p>\n","protected":false},"author":3,"featured_media":101921,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,636],"tags":[],"class_list":["post-102401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-thomas-j-mayer"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/102401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=102401"}],"version-history":[{"count":3,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/102401\/revisions"}],"predecessor-version":[{"id":102404,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/102401\/revisions\/102404"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/101921"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=102401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=102401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=102401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}