{"id":100860,"date":"2022-07-17T10:00:00","date_gmt":"2022-07-17T08:00:00","guid":{"rendered":"https:\/\/agentur-seifert.de\/?p=100860"},"modified":"2022-07-17T09:29:58","modified_gmt":"2022-07-17T07:29:58","slug":"carmen-premiere-staatstheater-cottbus-reviews","status":"publish","type":"post","link":"https:\/\/agentur-seifert.de\/en\/carmen-premiere-staatstheater-cottbus-reviews\/","title":{"rendered":"CARMEN (PREMIERE) – STAATSTHEATER COTTBUS (REVIEWS)"},"content":{"rendered":"\n
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Premiering on July 03, 2022<\/h4>\n\n\n\n
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Here are the most relevant quotes from reviews in the German and international press.
This selection does not claim to be complete.<\/em><\/span><\/p>\n\n\n\n

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M\u00e4rkische Oderzeitung\/Lausitzer Rundschau von Christina Tilmann<\/h4>\n\n\n\n

Tanz mit dem Tod<\/h5>\n
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(…) – sie f\u00fchrt jedoch zu einer h\u00f6chst stringenten, dichten Erz\u00e4hlung, die das Philharmonische Orchester unter der Leitung von Johannes Zurl so durchsichtig wie vorw\u00e4rtsdr\u00e4ngend spielt – hier gibt es kein Ausruhen auf musikalischen Evergreens, sondern eine schlanke, schl\u00fcssige Fassung. (…)<\/em><\/p>\n<\/blockquote>\n\n\n

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M\u00e4rkische Allgemeine von Frank Dietschreit<\/h4>\n\n\n\n

.Bizets “Carmen” trifft auf “Spiel mir das Lied vom Tod”<\/h5>\n

..Johannes Zurl leitet das Orchester umsichtig, balanciert zwischen klebrig-folkloristischen Elementen und staubtrocken konturierten Kl\u00e4ngen, erzeugt Spannung und Dynamik, indem er die Rezitative ausspart. Den von Bizet aufget\u00fcrmten “Hispanismo” verbannt er in den Orkus der Opern-Geschichte und entf\u00fchrt uns in eine Welt der Fantasie. Der intellektuelle Reiz, die musikalische Kraft, die Sch\u00f6nheit des Abends sind gro\u00df…<\/em><\/p>\n\n\n

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Cast:<\/h4>\n\n\n\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Musikalische Leitung<\/td>\nJohannes Zur<\/span>l<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Regie<\/span><\/td>\nStephan M\u00e4rki<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
B\u00fchne\/Kost\u00fcm<\/td>\nPhilipp F\u00fcrhofer<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Kost\u00fcm<\/td>\nHannah Barbara Bachmann<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Lichtdesign<\/td>\nDiego Leetz<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Video<\/td>\nRen\u00e9 Liebert<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Dramaturgie<\/td>\nCatherine Duda<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Don Jos\u00e9<\/td>\nAlexey Sayapin<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Escamillo<\/td>\nNils St\u00e4fe<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Danceire<\/td>\nDaniel Foki<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Remendado<\/td>\nHardy Brachmann, Andries Cloete<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Moral\u00e9s<\/td>\nDaniel Foki<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Zuniga<\/td>\nPhilipp Mayer, Ulrich Schneider<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Carmen<\/td>\nClaude Eichenberger, Katarina Bradi\u0107<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Mica\u00ebla<\/td>\nKetevan Chuntishvili<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Frasquita<\/td>\nGeorgina Melville, Anne Martha Schuitemaker<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
Merc\u00e9d\u00e8s<\/td>\nRahel Brede<\/span><\/span><\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\nOpernchor<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\nKinder- und Jugendchor<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n Philharmonisches Orchester <\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"

[English] (…) – sie f\u00fchrt jedoch zu einer h\u00f6chst stringenten, dichten Erz\u00e4hlung, die das Philharmonische Orchester unter der Leitung von Johannes Zurl so durchsichtig wie vorw\u00e4rtsdr\u00e4ngend spielt – hier gibt es kein Ausruhen auf musikalischen Evergreens, sondern eine schlanke, schl\u00fcssige Fassung. (…)<\/em><\/p>\n","protected":false},"author":3,"featured_media":90041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"categories":[610,7973],"tags":[],"class_list":["post-100860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-reviews-johannes-zurl"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/100860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=100860"}],"version-history":[{"count":2,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/100860\/revisions"}],"predecessor-version":[{"id":100862,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/posts\/100860\/revisions\/100862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/90041"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=100860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/categories?post=100860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/tags?post=100860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}