{"id":99157,"date":"2022-06-20T10:31:22","date_gmt":"2022-06-20T08:31:22","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/benjamin-reiners\/"},"modified":"2026-04-03T09:31:56","modified_gmt":"2026-04-03T07:31:56","slug":"benjamin-reiners","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/benjamin-reiners\/","title":{"rendered":"Benjamin Reiners (Conductor)"},"content":{"rendered":"

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Benjamin Reiners<\/h2>\n

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Vita<\/h2>\n

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General Music Director of the Municipal Theaters of Chemnitz<\/strong><\/p>\n

Chief Conductor of the Robert Schumann Philharmonic starting since the 2025\/2026 season<\/strong><\/p>\n

Principal Guest Conductor of the Collegium Musicum Basel since the 2024\/2025 season<\/strong><\/p>\n

Benjamin Reiners is Principal Guest Conductor of the Collegium Musicum Basel and, since the beginning of the 2025\/26 season, General Music Director of the theatres of the European Capital of Culture Chemnitz and Chief Conductor of the Robert Schumann Philharmonic. Widely regarded as one of the most distinguished and versatile conductors of his generation, he is in high demand at leading opera houses, concert halls, and major symphony orchestras.<\/p>\n

His engagements have taken him to Deutsche Oper Berlin, Deutsche Oper am Rhein, Oper Frankfurt, Oper Leipzig, Oper Graz, the State Theatres of Nuremberg and Darmstadt, the Orquestra Sinf\u00f3nica do Porto, Staatskapelle Weimar, Beethoven Orchester Bonn, Konzerthausorchester Berlin, Staatsphilharmonie Rheinland-Pfalz, W\u00fcrttembergisches Kammerorchester Heilbronn, and the Munich Radio Orchestra.<\/p>\n

Reiners\u2019 distinguished theatre career has led him seamlessly through several traditional houses: after an initial engagement at the Staatstheater am G\u00e4rtnerplatz, he served as First Kapellmeister at Staatsoper Hannover, Deputy General Music Director at the Nationaltheater Mannheim, and from 2019 to 2024 as General Music Director of the state capital Kiel.<\/p>\n

Current engagements include his debuts at the Schleswig-Holstein Musik Festival and with the Deutsche Radio Philharmonie Saarbr\u00fccken Kaiserslautern, as well as return invitations to the Duisburg Philharmonic and the Nuremberg Symphony Orchestra.<\/p>\n

Renowned for his exceptionally broad, cross-epoch repertoire and his ability to take over major music theatre works without rehearsal or to revive them at the highest artistic level with minimal preparation, Reiners has also successfully premiered numerous contemporary works. With his stylistic versatility, wealth of ideas, and spirit of adventure, he brings outstanding artistic impetus to both opera and concert.<\/p>\n

2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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theaterKIEL* | MANON LESCAUT<\/h5>\n

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theaterKIEL* | DIE TOTE STADT<\/h5>\n

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Deutsche Oper am Rhein | DIE FLEDERMAUS<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Harold Arlen<\/strong><\/td>\nDER ZAUBERER VON OZ<\/td>\n<\/tr>\n
B\u00e9la Bart\u00f3k<\/strong>
\n<\/strong><\/td>\n		HERZOG BLAUBARTS BURG<\/td>\n<\/tr>\n
Vincenzo Bellini<\/strong><\/td>\nNORMA<\/td>\n<\/tr>\n
Georges Bizet<\/strong><\/td>\nCARMEN<\/td>\n<\/tr>\n
Jerry Bock<\/strong><\/td>\nANATEVKA<\/td>\n<\/tr>\n
Claude Debussy<\/strong><\/td>\nHOUSE OF USHER<\/td>\n<\/tr>\n
Gaetano Donizetti<\/strong><\/td>\nVIVA LA MAMMA<\/td>\n<\/tr>\n
<\/td>\nLUCIA DI LAMMERMOOR<\/td>\n<\/tr>\n
Stefan Johannes Hanke<\/strong><\/td>\nDER TEUFEL MIT DEN DREI GOLDENEN HAAREN<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nOH, WIE SCH\u00d6N IST PANAMA<\/td>\n<\/tr>\n
Engelbert Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1cek<\/span><\/strong><\/td>\nJENUFA<\/span><\/td>\n<\/tr>\n
Emmerich K\u00e1lm\u00e1n<\/span><\/strong><\/td>\nGR\u00c4FIN MARIZA<\/span><\/td>\n<\/tr>\n
Erich Wolfgang Korngold<\/span><\/strong><\/td>\nDIE TOTE STADT<\/span><\/td>\n<\/tr>\n
Eduard K\u00fcnneke<\/span><\/strong><\/td>\nDER VETTER AUS DINGSDA<\/span><\/td>\n<\/tr>\n
Franz Leh\u00e1r<\/span><\/strong><\/td>\nDIE LUSTIGE WITWE<\/span><\/td>\n<\/tr>\n
Ruggero Leoncavallo<\/span><\/strong><\/td>\nI PAGLIACCI<\/span><\/td>\n<\/tr>\n
Frank Loesser<\/strong><\/td>\nHOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING<\/span><\/td>\n<\/tr>\n
Frederick Loewe<\/span><\/strong><\/td>\nMY FAIR LADY<\/span><\/td>\n<\/tr>\n
Peitro Mascagni<\/span><\/strong><\/td>\nCAVALLERIA RUSTICANA<\/span><\/td>\n<\/tr>\n
Jules Massenet
\n<\/span><\/strong><\/td>\n		WERTHER<\/span><\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/span><\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\n<\/tr>\n
<\/td>\nDIE ZAUBERFL\u00d6TE<\/span><\/td>\n<\/tr>\n
<\/td>\nDON GIOVANNI<\/span><\/td>\n<\/tr>\n
<\/td>\nLA CLEMENZA DI TITO<\/span><\/td>\n<\/tr>\n
<\/td>\nLA FINTA GIARDINIERA<\/td>\n<\/tr>\n
<\/td>\nLE NOZZE DI FIGARO<\/td>\n<\/tr>\n
<\/td>\nZAIDE<\/td>\n<\/tr>\n
Elisabeth Naske<\/strong><\/td>\nDIE OMAMA IM APFELBAUM<\/td>\n<\/tr>\n
Carl Nielsen<\/span><\/strong><\/td>\nMASKERADE<\/span><\/td>\n<\/tr>\n
Jacques Offenbach<\/span><\/strong><\/td>\nLES CONTES D\u00b4HOFFMANN<\/span><\/td>\n<\/tr>\n
<\/td>\nORPHEUS IN DER UNTERWELT<\/span><\/td>\n<\/tr>\n
Cole Porter<\/span><\/strong><\/td>\nKISS ME KATE<\/span><\/td>\n<\/tr>\n
Sergei Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/span><\/td>\n<\/tr>\n
Giacomo Puccini<\/span><\/strong><\/td>\nLA BOH\u00c8ME<\/span><\/td>\n<\/tr>\n
<\/td>\nMADAMA BUTTERFLY<\/span><\/td>\n<\/tr>\n
<\/td>\nMANON LESCAUT<\/td>\n<\/tr>\n
<\/td>\nTURANDOT<\/span><\/td>\n<\/tr>\n
Henry Purcell
\n<\/span><\/strong><\/td>\n		DIDO UND AENEAS<\/span><\/td>\n<\/tr>\n
Sergej Rachmaninow<\/span><\/strong><\/td>\nFRANCESCA DA RIMINI<\/span><\/td>\n<\/tr>\n
Jean-Philippe Rameau <\/span><\/strong><\/td>\nCASTOR ET POLLUX<\/span><\/td>\n<\/tr>\n
Gioachino Rossini<\/span><\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/span><\/td>\n<\/tr>\n
<\/td>\nIL VIAGGIO A REIMS<\/span><\/td>\n<\/tr>\n
<\/td>\nLA CAMBIALE DI MATRIMONIO
\n<\/span><\/td>\n<\/tr>\n
Dmitri Schostakowitsch<\/span><\/strong><\/td>\nLADY MACBETH VON MZENSK<\/span><\/td>\n<\/tr>\n
Bedrich Smetana<\/span><\/strong><\/td>\nDIE VERKAUFTE BRAUT<\/span><\/td>\n<\/tr>\n
Johann Strau\u00df<\/span><\/strong><\/td>\nDIE FLEDERMAUS<\/span><\/td>\n<\/tr>\n
Arthur Sullivan<\/span><\/strong><\/td>\nTHE MIKADO<\/span><\/td>\n<\/tr>\n
Pjotr Iljitsch Tschaikowski<\/span><\/strong><\/td>\nEUGEN ONEGIN<\/span><\/td>\n<\/tr>\n
<\/td>\nJOLANTA<\/span><\/td>\n<\/tr>\n
Giuseppe Verdi<\/span><\/strong><\/td>\nAIDA
\n<\/span><\/td>\n<\/tr>\n
<\/td>\nDON CARLO<\/span><\/td>\n<\/tr>\n
<\/td>\nERNANI<\/span><\/td>\n<\/tr>\n
<\/td>\nLA TRAVIATA<\/span><\/td>\n<\/tr>\n
<\/td>\nOTELLO<\/span><\/td>\n<\/tr>\n
<\/td>\nREQUIEM (szenisch)
\n<\/span><\/td>\n<\/tr>\n
<\/td>\nRIGOLETTO<\/span><\/td>\n<\/tr>\n
<\/td>\nUN BALLO IN MASCHERA<\/span><\/td>\n<\/tr>\n
Ludger Vollmer<\/span><\/strong><\/td>\nRUMMELPLATZ<\/span><\/td>\n<\/tr>\n
Richard Wagner<\/span><\/strong><\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/span><\/td>\n<\/tr>\n
<\/td>\nDER RING AN EINEM ABEND<\/span><\/td>\n<\/tr>\n
Carl Maria von Weber<\/span><\/strong><\/td>\nDER FREISCH\u00dcTZ<\/span><\/td>\n<\/tr>\n
Kurt Weill<\/span><\/strong><\/td>\nAUFSTIEG UND FALL DER STADT MAHAGONNY<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/strong><\/td>\nSTREET SCENE<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

Concert<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johan Adams<\/strong><\/td>\nShaker Loops<\/td>\n<\/tr>\n
Johann Sebastian Bach<\/strong><\/td>\nBrandenburgisches Konzert Nr. 3 (BWV 1048)<\/td>\n<\/tr>\n
<\/td>\nFantasia und Fuge c-moll BWV 537 transkribiert von Edward Elgar<\/td>\n<\/tr>\n
<\/td>\nKantate BWV 51 “Jauchzet Gott in allen Landen”<\/td>\n<\/tr>\n
<\/td>\nKantate BWV 80 “Ein feste Burg ist unser Gott”<\/td>\n<\/tr>\n
<\/td>\nKantate BWV 82 “Ich habe genug”<\/td>\n<\/tr>\n
<\/td>\nKantate BWV 151 “S\u00fc\u00dfer Trost, mein Jesus k\u00f6mmt”<\/td>\n<\/tr>\n
<\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
Samuel Barber<\/strong><\/td>\nToccata festiva op. 36 f\u00fcr Orgel und Orchester<\/td>\n<\/tr>\n
Woldemar Bargiel<\/strong><\/td>\nAdagio op. 38 f\u00fcr Violoncello und Orchester<\/td>\n<\/tr>\n
B\u00e9la Bart\u00f3k<\/strong><\/td>\nKonzert f\u00fcr Orchester (Sz 116)<\/td>\n<\/tr>\n
Amy Beach<\/strong><\/td>\nEilende Wolken, Segler der L\u00fcfte, Op. 18<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nCoriolan-Ouvert\u00fcre c-Moll op. 62<\/td>\n<\/tr>\n
<\/td>\nDie Weihe des Hauses, Ouvert\u00fcre op. 124<\/td>\n<\/tr>\n
<\/td>\nKlavierkonzert Nr. 3, c-Moll, op.37<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Klavier, Violine, Violoncello und Orchester C-Dur op.56 “Tripelkonzert”<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Violine und Orchester D-Dur op. 61<\/td>\n<\/tr>\n
<\/td>\nLeonore-Ouvert\u00fcre Nr. 3 op. 72b<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 1 in C-Dur op. 21<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 5 in c-Moll op. 67<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 7 A-Dur op. 92<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 9 d-moll op.125<\/td>\n<\/tr>\n
<\/td>\nViolinromanze Nr. 2 F-Dur, op. 50<\/td>\n<\/tr>\n
Alban Berg<\/strong><\/td>\nSieben fr\u00fche Lieder<\/td>\n<\/tr>\n
Hector Berlioz<\/strong><\/td>\nHarold en Italie, op. 16<\/td>\n<\/tr>\n
Leonard Bernstein<\/strong><\/td>\nOuvert\u00fcre zu “Candide”<\/td>\n<\/tr>\n
<\/td>\nThree Dance Episodes from “On the Town”<\/td>\n<\/tr>\n
Georges Bizet<\/strong><\/td>\nSymphony in C<\/td>\n<\/tr>\n
Fran\u00e7ois-Adrien Boieldieu<\/strong><\/td>\nHarfenkonzert in Es-Dur<\/td>\n<\/tr>\n
Mel Bonis<\/strong><\/td>\nSuite orientale op. 48.2<\/td>\n<\/tr>\n
Alexander Borodin<\/strong><\/td>\nPolowetzer T\u00e4nze<\/td>\n<\/tr>\n
Derek David Bourgeois<\/strong><\/td>\nConcerto f\u00fcr Bassposaune und Blasorchester, op. 239<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nDoppelkonzert a-Moll, op. 102<\/td>\n<\/tr>\n
<\/td>\nPiano Concerto No.\u00a01 in D minor, Op.\u00a015<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 1 in C minor, Op. 68<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 2 in D major, Op.\u00a073<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3 in F major, Op. 90<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 4 in E minor, Op. 98<\/td>\n<\/tr>\n
<\/td>\nHungarian Dances<\/td>\n<\/tr>\n
<\/td>\nViolin Concerto in D major, Op.\u00a077<\/td>\n<\/tr>\n
Benjamin Britten<\/strong><\/td>\nMatin\u00e9es musicales, op. 24 (inspiriert von Rossini)<\/td>\n<\/tr>\n
<\/td>\nSimple Symphony<\/td>\n<\/tr>\n
<\/td>\nSinfonia da Requiem, Op. 20<\/td>\n<\/tr>\n
Chris Brubeck<\/strong><\/td>\nPrague Concerto for Bass Trombone & Orchestra (2004)<\/td>\n<\/tr>\n
Max Bruch<\/strong><\/td>\nRomanze f\u00fcr Viola und Orchester F-Dur op. 85<\/td>\n<\/tr>\n
<\/td>\nSchottische Fantasie f\u00fcr Violine und Orchester op.46<\/td>\n<\/tr>\n
<\/td>\nSerenade nach schwedischen Melodien c-Moll<\/td>\n<\/tr>\n
Anton Bruckner<\/strong><\/td>\nSinfonie Nr. 3 d-Moll WAB 103 (Fassung 1873)<\/td>\n<\/tr>\n
Britta Bystrom<\/strong><\/td>\n“Segelnde Stadt” f\u00fcr Orchester<\/td>\n<\/tr>\n
Emmanuel Chabrier<\/strong><\/td>\nEspana – Rhapsodie F-Dur pour orchestre<\/td>\n<\/tr>\n
Frederick Delius<\/strong><\/td>\nFlorida Suite<\/td>\n<\/tr>\n
Paul Dukas<\/strong><\/td>\nVillanelle f\u00fcr Horn und Orchester<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nDer Wassermann, op. 107<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 9 in e-Moll op. 95 “Aus der Neuen Welt”<\/td>\n<\/tr>\n
<\/td>\nSlawischen T\u00e4nze<\/td>\n<\/tr>\n
Edward Elgar<\/strong><\/td>\nSea Pictures, op. 37<\/td>\n<\/tr>\n
George Gershwin<\/strong><\/td>\nEin Amerikaner in Paris<\/td>\n<\/tr>\n
<\/td>\nRhapsody in blue<\/td>\n<\/tr>\n
Reinhold Gli\u00e8re<\/strong><\/td>\nKonzert f\u00fcr Horn und Orchester op. 91<\/td>\n<\/tr>\n
Michail Glinka<\/strong><\/td>\nOuvert\u00fcre zu “Ruslan und Ludmilla”<\/td>\n<\/tr>\n
Edvard Grieg<\/strong><\/td>\nHolberg Suite, op. 40<\/td>\n<\/tr>\n
<\/td>\nPeer Gynt Suiten 1 und 2<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel<\/strong><\/td>\nConcerto grosso g-Moll, op. 6\/6 HWV 324<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Orgel und Orchester B-Dur, HWV 294<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Orgel und Orchester F-Dur, HWV 295<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Orgel und Orchester g-Moll, Op. 4 Nr. 1 (HWV 289)<\/td>\n<\/tr>\n
<\/td>\nMessiah, HWV 56 (Ausschitte)<\/td>\n<\/tr>\n
<\/td>\nSolomon, HWV 67 (Ausschitte)<\/td>\n<\/tr>\n
Stefan Johannes Hanke<\/strong><\/td>\nropes and knots<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nCellokonzert Nr. 1 in C-Dur, Hob. VIIb:1<\/td>\n<\/tr>\n
<\/td>\nDie Jahreszeiten, Hob. XXI:3<\/td>\n<\/tr>\n
<\/td>\nDie Sch\u00f6pfung, Hob. XXI:2<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 6 D-Dur \u201eLe matin\u201c (Der Morgen)<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 42 D-Dur<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 45 “Abschiedssinfonie”<\/td>\n<\/tr>\n
Paul Himdemith<\/strong><\/td>\nSymphonie “Mathis der Maler”<\/td>\n<\/tr>\n
Gustav Holst<\/strong><\/td>\nThe Planets, op. 32<\/td>\n<\/tr>\n
Arthur Honneger<\/strong><\/td>\nPacific 231<\/td>\n<\/tr>\n
Engelbert Humperdinck<\/strong><\/td>\nWeihnachten<\/td>\n<\/tr>\n
Dumitru Ionel<\/strong><\/td>\nRumanian Dance No. 2 f\u00fcr Tuba und Orchester<\/td>\n<\/tr>\n
Joseph Martin Kraus<\/strong><\/td>\nKonzert f\u00fcr Viola und Orchester C-Dur<\/td>\n<\/tr>\n
Alexei Lebedew<\/strong><\/td>\nConcerto Nr. 1 f\u00fcr Bassposaune und Orchester<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nKindertotenlieder<\/td>\n<\/tr>\n
<\/td>\nLieder eines fahrenden Gesellen<\/td>\n<\/tr>\n
<\/td>\nR\u00fcckert-Lieder<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 1 D-Dur<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 2 in c-Moll<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 4 in G-Dur<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 5<\/td>\n<\/tr>\n
Bohuslav Martin\u016f<\/strong><\/td>\nKonzert f\u00fcr Oboe und kleines Orchester<\/td>\n<\/tr>\n
Emilie Mayer<\/strong><\/td>\nSinfonie Nr. 6 E-Dur<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nChristus, Op.97 (MWV A 26) Oratorium (Fragmente)<\/td>\n<\/tr>\n
<\/td>\nElias op. 70<\/td>\n<\/tr>\n
<\/td>\nMagnificat in D (MWV A 2)<\/td>\n<\/tr>\n
<\/td>\nOuvert\u00fcre zu \u201eEin Sommernachtstraum\u201c op. 21<\/td>\n<\/tr>\n
<\/td>\nPaulus, op. 36 (MWV A 14)<\/td>\n<\/tr>\n
<\/td>\nSinfonie f\u00fcr Streichorchester Nr. 10 h-Moll (MWV N 10)<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 2 B-Dur “Lobgesang” op. 52 (MWV A 18)<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 3 in a-Moll op. 56 (MWV N 18), \u201eSchottische\u201c<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 4 in A-Dur op. 90 (MWV N 16), \u201eItalienische\u201c<\/td>\n<\/tr>\n
<\/td>\nVom Himmel hoch (MWV A 10)<\/td>\n<\/tr>\n
Jessie Montgomery<\/strong><\/td>\n“Starburst” f\u00fcr Streichorchester (Deutsche EA<\/td>\n<\/tr>\n
<\/td>\n“Strum” f\u00fcr Streichorchester (Deutsche EA)<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nKonzert f\u00fcr Fagott und Orchester B-Dur KV 191<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Horn und Orchester Nr. 2 Es-Dur KV 417<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Klarinette und Orchester A-Dur, KV 622<\/td>\n<\/tr>\n
<\/td>\nKr\u00f6nungsmesse in C-Dur, KV 317<\/td>\n<\/tr>\n
<\/td>\nSerenade Nr. 13 f\u00fcr Streicher in G-Dur KV 525 (“Eine kleine Nachtmusik”)<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 36 Es-Dur, KV 543<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 40 in g-Moll, KV 550<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 41 C-Dur, (Jupiter) KV 551<\/td>\n<\/tr>\n
Modest Mussorgski\u00a0<\/strong><\/td>\nEine Nacht auf dem kahlen Berge<\/td>\n<\/tr>\n
Michael Nyman<\/strong><\/td>\nThe Piano Concerto<\/td>\n<\/tr>\n
Niccol\u00f2 Paganini<\/strong><\/td>\nKonzert f\u00fcr Violine und Orchester Nr. 2 h-Moll op. 7, “La Campanella”<\/td>\n<\/tr>\n
Krzysztof Penderecki<\/strong><\/td>\nKlavierkonzert “Resurrection”<\/td>\n<\/tr>\n
Francis Poulenc<\/strong><\/td>\nKonzert g-Moll f\u00fcr Orgel, Streicher und Pauken<\/td>\n<\/tr>\n
Sergei Prokofjew<\/strong><\/td>\nSinfonie Nr. 1 in D-Dur op. 25 “Symphonie classique”<\/td>\n<\/tr>\n
Giacomo Puccini<\/strong><\/td>\nCrisantemi<\/td>\n<\/tr>\n
Sergei Rachmaninow<\/strong><\/td>\nDie Toteninsel op. 29<\/td>\n<\/tr>\n
Einojuhani Rautavaara<\/strong><\/td>\nFl\u00f6tenkonzert \u201eDances with the Winds\u201c, op. 69<\/td>\n<\/tr>\n
Maurice Ravel<\/strong><\/td>\nBolero<\/td>\n<\/tr>\n
<\/td>\nDaphnis et Chlo\u00e9<\/td>\n<\/tr>\n
<\/td>\nPavane pour une infante d\u00e9funte<\/td>\n<\/tr>\n
Ottorino Respighi<\/strong><\/td>\nFontane di Roma<\/td>\n<\/tr>\n
Joseph Rheinberger<\/strong><\/td>\nKonzert f\u00fcr Orgel und Orchester F-Dur op. 137<\/td>\n<\/tr>\n
Nikolai Rimski-Korsakow<\/strong><\/td>\nCapriccio espagnol<\/td>\n<\/tr>\n
<\/td>\nSuite aus der Oper “Die Nacht vor Weihnachten”<\/td>\n<\/tr>\n
John Rutter<\/strong><\/td>\nMagnificat f\u00fcr Sopran, gemischten Chor und Orchester<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns<\/strong><\/td>\nOratorio de No\u00ebl, op. 12<\/td>\n<\/tr>\n
<\/td>\nRomanze f\u00fcr Fl\u00f6te und Orchester Des-Dur op. 37<\/td>\n<\/tr>\n
Dmitri Schostakowitsch<\/strong><\/td>\nKonzert f\u00fcr Violoncello und Orchester Nr. 1 Es-Dur op. 107<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 11 in g-Moll op. 103<\/td>\n<\/tr>\n
Franz Schubert<\/strong><\/td>\nSinfonie Nr. 3 D-Dur, D 200<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 5 B-Dur, D 485<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 7 h-Moll, D.759 “Die Unvollendete”<\/td>\n<\/tr>\n
Robert Schumann<\/strong><\/td>\nKonzertst\u00fcck f\u00fcr 4 H\u00f6rner und Orchester F-Dur, op. 86<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 1 B-Dur op. 38<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 3 Es-Dur op. 97 (Rheinische Sinfonie)<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 4 in d-Moll op. 120<\/td>\n<\/tr>\n
Jean Sibelius<\/strong><\/td>\nViolinkonzert d-Moll op. 47<\/td>\n<\/tr>\n
Rudi Stephan<\/strong><\/td>\nMusik f\u00fcr Orchester<\/td>\n<\/tr>\n
Johann Strau\u00df <\/strong><\/td>\nWalzer, Polkas und s\u00e4mtliche Ouvert\u00fcren<\/td>\n<\/tr>\n
Richard Strauss<\/strong><\/td>\nDon Juan op. 20<\/td>\n<\/tr>\n
<\/td>\nKonzert f\u00fcr Horn und Orchester Nr. 2 Es-Dur, o. Op., AV 132<\/td>\n<\/tr>\n
Igor Strawinsky<\/strong><\/td>\nDer Feuervogel (Suite 1919)<\/td>\n<\/tr>\n
<\/td>\nLe sacre du printemps<\/td>\n<\/tr>\n
Johan Severin Svendsen<\/strong><\/td>\nRomanze f\u00fcr Violine und Orchester G-Dur op. 26<\/td>\n<\/tr>\n
T\u014dru Takemitsu<\/strong><\/td>\nGarden Rain for Brass Ensemble<\/td>\n<\/tr>\n
Peter I. Tschaikowski<\/strong><\/td>\nCapriccio Italien op. 45 A-Dur<\/td>\n<\/tr>\n
<\/td>\nDer Nussknacker, op. 71<\/td>\n<\/tr>\n
<\/td>\nSchwanensee Suite op. 20<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 5 e-Moll op. 64<\/td>\n<\/tr>\n
<\/td>\nSinfonie Nr. 6 h-Moll op. 74 \u201ePath\u00e9tique\u201d<\/td>\n<\/tr>\n
Jonas Urbat\u00a0<\/strong><\/td>\nSonic Tales of Industry<\/td>\n<\/tr>\n
Giuseppe Verdi<\/strong><\/td>\nMessa da Requiem<\/td>\n<\/tr>\n
Antonio Vivaldi <\/strong><\/td>\nKonzert f\u00fcr Harfe und Streicher D-Dur RV 93<\/td>\n<\/tr>\n
Richard Wagner<\/strong><\/td>\nDer Ring an einem Abend (Loriot)<\/td>\n<\/tr>\n
<\/td>\nOuvert\u00fcre zu “Der Fliegende Holl\u00e4nder”<\/td>\n<\/tr>\n
<\/td>\nOuvert\u00fcre zu “Die Meistersinger von N\u00fcrnberg”<\/td>\n<\/tr>\n
<\/td>\nOuvert\u00fcre zu “Lohengrin”<\/td>\n<\/tr>\n
<\/td>\nVorspiel und Liebestod aus “Tristan und Isolde”<\/td>\n<\/tr>\n
Carl Maria von Weber<\/strong><\/td>\nAndante e Rondo Ungarese f\u00fcr Fagott und Orchester c-Moll op. 35<\/td>\n<\/tr>\n
<\/td>\nConcertino f\u00fcr Klarinette und Orchester Es-Dur op. 26<\/td>\n<\/tr>\n
Ralph Vaughan Williams\u00a0<\/strong><\/td>\nSerenade to Music<\/td>\n<\/tr>\n
Alexander Zemlinsky<\/strong><\/td>\nDie Seejungfrau<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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\"Benjamin

THEATER CHEMNITZ – THE FLYING DUTCHMAN (PREMIERE)<\/a><\/h3>Benjamin Reiners<\/a><\/span><\/div><\/div><\/div>

THEATER CHEMNITZ – THE FLYING DUTCHMAN (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>29. March 2026<\/abbr><\/span>Benjamin Reiners<\/a><\/span><\/div>
Benjamin Reiners | Conductor<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
\"\"

ROBERT-SCHUMANN-PHILHARMONIE – SYNTH HAPPENS<\/a><\/h3>Benjamin Reiners<\/a><\/span><\/div><\/div><\/div>

ROBERT-SCHUMANN-PHILHARMONIE – SYNTH HAPPENS<\/a><\/h3>
By Agentur<\/a><\/span>10. March 2026<\/abbr><\/span>Benjamin Reiners<\/a><\/span><\/div>
Benjamin Reiners | Conductor<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
\"\"

ROBERT-SCHUMANN-PHULHARMONIE – SPECIAL CONCERT | IN SOUND #2<\/a><\/h3>Benjamin Reiners<\/a><\/span><\/div><\/div><\/div>

ROBERT-SCHUMANN-PHULHARMONIE – SPECIAL CONCERT | IN SOUND #2<\/a><\/h3>
By Agentur<\/a><\/span>25. February 2026<\/abbr><\/span>Benjamin Reiners<\/a><\/span><\/div>
Benjamin Reiners | Conductor<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
\"\"

ROBERT-SCHUMANN-PHILHARMONIE – 6TH SYMPHONY CONCERT<\/a><\/h3>Benjamin Reiners<\/a><\/span><\/div><\/div><\/div>

ROBERT-SCHUMANN-PHILHARMONIE – 6TH SYMPHONY CONCERT<\/a><\/h3>
By Agentur<\/a><\/span>18. February 2026<\/abbr><\/span>Benjamin Reiners<\/a><\/span><\/div>
Benjamin Reiners | Conductor<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL NEWS BY BENJAMIN REINERS<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”press” in_content_menu=”in_content_menu” content_menu_title=”PRESS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Press<\/h2>\n

[\/vc_column_text][vc_separator type=”small” position=”center” up=”15″ down=”15″]

\"\"<\/div>

RUMMELPLATZ (PREMIERE) – THEATER CHEMNITZ (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>25. September 2025<\/abbr><\/span><\/div>
Premiere on September 20, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. BR24 by Peter Jungblut Oper geht auch mit Presslufthammer \u2026Benjamin Reiners lie\u00df den \u201cGlutkern\u201d, den Komponist Ludger Vollmer beschw\u00f6rt,...<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

MASKARADE – OPER FRANKFURT (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>18. January 2025<\/abbr><\/span><\/div>
Performances on January 10, 18, 26 and February 6, 9 and 14, 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. Anaclase by IF Maskarade | Mascaradeop\u00e9ra de Carl Nielsen \u2026On avoue...<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

5. AKADEMIEKONZERT – NATIONALTHEATER-ORCHESTERS MANNHEIM (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>11. April 2023<\/abbr><\/span><\/div>
Concerts on March 13 & 14, 2023 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

THE LOVE FOR THREE ORANGES (PREMIERE) \u2013 THEATER KIEL (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>28. September 2021<\/abbr><\/span><\/div>
Premiere on September 18, 2021 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL REVIEWS BY BENJAMIN REINERS<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”photos” in_content_menu=”in_content_menu” content_menu_title=”PHOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Photos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”103084,102049,103080,103074,103088,103082,103072,103078″ img_size=”200×200″ css=”.vc_custom_1692541878062{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Benjamin Reiners [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] General Music Director…<\/p>\n","protected":false},"author":4,"featured_media":102049,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-99157","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=99157"}],"version-history":[{"count":49,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99157\/revisions"}],"predecessor-version":[{"id":109707,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99157\/revisions\/109707"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/102049"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=99157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}