{"id":99139,"date":"2022-06-20T10:31:28","date_gmt":"2022-06-20T08:31:28","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/jochem-hochstenbach\/"},"modified":"2025-09-01T16:56:30","modified_gmt":"2025-09-01T14:56:30","slug":"jochem-hochstenbach","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/jochem-hochstenbach\/","title":{"rendered":"Jochem Hochstenbach (Conductor)"},"content":{"rendered":"

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Jochem Hochstenbach<\/h2>\n

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Vita<\/h2>\n

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General Music Director of the Theatre in Trier since the 2018\/2019 season
\n<\/strong><\/h4>\n

 <\/p>\n

Dutch conductor Jochem Hochstenbach has served as General Music Director of the City of Trier since the 2018\/19 season, a position he extended through 2031 in July 2025. In Trier he has led numerous opera productions including Don Giovanni, Madama Butterfly, Dido and Aeneas, La voix humaine, La Boh\u00e8me, Le nozze di Figaro, Don Carlo, Der Rosenkavalier, Tosca, Peter Grimes, Pell\u00e9as et M\u00e9lisande, Falstaff, Die Fledermaus and Carmen. He also conducts the Philharmonisches Orchester der Stadt Trier in its symphonic concert series.<\/p>\n

 <\/p>\n

Guest engagements have taken him to the Bruckner Orchester Linz, the Badische Staatskapelle Karlsruhe, the BBC Concert Orchestra, the Orquesta de Cadaqu\u00e9s, the Orchestre national Avignon-Provence, the Camerata Salzburg, the Slovak Philharmonic, the Sinfonia Varsovia and the Radio Symphony Orchestra Vienna. He has appeared with the Pfalztheater Kaiserslautern, at Schloss Esterh\u00e1zy, with the Deutsche Oper am Rhein, the Op\u00e9ra Grand Avignon, and at the theatres in L\u00fcbeck, M\u00fcnster, Hagen, Augsburg, Detmold and Oldenburg. Further invitations have taken him to Italy, Japan, Korea (Samson et Dalila with Jos\u00e9 Cura, released on DVD by Arthaus) and Taiwan.<\/p>\n

 <\/p>\n

Earlier posts include positions at the Landestheater Linz (from 1997 as r\u00e9p\u00e9titeur and Kapellmeister, later assistant to Dennis Russell Davies), the Badisches Staatstheater Karlsruhe (as First Kapellmeister and deputy to the GMD), the Schloss Esterh\u00e1zy summer and picnic concerts, and the Concert Theater Bern (as First Kapellmeister).<\/p>\n

 <\/p>\n

Hochstenbach initially trained as a pianist before completing his conducting studies with Uro\u0161 Lajovic at the University of Music and Performing Arts Vienna, graduating with distinction. He also participated in international masterclasses with Jorma Panula, Erwin Acel and Kenneth Montgomery. In 1995 he served as assistant to Claudio Abbado at the Salzburg Easter Festival (Elektra).<\/p>\n

2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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\u00a0<\/h5>\n
Theater Trier | PETER GRIMES<\/h5>\n

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Theater Trier | “Orchester on demand” – Teil 1<\/h5>\n

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\u00a0<\/h5>\n
Theater Trier | TOSCA<\/h5>\n

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Theater Trier | “Orchester on demand” – Teil 2<\/h5>\n

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Theater Trier | Orchestergru\u00df zu Ostern<\/h5>\n

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Liederabend mit Carl Rumstadt und Jochem Hochstenbach<\/h5>\n

 <\/p>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Franco Alfano<\/strong><\/td>\nCYRANO DE BERGERAC<\/td>\n<\/tr>\n
Giorgio <\/b>Battistelli<\/strong><\/td>\nProva d’orchestra<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nFIDELIO<\/td>\n<\/tr>\n
Georges Bizet<\/strong><\/td>\nCARMEN<\/td>\n<\/tr>\n
Benjamin Britten
\n<\/strong><\/td>\n		PETER GRIMES<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nTHE TURN OF THE SCREW<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDEATH IN VENICE<\/td>\n<\/tr>\n
Claude Debussy<\/strong><\/td>\nPELLEAS ET MELISANDE<\/td>\n<\/tr>\n
Gaetano Donizetti<\/strong><\/td>\nDON PASQUALE<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nL’ELISIR D’AMORE<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nRUSALKA<\/td>\n<\/tr>\n
Gottfried von Einem<\/strong><\/td>\nDANTONS TOD<\/td>\n<\/tr>\n
Umberto Giordano<\/strong><\/td>\nANDR\u00c9 CHENIER<\/td>\n<\/tr>\n
Charles Gounod<\/strong><\/td>\nFAUST (MARGARETHE)<\/td>\n<\/tr>\n
Paul Hindemith<\/strong><\/td>\nMATHIS DER MALER<\/td>\n<\/tr>\n
Jen\u00f6 Hubay
\n<\/strong><\/td>\n		ANNA KARENINA<\/td>\n<\/tr>\n
Engelbert Humperdinck<\/strong>
\n<\/strong><\/td>\n		H\u00c4NSEL UND GRETEL<\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1\u010dek<\/strong>
\n<\/strong><\/td>\n		KATJA KABANOWA<\/td>\n<\/tr>\n
Ernst Krenek<\/strong><\/td>\nJONNY SPIELT AUF<\/td>\n<\/tr>\n
Ruggero Leoncavallo<\/strong>
\n<\/strong><\/td>\n		PAGLIACCI<\/td>\n<\/tr>\n
Pietro Mascagni<\/strong><\/td>\nCAVALLERIA RUSTICANA<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nBASTIEN UND BASTIENNE<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDON GIOVANNI<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nIDOMENEO<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nLE NOZZE DI FIGARO<\/td>\n<\/tr>\n
Otto Nicolai<\/strong><\/td>\nDIE LUSTIGEN WEIBER VON WINDSOR<\/td>\n<\/tr>\n
Jacques Offenbach<\/strong><\/td>\nLA BELLE H\u00c9L\u00c8NE (Die sch\u00f6ne Helena)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nLES CONTES D’HOFFMANN<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nORPHEUS IN DER UNTERWELT (ORPH\u00c9E AUX ENFERS)<\/td>\n<\/tr>\n
Francis <\/b>Poulenc<\/strong><\/td>\nLA VOIX HUMAINE (Die menschliche Stimme)<\/td>\n<\/tr>\n
Giacomo Puccini<\/b><\/strong><\/td>\nLA BOH\u00c8ME<\/td>\n<\/tr>\n
\u00a0<\/b><\/strong><\/td>\nLA FANCIULLA DEL WEST<\/td>\n<\/tr>\n
\u00a0<\/b><\/strong><\/td>\nMADAMA BUTTERFLY<\/td>\n<\/tr>\n
\u00a0<\/b><\/strong><\/td>\nTOSCA<\/td>\n<\/tr>\n
\u00a0<\/b><\/strong><\/td>\nTURANDOT<\/td>\n<\/tr>\n
Henry Purcell<\/b><\/strong><\/td>\nDIDO UND AENEAS<\/td>\n<\/tr>\n
Gioacchino Rossini<\/strong>
\n<\/b><\/strong><\/td>\n		IL BARBIERE DI SIVIGLIA<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nIL VIAGGIO A REIMS<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nL\u00b4ITALIANA IN ALGERI<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nLA CENERENTOLA<\/td>\n<\/tr>\n
Camille Saint-Saens<\/strong><\/td>\nSAMSON ET DALILA<\/td>\n<\/tr>\n
Richard Strauss<\/strong><\/td>\nARIADNE AUF NAXOS<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDER ROSENKAVALIER<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDIE FRAU OHNE SCHATTEN<\/td>\n<\/tr>\n
Johann Strau\u00df
\n<\/strong><\/td>\n		EINE NACHT IN VENEDIG<\/td>\n<\/tr>\n
Pjotr Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\n<\/tr>\n
Giuseppe Verdi<\/strong><\/td>\nDON CARLOS (Modena-Fassung, 1886)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nFALSTAFF<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nI MASNADIERI<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nIL TROVATORE<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nLA TRAVIATA<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMACBETH<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nOTELLO<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSIMON BOCCANEGRA<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nUN BALLO IN MASCHERA<\/td>\n<\/tr>\n
Richard Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDIE WALK\u00dcRE<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nTANNH\u00c4USER<\/td>\n<\/tr>\n
Carl Maria von Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n\u00a0<\/td>\n<\/tr>\n
\n

Musical
\n<\/strong><\/h4>\n<\/td>\n<\/tr>\n

Leonard Bernstein<\/strong><\/td>\nWEST SIDE STORY<\/td>\n<\/tr>\n
Jerry Bock<\/strong><\/td>\nANATEVKA<\/td>\n<\/tr>\n
Frederick Loewe
\n<\/strong><\/td>\n		GIGI<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nOrchestersuite Nr. 3 D-Dur BWV 1068<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nViolinkonzert E-Dur BWV 1042<\/td>\n<\/tr>\n
B\u00e9la Bart\u00f3k<\/strong><\/td>\nKONZERT F\u00dcR ORCHESTER<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nKlavierkonzert Nr. 4 G-Dur op. 58<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 1 -9<\/td>\n<\/tr>\n
Hector Berlioz<\/strong><\/td>\nSymphonie fantastique op. 14<\/td>\n<\/tr>\n
Johannes Brahms
\n<\/strong><\/td>\n		Sinfonie Nr. 1 – 4<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nVariationen \u00fcber ein Thema von Joseph Haydn f\u00fcr Orchester op 56a<\/td>\n<\/tr>\n
Benjamin Britten
\n<\/strong><\/td>\n		Four Sea Interludes from Peter Grimes op. 33a<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSimple Symphony<\/td>\n<\/tr>\n
Max Bruch<\/strong><\/td>\nViolinkonzert in g-Moll, op. 26<\/td>\n<\/tr>\n
Anton Bruckner<\/strong><\/td>\nSinfonie Nr. 5 – 9<\/td>\n<\/tr>\n
Fr\u00e9d\u00e9ric Chopin<\/strong><\/td>\nKlavierkonzert Nr. 2 f-Moll op. 21<\/td>\n<\/tr>\n
Aaron Copland<\/strong><\/td>\nEl salon de Mexico<\/td>\n<\/tr>\n
Claude Debussy<\/strong><\/td>\nLA MER<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nL’apr\u00e8s-midi d’un faune<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nRondes de printemps<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nSinfonie Nr. 7 d-Moll op. 70<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 8 G-Dur op. 88<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 9 in e-Moll op. 95 “Aus der Neuen Welt”<\/td>\n<\/tr>\n
Manuel de Falla <\/strong><\/td>\nEl Sombrero de tres Picos<\/td>\n<\/tr>\n
Gabriel Faur\u00e9<\/strong><\/td>\nRequiem<\/td>\n<\/tr>\n
George Gershwin<\/strong><\/td>\nEin Amerikaner in Paris<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nRhapsody in blue<\/td>\n<\/tr>\n
Edvard Grieg<\/strong><\/td>\nKlavierkonzert a-Moll op. 16<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nNorwegische T\u00e4nze<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nPEER-GYNT-SUITE 1 & 2<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel<\/strong><\/td>\nMusic for the Royal Fireworks (HWV 351)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nWater Music, HWV 348, 349 und 350<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nSinfonie D-Dur Hoboken-Verzeichnis I:101<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 44 e-Moll Hob. I:44<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 92 G-Dur<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 100 G-Dur Hoboken-Verzeichnis I:100<\/td>\n<\/tr>\n
Paul Hindemith<\/strong><\/td>\nSinfonische Metamorphosen<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nSinfonie Nr. 1 D-Dur<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 5<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nEin Sommernachtstraum op. 21<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nKlavierkonzert Nr. 1 g-Moll op. 25 (MWV O 7)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMeeres Stille und Gl\u00fcckliche Fahrt op. 27<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 3 in a-Moll op. 56, \u201eSchottische\u201c<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 4 in A-Dur op. 90, \u201eItalienische\u201c<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nKlarinettenkonzert A-Dur KV 622<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nKlavierkonzert Nr. 24 c-Moll KV 491″<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonien\u00a0 KV 183, 201, 425, 504, 543, 550, 551<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nViolinkonzert Nr. 4 D-Dur KV 218<\/td>\n<\/tr>\n
Carl Nielsen<\/strong><\/td>\nMaskerade-Ouvert\u00fcre<\/td>\n<\/tr>\n
Carl Orff<\/strong><\/td>\nCarmina Burana<\/td>\n<\/tr>\n
Goffredo Petrassi <\/strong><\/td>\nQuinto Concerto per orchestra<\/td>\n<\/tr>\n
Sergei Prokofjew<\/strong><\/td>\nKlavierkonzert Nr. 2 in g-Moll op. 16<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nKlavierkonzert Nr. 3 in C-Dur op. 26<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 1 in D-Dur op. 25 “Symphonie classique”<\/td>\n<\/tr>\n
Sergej Rachmaninow<\/strong><\/td>\nDie Toteninsel op. 29<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nRhapsodie \u00fcber ein Thema von Paganini op. 43<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 2 e-Moll op. 27<\/td>\n<\/tr>\n
Maurice Ravel<\/strong><\/td>\nBilder einer Ausstellung<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nKonzert f\u00fcr Klavier und Orchester G-Dur<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nLe tombeau de Couperin<\/td>\n<\/tr>\n
Ottorino Respighi
\n<\/strong><\/td>\n		Feste Romane<\/td>\n<\/tr>\n
Nikolai Rimski-Korsakow<\/strong><\/td>\nScheherazade op. 35<\/td>\n<\/tr>\n
Gioachino Rossini <\/strong><\/td>\nL\u2019italiana in Algeri – Ouvert\u00fcre<\/td>\n<\/tr>\n
Dmitri Schostakowitsch
\n<\/strong><\/td>\n		Sinfonie Nr. 1 in f-Moll, op. 10<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 4 in c-Moll, op. 43<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 10 in e-Moll, op. 93<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 11 in g-Moll op. 103<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 3 D-Dur (D 200)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 5 B-Dur D 485<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 7 h-Moll D 759 “Unvollendete”<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 8 C-Dur D 944 “Gro\u00dfe Sinfonie C-Dur”<\/td>\n<\/tr>\n
Robert Schumann<\/strong><\/td>\nSinfonien Nr. 1 – 4<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nKlavierkonzert a-Moll op. 54<\/td>\n<\/tr>\n
Jean Sibelius\u00a0<\/strong><\/td>\nEn Saga op. 9<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 2 in D-Dur op. 43<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 7 C-Dur, op. 105<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nValse triste op. 44<\/td>\n<\/tr>\n
Richard Strauss
\n<\/strong><\/td>\n		Don Juan op. 20<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDon Quixote op. 35<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nKonzert f\u00fcr Horn und Orchester Nr. 2 Es-Dur, o. Op., AV 132<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMetamorphosen f\u00fcr 23 Solostreicher<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nTill Eulenspiegels lustige Streiche op. 28<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nTod und Verkl\u00e4rung op. 24, TrV 158<\/td>\n<\/tr>\n
Igor Strawinsky
\n<\/strong><\/td>\n		Apollon Musagete<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nDer Feuervogel (Suite 1919)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nKonzert f\u00fcr Klavier & Bl\u00e4ser<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nLe sacre du printemps<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nPulcinella Suite<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie F\u00fcr Bl\u00e4ser <\/span><\/td>\n<\/tr>\n
Pjotr Iljitsch Tschaikowski <\/strong><\/td>\nSinfonie Nr. 4 f-Moll op. 36<\/span><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 5 e-Moll op. 64<\/span><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSinfonie Nr. 6 h-Moll op. 74 \u201ePath\u00e9tique\u201d<\/span><\/td>\n<\/tr>\n
Ralph Vaughan Williams
\n<\/strong><\/td>\n		Tubakonzert<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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PHILHARMONISCHES ORCHESTER DER STADT TRIER \u2013 3RD SYMPHONY CONCERT<\/a><\/h3>Jochem Hochstenbach<\/a><\/span><\/div><\/div><\/div>

PHILHARMONISCHES ORCHESTER DER STADT TRIER \u2013 3RD SYMPHONY CONCERT<\/a><\/h3>
By Agentur<\/a><\/span>19. November 2025<\/abbr><\/span>Jochem Hochstenbach<\/a><\/span><\/div>
Jochem Hochstenbach | Conductor<\/div>
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Press<\/h2>\n

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DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>14. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on: Das Rheingold \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung \u2013 May 25, 2026 & May 31, 2026 [\/vc_column_text][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_column_text css=””]...<\/div>
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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere The Fritjof Saga Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Andreas Herrmann pr\u00e4sentiert einen klangsch\u00f6nen, strahlenden Tenor… Die deutsche B\u00fchne by Andreas...<\/div>
read more<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”photos” in_content_menu=”in_content_menu” content_menu_title=”PHOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Photos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”87659,87661″ img_size=”200×200″ css=”.vc_custom_1692586749790{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Jochem Hochstenbach [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] General Music Director…<\/p>\n","protected":false},"author":4,"featured_media":87660,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-99139","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=99139"}],"version-history":[{"count":22,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99139\/revisions"}],"predecessor-version":[{"id":108578,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99139\/revisions\/108578"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/87660"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=99139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}