{"id":99123,"date":"2022-06-20T10:31:31","date_gmt":"2022-06-20T08:31:31","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/michael-schulz\/"},"modified":"2025-09-01T16:27:01","modified_gmt":"2025-09-01T14:27:01","slug":"michael-schulz","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/michael-schulz\/","title":{"rendered":"Michael Schulz (Director)"},"content":{"rendered":"

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Michael Schulz<\/h2>\n

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Vita<\/h2>\n

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General director of the Saarl\u00e4ndisches Staatstheater since the 2025\/26 season<\/h5>\n

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Director Michael Schulz has been General Director of the Saarl\u00e4ndisches Staatstheater since the beginning of the 2025\/26 season. From 2008 to 2025 he served as General Director of Musiktheater im Revier Gelsenkirchen, where he shaped the company\u2019s artistic profile with stylistically wide-ranging and distinctive productions.<\/p>\n

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He has established an international reputation with productions of major works of the repertoire. At the Salzburg Easter Festival, under the musical direction of Christian Thielemann, he staged Wagner\u2019s Parsifal \u2013 a production later presented as the Chinese premiere at the Polytheater in Beijing. In Weimar he directed the complete Ring des Nibelungen, while in Budapest he staged Wagner\u2019s Die Meistersinger von N\u00fcrnberg. Further acclaimed productions include Strauss\u2019s Elektra (Landestheater Linz), Mozart\u2019s La clemenza di Tito (Deutsche Oper am Rhein, D\u00fcsseldorf), Strauss\u2019s Der Rosenkavalier (Oper Leipzig), Salome (Semperoper Dresden), Giordano\u2019s Andrea Ch\u00e9nier (Staatstheater Kassel), and world premieres such as Gurlitt\u2019s Nana (Weimar). His productions of Parsifal and the Weimar Ring have been released on DVD and received multiple awards.<\/p>\n

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As a guest director, he has worked with houses such as the Komische Oper Berlin, the state theatres in Darmstadt, Kassel, Hanover, and Nuremberg, the Aalto-Musiktheater Essen, and the theatres in Bremen, Bielefeld, Erfurt, Osnabr\u00fcck, Koblenz, and L\u00fcbeck. He has also been engaged by leading festivals including the Salzburg Easter Festival, the Wagner Weeks in Budapest, the Mecklenburg-Vorpommern Festival, the European Weeks in Passau, the Kammeroper Schloss Rheinsberg, and the International Opera Festival Miskolc.<\/p>\n

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In 1998, Schulz became the first recipient of the newly established G\u00f6tz Friedrich Prize for Young Directors in Berlin for his staging of Poulenc\u2019s Dialogues des Carm\u00e9lites.<\/p>\n

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He began his career as stage director at the Staatstheater Kassel, before serving as Principal Director at the Aalto-Musiktheater Essen (1997\u20132001) and Opera Director at the Deutsches Nationaltheater Weimar (2002\u20132008). Michael Schulz studied opera direction at the Hochschule f\u00fcr Musik und Theater Hamburg.<\/p>\n

2025-08-11<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Media<\/h2>\n

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Oper Leipzig | DER ROSENKAVALIER<\/h5>\n

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Deutsche Oper am Rhein | LA CLEMENZA DI TITO<\/h5>\n

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Palast der K\u00fcnste (Budapest) | DIE MEISTERSINGER VON N\u00dcRNBERG<\/h5>\n

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Musiktheater im Revier | EINE NACHT IN VENEDIG<\/h5>\n

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Landestheater Linz | ELEKTRA<\/h5>\n

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Osterfestspiele Salzburg | PASIFAL<\/h5>\n

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Musiktheater im Revier | BILLY BUDD<\/h5>\n

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Semperoper Dresden | SALOME<\/h5>\n

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Semperoper Dresden | L\u00b4ELISIR D\u00b4AMORE<\/h5>\n

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Productions<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
08\/05\/2026<\/strong><\/td>\nJohn du Prez:\u00a0<\/strong>MONTY PYTHON\u2019S NOT THE MESSIAH<\/td>\nSaarl\u00e4ndisches Staatstheater Saarbr\u00fccken<\/td>\n<\/tr>\n
07\/02\/2026<\/strong><\/td>\nFrancis Poulenc: <\/strong>DIALOGUES DES CARM\u00c9LITES<\/td>\nSaarl\u00e4ndisches Staatstheater Saarbr\u00fccken<\/td>\n<\/tr>\n
2024
\n<\/strong><\/td>\n		Richard Strauss: <\/strong>DER ROSENKAVALIER
\n<\/strong><\/td>\n		\u00a0Oper Leipzig<\/td>\n<\/tr>\n
2023
\n<\/strong><\/td>\n		Johann Strau\u00df:\u00a0<\/strong>EINE NACHT IN VENEDIG\u00a0
\n<\/strong><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nBenjamin Britten:\u00a0<\/strong>BILLY BUDD
\n<\/strong><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2022
\n<\/strong><\/td>\n		Leo\u0161 Jan\u00e1\u010dek:\u00a0<\/strong>DAS SCHLAUE F\u00dcCHSLEIN
\n<\/strong><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nBenjamin Britten:\u00a0<\/strong>A MIDSUMMER NIGHT\u00b4S DREAM<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2021<\/strong><\/td>\nJohann Sebastian Bach, Carl Orff, Arvo P\u00e4rt, Hanns Eisler:<\/strong> JAUCHZET, FROHLOCKET!<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nWolfgang Amadeus Mozart:<\/strong> LA CLEMENZA DI TITO<\/td>\nDeutsche Oper am Rhein<\/td>\n<\/tr>\n
2020
\n<\/strong><\/td>\n		Giuseppe Verdi:<\/strong> LA FORZA DEL DESTINO
\n<\/span><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nGeorg Friedrich H\u00e4ndel:<\/strong> GIULIO CESARE
\n<\/span><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2019<\/strong><\/td>\nRichard Wagner:<\/strong> DAS RHEINGOLD
\n<\/span><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nRichard Strauss:<\/strong> ELEKTRA
\n<\/span><\/td>\n		Landestheater Linz<\/td>\n<\/tr>\n
2018
\n<\/strong><\/td>\n		Gaetano Donnizetti:<\/strong> L\u00b4ELISIR D\u00b4AMORE
\n<\/span><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2017<\/strong><\/td>\nAndrew Lloyd Webber:<\/strong> JESUS CHRIST SUPERSTAR
\n<\/span><\/td>\n		Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nPaul Hindemith<\/span>:<\/strong> MATHIS DER MALER<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nUmberto Giordano:<\/strong> ANDREA CH\u00c9NIER<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
\u00a0<\/td>\nRichard Wagner:<\/strong> TRISTAN UND ISOLDE<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2016<\/strong><\/td>\nRichard Strauss:<\/strong> SALOME<\/td>\nSemperoper Dresden<\/td>\n<\/tr>\n
\u00a0<\/td>\nAntonio Smareglia:<\/strong> LA FALENA<\/td>\nStaatstheater Braunschweig<\/td>\n<\/tr>\n
2015<\/strong><\/td>\nBenjamin Britten:<\/strong> A MIDSUMMER NIGHT\u00b4S DREAM<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nGiuseppe Verdi:<\/strong> RIGOLETTO<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2014<\/strong><\/td>\nRichard Strauss:<\/strong> DIE FRAU OHNE SCHATTEN<\/td>\nStaatstheater Kassel, Musiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2013<\/strong><\/td>\nRichard Wagner:<\/strong> PASIFAL (Dir.: Christian Thielemann)<\/td>\nOsterfestspiele Salzburg, Nationaltheater Beijing<\/td>\n<\/tr>\n
\u00a0<\/td>\nRichard Wagner:<\/strong> DIE MEISTERSINGER VON N\u00dcRNBERG (Dir.: Adam Fischer)<\/td>\nPalast der K\u00fcnste Budapest, Musiktheater im Revier Gelsenkirchen, Oper Tallin<\/td>\n<\/tr>\n
\u00a0<\/td>\nDimitrij Shostakowitsch:<\/strong> LADY MACBETH VON MZENSK<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2012<\/strong><\/td>\nGaetano Donnizetti:<\/strong> L\u00b4ELISIR D\u00b4AMORE<\/span><\/td>\nSemperoper Dresden<\/td>\n<\/tr>\n
\u00a0<\/td>\nWolfgang Amadeus Mozart:<\/strong> IDOMENEO<\/td>\nSemperoper Dresden<\/td>\n<\/tr>\n
2011<\/strong><\/td>\nChristoph Willibald Gluck:<\/strong> IPHIGENIE AUX TAURIDE<\/td>\nTheater Bielefeld<\/td>\n<\/tr>\n
\u00a0<\/td>\nDimitrij Shostakowitsch:<\/strong> LADY MACBETH VON MZENSK<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
\u00a0<\/td>\nGiuseppe Verdi:<\/strong> LA TRAVIATA<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2010<\/strong><\/td>\nArrigo Boito:<\/strong> MEFISTOFELE<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nManfred Gurlitt:<\/strong> NANA<\/td>\nOper Erfurt<\/td>\n<\/tr>\n
2009<\/strong><\/td>\nBert Brecht\/Kurt Weill:<\/strong> DIE DREIGROSCHENOPER<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2008<\/strong><\/td>\nRichard Wagner:<\/strong> G\u00d6TTERD\u00c4MMERUNG<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nGiacomo Puccini:<\/strong> LA BOH\u00c8ME<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
2007<\/strong><\/td>\nRichard Wagner:<\/strong> SIEGFRIED<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohann Strau\u00df:<\/strong> DIE FLEDERMAUS<\/td>\nMusiktheater im Revier Gelsenkirchen<\/td>\n<\/tr>\n
\u00a0<\/td>\nAndrew Lloyd Webber:<\/strong> JESUS CHRIST SUPERSTAR<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
2006<\/strong><\/td>\nRichard Wagner:<\/strong> DAS RHEINGOLD<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nRichard Wagner:<\/strong> DIE WALK\u00dcRE<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nGiuseppe Verdi:<\/strong> NABUCCO<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
2005<\/strong><\/td>\nRichard Strauss:<\/strong> DER ROSENKAVALIER<\/td>\nTheater Osnabr\u00fcck<\/td>\n<\/tr>\n
2004<\/strong><\/td>\nAribert Reimann:<\/strong> MELUSINE<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nBenjamin Britten:<\/strong> A MIDSUMMER NIGHT\u00b4S DREAM<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
\u00a0<\/td>\nErich Wolfgang Korngold:<\/strong> DIE TOTE STADT<\/td>\nTheater Osnabr\u00fcck<\/td>\n<\/tr>\n
2003<\/strong><\/td>\nSiegfried Matthus:<\/strong> DIE UNENDLICHE GESCHICHTE<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nRichard Strauss:<\/strong> SALOME<\/td>\nTheater Osnabr\u00fcck<\/td>\n<\/tr>\n
\u00a0<\/td>\nEngelbert Humperdinck:<\/strong> H\u00c4NSEL UND GRETEL<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nWolfgang Amadeus Mozart:<\/strong> DIE ZAUBERFL\u00d6TE<\/td>\nKammeroper Schlo\u00df Rheinsberg<\/td>\n<\/tr>\n
2002<\/strong><\/td>\nUmberto Giordano:<\/strong> ANDREA CH\u00c9NIER<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
\u00a0<\/td>\nWilliam Shakespeare:<\/strong> EIN SOMMERNACHTSTRAUM<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohann Sebastian Bach:<\/strong> ICH HATTE VIEL BEK\u00dcMMERNIS \/ VERGN\u00dcGTE RUH & Benjamin Britten:<\/strong> CURLEW RIVER<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
2001<\/strong><\/td>\nManfred Trojahn:<\/strong> WAS IHR WOLLT<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nAribert Reimann:<\/strong> LEAR<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
\u00a0<\/td>\nCarl Maria von Weber:<\/strong> DER FREISCH\u00dcTZ<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
\u00a0<\/td>\nGiuseppe Verdi:<\/strong> DON CARLO<\/td>\nDeutsches Nationaltheater Weimar<\/td>\n<\/tr>\n
\u00a0<\/td>\nGiovanni Paisiello:<\/strong> IL RE TEODOR IN VENEZIA<\/td>\nKammeroper Schlo\u00df Rheinsberg<\/td>\n<\/tr>\n
2000<\/strong><\/td>\nGiacomo Puccini:<\/strong> MANON LESCAUT<\/td>\nKomische Oper Berlin<\/td>\n<\/tr>\n
\u00a0<\/td>\nCharles Gounod:<\/strong> MARGARETE<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
\u00a0<\/td>\nGiacomo Puccini:<\/strong> TOSCA<\/td>\nTheater Bremen<\/td>\n<\/tr>\n
1999<\/strong><\/td>\nJohann Strau\u00df:<\/strong> DIE FLEDERMAUS<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
1998<\/strong><\/td>\nFrancis Poulenc:<\/strong> LES DIALOGUES DES CARM\u00c9LITES<\/td>\nAalto Theater Essen<\/td>\n<\/tr>\n
\u00a0<\/td>\nChristoph Willibald Gluck:<\/strong> ORFEO ED EURIDICE<\/td>\nTheater Neustrelitz Festival Mecklenburg-Vorpommern<\/td>\n<\/tr>\n
1997<\/strong><\/td>\nGiacomo Puccini:<\/strong> SUOR ANGELICA \/ GIANNI SCHICCHI<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
1995<\/strong><\/td>\nEngelbert Humperdinck:<\/strong> H\u00c4NSEL UND GRETEL (Singspielfassung)<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
1994<\/strong><\/td>\nRichard Strauss:<\/strong> CAPRICCIO<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
\u00a0<\/td>\nCarlo Collodi:<\/strong> PIPP\u00cd, DAS ROSAROTE \u00c4FFCHEN<\/td>\nTheater f\u00fcr Kinder Hamburg<\/td>\n<\/tr>\n
1993<\/strong><\/td>\nPeter Tschaikowsky\/Andreas Franz:<\/strong> NUSSKNACKER UND MAUSEK\u00d6NIG<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
1992<\/strong><\/td>\nErik Satie:<\/strong> LE FILS DES ETOILE<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
\u00a0<\/td>\nRichard Wagner:<\/strong> PARSIFAL, 3.Akt<\/td>\nStaatstheater Kassel<\/td>\n<\/tr>\n
1991<\/strong><\/td>\nHenry Purcell:<\/strong> DIDO UND AENEAS<\/td>\nForum der HfMdK Hamburg<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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OPER LEIPZIG – DER ROSENKAVALIER (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>28. February 2024<\/abbr><\/span><\/div>
Director | Michael Schulz<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
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MUSIKTHEATER IM REVIER – EINE NACHT IN VENEDIG (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>26. October 2023<\/abbr><\/span><\/div>
Director | Michael Schulz<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
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MUSIKTHEATER IM REVIER – BILLY BUDD (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>25. February 2023<\/abbr><\/span><\/div>
Michael Schulz | Director<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
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MUSIKTHEATER IM REVIER\u00a0GELSENKIRCHEN – DAS SCHLAUE F\u00dcCHSLEIN (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>7. December 2022<\/abbr><\/span><\/div>
Director |\u00a0Michael Schulz<\/div>
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Press<\/h2>\n

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DAS ROSENKAVALIER (PREMIERE) – OPER LEIPZIG (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>7. May 2024<\/abbr><\/span><\/div>
Premiere on March 30, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL REVIEWS<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”photos” in_content_menu=”in_content_menu” content_menu_title=”PHOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Photos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”85454,102105,102103,102101″ img_size=”200×200″ css=”.vc_custom_1692587690934{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Michael Schulz [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] General director of…<\/p>\n","protected":false},"author":4,"featured_media":102103,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-99123","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=99123"}],"version-history":[{"count":29,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99123\/revisions"}],"predecessor-version":[{"id":108571,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99123\/revisions\/108571"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/102103"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=99123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}