{"id":99109,"date":"2022-06-20T10:31:30","date_gmt":"2022-06-20T08:31:30","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/thomas-j-mayer\/"},"modified":"2026-01-27T16:54:08","modified_gmt":"2026-01-27T15:54:08","slug":"thomas-j-mayer","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/thomas-j-mayer\/","title":{"rendered":"Thomas J. Mayer (Baritone) \u2020 15.12.2025"},"content":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ css_animation=”” css=”.vc_custom_1691425165365{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Thomas J. Mayer<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”30″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ css_animation=”” css=”.vc_custom_1691425171877{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text css=””]<\/p>\n

In memory of Thomas Johannes Mayer (30 October 1969 \u2013 \u2020)<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”30″ down=”39″][vc_column_text css=””]<\/p>\n

With great sadness we bid farewell to the German baritone Thomas Johannes Mayer, one of the most distinguished and internationally renowned singers of his generation. Over many years, he left a lasting mark on the world\u2019s leading opera stages. His passing represents a profound loss for the international operatic community and for all those who were connected to him both artistically and personally.<\/p>\n

 <\/p>\n

Thomas Johannes Mayer was long regarded as one of the leading interpreters of the German and Italian repertoire. His exceptional stage presence, combining vocal power with stylistic precision and profound dramatic insight, made him a highly sought-after performer in the major roles of his Fach. Among his most recent and significant engagements were Hans Sachs (Die Meistersinger von N\u00fcrnberg) at the New National Theatre Tokyo and the Deutsche Oper Berlin, Telramund (Lohengrin) at the Dutch National Opera, the Vienna State Opera and the Bayreuth Festival, Amfortas (Parsifal) at the Deutsche Oper Berlin and the Vienna State Opera, as well as Wotan\/Wanderer (Der Ring des Nibelungen) at Stuttgart State Opera, Teatro Comunale di Bologna and Oper Leipzig.<\/p>\n

 <\/p>\n

Further highlights of his career included Kurwenal (Tristan und Isolde) at Teatro Real Madrid, Sharpless (Madama Butterfly) at the Gran Teatre del Liceu in Barcelona, the title role in Wagner\u2019s Der fliegende Holl\u00e4nder at the Bayreuth Festival and the Hamburg State Opera, Scarpia (Tosca) at Zurich Opera House and Stuttgart State Opera, Jochanaan (Salome) at the Bolshoi Theatre in Moscow, and Don Pizarro (Fidelio) in Copenhagen.<\/p>\n

 <\/p>\n

His international career began at Teatro alla Scala in Milan, where he made his debut in the title role of Alban Berg\u2019s Wozzeck (production by J\u00fcrgen Flimm). He later returned to La Scala as Posa in a new production of Don Carlo. From there, he went on to appear regularly at the world\u2019s leading opera houses, including the Bavarian State Opera Munich, the Op\u00e9ra National de Paris, Teatro alla Scala, the Royal Opera House Covent Garden, the Staatsoper Unter den Linden, the Deutsche Oper Berlin, the Hamburg State Opera, Zurich Opera House, Oper K\u00f6ln, the Th\u00e9\u00e2tre Royal de la Monnaie, the New National Theatre Tokyo and the Palau de les Arts Valencia. He was also a frequent guest at major festivals such as the Bayreuth Festival, the Salzburg Festival and the Bregenz Festival. In the concert repertoire, he collaborated with renowned orchestras including the Boston Symphony Orchestra and the Odense Symphony Orchestra.<\/p>\n

 <\/p>\n

At the core of his repertoire were the great roles by Wagner and Richard Strauss, among them Barak (Die Frau ohne Schatten), Mandryka (Arabella), Amfortas, Telramund, Jochanaan, Wotan\/Wanderer and the Dutchman (Der fliegende Holl\u00e4nder). His repertoire further included challenging roles such as Moses in Schoenberg\u2019s Moses und Aron, Thoas in Gluck\u2019s Iphig\u00e9nie en Tauride, Mizguir in Rimsky-Korsakov\u2019s The Snow Maiden, the Water Goblin in Dvo\u0159\u00e1k\u2019s Rusalka, and the title role in Manfred Trojahn\u2019s Orest.<\/p>\n

 <\/p>\n

Thomas Johannes Mayer worked with many of the most distinguished conductors of his time, including Daniel Barenboim, Semyon Bychkov, Daniele Gatti, Philippe Jordan, Vladimir Jurowski, Zubin Mehta, Kent Nagano, Andris Nelsons, Sir Simon Rattle, Donald Runnicles, Christian Thielemann and Simone Young.<\/p>\n

 <\/p>\n

He received his musical training at the Cologne University of Music, where he studied with Liselotte Hammes and Kurt Moll, following earlier academic studies in history, German studies, music education and philosophy. After initial engagements in Regensburg and Darmstadt, he gained wider recognition at Theater Basel, appearing as Don Giovanni and as Achilles in Othmar Schoeck\u2019s Penthesilea. He subsequently became a permanent ensemble member of the Hamburg State Opera before continuing his international career as a freelance artist.<\/p>\n

 <\/p>\n

With his passing, the operatic world loses an artist of exceptional artistic integrity, intellectual depth and human presence. His work and interpretations will endure in memory.<\/p>\n

 <\/p>\n

2025-12-16<\/em><\/p>\n

[\/vc_column_text][vc_empty_space]WEBSITE<\/span><\/a>DISCOGRAPHY<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”media” in_content_menu=”in_content_menu” content_menu_title=”MEDIA” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=”” css=”.vc_custom_1691425181445{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Media<\/h2>\n

[\/vc_column_text][vc_separator type=”small” position=”center”][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n

“Eine Stimme f\u00fcr Richard Wagner” mit Thomas Johannes MAYER<\/h5>\n

[\/vc_column_text][vc_video link=”https:\/\/youtu.be\/s-rN1kBAdao”][vc_separator type=”small” position=”center”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n

\u00a0<\/h5>\n
Bayerische Staatsoper | ARABELLA<\/h5>\n

[\/vc_column_text][vc_video link=”https:\/\/youtu.be\/-5A_qOMDc-c”][vc_separator type=”small” position=”center”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n

\u00a0<\/h5>\n
Dutch National Opera | DIE WALK\u00dcRE<\/h5>\n

[\/vc_column_text][vc_video link=”https:\/\/youtu.be\/5HszSmw6jPg”][vc_separator type=”small” position=”center”][\/vc_column_inner][\/vc_row_inner][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”repertoire” in_content_menu=”in_content_menu” content_menu_title=”REPERTOIRE” content_menu_icon=”” text_align=”center” background_color=”#ffffff” css_animation=”” css=”.vc_custom_1691425188128{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Repertoire<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”30″ down=”39″]

Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Beethoven<\/strong><\/td>\nFIDELIO<\/td>\nDon Fernando, Don Pizarro<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLEONORE (original version of “Fidelio”)<\/td>\nPizarro<\/em><\/td>\n<\/tr>\n
Berg<\/strong><\/td>\nLULU<\/td>\nAthlet, Tierb\u00e4ndiger<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nWOZZECK<\/td>\nWozzeck<\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nDancairo, Escamillo<\/em><\/td>\n<\/tr>\n
Braunfels<\/strong><\/td>\nDER TRAUM EIN LEBEN<\/td>\nZaza<\/em><\/td>\n<\/tr>\n
Britten<\/strong><\/td>\nA MIDSUMMER NIGHT\u2019S DREAM<\/td>\nDemetrius, Snug<\/em><\/td>\n<\/tr>\n
Cavalli<\/strong><\/td>\nLA CALISTO<\/td>\nGiove<\/em><\/td>\n<\/tr>\n
de Falla<\/strong><\/td>\nEL RETABLO DE MAESE PEDRO<\/td>\nDon Quijote<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nL’ELISIR D’AMORE<\/td>\nBelcore<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nVIVA LA MAMMA<\/td>\nProspero<\/em><\/td>\n<\/tr>\n
Dvo\u0159\u00e1k<\/strong><\/td>\nRUSALKA<\/td>\nDer Wassermann<\/em><\/td>\n<\/tr>\n
Gershwin<\/strong><\/td>\nPORGY AND BESS<\/td>\nPorgy<\/em><\/td>\n<\/tr>\n
Gluck<\/strong><\/td>\nIPHIGENIE AUF TAURIS<\/td>\nThoas<\/em><\/td>\n<\/tr>\n
Gounod<\/strong><\/td>\nROM\u00c9O ET JULIETTE<\/td>\nMercutio<\/em><\/td>\n<\/tr>\n
Grieg<\/strong><\/td>\nPEER GYNT<\/td>\nPeer Gynt<\/em><\/td>\n<\/tr>\n
H\u00e4ndel<\/strong><\/td>\nACIS AND GALATEA<\/td>\nPolyphem<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nALCINA<\/td>\nMelisso<\/em><\/td>\n<\/tr>\n
Hindemith<\/strong><\/td>\nMATHIS DER MALER<\/td>\nMathis<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nVater<\/em><\/td>\n<\/tr>\n
Krenek<\/strong><\/td>\nKARL V.<\/td>\nKarl V., Luther, Solimann<\/em><\/td>\n<\/tr>\n
Leoncavallo<\/strong><\/td>\nI PAGLIACCI<\/td>\nToni<\/em><\/td>\n<\/tr>\n
Ligeti<\/strong><\/td>\nLE GRAND MACABRE<\/td>\nNekrotzar<\/em><\/td>\n<\/tr>\n
Lortzing<\/strong><\/td>\nDER WILDSCH\u00dcTZ<\/td>\nGraf von Eberbach<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nZAR UND ZIMMERMANN<\/td>\nPeter I.<\/em><\/td>\n<\/tr>\n
Mascagni<\/strong><\/td>\nCAVALLERIA RUSTICANA<\/td>\nAlfio<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nBASTIEN UND BASTIENNE<\/td>\nColas<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nCOS\u00cc FAN TUTTE<\/td>\nGuglielmo<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nPapageno, Sprecher<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nDon Giovanni<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nGraf Almaviva<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nZAIDE<\/td>\nAllazim<\/em><\/td>\n<\/tr>\n
Mussorgsky<\/strong><\/td>\nBORIS GODUNOW<\/td>\nSchtschelkalow<\/em><\/td>\n<\/tr>\n
Nessler<\/strong><\/td>\nDER TROMPETER VON S\u00c4CKINGEN<\/td>\nWerner<\/em><\/td>\n<\/tr>\n
Nicolai<\/strong><\/td>\nDIE LUSTIGEN WEIBER VON WINDSOR<\/td>\nHerr Fluth<\/em><\/td>\n<\/tr>\n
Offenbach<\/strong><\/td>\nLES CONTES D’HOFFMANN<\/td>\nLindorf, Copp\u00e9lius, Dr. Miracle, Dapertutto<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nBARKOUF<\/td>\nGrand Mogul<\/em><\/td>\n<\/tr>\n
Orff<\/strong><\/td>\nCARMINA BURANA<\/td>\nBariton<\/em><\/td>\n<\/tr>\n
Pfitzner<\/strong><\/td>\nPALESTRINA<\/td>\nCarlo Borromeo<\/em><\/td>\n<\/tr>\n
Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/td>\nTschelio<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nMADAMA BUTTERFLY<\/td>\nDer kaiserliche Kommissar, Sharpless<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTOSCA<\/td>\nScarpia<\/em><\/td>\n<\/tr>\n
Purcell<\/strong><\/td>\nKING ARTHUR<\/td>\nGuillamar<\/em><\/td>\n<\/tr>\n
Rameau<\/strong><\/td>\nDARDANUS<\/td>\nAnt\u00e9nor<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLES PALADINS<\/td>\nOrcan<\/em><\/td>\n<\/tr>\n
Rimski-Korsakov<\/strong><\/td>\nSNEGUROCKA<\/td>\nMizguir <\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\nFiorello<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CENERENTOLA<\/td>\nDon Magnifico<\/em><\/td>\n<\/tr>\n
Schneider<\/strong><\/td>\nALBERT \u2013 WARUM<\/td>\nHans<\/em><\/td>\n<\/tr>\n
Schnittke<\/strong><\/td>\nLEBEN MIT EINEM IDIOTEN<\/td>\nMann (Ich)<\/em><\/td>\n<\/tr>\n
Schoeck<\/strong><\/td>\nPENTHESILEA<\/td>\nAchilles<\/em><\/td>\n<\/tr>\n
Schreker<\/strong><\/td>\nDER SCHATZGR\u00c4BER<\/td>\nDer Vogt<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDAS SPIELWERK UND DIE PRINZESSIN<\/td>\nMeister Florian<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE GEZEICHNETEN<\/td>\nGraf Andrae Vitelozza Tamare<\/em><\/td>\n<\/tr>\n
Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nDr. Falke, Gabriel von Eisenstein<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ZIGEUNERBARON<\/td>\nHomonay<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARABELLA<\/td>\nMandryka<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE FRAU OHNE SCHATTEN<\/td>\nBarak<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSALOME<\/td>\nJochanaan, 1. + 2. Soldat<\/em><\/td>\n<\/tr>\n
Stumpf-Balden<\/strong><\/td>\nDER AUFTRAG<\/td>\nDiktator<\/em><\/td>\n<\/tr>\n
Trojahn<\/strong><\/td>\nENRICO<\/td>\nDottore<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nOREST<\/td>\nOrest<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nEugen Onegin<\/em><\/td>\n<\/tr>\n
Ullmann<\/strong><\/td>\nDER KAISER VON ATLANTIS<\/td>\nKaiser<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nAIDA<\/td>\nAmonasro<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON CARLOS<\/td>\nPosa<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIL TROVATORE<\/td>\nLuna<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nBaron Douphol, Germont<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMACBETH<\/td>\nMacbeth<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nOTELLO<\/td>\nJago<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\nRigoletto<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSIMON BOCCANEGRA<\/td>\nPaolo Albiani<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nWotan<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE WALK\u00dcRE<\/td>\nWotan<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSIEGFRIED<\/td>\nWanderer<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\nHoll\u00e4nder<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE MEISTERSINGER VON N\u00dcRNBERG<\/td>\nHans Sachs<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLOHENGRIN<\/td>\nFriedrich von Telramund<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\nAmfortas<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTANNH\u00c4USER<\/td>\nWolfram<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTRISTAN UND ISOLDE<\/td>\nKurwenal, Steuermann, Melot<\/em><\/td>\n<\/tr>\n
Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\nKaspar, Ottokar<\/em><\/td>\n<\/tr>\n
Weill<\/strong><\/td>\nAUFSTIEG UND FALL DER STADT MAHAGONNY<\/td>\nDreieinigkeitsmoses, Bill<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE DREIGROSCHENOPER<\/td>\nMacheath<\/em><\/td>\n<\/tr>\n
Alexander von Zemlinsky<\/strong><\/td>\nEINE FLORENTINISCHE TRAG\u00d6DIE<\/td>\nSimone<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=”” css=”.vc_custom_1691425196057{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”30″ down=”39″]ALL NEWS BY THOMAS J. MAYER<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”press” in_content_menu=”in_content_menu” content_menu_title=”PRESS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=”” css=”.vc_custom_1691425202697{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Press<\/h2>\n

[\/vc_column_text][vc_separator type=”small” position=”center”]

\"\"<\/div>

ARABELLA – DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>6. June 2025<\/abbr><\/span><\/div>
Performances on 7, 15 and 20 March 2025 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. ConcertoNet by Ossama el Naggar The apotheosis of Zdenko …German bass-baritone Thomas Johannes Mayer was splendidly...<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

DER RING DES NIBELUNGEN – SEMPEROPER DRESDEN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>27. February 2023<\/abbr><\/span><\/div>
Performances on February 5th, 2023 (Das Rheingold), February 6th, 2023 (Die Walk\u00fcre), February 8th, 2023 (Siegfried) Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

DER FLIEGENDE HOLL\u00c4NDER \u2013 HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>27. November 2022<\/abbr><\/span><\/div>
Performances on October 26th and 29th, 2022 as well as on November 1st, 8th and 13th, 2022 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

DER FLIEGENDE HOLL\u00c4NDER – BAYREUTHER FESTSPIELE (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>31. August 2022<\/abbr><\/span><\/div>
Performances on August 06, 16, 20 and 27, 2022 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL REVIEWS BY THOMAS J. MAYER<\/span><\/a>[vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”photos” in_content_menu=”in_content_menu” content_menu_title=”PHOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=”” css=”.vc_custom_1691425209785{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Photos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”30″ down=”39″][vc_gallery images=”102799,102795,102791,102785″ img_size=”150px” css=”.vc_custom_1674577428146{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” separator_color2=”#000000″ up=”23″ down=”23″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ css_animation=”” css=”.vc_custom_1691425165365{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text] Thomas J. Mayer [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”30″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ css_animation=”” css=”.vc_custom_1691425171877{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text css=””] In memory of…<\/p>\n","protected":false},"author":4,"featured_media":102795,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-99109","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=99109"}],"version-history":[{"count":47,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99109\/revisions"}],"predecessor-version":[{"id":109239,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99109\/revisions\/109239"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/102795"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=99109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}