{"id":99060,"date":"2022-06-20T10:31:21","date_gmt":"2022-06-20T08:31:21","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/annika-schlicht\/"},"modified":"2026-08-31T19:24:10","modified_gmt":"2026-08-31T17:24:10","slug":"annika-schlicht","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/annika-schlicht\/","title":{"rendered":"Annika Schlicht (Mezzo-Soprano)"},"content":{"rendered":"

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Annika Schlicht<\/h2>\n

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Vita<\/h2>\n

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In the 2026\/27 season, German mezzo-soprano Annika Schlicht returns to the Royal Opera House, London, as Waltraute in Barry Kosky\u2019s new production of G\u00d6TTERD\u00c4MMERUNG, conducted by Sir Antonio Pappano. At the Hamburg State Opera, she makes role debuts as Carmen (CARMEN), Ulrica (UN BALLO IN MASCHERA), D\u00e4monia (DORNR\u00d6SCHEN) and Hedwige (GUILLAUME TELL), and reprises Fricka (DIE WALK\u00dcRE). Further engagements include Brang\u00e4ne (TRISTAN UND ISOLDE) at Oper Leipzig and Mahler\u2019s Symphony No. 3 with the Staatskapelle Weimar under Ivan Repu\u0161i\u0107. She also performs Fricka and Waltraute in concert performances of Wagner\u2019s DER RING DES NIBELUNGEN in Vienna and Paris with the Dresdner Festspielorchester and Concerto K\u00f6ln under Kent Nagano.<\/p>\n

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Annika Schlicht has been a member of the Hamburg State Opera ensemble since the 2025\/26 season. Her first season with the company included role debuts as Judith (BLUEBEARD\u2019S CASTLE), the Composer (ARIADNE AUF NAXOS) and Pauline (THE QUEEN OF SPADES), alongside further performances as Brang\u00e4ne. She also sang the alto solo in the season-opening new production of DAS PARADIES UND DIE PERI under the musical direction of Omer Meir Wellber. Previously, she was a member of the Deutsche Oper Berlin ensemble for ten years and continues to return regularly as a guest, including as Fricka and Waltraute in DER RING DES NIBELUNGEN and as the Wood Dove in Schoenberg\u2019s GURRE-LIEDER under Sir Donald Runnicles.<\/p>\n

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Her international engagements have taken her to leading opera houses including the Royal Opera House, London, Op\u00e9ra national de Paris, Bayerische Staatsoper, Semperoper Dresden, Staatsoper Unter den Linden and Deutsche Oper am Rhein. She made her US debut in Mahler\u2019s DAS LIED VON DER ERDE and in recital at the Santa Fe Chamber Music Festival, followed by appearances at San Francisco Opera as Brang\u00e4ne and in Beethoven\u2019s Symphony No. 9. At the Edinburgh International Festival, she performed Mahler\u2019s DES KNABEN WUNDERHORN with the BBC Scottish Symphony Orchestra.<\/p>\n

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Equally at home on the concert and recital platform, Annika Schlicht commands a wide-ranging repertoire extending from Bach and Beethoven to Mahler and Wagner, as well as music of the 20th and 21st centuries. She has collaborated with numerous internationally renowned conductors, orchestras and ensembles.<\/p>\n

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Born in Stuttgart, Annika Schlicht studied at the Hochschule f\u00fcr Musik Hanns Eisler Berlin with Prof. Renate Faltin.<\/p>\n

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ARTISTIC PARTNERS<\/p>\n

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Selected Opera Houses & Festivals<\/p>\n

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Bayerische Staatsoper Munich | Bergen International Festival | Bergen National Opera | Deutsche Oper am Rhein | Deutsche Oper Berlin | Edinburgh International Festival | Hamburg State Opera | Op\u00e9ra national de Paris | Royal Opera House London | Royal Opera House Muscat | San Francisco Opera | Santa Fe Chamber Music Festival | Semperoper Dresden | Staatsoper Unter den Linden Berlin<\/p>\n

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Selected Orchestras & Ensembles<\/p>\n

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Bremer Philharmoniker | Brussels Philharmonic | Deutsches Symphonie-Orchester Berlin | Dresdner Festspielorchester | Dresdner Philharmonie | Ensemble Modern | M\u00fcnchner Rundfunkorchester | Orchestra of the Deutsche Oper Berlin | Philharmonisches Staatsorchester Hamburg | Rundfunk-Sinfonieorchester Berlin | S\u00e4chsische Staatskapelle Dresden | Staatskapelle Berlin | Staatskapelle Weimar | Vienna Symphony Orchestra<\/p>\n

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Selected Conductors<\/p>\n

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Daniel Barenboim | Bertrand de Billy | Karina Canellakis | St\u00e9phane Den\u00e8ve | Asher Fisch | Edward Gardner | Axel Kober | Zubin Mehta | Ingo Metzmacher | Kent Nagano | Sir Antonio Pappano | Ivan Repu\u0161i\u0107 | Sir Donald Runnicles | Sebastian Weigle<\/p>\n

2026-08-31<\/em><\/p>\n

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Media<\/h2>\n

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Annika Schlicht Sings Brang\u00e4ne in Wagner’s Tristan and Isolde<\/h5>\n

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Wagner: DIE WALK\u00dcRE \u2013 II. Aufzug<\/h5>\n

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DER RING DES NIBELUNGEN 2026<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Bart\u00f3k<\/strong><\/td>\nBLUEBEARD’S CASTLE<\/td>\nJudith<\/em><\/td>\n<\/tr>\n
Berg<\/strong><\/td>\nWOZZECK<\/td>\nMargret<\/em><\/td>\n<\/tr>\n
Bernstein<\/strong><\/td>\nCANDIDE<\/td>\nPaquette<\/em><\/td>\n<\/tr>\n
Birtwistle<\/strong><\/td>\nPUNCH AND JUDY<\/td>\nJudy<\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nMerc\u00e9d\u00e8s<\/em><\/td>\n<\/tr>\n
Britten<\/strong><\/td>\nA MIDSUMMER NIGHT’S DREAM<\/td>\nHypolita<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPETER GRIMES<\/td>\nAuntie<\/em><\/td>\n<\/tr>\n
Dalbavie<\/strong><\/td>\nCHARLOTTE SALOMON<\/td>\nKunststudentin aus Tirol<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nLUCIA DI LAMMERMOOR<\/td>\nAlisa<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMARIA STUARDA<\/td>\nAnna Kennedy<\/em><\/td>\n<\/tr>\n
Giordano<\/strong><\/td>\nANDR\u00c9 CHENIER<\/td>\nLa Contessa di Coigny<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nH\u00e4nsel<\/em><\/td>\n<\/tr>\n
Jan\u00e1cek<\/strong><\/td>\nDAS SCHLAUE F\u00dcCHSLEIN<\/td>\nF\u00f6rsterin, Specht
\n<\/em><\/td>\n<\/tr>\n
Martinu<\/strong><\/td>\nLES LARMES DU COUTEAU<\/td>\nMatka (die Mutter)<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\nDorabella<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\n2. Dame
\n<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CLEMENZA DI TITO<\/td>\nSesto<\/em><\/td>\n<\/tr>\n
Mussorgsky<\/strong><\/td>\nBORIS GODUNOW<\/td>\nSchenkwirtin<\/em><\/td>\n<\/tr>\n
Offenbach<\/strong><\/td>\nLE MARIAGE AUX LANTERNES<\/td>\nCatharine<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLES CONTES D’HOFFMANN<\/td>\nVoix de la m\u00e8re<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMESDAMES DE LA HALLE<\/td>\nMadame Beurrefondu, Cro\u00fbte-au-pot
\n<\/em><\/td>\n<\/tr>\n
Ponchielli<\/strong><\/td>\nLA GIOCONDA<\/td>\nLaura<\/em><\/td>\n<\/tr>\n
Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/td>\nPrinzessin Clarisse<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nGIANNI SCHICCHI<\/td>\nZita<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSUOR ANGELICA<\/td>\nLa Principessa, Suor Zeletrice<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nIL TABARRO<\/td>\nFrugola<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMANON LESCAUT<\/td>\nDer Musiker<\/em><\/td>\n<\/tr>\n
Purcell<\/strong><\/td>\nDIDO UND AENEAS<\/td>\nSorceresse<\/em><\/td>\n<\/tr>\n
Ravel<\/strong><\/td>\nL\u2019ENFANT ET LES SORTILEGES<\/td>\nL\u2019Enfant<\/em><\/td>\n<\/tr>\n
Reimann<\/strong><\/td>\nL\u2019INVISIBLE<\/td>\nMarthe \/ Bellang\u00e8re<\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL VIAGGIO A REIMS<\/td>\nMarquise Melibea<\/em><\/td>\n<\/tr>\n
Schumann<\/strong><\/td>\nDAS PARADIES UND DIE PERI<\/td>\nAlto Solo<\/em><\/td>\n<\/tr>\n
Srnka<\/strong><\/td>\nMAKE NO NOISE<\/td>\nInge<\/em><\/td>\n<\/tr>\n
Strau\u00df, Johann
\n<\/strong><\/td>\n		DIE FLEDERMAUS<\/td>\nPrinz Orlofsky<\/em><\/td>\n<\/tr>\n
Strauss, Richard
\n<\/strong><\/td>\n		ARIADNE AUF NAXOS<\/td>\nKomponist, Dryade<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nELEKTRA<\/td>\n1. Magd<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSALOME<\/td>\nEin Page
\n<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nOlga<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nPIQUE DAME<\/td>\nPolina<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nFALSTAFF<\/td>\nMrs. Quickly<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nAnnina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nNABUCCO<\/td>\nFenena<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\nGiovanna, Maddalena
\n<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nFricka, Flosshilde<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE WALK\u00dcRE<\/td>\nFricka, Siegrune<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nG\u00d6TTERD\u00c4MMERUNG<\/td>\nWaltraute, 2. Norn, Flosshilde<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\nMary<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE MEISTERSINGER VON N\u00dcRNBERG<\/td>\nMagdalene<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\n2. Knappe, Blumenm\u00e4dchen, Stimme aus der H\u00f6he<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIENZI<\/td>\nAdriano<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nTRISTAN UND ISOLDE<\/td>\nBrang\u00e4ne<\/em><\/td>\n<\/tr>\n
Wolf-Ferrari<\/strong><\/td>\nASCHENPUTTEL<\/td>\nStiefmutter<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nMatth\u00e4us-Passion (BWV 244)<\/td>\n<\/tr>\n
\u00a0<\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
\u00a0<\/td>\ndiverse Kantaten<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nChorfantasie c-Moll op. 80<\/td>\n<\/tr>\n
\u00a0<\/td>\nSinfonie Nr. 9 (d-Moll) op. 125<\/td>\n<\/tr>\n
Lili Boulanger
\n<\/strong><\/td>\n		Psaume 130 Du fond de l\u2019ab\u00eeme f\u00fcr Alt und Tenor solo, Chor, Orgel und Orchester<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nAlt Rhapsodie<\/td>\n<\/tr>\n
Max Bruch<\/strong><\/td>\nGru\u00df an die heilige Nacht op. 62<\/td>\n<\/tr>\n
Gaetano Donizetti<\/strong><\/td>\nMessa da Requiem, Op. 73<\/td>\n<\/tr>\n
Anton\u00edn Dvo\u0159\u00e1k<\/strong><\/td>\nStabat Mater, op. 58 (B 71)<\/td>\n<\/tr>\n
Manuel de Falla<\/strong><\/td>\nEl Sombrero de Tres Picos<\/td>\n<\/tr>\n
Igor Kuljeri\u0107<\/strong><\/td>\nKroatisches glagolitisches Requiem f\u00fcr Soli, Chor und Orchester<\/td>\n<\/tr>\n
Gustav Mahler
\n<\/strong><\/td>\n		Das Lied von der Erde<\/td>\n<\/tr>\n
\u00a0<\/td>\nDes Knaben Wunderhorn<\/td>\n<\/tr>\n
\u00a0<\/td>\nKindertotenlieder<\/td>\n<\/tr>\n
\u00a0<\/td>\nR\u00fcckert-Lieder<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSymphony No 2<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nSymphony No 3<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nDie erste Walpurgisnacht, op. 60 (MWV D 3)<\/td>\n<\/tr>\n
\u00a0<\/td>\nElias op. 70 (MWV A 25)<\/td>\n<\/tr>\n
\u00a0<\/td>\nPaulus op. 36 (MWV A 14)<\/td>\n<\/tr>\n
Gustav Mahler \/ Ella Milch-Sheriff<\/strong>
\n<\/strong><\/td>\n		Songs from Des Knaben Wunderhorn<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nMissa brevis in G \u201ePastoralmesse\u201c, KV 140<\/td>\n<\/tr>\n
\u00a0<\/td>\nRequiem in d-Moll, KV 626<\/td>\n<\/tr>\n
Dora Peja\u010devi\u0107<\/strong><\/td>\nVier Lieder f\u00fcr Stimme und Orchester (Arr. Ivan Zivanovic)<\/td>\n<\/tr>\n
Giovanni Battista Pergolesi<\/strong><\/td>\nStabat mater<\/td>\n<\/tr>\n
Gioachino Rossini<\/strong><\/td>\nPetite Messe solennelle<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns<\/strong><\/td>\nOratorio de No\u00ebl, op. 12<\/td>\n<\/tr>\n
Arnold Sch\u00f6nberg<\/strong><\/td>\nGurre-Lieder, Waldtaube<\/em><\/td>\n<\/tr>\n
Robert Schumann<\/strong><\/td>\nDas Paradies und die Peri op. 50<\/td>\n<\/tr>\n
\u00a0<\/td>\nDer Rose Pilgerfahrt op.112<\/td>\n<\/tr>\n
Salvatore Sciarrino
\n<\/strong><\/td>\n		Infinito Nero \u2014 Estasi di un atto f\u00fcr Mezzosopran und Instrumente<\/td>\n<\/tr>\n
Karol Szymanowski<\/strong>
\n<\/strong><\/td>\n		Sta\u0142a matka bolej\u0105ca (Stabat mater dolorosa),\u00a0Op. 53<\/td>\n<\/tr>\n
Giuseppe Verdi
\n<\/strong><\/td>\n		Messa da Requiem<\/td>\n<\/tr>\n
Antonio Vivaldi<\/strong><\/td>\nGloria, RV 589<\/td>\n<\/tr>\n
Claude Vivier<\/strong><\/td>\nWo bist du Licht! f\u00fcr Mezzosopran, Schlagzeug, Streicher und Tonband<\/td>\n<\/tr>\n
Richard Wagner
\n<\/strong><\/td>\n		Wesendonck-Lieder<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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HAMBURGISCHE STAATSOPER – THE VALKYTIE<\/a><\/h3>Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

HAMBURGISCHE STAATSOPER – THE VALKYTIE<\/a><\/h3>
By Agentur<\/a><\/span>10. September 2026<\/abbr><\/span>Annika Schlicht<\/a><\/span><\/div>
Annika Schlicht | Fricka<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
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TOURNEE WAGNER CYLES – G\u00d6TTERD\u00c4MMERUNG<\/a><\/h3>Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

TOURNEE WAGNER CYLES – G\u00d6TTERD\u00c4MMERUNG<\/a><\/h3>
By Agentur<\/a><\/span>20. August 2026<\/abbr><\/span>Annika Schlicht<\/a><\/span><\/div>
Annika Schlicht | Waltraute<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
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HAMBURGISCHE STAATSOPER – TRISTAN UND ISOLDE<\/a><\/h3>Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

HAMBURGISCHE STAATSOPER – TRISTAN UND ISOLDE<\/a><\/h3>
By Agentur<\/a><\/span>14. May 2026<\/abbr><\/span>Annika Schlicht<\/a><\/span><\/div>
Annika Schlicht | Brang\u00e4ne<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
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DEUTSCHE OPER BERLIN – DER RING DES NIBELUNGEN<\/a><\/h3>Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

DEUTSCHE OPER BERLIN – DER RING DES NIBELUNGEN<\/a><\/h3>
By Agentur<\/a><\/span>23. April 2026<\/abbr><\/span>Annika Schlicht<\/a><\/span><\/div>
Annika Schlicht | Fricka, Waltraute<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL NEWS BY ANNIKA SCHLICHT<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”press” in_content_menu=”in_content_menu” content_menu_title=”PRESS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Press<\/h2>\n

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DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>14. June 2026<\/abbr><\/span>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on: Das Rheingold \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung \u2013 May 25, 2026 & May 31, 2026 [\/vc_column_text][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_column_text css=””]...<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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TRISTAN UND ISOLDE \u2013 SAN FRANCISCO OPERA (REVIEWS)<\/a><\/h3>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

TRISTAN UND ISOLDE \u2013 SAN FRANCISCO OPERA (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>6. November 2024<\/abbr><\/span>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div>
Performances on October 19, 23, 27, November 1 and 5, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
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DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>4. June 2024<\/abbr><\/span>Reviews<\/a>, Reviews Annika Schlicht<\/a><\/span><\/div>
[English] 3 ring cycles from May 12 to June 2, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL REVIEWS BY ANNIKA SCHLICHT<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”press” in_content_menu=”in_content_menu” content_menu_title=”PRESS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””]<\/p>\n

CD\/DVD<\/h2>\n

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DORA PEJA\u010cEVI\u0106 – COMPLETE SYMPHONIC WORKS<\/a><\/h3>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

DORA PEJA\u010cEVI\u0106 – COMPLETE SYMPHONIC WORKS<\/a><\/h3>
By Agentur<\/a><\/span>11. March 2026<\/abbr><\/span>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div>
Complete Symphonic Works Dora Peja\u010devi\u0107 regarded her Symphony as her most important work. Yet at its premiere, one crucial detail was missing: her full name. In the programmes for the first performances in Vienna and Dresden, only \u201cD. Pejacsevich\u201d was listed. Why did the composer...<\/div>
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RICHARD WAGNER – TRISTAN UND ISOLDE<\/a><\/h3>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

RICHARD WAGNER – TRISTAN UND ISOLDE<\/a><\/h3>
By Agentur<\/a><\/span>1. December 2024<\/abbr><\/span>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div>
Tristan und Isolde \u00a0 Eine Produktion des Staatstheaters Cottbus, Regie: Stephan M\u00e4rkl Tristan und Isolde \u00a0 Eine Produktion des Staatstheaters Cottbus, Regie: Stephan M\u00e4rkl Tristan und Isolde \u00a0 Eine Produktion des Staatstheaters Cottbus, Regie: Stephan M\u00e4rkl Tristan und Isolde \u00a0 Eine Produktion des Staatstheaters Cottbus,...<\/div>
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RICHARD WAGNER – DER RING DES NIBELUNGEN<\/a><\/h3>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

RICHARD WAGNER – DER RING DES NIBELUNGEN<\/a><\/h3>
By Agentur<\/a><\/span>1. December 2022<\/abbr><\/span>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div>
Der Ring des Nibelungen \u00a0 Eine Produktion der Deutschen Oper Berlin, Regie: Stefan Herheim \u00a0 Laufzeit: 930 Min.Sound Format: stereo \/ DTS 5.1 Picture: 16:9 (NTSC)Subtitles: Deutsch, Englisch, Franz\u00f6sisch, Italienisch, Japanisch, Koreanisch Artists: Nina Stemme, Elisabeth Teige, Clay Hilley, Brandon Jovanovich, Iain Paterson, Albert Pesendorfer,...<\/div>
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IGOR KULJERI\u0106: CROATIAN GLAGOLITIC REQUIEM<\/a><\/h3>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div><\/div><\/div>

IGOR KULJERI\u0106: CROATIAN GLAGOLITIC REQUIEM<\/a><\/h3>
By Agentur<\/a><\/span>5. July 2020<\/abbr><\/span>CD\/DVD-Publication<\/a>, CD\/DVD-Publication Annika Schlicht<\/a><\/span><\/div>
Kristina Kolar\u00a0(Soprano)Annika Schlicht\u00a0(Mezzo-soprano)Eric Laporte\u00a0(Tenor)Ljubomir Pu\u0161kari\u0107\u00a0(Baritone)Bavarian Radio ChorusMichael Gl\u00e4ser, DirectorYuval Weinberg, DirectorMunich Radio OrchestraIvan Repu\u0161i\u0107, Conductor July 20201 CD BR-KLASSIK 900331<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL CD\/DVD<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”photos” in_content_menu=”in_content_menu” content_menu_title=”PHOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=”” css=”.vc_custom_1692014782036{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Photos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”82805,82785,82783,82781″ img_size=”200×200″ css=”.vc_custom_1692541801382{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Annika Schlicht [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] In the 2026\/27…<\/p>\n","protected":false},"author":4,"featured_media":82783,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-99060","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=99060"}],"version-history":[{"count":97,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99060\/revisions"}],"predecessor-version":[{"id":110217,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99060\/revisions\/110217"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/82783"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=99060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}