{"id":99021,"date":"2022-06-20T10:31:15","date_gmt":"2022-06-20T08:31:15","guid":{"rendered":"https:\/\/agentur-seifert.de\/our-artists\/susanne-elmark\/"},"modified":"2026-09-09T18:34:31","modified_gmt":"2026-09-09T16:34:31","slug":"susanne-elmark","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/susanne-elmark\/","title":{"rendered":"Susanne Elmark (Soprano)"},"content":{"rendered":"

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Susanne Elmark<\/h2>\n

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Vita<\/h2>\n

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Danish-German soprano Susanne Elmark has appeared for many years at leading opera houses and concert venues around the world.<\/p>\n

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Her engagements have taken her to Deutsche Oper Berlin, Staatsoper Unter den Linden, the Bavarian State Opera, Hamburg State Opera, Gran Teatre del Liceu in Barcelona, Teatro Real Madrid, Opernhaus Z\u00fcrich, Teatro Col\u00f3n in Buenos Aires, as well as to opera houses in Oslo, Copenhagen, Frankfurt and Cologne and to the Volksoper Wien. Her repertoire includes roles such as Zerbinetta in ARIADNE AUF NAXOS, the Queen of the Night in DIE ZAUBERFL\u00d6TE, Konstanze in DIE ENTF\u00dcHRUNG AUS DEM SERAIL, Lulu in LULU, Fiakermilli in ARABELLA, Marie in DIE SOLDATEN, Claudia in STILLES MEER, Cordelia in LEAR and Inanna in BABYLON.<\/p>\n

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Alongside the core operatic and concert repertoire, contemporary music has long played a central role in Susanne Elmark\u2019s artistic work. Numerous works have been written specifically for her, and she has taken part in several world premieres. These include the role of Claudia in Toshio Hosokawa\u2019s STILLES MEER at Hamburg State Opera under Kent Nagano. She performed Hanspeter Kyburz\u2019s STILL AND AGAIN with Ensemble Modern and Ensemble Intercontemporain at festivals in Frankfurt, Geneva and Strasbourg and at the Lucerne Festival. Further appearances include Heinz Holliger\u2019s demanding solo work NOT I at the Lucerne Festival, Morton Feldman\u2019s one-woman opera NEITHER at the Philharmonie Luxembourg, Agnes in WRITTEN ON SKIN at Suntory Hall in Tokyo under Kazushi Ono with the Tokyo Metropolitan Symphony Orchestra, and Ishmaela in Olga Neuwirth\u2019s THE OUTCAST at the Wiener Konzerthaus and the Philharmonie de Paris.<\/p>\n

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Marie in Bernd Alois Zimmermann\u2019s DIE SOLDATEN holds a special place in her repertoire: Susanne Elmark has sung the role more often worldwide than any other soprano. Engagements in the part have taken her to opera houses in Zurich and Berlin, to Teatro Real Madrid in Calixto Bieito\u2019s production, to Teatro Col\u00f3n in Buenos Aires in a staging by Pablo Maritano, and to Nuremberg in a production by Peter Konwitschny.<\/p>\n

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Her more recent engagements include the Wife in Schnittke\u2019s LIFE WITH AN IDIOT at Opernhaus Z\u00fcrich and Cordelia in Aribert Reimann\u2019s LEAR at Teatro Real Madrid in 2024, as well as Lady Macbeth in Verdi\u2019s MACBETH at Luzerner Theater.<\/p>\n

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Susanne Elmark has worked with conductors including Christian Thielemann, Philippe Jordan, Gustavo Dudamel, Kent Nagano, Kazushi Ono, Carlo Rizzi, Gary Bertini, Michael Boder, Sir Colin Davis, Eliahu Inbal, Marek Janowski, Michael Sch\u00f8nwandt and Marcello Viotti.<\/p>\n

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Her concert repertoire includes Beethoven\u2019s Ninth Symphony under Gustavo Dudamel in Barcelona and Madrid, solo parts in Mozart\u2019s MASS IN C MAJOR and EXSULTATE, JUBILATE, Berg\u2019s LULU SUITE and SEVEN EARLY SONGS, Bach\u2019s ST JOHN PASSION, Pergolesi\u2019s STABAT MATER, Orff\u2019s CARMINA BURANA and Hosokawa\u2019s NACH DEM STURM, written especially for her. She has appeared at major concert venues including the Berlin Philharmonie, Gewandhaus Leipzig, Suntory Hall in Tokyo, St Petersburg Philharmonia, Philharmonie Luxembourg and with the Oslo Philharmonic.<\/p>\n

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Her discography includes Celia in Mozart\u2019s LUCIO SILLA under \u00c1d\u00e1m Fischer and her solo album CH’IL BEL SOGNO, featuring arias by Verdi, Puccini and Mozart, released by Naxos in 2016.<\/p>\n

 <\/p>\n

In addition to her stage career, Susanne Elmark gives masterclasses internationally and works as a vocal coach for opera singers. She has taught at the Bolshoi Theatre, the Rimsky-Korsakov Conservatory and the Institute of Music, Theatre and Dance in St Petersburg, at the Conservatory of San Sebasti\u00e1n, and at various institutions in Denmark. She also taught for four years at the Kammeroper Schloss Rheinsberg.<\/p>\n

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Susanne Elmark also gives lectures and has written extensively on the particular demands of a singing career. Her essay YOU ARE NOT ALONE addresses performance pressure, and she has also written a practical guide to auditions. In 2016, her book DET VAR MED VILJE (\u201cIt Was Intentional\u201d) was published in Denmark, reflecting on 25 years on stage, her path to an international career and the challenge of combining family life with a professional career in opera.<\/p>\n

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2026-08-31<\/em><\/p>\n

[\/vc_column_text]WEBSITE<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”media” in_content_menu=”in_content_menu” content_menu_title=”MEDIA” content_menu_icon=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Media<\/h2>\n

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Luzerner Theater | MACBETH<\/h5>\n

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Opernhaus Z\u00fcrich | DIE SOLDATEN<\/h5>\n

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Oper K\u00f6ln | BARKOUF<\/h5>\n

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Mozart: Die H\u00f6lle Rache<\/h5>\n

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Staatsoper Unter den Linden | BABYLON<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Benjamin
\n<\/strong><\/td>\n		WRITTEN ON SKIN<\/td>\nAgn\u00e8s<\/em><\/td>\n<\/tr>\n
Berg<\/strong><\/td>\nLULU<\/td>\nLulu<\/em><\/td>\n<\/tr>\n
Bernstein<\/strong><\/td>\nCANDIDE<\/td>\nCunegonde<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nL’ELISIR D’AMORE<\/td>\nAdina<\/em><\/td>\n<\/tr>\n
Feldman<\/strong><\/td>\nNEITHER<\/td>\nSopran<\/em><\/td>\n<\/tr>\n
Fr\u00f6lich<\/strong><\/td>\nF\u00d6HN<\/td>\nF\u00f6hnfrau<\/em><\/td>\n<\/tr>\n
Glass<\/strong><\/td>\nORPH\u00c9E<\/td>\nEurydice<\/em><\/td>\n<\/tr>\n
Gluck<\/strong><\/td>\nORFEO ED EURIDICE<\/td>\nEuridice<\/em><\/td>\n<\/tr>\n
Holten<\/strong><\/td>\nGESUALDO<\/td>\nDonna Maria<\/em><\/td>\n<\/tr>\n
Hosokawa <\/strong><\/td>\nSTILLES MEER<\/td>\nClaudia<\/em><\/td>\n<\/tr>\n
Leh\u00e1r<\/strong><\/td>\nDIE LUSTIGE WITWE<\/td>\nValencienne<\/em><\/td>\n<\/tr>\n
Ligeti<\/strong><\/td>\nLE GRAND MACABRE<\/td>\nVenus, Gepopo<\/em><\/td>\n<\/tr>\n
Martinsen<\/strong><\/td>\nMAESTRO<\/td>\nThe nurse<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\nDespina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER SCHAUSPIELDIREKTOR<\/td>\nMadame Herz<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\nKonstanze<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nK\u00f6nigin der Nacht<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nDonna Anna, Zerlina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLUCIO SILLA<\/td>\nCelia<\/em><\/td>\n<\/tr>\n
Neuwirth<\/strong><\/td>\nTHE OUTCAST<\/td>\nIshmaela<\/em><\/td>\n<\/tr>\n
Offenbach<\/strong><\/td>\nBARKOUF OU UN CHIEN AU POUVOIR<\/td>\nMa\u00efma<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLES CONTES D’HOFFMANN<\/td>\nAntonia<\/em><\/td>\n<\/tr>\n
Olofsson
\n<\/strong><\/td>\n		IL LIUTO D’ORFEO<\/td>\nEurydice<\/em><\/td>\n<\/tr>\n
Pape<\/strong><\/td>\nSIMSALABAD<\/td>\nPrincess Isidora<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nGIANNI SCHICCHI<\/td>\nLauretta, Nella
\n<\/em><\/td>\n<\/tr>\n
Purcell<\/strong><\/td>\nDIDO AND AENEAS<\/td>\nBelinda<\/em><\/td>\n<\/tr>\n
Reimann<\/strong><\/td>\nLEAR<\/td>\nCordelia<\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL TURCO IN ITALIA<\/td>\nFiorilla<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIL VIAGGIO A RHEIMS<\/td>\nContessa di Folleville<\/em><\/td>\n<\/tr>\n
Schnittke<\/strong><\/td>\nLEBEN MIT EINEM IDIOTEN<\/td>\nMeine Frau<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARABELLA<\/td>\nFiakermilli<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nARIADNE AUF NAXOS<\/td>\nZerbinetta<\/em><\/td>\n<\/tr>\n
Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nRosalinde, Adele<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nMACBETH<\/td>\nLady Macbeth<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\nGilda<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nUN BALLO IN MASCHERA<\/td>\nOscar<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nWoglinde<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nG\u00d6TTERD\u00c4MMERUNG<\/td>\nWoglinde<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\nBlumenm\u00e4dchen<\/em><\/td>\n<\/tr>\n
Widmann <\/strong><\/td>\nBABYLON<\/td>\nInanna<\/em><\/td>\n<\/tr>\n
Zimmermann<\/strong><\/td>\nDIE SOLDATEN<\/td>\nMarie<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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\"\"

ORCHESTRA DELL\u2019ACCADEMIA NAZIONALE DI SANTA CECILIA – WRITTEN ON SKIN<\/a><\/h3>Susanne Elmark<\/a><\/span><\/div><\/div><\/div>

ORCHESTRA DELL\u2019ACCADEMIA NAZIONALE DI SANTA CECILIA – WRITTEN ON SKIN<\/a><\/h3>
By Agentur<\/a><\/span>22. May 2025<\/abbr><\/span>Susanne Elmark<\/a><\/span><\/div>
Susanne Elmark | Agnes<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
\"\"

OPERNHAUS Z\u00dcRICH – LEBEN MIT EINEM IDIOTEN (PREMIERE)<\/a><\/h3>Susanne Elmark<\/a><\/span><\/div><\/div><\/div>

OPERNHAUS Z\u00dcRICH – LEBEN MIT EINEM IDIOTEN (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>8. October 2024<\/abbr><\/span>Susanne Elmark<\/a><\/span><\/div>
Susanne Elmark | Woman<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
\"\"

TEATRO REAL – LEAR<\/a><\/h3>Susanne Elmark<\/a><\/span><\/div><\/div><\/div>

TEATRO REAL – LEAR<\/a><\/h3>
By Agentur<\/a><\/span>21. December 2023<\/abbr><\/span>Susanne Elmark<\/a><\/span><\/div>
Susanne Elmark |\u00a0Cordelia<\/div>
Read More<\/a><\/div><\/div><\/article><\/div>
\"\"

FESTIVAL D\u00b4AUTOMNE \u00c0 PARIS – THE OUTCAST, OLGA NEUWIRTH<\/a><\/h3>Susanne Elmark<\/a><\/span><\/div><\/div><\/div>

FESTIVAL D\u00b4AUTOMNE \u00c0 PARIS – THE OUTCAST, OLGA NEUWIRTH<\/a><\/h3>
By Agentur<\/a><\/span>31. August 2022<\/abbr><\/span>Susanne Elmark<\/a><\/span><\/div>
Susanne Elmark | Ishmaela<\/div>
Read More<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”press” in_content_menu=”in_content_menu” content_menu_title=”PRESS” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Press<\/h2>\n

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\"Susanne<\/div>

LEBEN MIT EINEM IDIOTEN (PREMIERE) \u2013 OPERNHAUS Z\u00dcRICH (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>17. January 2025<\/abbr><\/span><\/div>
Premiere on November 3, 2024 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete. ConcertoNet by Claudio Poloni Vivre avec ses idiots int\u00e9rieurs \u2026Les chanteurs ont beaucoup de m\u00e9rite car les voix ne...<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

MACBETH (PREMIERE) – LUZERNER THEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>4. March 2022<\/abbr><\/span><\/div>
Premiering on January 22, 2022 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

BARKOUF OU UN CHIEN AU POUVOIR (ODER EIN HUND AN DER MACHT) (PREMIERE) – OPER K\u00d6LN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>7. November 2019<\/abbr><\/span><\/div>
Premiere on October 12, 2019 Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div>
\"\"<\/div>

BABYLON (PREMIERE) \u2013 STAATSOPER UNTER DEN LINDEN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>4. April 2019<\/abbr><\/span><\/div>
Performances on March 9 (premiere) 11, 20, 22 & 24, 2019. Here are the most relevant quotes from reviews in the German and international press.This selection does not claim to be complete.<\/div>
read more<\/a><\/div><\/div><\/article><\/div><\/div><\/div>ALL REVIEWS BY SUSANNE ELMARK<\/span><\/a>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”photos” in_content_menu=”in_content_menu” content_menu_title=”PHOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Photos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”84308,83580,83566,83568″ img_size=”200×200″ css=”.vc_custom_1692588279933{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Susanne Elmark [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] Danish-German soprano Susanne…<\/p>\n","protected":false},"author":4,"featured_media":84308,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-99021","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=99021"}],"version-history":[{"count":27,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99021\/revisions"}],"predecessor-version":[{"id":110331,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/99021\/revisions\/110331"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/84308"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=99021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}