{"id":110180,"date":"2026-08-10T19:56:40","date_gmt":"2026-08-10T17:56:40","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=110180"},"modified":"2026-08-10T20:16:30","modified_gmt":"2026-08-10T18:16:30","slug":"martin-homrich-tenor","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/martin-homrich-tenor\/","title":{"rendered":"Martin Homrich (Tenor)"},"content":{"rendered":"

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Martin Homrich<\/h2>\n

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Vita<\/h2>\n

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German tenor\u00a0Martin Homrich<\/strong>\u00a0is one of the most versatile interpreters of the German-language operatic repertoire. Following a successful international career as a lyric tenor, in recent years he has consistently moved towards the heldentenor and character tenor repertoire. His artistic profile combines the stylistic elegance and vocal line of the classical repertoire with the expressive power and dramatic intensity of the major dramatic roles.<\/p>\n

 <\/p>\n

Martin Homrich studied at the Cologne University of Music and Dance with Kurt Moll. Further important artistic impulses came from masterclasses with Dietrich Fischer-Dieskau and Montserrat Caball\u00e9.<\/p>\n

 <\/p>\n

He began his stage career as a member of the ensemble at the Hamburg State Opera before joining the Saxon State Opera Dresden (Semperoper). Since 2017, he has been a permanent ensemble member at Musiktheater im Revier Gelsenkirchen.<\/p>\n

 <\/p>\n

Guest engagements have taken him to major opera houses throughout Europe, including the Bavarian State Opera, Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Vienna State Opera, Teatro alla Scala in Milan, Op\u00e9ra National de Paris and Teatro dell\u2019Opera di Roma.<\/p>\n

 <\/p>\n

As a lyric tenor, Martin Homrich was particularly associated with the major roles of the Mozart and Strauss repertoire. His principal roles included\u00a0Tamino<\/em>,\u00a0Idomeneo<\/em>,\u00a0Tito<\/em>,\u00a0Belmonte<\/em>,\u00a0Don Ottavio<\/em>\u00a0and\u00a0Ferrando<\/em>, as well as\u00a0Matteo<\/em> (ARABELLA),\u00a0Flamand<\/em> (CAPRICCIO),\u00a0the Italian Singer<\/em> (DER ROSENKAVALIER) and\u00a0Narraboth<\/em> (SALOME). He also sang\u00a0Werther<\/em>\u00a0as well as\u00a0Walther von der Vogelweide<\/em> in Wagner\u2019s TANNH\u00c4USER at Teatro alla Scala under the musical direction of Zubin Mehta. This repertoire formed the foundation for his subsequent development towards more dramatic roles.<\/p>\n

 <\/p>\n

His repertoire today includes the title role in LOHENGRIN,\u00a0Erik<\/em> (DER FLIEGENDE HOLL\u00c4NDER),\u00a0Florestan<\/em> (FIDELIO),\u00a0Max<\/em> (DER FREISCH\u00dcTZ),\u00a0Hans<\/em> (THE BARTERED BRIDE),\u00a0Captain Vere<\/em> (BILLY BUDD) and the\u00a0Emperor<\/em> in DIE FRAU OHNE SCHATTEN.<\/p>\n

 <\/p>\n

His interpretations are distinguished by a combination of lyrical vocal refinement, linguistic precision and intense psychological characterisation. Alongside the major roles of the more dramatic repertoire, Martin Homrich has a particular affinity for distinctive and multifaceted stage characters. His recent successes as\u00a0Herod<\/em> in SALOME, the\u00a0Witch<\/em> in Humperdinck\u2019s HANSEL UND GRETEL and Celia Peachum<\/em> in Kurt Weill\u2019s DIE DREIGROSCHENOPER have received an enthusiastic response from audiences and critics alike, underlining his exceptional versatility as a singing actor.<\/p>\n

 <\/p>\n

Highlights of his career to date include appearances at the Bayreuth Festival, the Schwetzingen SWR Festival, the Schleswig-Holstein Music Festival, the Richard Strauss Festival in Garmisch-Partenkirchen and the Ludwigsburg Festival.<\/p>\n

 <\/p>\n

Martin Homrich has worked with conductors including Daniel Barenboim, Zubin Mehta, Marek Janowski, Sir Donald Runnicles, Armin Jordan, Ulf Schirmer, Peter Schreier, Stefan Soltesz and Simone Young, as well as directors including Harry Kupfer, Achim Freyer, Hugo de Ana and Dietrich Hilsdorf.<\/p>\n

 <\/p>\n

His discography includes Peggy Glanville-Hicks\u2019 opera Sappho in the role of\u00a0Phaon<\/em>, works by Othmar Schoeck with the MDR Radio Choir and MDR Symphony Orchestra, Wagner\u2019s Das Rheingold in a live recording from Amsterdam as\u00a0Froh<\/em>, Strauss\u2019 Intermezzo as\u00a0Baron Lummer<\/em>\u00a0with the Bavarian Radio Orchestra, and the DVD recording of Aribert Reimann\u2019s Lear from the Hamburg State Opera, in which he appears as\u00a0Edmund<\/em>. Current projects reflect his continuing artistic development. His forthcoming debuts include the\u00a0Drum Major<\/em> in Alban Berg\u2019s WOZZECK in a production by Ilaria Lanzino and the role of Petrosilius Zwackelmann<\/em> in Sebastian Schwab\u2019s opera R\u00c4UBER HOTZENPLOTZ, which received its world premiere in 2023.<\/p>\n

 <\/p>\n

August 10th, 2026<\/em><\/p>\n

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Media<\/h2>\n

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Intermezzo, Op. 72, TrV 246, Act I Scene 6: Frau Notar!<\/h5>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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This website is still under construction.<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Beethoven<\/strong><\/td>\nFIDELIO<\/td>\nFlorestan<\/em><\/td>\n<\/tr>\n
Berg<\/strong><\/td>\nWOZZECK<\/td>\nAndres, Tambourmajor<\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nDon Jos\u00e9, Remendado<\/em><\/td>\n<\/tr>\n
Britten<\/strong><\/td>\nA MIDSUMMER NIGHT’S DREAM<\/td>\nLysander<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nBILLY BUDD<\/td>\nCaptain Vere<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPETER GRIMES<\/td>\nPeter Grimes<\/em><\/td>\n<\/tr>\n
H\u00e4ndel<\/strong><\/td>\nACIS AND GALATEA<\/td>\nAcis<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nALCINA<\/td>\nOronte<\/em><\/td>\n<\/tr>\n
Haydn<\/strong><\/td>\nL’ANIMA DEL FILOSOFO OSSIA ORFEO ED EURIDICE<\/td>\nOrpheus<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nORLANDO PALADINO<\/td>\nOrlando<\/em><\/td>\n<\/tr>\n
Hindemith<\/strong><\/td>\nMATHIS DER MALER<\/td>\nAlbrecht von Brandenburg<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nNEUES VOM TAGE<\/td>\nDer sch\u00f6ne Herr Hermann<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nDIE K\u00d6NIGSKINDER<\/td>\nDer K\u00f6nigssohn<\/em><\/td>\n<\/tr>\n
Jan\u00e1cek<\/strong><\/td>\nDIE SACHE MAKROPULOS (Vec Makropulos)<\/td>\nAlbert Gregor<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nJENUFA (Jeji pastorkyna)<\/td>\nSteva Burya<\/em><\/td>\n<\/tr>\n
Leh\u00e1r<\/strong><\/td>\nDIE LUSTIGE WITWE<\/td>\nCamille de Rosillon<\/em><\/td>\n<\/tr>\n
Lincke<\/strong><\/td>\nFRAU LUNA<\/td>\nPrinz Sternschnuppe<\/em><\/td>\n<\/tr>\n
Lortzing<\/strong><\/td>\nZAR UND ZIMMERMANN<\/td>\nMarquis von Chateauneuf<\/em><\/td>\n<\/tr>\n
Massenet<\/strong><\/td>\nWERTHER<\/td>\nWerther<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\nFerrando<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ENTF\u00dcHRUNG AUS DEM SERAIL<\/td>\nBelmonte<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nTamino, Erster Geharnischter, Monostatos<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nDon Ottavio<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CLEMENZA DI TITO<\/td>\nTitus<\/em><\/td>\n<\/tr>\n
Offenbach<\/strong><\/td>\nLES CONTES D’HOFFMANN<\/td>\nHoffmann<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nORPHEUS IN DER UNTERWELT (ORPH\u00c9E AUX ENFERS)<\/td>\nluto\/Arist\u00e4us<\/em><\/td>\n<\/tr>\n
Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/td>\nPrinz<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nTURANDOT<\/td>\nPang<\/em><\/td>\n<\/tr>\n
Reimann<\/strong><\/td>\nK\u00d6NIG LEAR<\/td>\nEdmund<\/em><\/td>\n<\/tr>\n
Saint-Saens<\/strong><\/td>\nSAMSON ET DALILA<\/td>\nSamson, Abi Melech<\/em><\/td>\n<\/tr>\n
Smetana<\/strong><\/td>\nDIE VERKAUFTE BRAUT<\/td>\nHans \/ Jen\u00edk<\/em><\/td>\n<\/tr>\n
Strauss, Richard<\/strong><\/td>\nARABELLA<\/td>\nMatteo, Graf Elemer<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nARIADNE AUF NAXOS<\/td>\nBacchus<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nCAPRICCIO<\/td>\nFlamand<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nEin S\u00e4nger<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE LIEBE DER DANAE<\/td>\nMerkur<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nELEKTRA<\/td>\nJunger Diener<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nFRIEDENSTAG<\/td>\nPiemonteser<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSALOME<\/td>\nHerodes, Narraboth<\/em><\/td>\n<\/tr>\n
Strau\u00df, Johann (Sohn)<\/strong><\/td>\nDER ZIGEUNERBARON<\/td>\nOttokar<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE FLEDERMAUS<\/td>\nAlfred<\/em><\/td>\n<\/tr>\n
Strawinsky<\/strong><\/td>\nTHE RAKE’S PROGRESS<\/td>\nTom Rakewell<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nFALSTAFF<\/td>\nDr. Cajus, Fenton<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nI LOMBARDI ALLA PRIMA CROCIATA<\/td>\nArvino<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMACBETH<\/td>\nMacduff<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nNABUCCO<\/td>\nIsmaele<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nLoge, Froh<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER FLIEGENDE HOLL\u00c4NDER<\/td>\nErik<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE FEEN<\/td>\nGunther<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLOHENGRIN<\/td>\nLohengrin<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIENZI<\/td>\nBaroncelli<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTANNH\u00c4USER<\/td>\nWalter von der Vogelweide<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTRISTAN UND ISOLDE<\/td>\nStimme eines jungen Seemanns<\/em><\/td>\n<\/tr>\n
Weber<\/strong><\/td>\nDER FREISCH\u00dcTZ<\/td>\nMax<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nOBERON<\/td>\nH\u00fcon von Bordeaux<\/em><\/td>\n<\/tr>\n
Weill<\/strong><\/td>\nAUFSTIEG UND FALL DER STADT MAHAGONNY<\/td>\nJim Mahony<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE DREIGROSCHENOPER<\/td>\nCelia Peachum<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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MARTIN HOMRICH<\/a><\/h3>Martin Homrich<\/a><\/span><\/div><\/div><\/div>

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Presse<\/h2>\n

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mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=”.vc_custom_1655327500243{padding-top: 20px !important;}”]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”110171,110172,110173″ img_size=”200×200″ css=”.vc_custom_1785903080975{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” text_color=”#FFFFFF” background_color=”#B5B5B5″ text_color_fixed=”#FFFFFF” background_color_fixed=”#B5B5B5″][vc_column][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””] Martin Homrich [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] German tenor\u00a0Martin…<\/p>\n","protected":false},"author":4,"featured_media":110171,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-110180","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/110180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=110180"}],"version-history":[{"count":14,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/110180\/revisions"}],"predecessor-version":[{"id":110202,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/110180\/revisions\/110202"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/110171"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=110180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}