{"id":109604,"date":"2026-03-13T15:49:46","date_gmt":"2026-03-13T14:49:46","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=109604"},"modified":"2026-03-13T16:10:16","modified_gmt":"2026-03-13T15:10:16","slug":"solen-mainguene-soprano","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/solen-mainguene-soprano\/","title":{"rendered":"Solen Mainguen\u00e9 (Soprano)"},"content":{"rendered":"

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Solen Mainguen\u00e9<\/h2>\n

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Vita<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
The French soprano Solen Mainguen\u00e9, a native of Orange in southern France, has been a member of the ensemble of Oper Leipzig since the 2022\/2023 season.<\/td>\n<\/tr>\n
Her current repertoire includes roles such as Mim\u00ec<\/em> (LA BOH\u00c8ME), Nedda<\/em> (PAGLIACCI), Tatiana<\/em> (EUGENE ONEGIN), Desdemona<\/em> (OTELLO), Alice Ford<\/em> (FALSTAFF), Lisa<\/em> (THE QUEEN OF SPADES), Gutrune<\/em> (G\u00d6TTERD\u00c4MMERUNG), the Feldmarschallin<\/em> (DER ROSENKAVALIER), as well as the title role in ARABELLA.<\/td>\n<\/tr>\n
She appears regularly as a guest at major opera houses in Germany and abroad. In Germany she has performed, among others, at the Staatsoper Hannover, Badisches Staatstheater Karlsruhe, Theater Freiburg, Wuppertaler B\u00fchnen, and the theatres of L\u00fcbeck, Dessau, Aachen, and Halle.<\/td>\n<\/tr>\n
International engagements have taken her to the Teatro Real Madrid, Malm\u00f6 Opera, Prague State Opera, Teatro de la Maestranza in Seville, and the Danish National Opera. She has worked with conductors including Simone Young, Axel Kober, Ivan Repu\u0161ic, Michel Plasson, Lawrence Foster, Martin Rajna, Nick Carter, and Alexander Soddy.<\/td>\n<\/tr>\n
She has received important artistic guidance in masterclasses with Montserrat Caball\u00e9, Anna Tomowa-Sintow, Cheryl Studer, Marilyn Horne, and Barbara Bonney.<\/td>\n<\/tr>\n
Mainguen\u00e9 is the First Prize winner of the International Singing Competition Clermont-Ferrand, where she also received the Prize for Best Interpretation of the Italian Repertoire. She has been a finalist in several international competitions and has been nominated multiple times by the magazine\u00a0Opernwelt<\/em>\u00a0as \u201cSinger of the Year\u201d and \u201cYoung Artist of the Year.\u201d<\/td>\n<\/tr>\n
In addition to her stage career, she is active as a mentor for young singers at the Mendelssohn-Bartholdy Conservatory in Leipzig.<\/td>\n<\/tr>\n
She studied first at the Peabody Conservatory in Baltimore before continuing in the opera class at the Mozarteum University Salzburg, where she graduated with highest distinction. She subsequently joined the International Opera Studio and later the ensemble of the Hamburg State Opera, an experience that proved formative for her artistic development.<\/td>\n<\/tr>\n
Solen Mainguen\u00e9 speaks French, German, English, and Italian.<\/td>\n<\/tr>\n
2026-03-13<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Media<\/h2>\n

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Work in progress<\/h5>\n

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Repertoire<\/h2>\n

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OPERA<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Barber<\/strong><\/td>\nVANESSA<\/td>\nVanessa <\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nMica\u00ebla<\/em><\/td>\n<\/tr>\n
Britten<\/strong><\/td>\nPETER GRIMES<\/td>\nEllen Orford<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTHE TURN OF THE SCREW<\/td>\nThe Governess<\/em><\/td>\n<\/tr>\n
Charpentier<\/strong><\/td>\nLOUISE<\/td>\nLouise<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nANNA BOLENA<\/td>\nAnna<\/em><\/td>\n<\/tr>\n
Dvor\u00e1k<\/strong><\/td>\nRUSALKA<\/td>\nRusalka<\/em><\/td>\n<\/tr>\n
Gounod<\/strong><\/td>\nFAUST (MARGARETHE)<\/td>\nMargarethe<\/em><\/td>\n<\/tr>\n
Herrmann<\/strong><\/td>\nWUTHERING HEIGHTS<\/td>\nCatherine (Cathy) Earnshaw<\/em><\/td>\n<\/tr>\n
Jan\u00e1cek<\/strong><\/td>\nJENUFA (Jeji pastorkyna)<\/td>\nJenufa<\/em><\/td>\n<\/tr>\n
Leh\u00e1r<\/strong><\/td>\nKATJA KABANOWA<\/td>\nKaterina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER GRAF VON LUXEMBURG<\/td>\nAng\u00e8le Didier<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE LUSTIGE WITWE<\/td>\nHanna Glawari<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nGIUDITTA<\/td>\nGiuditta <\/em><\/td>\n<\/tr>\n
Leoncavallo<\/strong><\/td>\nPAGLIACCI<\/td>\nNedda<\/em><\/td>\n<\/tr>\n
Mascagni<\/strong><\/td>\nL\u00b4AMICO FITZ<\/td>\nSuzel<\/em><\/td>\n<\/tr>\n
Massenet<\/strong><\/td>\nTHA\u00cfS<\/td>\nTha\u00efs<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\nFiordiligi<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nDonna Elvira<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nContessa <\/em><\/td>\n<\/tr>\n
Offenbach<\/strong><\/td>\nLES CONTES D’HOFFMANN<\/td>\nAntonia, Giulietta<\/em><\/td>\n<\/tr>\n
Poulenc<\/strong><\/td>\nLA VOIX HUMAINE<\/td>\nLa Voix<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLES DIALOGUES DES CARMELITES<\/td>\nBlanche, Madame Lidoine<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nGIANNI SCHICCHI<\/td>\nLauretta <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIL TABARRO<\/td>\nGiorgetta <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA BOH\u00c8ME<\/td>\nMimi, Musetta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA RONDINE<\/td>\nMagda<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMADAMA BUTTERFLY<\/td>\nCho-Cho-San<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMANON LESCAUT<\/td>\nManon Lescaut <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSUOR ANGELICA<\/td>\nSuor Angelica<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTURANDOT<\/td>\nLiu<\/em><\/td>\n<\/tr>\n
Strau\u00df<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nRosalinde<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARABELLA<\/td>\nArabella<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nFeldmarschallin<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nELEKTRA<\/td>\nChrysothemis<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nTatjana<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nJOLANTHE<\/td>\nJolanthe <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMAZEPPA<\/td>\nMaria<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPIQUE DAME<\/td>\nLisa<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nFALSTAFF<\/td>\n Alice Ford<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIL TROVATORE<\/td>\nLeonora<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nVioletta Val\u00e9ry<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLUISA MILLER<\/td>\nLuisa Miller<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nOTELLO<\/td>\nDesdemona<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nSIMON BOCCANEGRA<\/td>\nAmelia<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nDAS RHEINGOLD<\/td>\nFreia<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nG\u00d6TTERD\u00c4MMERUNG<\/td>\nGutrune<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE MEISTERSINGER VON N\u00dcRNBERG<\/td>\nEva<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLOHENGRIN<\/td>\nElsa<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nPARSIFAL<\/td>\nBlumenm\u00e4dchen<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTANNH\u00c4USER<\/td>\nElisabeth<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

CONCERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\nKantate “Ich freue mich in dir” (BWV 133)<\/td>\n<\/tr>\n
\u00a0<\/td>\nKantate “Jauchzet Gott in allen Landen” (BWV 51)<\/td>\n<\/tr>\n
\u00a0<\/td>\nKantate “Wachet auf, ruft uns die Stimme” (BWV 140)<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
\u00a0<\/td>\nMagnificat (BWV 243a)<\/td>\n<\/tr>\n
\u00a0<\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nSchottische, Irische und Walisische Lieder (Auswahl)<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nEin deutsches Requiem<\/td>\n<\/tr>\n
Jan Brandts-Buys<\/strong><\/td>\n3 Lieder op. 20<\/td>\n<\/tr>\n
Giulio Caccini<\/strong><\/td>\nAl fonte, al prato<\/td>\n<\/tr>\n
\u00a0<\/td>\nAmor ch\u2018attendi<\/td>\n<\/tr>\n
John Cage<\/strong><\/td>\nSolo for Voice 2<\/td>\n<\/tr>\n
Andr\u00e9 Caplet<\/strong><\/td>\nViens! Une fl\u00fbte invisible soupire<\/td>\n<\/tr>\n
C\u00e9cile Chaminade<\/strong><\/td>\nPortrait \u201eValse chant\u00e9e\u201c<\/td>\n<\/tr>\n
John Corigliano<\/strong><\/td>\nThree Irish Folksong Settings<\/td>\n<\/tr>\n
L\u00e9o Delibes<\/strong><\/td>\nLe Rossignol<\/td>\n<\/tr>\n
Gabriel Faur\u00e9<\/strong><\/td>\nRequiem op. 48<\/td>\n<\/tr>\n
Girolamo Frescobaldi<\/strong><\/td>\nCos\u00ec mi disprezzate, F 7.16<\/td>\n<\/tr>\n
\u00a0<\/td>\nSe l’aura spira tutta vezzosa, F 7.15<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel <\/strong><\/td>\nCrudel tiranno amor, HWV 97<\/td>\n<\/tr>\n
\u00a0<\/td>\nNeun Deutschen Arien, HWV 202\u2013210<\/td>\n<\/tr>\n
Joseph Haydn<\/strong><\/td>\nMissa brevis Sancti Joannis de Deo in B-Dur, Hob. XXII:7<\/td>\n<\/tr>\n
\u00a0<\/td>\nMissa in Angustijs \u201eNelsonmesse\u201d, Hob. XXII: 11<\/td>\n<\/tr>\n
Paul Hindemith<\/strong><\/td>\nDie Serenaden, Op.35<\/td>\n<\/tr>\n
Leonard K\u00fc\u00dfner<\/strong><\/td>\nEinsamkeit<\/td>\n<\/tr>\n
Franz Paul Lachner<\/strong><\/td>\nFrauen-Liebe und Leben, Op.59<\/td>\n<\/tr>\n
Gustav Mahler<\/strong><\/td>\nSinfonie Nr. 4 in G-Dur<\/td>\n<\/tr>\n
Jules Massenet<\/strong><\/td>\n\u00c9l\u00e9gie<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nKonzertarie “Nehmt meinen Dank, ihr holden G\u00f6nner\u201c, KV 383<\/td>\n<\/tr>\n
\u00a0<\/td>\nKonzertarie \u201eVorrei spiegarvi, oh Dio\u201c, KV 418<\/td>\n<\/tr>\n
\u00a0<\/td>\nVesperae solennes de Confessore, KV 339<\/td>\n<\/tr>\n
Carl Orff<\/strong><\/td>\nCarmina Burana<\/td>\n<\/tr>\n
Maurice Ravel<\/strong><\/td>\n\u201eLa fl\u00fbte enchant\u00e9e\u201c aus Sh\u00e9h\u00e9razade<\/td>\n<\/tr>\n
Peter Ruzicka<\/strong><\/td>\n“DE…” \/ MUSAC Verbalkompositionen<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns<\/strong><\/td>\nUne fl\u00fbte invisible<\/td>\n<\/tr>\n
Alessandro Scarlatti<\/strong><\/td>\nArie \u201ePi\u00f9 non m\u2018alletta e piace\u201c aus Giardino d’Amore<\/td>\n<\/tr>\n
Franz Schubert<\/strong><\/td>\nDer Hirt auf dem Felsen, D.965<\/td>\n<\/tr>\n
\u00a0<\/td>\nSalve Regina in F, D.379<\/td>\n<\/tr>\n
Johann Strau\u00df<\/strong><\/td>\nFr\u00fchlingsstimmen op. 410<\/td>\n<\/tr>\n
Georg Philipp Telemann<\/strong><\/td>\nArie \u201ePi\u00f9 del fiume d\u00e0 diletto\u201c aus Aesopus bei Hofe<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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OPER LEIPZIG – CARMEN<\/a><\/h3>Solen Mainguen\u00e9<\/a><\/span><\/div><\/div><\/div>

OPER LEIPZIG – CARMEN<\/a><\/h3>
By Agentur<\/a><\/span>16. April 2026<\/abbr><\/span>Solen Mainguen\u00e9<\/a><\/span><\/div>
Solen Mainguen\u00e9 | Mica\u00ebla<\/div>
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SOLEN MAINGUEN\u00c9 – SOPRANO<\/a><\/h3>Solen Mainguen\u00e9<\/a><\/span><\/div><\/div><\/div>

SOLEN MAINGUEN\u00c9 – SOPRANO<\/a><\/h3>
By Agentur<\/a><\/span>13. March 2026<\/abbr><\/span>Solen Mainguen\u00e9<\/a><\/span><\/div>
Solen Mainguen\u00e9 | Soprano<\/div>
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Press<\/h2>\n

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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere The Fritjof Saga Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Andreas Herrmann pr\u00e4sentiert einen klangsch\u00f6nen, strahlenden Tenor… Die deutsche B\u00fchne by Andreas...<\/div>
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DORA PEJA\u010cEVI\u0106 – COMPLETE SYMPHONIC WORKS<\/a><\/h3>
By Agentur<\/a><\/span>11. March 2026<\/abbr><\/span><\/div>
Complete Symphonic Works Dora Peja\u010devi\u0107 regarded her Symphony as her most important work. Yet at its premiere, one crucial detail was missing: her full name. In the programmes for the first performances in Vienna and Dresden, only \u201cD. Pejacsevich\u201d was listed. Why did the composer...<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=”.vc_custom_1773414169286{padding-top: 20px !important;}”]<\/p>\n

Photos<\/h2>\n

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[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”109607,109608,109609,109610″ img_size=”200×200″ css=”.vc_custom_1773413174621{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””] Solen Mainguen\u00e9 [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] The French…<\/p>\n","protected":false},"author":4,"featured_media":109605,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-109604","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/109604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=109604"}],"version-history":[{"count":12,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/109604\/revisions"}],"predecessor-version":[{"id":109626,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/109604\/revisions\/109626"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/109605"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=109604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}