{"id":109349,"date":"2026-02-16T14:01:16","date_gmt":"2026-02-16T13:01:16","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=109349"},"modified":"2026-02-26T09:23:26","modified_gmt":"2026-02-26T08:23:26","slug":"ekaterina-aleksandrova-mezzo-soprano","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/ekaterina-aleksandrova-mezzo-soprano\/","title":{"rendered":"Ekaterina Aleksandrova (Mezzo-soprano)"},"content":{"rendered":"

[vc_row row_type=”content_menu” background_color=”#b5b5b5″ background_color_fixed=”#b5b5b5″][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text css=””]<\/p>\n

Ekaterina Aleksandrova<\/h2>\n

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Vita<\/h2>\n

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Since<\/span> the<\/span> current<\/span> season<\/span>,<\/span> the<\/span> Russian<\/span>–<\/span>born<\/span> mezzo<\/span>–<\/span>soprano<\/span> Ekaterina<\/span> Aleksandrova<\/span> has<\/span> been<\/span> a<\/span> member of<\/span> the<\/span> ensemble<\/span> at<\/span> the<\/span> German<\/span> National<\/span> Theatre<\/span> Weimar<\/span> (<\/span>DNT<\/span> Weimar<\/span>).<\/span> There<\/span> she<\/span> made<\/span> her<\/span> debuts<\/span> as<\/span> Arcetro<\/span> in<\/span> Jacopo<\/span> Peri<\/span>‘<\/span>s \u00bb<\/span>L<\/span>‘<\/span>EURIDICE<\/span>\u00ab<\/span>,<\/span> Charlotte<\/span> in<\/span> Massenet<\/span>‘<\/span>s \u00bb<\/span>WERTHER<\/span>\u00ab<\/span>,<\/span> Rosina<\/span> in<\/span> Rossini<\/span>‘<\/span>s \u00bb<\/span>IL<\/span> BARBIERE<\/span> DI<\/span> SIVIGLIA<\/span>\u00ab<\/span>,<\/span> Lucienne<\/span> in<\/span> Korngold<\/span>‘<\/span>s \u00bb<\/span>DIE<\/span> TOTE<\/span> STADT<\/span>\u00ab<\/span> and<\/span> as<\/span> Jakob<\/span> in<\/span> Leonard<\/span> Evers<\/span>‘<\/span> opera<\/span> fairy<\/span> tale<\/span> \u00bb<\/span>GOLD<\/span>!<\/span>\u00ab<\/span><\/div>\n
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Ekaterina<\/span> Aleksandrova<\/span> gained<\/span> her<\/span> first<\/span> stage<\/span> experience<\/span> at<\/span> the<\/span> Frankfurt<\/span> Opera<\/span>,<\/span> the<\/span> Burgfestspiele<\/span> Bad<\/span> Vilbel<\/span> and<\/span> the<\/span> Bielefeld<\/span> Theatre<\/span>,<\/span> among<\/span> others<\/span>.<\/span> In<\/span> 2019<\/span>, she<\/span> also<\/span> sang<\/span> with<\/span> the<\/span> Ensemble<\/span> Modern<\/span> in<\/span> the<\/span> world<\/span> premiere<\/span> of<\/span> the<\/span> opera<\/span> series<\/span> “<\/span>M\u00e9nage<\/span>–<\/span>\u00e0<\/span>–<\/span>trois<\/span>“<\/span> of<\/span> the<\/span> Deutsche<\/span> Bank<\/span> Foundation<\/span>‘<\/span>s “<\/span>Musiktheater<\/span> heute<\/span>“<\/span> academy<\/span>.<\/span><\/div>\n
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In<\/span> 2020<\/span>–<\/span>22<\/span>, the<\/span> mezzo<\/span>–<\/span>soprano<\/span> was<\/span> a<\/span> member<\/span> of<\/span> the<\/span> Opera<\/span> Studio<\/span> of<\/span> the<\/span> Deutsche<\/span> Oper<\/span> am<\/span> Rhein<\/span>,<\/span> where<\/span> she<\/span> appeared<\/span> as<\/span> Merc\u00e9d<\/span>\u00e8s<\/span> <\/em>(<\/span>CARMEN<\/span>),<\/span> Princess<\/span> <\/em>(<\/span>Puss<\/span> in<\/span> Boots<\/span>),<\/span> Glascha<\/span> <\/em>(<\/span>KATJA<\/span> KABANOWA<\/span>),<\/span> Annina<\/span> <\/em>(<\/span>LA<\/span> TRAVIATA<\/span>),<\/span> Sandmann<\/span><\/em> (<\/span>HANSEL<\/span> AND<\/span> GRETEL<\/span>),<\/span> Alisa<\/span> <\/em>(<\/span>LUCIA<\/span> DI<\/span> LAMMERMOOR<\/span>)<\/span> and<\/span> in<\/span> Bach<\/span>‘<\/span>s “<\/span>Christmas<\/span> Oratorio<\/span>“.<\/span><\/div>\n
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In<\/span> the<\/span> 2021<\/span>\/<\/span>22<\/span> season<\/span>,<\/span> she<\/span> made a<\/span> guest<\/span> appearance<\/span> as<\/span> Annio<\/span> <\/em>in<\/span> the<\/span> new<\/span> production<\/span> of<\/span> Mozart<\/span>‘s<\/span> \u00bb<\/span>LA<\/span> CLEMENZA<\/span> DI<\/span> TITO<\/span>\u00ab<\/span> at<\/span> the<\/span> Augsburg<\/span> State Theatre<\/span>.<\/span> There<\/span> she<\/span> was<\/span> a member<\/span> of<\/span> the<\/span> ensemble<\/span> in<\/span> the<\/span> 2022<\/span>\/<\/span>23<\/span> season<\/span> and<\/span> embodied<\/span> the<\/span> roles<\/span> of<\/span> Flora<\/span>\/<\/span>Annina<\/span><\/em> in<\/span> Verdi<\/span>‘<\/span>s \u00bb<\/span>LA<\/span> TRAVIATA<\/span>\u00ab<\/span>,<\/span> Marchesa<\/span> Melibea<\/span><\/em> in<\/span> Rossini<\/span>‘<\/span>s \u00bb<\/span>IL<\/span> VIAGGIO<\/span> A<\/span> REIMS<\/span>\u00ab<\/span>,<\/span> Orfeo<\/span> <\/em>in<\/span> \u00bb<\/span>ORFEO<\/span> ED<\/span> EURIDICE<\/span>\u00ab<\/span> and<\/span> Helena<\/span> <\/em>in<\/span> Purcell<\/span>‘<\/span>s \u00bb<\/span>THE<\/span> FAIRY<\/span> QUEEN<\/span>\u00ab<\/span>.<\/span> This<\/span> was<\/span> followed<\/span> by<\/span> an<\/span> engagement<\/span> at<\/span> the<\/span> Volkstheater<\/span> Rostock<\/span> from<\/span> 2023<\/span>–<\/span>2025<\/span>.<\/span> There<\/span> she<\/span> made<\/span> her<\/span> debut as<\/span> Hansel<\/span> <\/em>and<\/span> sang<\/span> the<\/span> role<\/span> of<\/span> Orfeo<\/span> <\/em>again<\/span>.<\/span> In<\/span> the<\/span> leading<\/span> role<\/span> of<\/span> Rossini<\/span>‘<\/span>s \u00bb<\/span>LA<\/span> CENERENTOLA<\/span>\u00ab<\/span> she<\/span> was<\/span> engaged<\/span> in<\/span> a<\/span> new<\/span> production<\/span> at<\/span> the<\/span> Augsburg<\/span> State Theatre<\/span> and<\/span> stepped<\/span> in<\/span> several<\/span> times<\/span> at<\/span> the<\/span> Graz<\/span> Opera<\/span>.<\/span><\/div>\n
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Russian<\/span>–<\/span>born<\/span> mezzo<\/span>–<\/span>soprano<\/span> Ekaterina<\/span> Aleksandrova<\/span> studied<\/span> singing<\/span> with<\/span> Prof<\/span>.<\/span> Hedwig<\/span> Fassbender<\/span>,<\/span> Prof<\/span>.<\/span> Kelly<\/span>–<\/span>Moog<\/span> and<\/span> Prof<\/span>.<\/span> Michelle<\/span> Breedt<\/span> at<\/span> the<\/span> University<\/span> of<\/span> Music<\/span> and<\/span> Performing<\/span> Arts<\/span> in<\/span> Frankfurt<\/span> am<\/span> Main<\/span>.<\/span> She<\/span> supplemented<\/span> her<\/span> studies<\/span> with<\/span> master<\/span> classes<\/span> with<\/span> Margreet<\/span> Honig<\/span>,<\/span> Helmut<\/span> German<\/span>,<\/span> Linda<\/span> Watson<\/span>,<\/span> Camilla<\/span> Nylund<\/span> and<\/span> Barbara<\/span> Frittoli<\/span>.<\/span> She<\/span> was<\/span> a<\/span> scholarship<\/span> holder<\/span> of<\/span> the<\/span> Yehudi<\/span> Menuhin<\/span> Live<\/span> Music<\/span> Now<\/span> Frankfurt<\/span> am<\/span> Main<\/span> and<\/span> the<\/span> Giovanni<\/span> Omodeo<\/span> Foundation<\/span>.<\/span><\/div>\n<\/div>\n<\/div>\n
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2026-02-16<\/em><\/div>\n<\/div>\n<\/div>\n

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Media<\/h2>\n

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Nobles Seigneurs, salut – G. Meyerbeer. Les Huguenots
\n<\/span>Ville Enckelmann, Piano<\/span><\/h5>\n

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Die Loreley – C. Schumann
\nVille Enckelmann, Piano<\/h5>\n

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Voi che sapete – W.A. Mozart. Le nozze di Figaro
\n<\/span><\/span>Lukas Rommelspracher, Piano<\/span><\/span><\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nMerc\u00e9d\u00e8s<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nLUCIA DI LAMMERMOOR<\/td>\nAlisa<\/em><\/td>\n<\/tr>\n
Gluck<\/strong><\/td>\nORFEO ED EURIDICE<\/td>\nOrfeo<\/em><\/td>\n<\/tr>\n
H\u00e4ndel<\/strong><\/td>\nGIULIO CESARE IN EGITTO<\/td>\nSesto<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nH\u00e4nsel, Sandm\u00e4nnchen<\/em><\/td>\n<\/tr>\n
Jan\u00e1cek<\/strong><\/td>\nKATJA KABANOWA<\/td>\nGl\u00e1\u0161a<\/em><\/td>\n<\/tr>\n
Korngold<\/strong><\/td>\nDIE TOTE STADT<\/td>\nLucienne<\/em><\/td>\n<\/tr>\n
Massenet<\/strong><\/td>\nWERTHER<\/td>\nCharlotte<\/em><\/td>\n<\/tr>\n
Montsalvatge<\/strong><\/td>\nDER GESTIEFELTE KATER<\/td>\nPrinzessin<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\nDorabella<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nZweite Dame<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CLEMENZA DI TITO<\/td>\nAnnio<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nCherubino<\/em><\/td>\n<\/tr>\n
Peri<\/strong><\/td>\nL\u2019EURIDICE<\/td>\nArcetro<\/em><\/td>\n<\/tr>\n
Purcell<\/strong><\/td>\nTHE FAIRY QUEEN<\/td>\nHelena<\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\nRosina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIL VIAGGIO A REIMS<\/td>\nMarquise Melibea<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CENERENTOLA<\/td>\nAngelina<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nLA TRAVIATA<\/td>\nAnnina, Flora\u00a0<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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DEUTSCHES NATIONALTHEATER WEIMAR \u2013 GOLD! (PREMIERE)<\/a><\/h3>Ekaterina Aleksandrova<\/a><\/span><\/div><\/div><\/div>

DEUTSCHES NATIONALTHEATER WEIMAR \u2013 GOLD! (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>28. March 2026<\/abbr><\/span>Ekaterina Aleksandrova<\/a><\/span><\/div>
Ekaterina Aleksandrova | Mezzo-soprano<\/div>
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DEUTSCHES NATIONALTHEATER WEIMAR \u2013 DIE TOTE STADT (PREMIERE)<\/a><\/h3>Ekaterina Aleksandrova<\/a><\/span><\/div><\/div><\/div>

DEUTSCHES NATIONALTHEATER WEIMAR \u2013 DIE TOTE STADT (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>24. February 2026<\/abbr><\/span>Ekaterina Aleksandrova<\/a><\/span><\/div>
Ekaterina Aleksandrova | Lucienne<\/div>
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DEUTSCHES NATIONALTHEATER WEIMAR \u2013 LE BARBIER DE S\u00c9VILLE (PREMIERE)<\/a><\/h3>Ekaterina Aleksandrova<\/a><\/span><\/div><\/div><\/div>

DEUTSCHES NATIONALTHEATER WEIMAR \u2013 LE BARBIER DE S\u00c9VILLE (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>17. February 2026<\/abbr><\/span>Ekaterina Aleksandrova<\/a><\/span><\/div>
Ekaterina Aleksandrova | Rosina<\/div>
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EKATERINA ALEKSANDROVA<\/a><\/h3>Ekaterina Aleksandrova<\/a><\/span><\/div><\/div><\/div>

EKATERINA ALEKSANDROVA<\/a><\/h3>
By Agentur<\/a><\/span>16. February 2026<\/abbr><\/span>Ekaterina Aleksandrova<\/a><\/span><\/div>
Ekaterina Aleksandrova | Mezzo-soprano<\/div>
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Press<\/h2>\n

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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere The Fritjof Saga Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Andreas Herrmann pr\u00e4sentiert einen klangsch\u00f6nen, strahlenden Tenor… Die deutsche B\u00fchne by Andreas...<\/div>
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DORA PEJA\u010cEVI\u0106 – COMPLETE SYMPHONIC WORKS<\/a><\/h3>
By Agentur<\/a><\/span>11. March 2026<\/abbr><\/span><\/div>
Complete Symphonic Works Dora Peja\u010devi\u0107 regarded her Symphony as her most important work. Yet at its premiere, one crucial detail was missing: her full name. In the programmes for the first performances in Vienna and Dresden, only \u201cD. Pejacsevich\u201d was listed. Why did the composer...<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text css=””]<\/p>\n

Photos<\/h2>\n

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[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”109352,109350,109353,109449″ img_size=”200×200″ css=”.vc_custom_1772094980359{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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