{"id":108924,"date":"2025-11-27T17:36:11","date_gmt":"2025-11-27T16:36:11","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=108924"},"modified":"2026-09-08T20:48:07","modified_gmt":"2026-09-08T18:48:07","slug":"samuel-chan-bariton","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/samuel-chan-bariton\/","title":{"rendered":"Samuel Chan (Baritone)"},"content":{"rendered":"

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Samuel Chan<\/h2>\n

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Vita<\/h2>\n

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The 2026\/27 season marks a new chapter in the career of Canadian baritone Samuel Chan. After several years as a permanent member of the ensemble, he remains closely associated with Theater Kiel as a regular guest while continuing to expand his international career. In Kiel, he appears as Wolfram von Eschenbach in a new production of Wagner\u2019s TANNH\u00c4USER and later in the season returns as Schl\u00e9mil in LES CONTES D\u2019HOFFMANN. Further projects at the house include concert appearances, among them the AIDS QUILT SONGBOOK and a programme of Bach cantatas with the Kiel Boys\u2019 Choir.<\/p>\n

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Chan also returns to Canada in the 2026\/27 season. At the Canadian Opera Company in Toronto, he appears in Richard Strauss\u2019 ARIADNE AUF NAXOS, while in November 2026 he sings Faur\u00e9\u2019s REQUIEM with the Thunder Bay Symphony Orchestra.<\/p>\n

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Following his first engagements at Theater Kiel from 2020, Samuel Chan was a permanent member of the company\u2019s music-theatre ensemble from the 2021\/22 season until summer 2026. During his time there, he built a wide-ranging repertoire including Papageno in DIE ZAUBERFL\u00d6TE, Guglielmo in COS\u00cc FAN TUTTE, Robert in JOLANTHE, Lescaut in MANON LESCAUT, Marcello in LA BOH\u00c8ME, Dandini in LA CENERENTOLA, Ottokar in DER FREISCH\u00dcTZ, Faninal in DER ROSENKAVALIER, Dr Falke in DIE FLEDERMAUS, Malatesta in DON PASQUALE, Marco in GIANNI SCHICCHI and Belcore in L\u2019ELISIR D\u2019AMORE.<\/p>\n

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Further guest engagements have taken him to the Canadian Opera Company, Musiktheater im Revier, Theater Basel, Deutsche Oper am Rhein, Landestheater Detmold and Saskatoon Opera. His repertoire at these companies has included roles such as Marcello in LA BOH\u00c8ME, Ford in FALSTAFF, Robert in JOLANTHE, Guglielmo in COS\u00cc FAN TUTTE, Lescaut in MANON LESCAUT and Dandini in LA CENERENTOLA.<\/p>\n

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Alongside his operatic work, Samuel Chan maintains an extensive concert and recital repertoire. His repertoire includes Beethoven\u2019s Ninth Symphony, Handel\u2019s MESSIAH, Faur\u00e9\u2019s REQUIEM, Bach\u2019s ST JOHN PASSION and MASS IN B MINOR, as well as Vaughan Williams\u2019 FIVE MYSTICAL SONGS. He has appeared with ensembles and orchestras including the Philharmonisches Orchester Kiel, Toronto Symphony Orchestra and Freie Akademie der K\u00fcnste Hamburg. In 2025, as part of the COC Free Concert Series, he presented his own recital project IDENTIT\u00c4T \/ \u500b\u6027, exploring Chinese identity within the context of Western opera.<\/p>\n

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Samuel Chan trained at the University of Cincinnati College-Conservatory of Music and as a member of the Canadian Opera Company\u2019s Ensemble Studio. Further studies took him to the Ravinia Steans Music Institute, National Arts Centre Ottawa, Highlands Opera Studio and Toronto Summer Music Festival.<\/p>\n

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CBC Music has recognised Samuel Chan as one of Canada\u2019s leading classical artists. Critics have praised his \u201csmooth and powerful voice\u201d (Neue Musikzeitung) and his \u201celegant, lyrical baritone\u201d (Das Opernglas).<\/p>\n

2026-08-31<\/em><\/p>\n

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Media<\/h2>\n

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This Site is still under construction.<\/h4>\n

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Repertoire<\/h2>\n

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Opera<\/div>
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Bizet<\/strong><\/td>\nCARMEN<\/td>\nMoral\u00e8s<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nDON PASQUALE<\/td>\nMalatesta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nL’ELISIR D’AMORE<\/td>\nBelcore<\/em><\/td>\n<\/tr>\n
Hal\u00e9vy<\/strong><\/td>\nLA JUIVE<\/td>\nAlbert<\/em><\/td>\n<\/tr>\n
K\u00fcnneke<\/strong><\/td>\nDER VETTER AUS DINGSDA<\/td>\nDiener Hans<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nAMAHL AND THE NIGHT VISITORS<\/td>\nPage <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTHE OLD MAID AND THE THIEF<\/td>\nBob<\/em><\/td>\n<\/tr>\n
Monteverdi<\/strong><\/td>\nL’ORFEO<\/td>\nApollon, Pastore I<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\nGuglielmo<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nPapageno<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nConte Almaviva<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nL’OCA DEL CAIRO<\/td>\nCalandrino<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nZAIDE<\/td>\nAllazim<\/em><\/td>\n<\/tr>\n
Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/td>\nFarfarello, Pantalon<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nGIANNI SCHICCHI<\/td>\nMarco<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA BOH\u00c3\u02c6ME<\/td>\nMarcello<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMADAMA BUTTERFLY<\/td>\nImperial commissioner, Yamadori<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMANON LESCAUT<\/td>\nLescaut<\/em><\/td>\n<\/tr>\n
Purcell<\/strong><\/td>\nDIDO UND AENEAS<\/td>\nAeneas, Sailor<\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\nFigaro<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CENERENTOLA<\/td>\nDandini<\/em><\/td>\n<\/tr>\n
Sollima<\/strong><\/td>\nDAS SCHUNGELBUCH<\/td>\nGurilla <\/em><\/td>\n<\/tr>\n
Strauss II<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nDr. Falke<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARABELLA<\/td>\nGraf Lamoral<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nHerr von Faninal<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nELEKTRA<\/td>\nPfleger des Orest<\/em><\/td>\n<\/tr>\n
Strawinsky<\/strong><\/td>\nLE ROSSIGNOL<\/td>\n2nd Japanese emissary<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRENARD<\/td>\nBass 1<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nEugen Onegin<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nJOLANTHE<\/td>\nRobert <\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nFALSTAFF<\/td>\nFord<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nBaron Douphol<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nOTELLO<\/td>\nMontano<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\nMarullo<\/em><\/td>\n<\/tr>\n
Vollmer<\/strong><\/td>\nBUDDENBROOKS<\/td>\nvon Trotha<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nTANNH\u00c3\u201eUSER<\/td>\nWolfram<\/em><\/td>\n<\/tr>\n
Wainwright<\/strong><\/td>\nHADRIAN<\/td>\nSycophantic Senator<\/em><\/td>\n<\/tr>\n
Weber<\/strong><\/td>\nDER FREISCH\u00c3\u0153TZ<\/td>\nOttokar<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Concert<\/div>
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Johann Sebastian Bach<\/strong><\/td>\nIch habe genug (BWV 82)<\/td>\n<\/tr>\n
\u00a0<\/td>\nh-Moll-Messe (BWV 232)<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nSinfonie Nr. 9 d-moll op.125<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nEin deutsches Requiem<\/td>\n<\/tr>\n
Benjamin Britten<\/strong><\/td>\nWar Requiem op. 66<\/td>\n<\/tr>\n
Gabriel Faur\u00e9<\/span><\/strong><\/td>\nRequiem op. 48<\/td>\n<\/tr>\n
Gerald Finzi <\/strong><\/td>\nRequiem da Camera<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel<\/strong><\/td>\nMessiah (HWV 56)<\/td>\n<\/tr>\n
David Lang<\/strong><\/td>\nThe Little Match Girl Passion<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nKr\u00f6nungsmesse in C-Dur (KV 317)<\/td>\n<\/tr>\n
Arvo P\u00e4rt<\/strong><\/td>\nPassio<\/td>\n<\/tr>\n
Ralph Vaughan Williams<\/strong><\/td>\nFive Mystical Songs<\/td>\n<\/tr>\n
\u00a0<\/td>\nSerenade to Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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\"Samuel

THEATER KIEL – TANNH\u00c4USER (PREMIERE)<\/a><\/h3>Samuel Chan<\/a><\/span><\/div><\/div><\/div>

THEATER KIEL – TANNH\u00c4USER (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>26. August 2026<\/abbr><\/span>Samuel Chan<\/a><\/span><\/div>
Samuel Chan | Wolfram von Eschinbach<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div>
\"Samuel

THEATER KIEL – DON PASQUALE<\/a><\/h3>Samuel Chan<\/a><\/span><\/div><\/div><\/div>

THEATER KIEL – DON PASQUALE<\/a><\/h3>
By Agentur<\/a><\/span>29. April 2026<\/abbr><\/span>Samuel Chan<\/a><\/span><\/div>
Samuel Chan | Malatesta<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div>
\"Samuel

THEATER\u00a0 KIEL – L\u2019ELISIR D\u2019AMORE (PREMIERE)<\/a><\/h3>Samuel Chan<\/a><\/span><\/div><\/div><\/div>

THEATER\u00a0 KIEL – L\u2019ELISIR D\u2019AMORE (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>24. February 2026<\/abbr><\/span>Samuel Chan<\/a><\/span><\/div>
Samuel Chan | Belcore<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div>
\"Samuel

SAMUEL CHAN<\/a><\/h3>Samuel Chan<\/a><\/span><\/div><\/div><\/div>

SAMUEL CHAN<\/a><\/h3>
By Agentur<\/a><\/span>27. November 2025<\/abbr><\/span>Samuel Chan<\/a><\/span><\/div>
Samuel Chan | Bariton<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text]<\/p>\n

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Press<\/h2>\n

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Fotos<\/h2>\n

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