{"id":108924,"date":"2025-11-27T17:36:11","date_gmt":"2025-11-27T16:36:11","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=108924"},"modified":"2025-11-29T16:12:42","modified_gmt":"2025-11-29T15:12:42","slug":"samuel-chan-bariton","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/samuel-chan-bariton\/","title":{"rendered":"Samuel Chan (Baritone)"},"content":{"rendered":"

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Samuel Chan<\/h2>\n

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Vita<\/h2>\n

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Recognised as one of CBC Music’s Top Canadian Classical Musicians, Samuel Chan has been praised by critics for his \u201cagile and powerful\u201d (Neue Musik Zeitung) & \u201celegant and melodious baritone voice.\u201d (Das Opernglas Magazin). Originally from Calgary, with overseas-Chinese ethnic roots, Samuel is establishing himself with a diverse career internationally.<\/span><\/p>\n

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A member of the Musiktheater Ensemble at Theater Kiel since 2020, Samuel\u2019s upcoming 25\/26 repertory season includes role debuts as Marco in Gianni Schicchi (Il Trittico); Belcore in Elisir d\u2019amore; and resumptions of Malatesta in Don Pasquale. The 24\/25 repertory season roles included Faninal in der Rosenkavalier; Dr. Falke in die Fledermaus; Malatesta in Don Pasquale; Ottokar in der Freisch\u00fctz; Papageno in die Zauberfl\u00f6te; and Baron Douphol in La Traviata. He recently made a welcome return to the Canadian Opera Company (COC) as both the imperial commissioner and Prince Yamadori, and jumped into the role of Dandini for Landestheater Detmold\u2019s La Cenerentola.<\/span><\/p>\n

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Recent repertory seasons have seen Samuel in critically lauded performances as Marcello in La Boh\u00e8me; Dandini in La Cenerentola; Ford in Falstaff; and Papageno in Die Zauberfl\u00f6te. Past roles in repertory include Robert in Iolanta (including a role jump-in at Musiktheater im Revier); Lescaut in Manon Lescaut; Guglielmo in Cos\u00ec fan tutte; Montano in Otello; Albert in La Juive; Pantalon\/Farfarello in L\u2019amour des trois oranges; the Gurilla in the world premiere of Giovanni Sollima\u2019s Das Dschungelbuch; and Hans in Der Vetter aus Dingsda. He has recently worked with directors Renaud Doucet, Jordan Lee Braun, Sarah Kohrs, Alexandra Leidtke, Luise Kautz, Daniel Karasek, and Jean-Romain Vesperini, alongside musical collaborations with conductors Rani Calderon, Daniel Carlberg, Francesco Cilluffo, Gabriel Feltz (GMD), Benjamin Reiners (GMD), and Keri-Lynn Wilson.<\/span><\/p>\n

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Other past engagements include a jump-in role debut at the Canadian Opera Company as the title character in Rossini’s Il barbiere di Siviglia, under the baton of Maestra Speranza Scappucci, new opera workshops for FAWN Chamber Creative, Tapestry Opera and City Opera Vancouver, and Dr. Falke in Die Fledermaus for Saskatoon Opera. A graduate of the COC Ensemble Studio, Samuel\u2019s roles included Marcello\/Sergeant in La Boh\u00e8me; Dad in Ana Sokolovic\u2019s The Old Fools (workshop); the Sycophantic Senator in the world premiere of Hadrian; the Captain in Eugene Onegin; the 2nd Japanese Envoy in The Nightingale and Other Fables; and the Usher in Rigoletto. Other past operatic engagements include Moral\u00e8s in Carmen (Brott Music Festival); Don Asdrubale\/Calandrino\/Gomatz in Lo sposo deluso\/L\u2019oca del Cairo\/Zaide (City Opera Vancouver); and Pastore II\/Apollo in L\u2019Orfeo (Cincinnati Chamber Opera).<\/span><\/p>\n

Samuel\u2019s concert and recital repertoire includes Beethoven\u2019s Symphony No. 9; Handel\u2019s Messiah; Faur\u00e9\u2019s Requiem; Arvo P\u00e4rt\u2019s Passio; Monteverdi\u2019s Selva morale et spirituale \/ Vespers; Bach\u2019s St John Passion \/ B Minor Mass; and Vaughan Williams\u2019 Serenade to Music \/ Five Mystical Song, with organisations such as the Philharmonisches Orchester Kiel, Freie Akademie der K\u00fcnste Hamburg, Toronto Mendelssohn Choir with the Toronto Symphony Orchestra. He as recently launched the recital project Identit\u00e4t\/\u500b\u6027, a retrospective of the Chinese Ethnic Identity in Western Opera, with its first performance at the COC Free Concert Series with pianist Rachael Kerr.<\/span><\/p>\n

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Samuel\u2019s academic studies were completed with a focus on Concert repertoire\/Art Song. He has been recognized for this affinity with 2nd Place in Lieder and 3rd Place in Oratorio at the 2019 Stella Maris International Vocal Competition. Other competition highlights include 2nd Place in the COC\u2019s Ensemble Studio Competition, and a district win\/encouragement award from the Metropolitan Opera National Council Auditions\u2019 Western Canada\/Ohio district respectively. Samuel received his Bachelor of Music from the University of Cincinnati College-Conservatory of Music. He has had further training at the National Arts Centre\u2019s Young Artist Programme, Highlands Opera Studio, the Vancouver International Song Institute, Ravinia\u2019s Steans Music Institute, and the Toronto Summer Music Festival.<\/span><\/p>\n

2025-11-26<\/em><\/p>\n

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Media<\/h2>\n

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This Site is still under construction.<\/h4>\n

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Repertoire<\/h2>\n

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Opera<\/div>
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Bizet<\/strong><\/td>\nCARMEN<\/td>\nMoral\u00e8s<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nDON PASQUALE<\/td>\nMalatesta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nL’ELISIR D’AMORE<\/td>\nBelcore<\/em><\/td>\n<\/tr>\n
Hal\u00e9vy<\/strong><\/td>\nLA JUIVE<\/td>\nAlbert<\/em><\/td>\n<\/tr>\n
K\u00fcnneke<\/strong><\/td>\nDER VETTER AUS DINGSDA<\/td>\nDiener Hans<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nAMAHL AND THE NIGHT VISITORS<\/td>\nPage <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nTHE OLD MAID AND THE THIEF<\/td>\nBob<\/em><\/td>\n<\/tr>\n
Monteverdi<\/strong><\/td>\nL’ORFEO<\/td>\nApollon, Pastore I<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nCOS\u00cc FAN TUTTE<\/td>\nGuglielmo<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nPapageno<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nConte Almaviva<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nL’OCA DEL CAIRO<\/td>\nCalandrino<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nZAIDE<\/td>\nAllazim<\/em><\/td>\n<\/tr>\n
Prokofjew<\/strong><\/td>\nDIE LIEBE ZU DEN 3 ORANGEN<\/td>\nFarfarello, Pantalon<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nGIANNI SCHICCHI<\/td>\nMarco<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA BOH\u00c3\u02c6ME<\/td>\nMarcello<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMADAMA BUTTERFLY<\/td>\nImperial commissioner, Yamadori<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nMANON LESCAUT<\/td>\nLescaut<\/em><\/td>\n<\/tr>\n
Purcell<\/strong><\/td>\nDIDO UND AENEAS<\/td>\nAeneas, Sailor<\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\nFigaro<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CENERENTOLA<\/td>\nDandini<\/em><\/td>\n<\/tr>\n
Sollima<\/strong><\/td>\nDAS SCHUNGELBUCH<\/td>\nGurilla <\/em><\/td>\n<\/tr>\n
Strauss II<\/strong><\/td>\nDIE FLEDERMAUS<\/td>\nDr. Falke<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nARABELLA<\/td>\nGraf Lamoral<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDER ROSENKAVALIER<\/td>\nHerr von Faninal<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nELEKTRA<\/td>\nPfleger des Orest<\/em><\/td>\n<\/tr>\n
Strawinsky<\/strong><\/td>\nLE ROSSIGNOL<\/td>\n2nd Japanese emissary<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRENARD<\/td>\nBass 1<\/em><\/td>\n<\/tr>\n
Tschaikowski<\/strong><\/td>\nEUGEN ONEGIN<\/td>\nEugen Onegin<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nJOLANTHE<\/td>\nRobert <\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nFALSTAFF<\/td>\nFord<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nBaron Douphol<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nOTELLO<\/td>\nMontano<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\nMarullo<\/em><\/td>\n<\/tr>\n
Vollmer<\/strong><\/td>\nBUDDENBROOKS<\/td>\nvon Trotha<\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nTANNH\u00c3\u201eUSER<\/td>\nWolfram<\/em><\/td>\n<\/tr>\n
Wainwright<\/strong><\/td>\nHADRIAN<\/td>\nSycophantic Senator<\/em><\/td>\n<\/tr>\n
Weber<\/strong><\/td>\nDER FREISCH\u00c3\u0153TZ<\/td>\nOttokar<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Concert<\/div>
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Johann Sebastian Bach<\/strong><\/td>\nIch habe genug (BWV 82)<\/td>\n<\/tr>\n
\u00a0<\/td>\nh-Moll-Messe (BWV 232)<\/td>\n<\/tr>\n
\u00a0<\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nSinfonie Nr. 9 d-moll op.125<\/td>\n<\/tr>\n
Johannes Brahms<\/strong><\/td>\nEin deutsches Requiem<\/td>\n<\/tr>\n
Benjamin Britten<\/strong><\/td>\nWar Requiem op. 66<\/td>\n<\/tr>\n
Gabriel Faur\u00e9<\/span><\/strong><\/td>\nRequiem op. 48<\/td>\n<\/tr>\n
Gerald Finzi <\/strong><\/td>\nRequiem da Camera<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel<\/strong><\/td>\nMessiah (HWV 56)<\/td>\n<\/tr>\n
David Lang<\/strong><\/td>\nThe Little Match Girl Passion<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart<\/strong><\/td>\nKr\u00f6nungsmesse in C-Dur (KV 317)<\/td>\n<\/tr>\n
Arvo P\u00e4rt<\/strong><\/td>\nPassio<\/td>\n<\/tr>\n
Ralph Vaughan Williams<\/strong><\/td>\nFive Mystical Songs<\/td>\n<\/tr>\n
\u00a0<\/td>\nSerenade to Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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News & Infos<\/h2>\n

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\"Samuel

THEATER KIEL – DON PASQUALE<\/a><\/h3>Samuel Chan<\/a><\/span><\/div><\/div><\/div>

THEATER KIEL – DON PASQUALE<\/a><\/h3>
By Agentur<\/a><\/span>29. April 2026<\/abbr><\/span>Samuel Chan<\/a><\/span><\/div>
Samuel Chan | Malatesta<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div>
\"Samuel

THEATER\u00a0 KIEL – L\u2019ELISIR D\u2019AMORE (PREMIERE)<\/a><\/h3>Samuel Chan<\/a><\/span><\/div><\/div><\/div>

THEATER\u00a0 KIEL – L\u2019ELISIR D\u2019AMORE (PREMIERE)<\/a><\/h3>
By Agentur<\/a><\/span>24. February 2026<\/abbr><\/span>Samuel Chan<\/a><\/span><\/div>
Samuel Chan | Belcore<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div>
\"Samuel

SAMUEL CHAN<\/a><\/h3>Samuel Chan<\/a><\/span><\/div><\/div><\/div>

SAMUEL CHAN<\/a><\/h3>
By Agentur<\/a><\/span>27. November 2025<\/abbr><\/span>Samuel Chan<\/a><\/span><\/div>
Samuel Chan | Bariton<\/div>
Mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text]<\/p>\n

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Press<\/h2>\n

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Fotos<\/h2>\n

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