{"id":106507,"date":"2024-04-03T15:38:29","date_gmt":"2024-04-03T13:38:29","guid":{"rendered":"https:\/\/agentur-seifert.de\/?page_id=106507"},"modified":"2025-09-01T16:35:40","modified_gmt":"2025-09-01T14:35:40","slug":"iris-marie-sojer-mezzosoprano","status":"publish","type":"page","link":"https:\/\/agentur-seifert.de\/en\/our-artists\/iris-marie-sojer-mezzosoprano\/","title":{"rendered":"Iris Marie Sojer (Mezzosoprano)"},"content":{"rendered":"

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Iris Marie Sojer<\/h2>\n

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Vita<\/h2>\n

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Mezzo-soprano Iris Marie Sojer commands a wide-ranging repertoire, spanning classic trouser roles to lyrical and dramatic characters. Her roles include Charlotte (Werther), Cherubino (Le nozze di Figaro), Rosina (Il barbiere di Siviglia), Sesto (Giulio Cesare in Egitto), Maddalena (Rigoletto), Zerlina (Don Giovanni), Tisbe (La Cenerentola), M\u00e9lisande (Pell\u00e9as et M\u00e9lisande), Lola (Cavalleria rusticana), the Second Lady (Die Zauberfl\u00f6te), and Laura (Jolanthe).<\/p>\n

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She has appeared as a guest artist with Theater Basel, Theater Erfurt, the Aalto-Theater Essen, Musiktheater im Revier Gelsenkirchen, B\u00fchnen Bern, and Stadttheater Klagenfurt. Earlier in her career, she was a member of the Opera Studio at the Nationaltheater Mannheim and later joined the ensemble of Oper Wuppertal, before embarking on a freelance career in 2023.<\/p>\n

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Iris Marie Sojer is a prizewinner of the Enno and Christa Springmann Foundation and a recipient of a scholarship from the Richard Wagner Association. She was also nominated as \u201cBest Young Singer\u201d in the WELT\u2019s North Rhine-Westphalia critics\u2019 poll in 2018\/19.<\/p>\n

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She trained at the University of the Arts Berlin with Prof. Elisabeth Werres and at the University of Music and Performing Arts Munich with KS Prof. Christiane Iven.<\/p>\n

2025-08-11<\/em><\/p>\n

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Media<\/h2>\n

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Brahms: Meine Liebe ist gr\u00fcn Op.63 Nr.5<\/h5>\n

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Mahler: Blicke mir nicht in die Lieder<\/h5>\n

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Schubert: Gretchen am Spinnrade (Arr. Reger)<\/h5>\n

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Repertoire<\/h2>\n

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Opera \/ Operetta<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Bellini<\/strong><\/td>\nNORMA<\/td>\nClotilde<\/em><\/td>\n<\/tr>\n
Bizet<\/strong><\/td>\nCARMEN<\/td>\nMerc\u00e9d\u00e8s<\/em><\/td>\n<\/tr>\n
Debussy<\/strong><\/td>\nPELLEAS ET MELISANDE<\/td>\nMelisande<\/em><\/td>\n<\/tr>\n
Donizetti<\/strong><\/td>\nLUCIA DI LAMMERMOOR<\/td>\nAlisa<\/em><\/td>\n<\/tr>\n
Gilbert & Sullivan<\/strong><\/td>\nTHE PIRATES OF PENZANCE<\/td>\nEdith<\/em><\/td>\n<\/tr>\n
H\u00e4ndel<\/strong><\/td>\nGIULIO CESARE IN EGITTO<\/td>\nSesto<\/em><\/td>\n<\/tr>\n
Haydn<\/strong><\/td>\nL’ISOLA DISABITATA<\/td>\nSilvia<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nORLANDO PALADINO<\/td>\nAlcina<\/em><\/td>\n<\/tr>\n
Humperdinck<\/strong><\/td>\nH\u00c4NSEL UND GRETEL<\/td>\nSandm\u00e4nnchen<\/em><\/td>\n<\/tr>\n
Korngold<\/strong><\/td>\nDIE TOTE STADT<\/td>\nLucienne<\/em><\/td>\n<\/tr>\n
Loewe<\/strong><\/td>\nMY FAIR LADY<\/td>\nEliza Doolittle<\/em><\/td>\n<\/tr>\n
Martinu<\/strong><\/td>\nLES TROIS SOUHAITS<\/td>\nDinah<\/em><\/td>\n<\/tr>\n
Mascagni<\/strong><\/td>\nCAVALLERIA RUSTICANA<\/td>\nLola<\/em><\/td>\n<\/tr>\n
Massenet<\/strong><\/td>\nWERTHER<\/td>\nCharlotte<\/em><\/td>\n<\/tr>\n
Mozart<\/strong><\/td>\nDIE ZAUBERFL\u00d6TE<\/td>\nZweite Dame, Dritte Dame<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nDON GIOVANNI<\/td>\nZerlina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLE NOZZE DI FIGARO<\/td>\nCherubino<\/em><\/td>\n<\/tr>\n
Puccini<\/strong><\/td>\nMADAMA BUTTERFLY<\/td>\nKate Pinkerton<\/em><\/td>\n<\/tr>\n
Rossini<\/strong><\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\nBerta<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nIL BARBIERE DI SIVIGLIA<\/td>\nRosina<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA CENERENTOLA<\/td>\nTisbe<\/em><\/td>\n<\/tr>\n
Sciarrino<\/strong><\/td>\nIL CANTO S\u2019ATTRISTA, PERCHE\u00b4?<\/td>\nClitemestra<\/em><\/td>\n<\/tr>\n
Strauss<\/strong><\/td>\nELEKTRA<\/td>\n 2. Magd<\/em><\/td>\n<\/tr>\n
Verdi<\/strong><\/td>\nAIDA<\/td>\nUna sacerdotessa<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLA TRAVIATA<\/td>\nFlora <\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nLUISA MILLER<\/td>\nLaura<\/em><\/td>\n<\/tr>\n
\u00a0<\/td>\nRIGOLETTO<\/td>\nMaddalena <\/em><\/td>\n<\/tr>\n
Wagner<\/strong><\/td>\nPARSIFAL<\/td>\nBlumenm\u00e4dchen<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>

KONZERT<\/div>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Johann Sebastian Bach<\/strong><\/td>\n“Weinen, Klagen, Sorgen, Zagen” (BWV 12)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n“Schwingt freudig euch empor” (BWV 36)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n“Erfreut euch, ihr Herzen” (BWV 66)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n“Es ist euch gut, da\u00df ich hingehe” (BWV 108)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n“Wo Gott der Herr nicht bei uns h\u00e4lt” (BWV 178)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMatth\u00e4us-Passion (BWV 244)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nJohannes-Passion (BWV 245)<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nWeihnachtsoratorium (BWV 248)<\/td>\n<\/tr>\n
Ludwig van Beethoven<\/strong><\/td>\nChorfantasie c-Moll op. 80<\/td>\n<\/tr>\n
Nicolaus Bruhns
\n<\/strong><\/td>\n		\u201cHemmt eure Thr\u00e4nenflut\u201d<\/td>\n<\/tr>\n
Maurice Durufl\u00e9
\n<\/strong><\/td>\n		Requiem op. 9<\/td>\n<\/tr>\n
Georg Friedrich H\u00e4ndel<\/strong><\/td>\nMessiah, HWV 56<\/td>\n<\/tr>\n
Lutz-Werner Hesse<\/strong><\/td>\n\u201eIch habe dich gew\u00e4hlt\u201c Sinf. Gedicht<\/td>\n<\/tr>\n
Felix Mendelssohn Bartholdy<\/strong><\/td>\nElias op. 70<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nMagnificat in D<\/td>\n<\/tr>\n
Wolfgang Amadeus Mozart
\n<\/strong><\/td>\n		Requiem in d-Moll. KV 626<\/td>\n<\/tr>\n
Giovanni Battista Pergolesi<\/strong><\/td>\nStabat mater<\/td>\n<\/tr>\n
Camille Saint-Sa\u00ebns
\n<\/strong><\/td>\n		Oratorio de No\u00ebl, op. 12<\/td>\n<\/tr>\n
Igor Strawinsky<\/strong><\/td>\nPulcinella<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”news” in_content_menu=”in_content_menu” content_menu_title=”NEWS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text]<\/p>\n

News & Infos<\/h2>\n

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SINFONIEORCHESTER WUPPERTAL – 2. CHORKONZERT<\/a><\/h3>Iris Marie Sojer<\/a><\/span><\/div><\/div><\/div>

SINFONIEORCHESTER WUPPERTAL – 2. CHORKONZERT<\/a><\/h3>
By Agentur<\/a><\/span>2. December 2024<\/abbr><\/span>Iris Marie Sojer<\/a><\/span><\/div>
Iris Marie Sojer |\u00a0Mezzo-soprano (Holy Mary)<\/div>
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Presse<\/h2>\n

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DER RING DES NIBELUNGEN \u2013 DEUTSCHE OPER BERLIN (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>14. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on: Das Rheingold \u2013 May 16, 2026 & May 26, 2026 | Die Walk\u00fcre \u2013 May 17, 2026 & May 27, 2026 | G\u00f6tterd\u00e4mmerung \u2013 May 25, 2026 & May 31, 2026 [\/vc_column_text][vc_separator type=”small” position=”center” separator_color2=”#000000″][vc_column_text css=””]...<\/div>
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RICHARD STRAUSS \u2013 INTERMEZZO<\/a><\/h3>
By Agentur<\/a><\/span>9. June 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_single_image image=”109998″ img_size=”large” alignment=”center” css=”” qode_css_animation=””][vc_custom_heading text=”Richard STRAUSS (1864\u20131949) Intermezzo A bourgeois comedy with symphonic interludes in two acts (1924) Libretto by the composer” font_container=”tag:h4|text_align:left” google_fonts=”font_family:Balthazar%3Aregular|font_style:400%20regular%3A400%3Anormal” css=””][vc_column_text css=””] Richard Strauss summed up his two-act opera Intermezzo as a \u2018bourgeois comedy...<\/div>
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HERZOG BLAUBARTS BURG (PREMIERE) – HAMBURGISCHE STAATSOPER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>19. April 2026<\/abbr><\/span><\/div>
[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text][English][\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” css_animation=””][vc_column][vc_column_text css=””] Performances on 12.04.2026 (Premiere), 15th \/ 17th \/ 22nd \/ 25th April & 15th \/ 20th and 22nd May 2026 [\/vc_column_text][vc_separator type=”small” position=”center”][vc_column_text css=””] Here are the most relevant quotes from reviews in...<\/div>
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FRITHJOF-SAGA (PREMIERE) – AALTO MUSIKTHEATER (REVIEWS)<\/a><\/h3>
By Agentur<\/a><\/span>12. March 2026<\/abbr><\/span><\/div>
World premiere Die Fritjof-Saga \u00c2\u00a0 Opera in three acts by Elfrida Andr\u00e9e Libretto by Selma Lagerl\u00f6f based on the verse epic by Esaias Tegn\u00e9r Der Opernfreund\u00a0by Sebastian Jacobs Essen: \u201eDie Fritjof-Saga\u201c, Elfrida\u00a0Andr\u00e9e …Friedemann R\u00f6hlig als K\u00f6nig Helge kleidet die Rolle mit viel Kraft und dennoch...<\/div>
mehr lesen<\/a><\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”fotos” in_content_menu=”in_content_menu” content_menu_title=”FOTOS” content_menu_icon=”” text_align=”center” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”30″ css_animation=””][vc_column][vc_column_text]<\/p>\n

Fotos<\/h2>\n

[\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_gallery images=”106451,106453,106455,106457″ img_size=”200×200″ css=”.vc_custom_1711515820433{padding-top: 15px !important;}” column_number=”4″ type=”image_grid” grayscale=”no”][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”row” type=”full_width” in_content_menu=”” text_align=”left” background_color=”#f8f8f8″ padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Iris Marie Sojer [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][\/vc_column][\/vc_row][vc_row row_type=”row” type=”grid” anchor=”vita” in_content_menu=”in_content_menu” content_menu_title=”VITA” content_menu_icon=”” text_align=”center” background_color=”#ffffff” padding_top=”15″ padding_bottom=”15″ css_animation=””][vc_column][vc_column_text] Vita [\/vc_column_text][vc_separator type=”small” separator_width=”26″ position=”center” up=”15″ down=”15″][vc_column_text css=””] Mezzo-soprano Iris Marie Sojer commands a wide-ranging repertoire,…<\/p>\n","protected":false},"author":4,"featured_media":106454,"parent":82134,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"kk_blocks_editor_width":"","_kiokenblocks_attr":"","_kiokenblocks_dimensions":"","footnotes":""},"class_list":["post-106507","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/106507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/comments?post=106507"}],"version-history":[{"count":11,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/106507\/revisions"}],"predecessor-version":[{"id":108573,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/106507\/revisions\/108573"}],"up":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/pages\/82134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media\/106454"}],"wp:attachment":[{"href":"https:\/\/agentur-seifert.de\/en\/wp-json\/wp\/v2\/media?parent=106507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}